fountain

Captain of the Special Patrol of the Jardinage Chamber in Fontaine. She firmly believes in her own understanding of justice and is not ready to compromise when it comes to protecting citizens. Her approach to order may seem harsh, but she is guided by the principle that it is better to prevent danger than to deal with its consequences. She works with Pyro and Electro characters and specializes in the Overload reaction, turning this usually destructive reaction into a tool to control and strengthen the team.
The colors are deep dark blue and black tones with contrasting scarlet and gold accents: this is both a status and a hint of her element.
Details are the main attribute: a musket, which she uses as a weapon and as a symbol of her position. The costume has elements that resemble a uniform: rigid lines, epaulettes, belts, fasteners.
Face and posture are a calm but strong-willed expression; a straight look, without excessive softness, as if it calculates in advance where a threat may arise. Chevreuse does not change his views for the sake of convenience. If she decides that something threatens the order, she will act — and will not apologize for being harsh.
Responsibility and composure. She doesn't just "give orders": she knows how everything works in her patrol, and she herself is ready to be on the front line.
Pragmatism. For her, emotions are not an argument, and facts and risks are the basis for decisions. She does not seek to be liked, it is more important for her that the system works. Her concern for her subordinates and the people of Fontaine is manifested not in warm words, but in the fact that she tries to prevent trouble. For her, "protecting" means preventing a threat from occurring.Chevreuse is the face of the Special Patrol, which deals with the most dangerous and delicate cases, where conventional methods do not work. Her reputation is ambiguous: some see her as a reliable pillar of order, while others see her as too uncompromising a figure.

A reporter for the Steambird newspaper from Fontaine. She has time for everything, notices everything and knows how to present the story in such a way that it is read even by those who usually do not take newspapers. For Charlotte, truth is not only facts, but also emotions: she wants people not only to know about the event, but to feel it. At the same time, she is not a dispassionate chronicler: she has her own view of justice, and she is not afraid to show it - but she does it through articles, not through high-profile scenes.
The image of Charlotte is the style of an energetic reporter with a theatrical touch, as befits Fontaine:

The silhouette is mobile, collected, as if she is ready to take off at any moment for hot material.
The colors are cold, but not gloomy: a combination of white, blue, silver with dark blue and black accents; Details are a must-have: a notebook and a pen, as well as a camera (or something similar to it) as a symbol of the profession. The costume has elements that resemble both a uniform and a stage outfit: clear lines, neat fasteners, ribbons.
Her face and posture are a lively expression, an attentive look, a slight smile, as if she had already come up with a title for the story she was about to hear. Charlotte doesn't back down until she gets to the bottom of it. If she is told "no", she is simply looking for another way to answer – and often finds one.
Energetic without intrusiveness. She moves a lot and asks questions, but she does it not to bore everyone, but because she sincerely wants to understand.
Empathy and honesty. It is important for her not just to "write about the event", but to show the people in it: their fears, hopes, joys. Because of this, her articles often turn out not to be dry summaries, but small stories. Charlotte loves spectacular wording and beautiful phrases, but this is not posturing: for her, the word is a tool, and she uses it skillfully.

president of the organization "Spina di Rosula" ("Burning Rose") and one of Fontaine's most prominent figures. Her father, Callas, was accused of murder and died in a legal duel against Clorinda - and since then, Navia has dedicated herself to bringing justice where Fontaine's system fails. "Spina di Rosula" helps ordinary people when the official courts do not want or cannot understand the case. She carries herself as if she is always ready for both conversation and action.
The colors are deep blue, white, gold, and accent orange; The combination looks noble, but not too solemn.
The details are a hat, elements reminiscent of marine and technical themes (screws, gears, belts), as well as a noticeable orange bow on which her Vision of God is attached.
Face and posture – an open expression, a calm but attentive look; there is no ostentatious softness in him, but there is a willingness to listen. Navia does not give up, even when everyone around her says that the case is hopeless. For her, it is important not just to "help", but to achieve the truth.
Openness and empathy. She sincerely tries to understand people, so those who have nowhere else to turn come to her for help.
Optimism without naivety. Navia tries to keep her spirits up, but this is not a blind positive: she sees the injustice perfectly well and does not pretend that it does not exist.
A sense of responsibility. She took over the management of Spina di Rosula at a young age and treats it as a duty: if she promised to help, she will do whatever it takes.

you need to change yourself for the sake of someone else's approval, and appreciates when someone is able to truly understand others - and this is exactly what Lynette can do.
Fremine. With Fremine, she has a more direct, almost instructive tone: she does not let him drown in his own experiences. In one of the phrases, she puts him in front of a choice - either to plunge into suffering, or to trust the "family" and move on. That is, she is demanding, but gives a chance to lean on the Hearthhouse associated with the Hearthhouse, and elements that emphasize her status as a Harbinger.
She is domineering and calculating. Harlequin knows how to keep the situation under control and does not tolerate weakness. Her decisions are tough, but always dictated by her own logic and goals.
A complex attitude to the "family". She runs the Hearth House, a place where orphans are raised, and treats her wards in her own way: strictly, sometimes ruthlessly, but at the same time she considers them her responsibility. As the Harbinger of the Fatui, Harlequin acts in the best interests of the organization, and her true motives are not always obvious.

Other characters respond. For Harlequin, loyalty is a tool, not a principle. Her communication style is laconic orders, direct wording and the absence of unnecessary explanations. She does not waste time on persuasion: either you do it, or you become a problem. It sets strict boundaries and punishes for betrayal, but at the same time, in her understanding, punishment may not be death, but erasing memory, so that a person can live peacefully outside the Home. Her concern is manifested not in hugs, but in the fact that the pupils become strong and survive in this world. Hence the demands, and the willingness to intervene if they risk themselves.

title "Mother" and chose "Father". This is not about gender, but about the type of power and attitude towards pupils. For Harlequin, "Mother" is a mask of cruelty covered with affection. She does not want to repeat this path and does not want her children to become attached to her as a "good parent": this way they are easier to manipulate. Her "father" is about discipline, strength, and honesty: you grow up to survive and become stronger, not to be comfortable. She directly tells the children: do not expect warmth from her, expect rules and support in the form of a structure. The title emphasizes that the old Hearthhouse (with its "motherly" cruelty) is over. The new order is harsh, but without hypocrisy.

Despite the harsh rules and difficult boundaries and past, Harlequin loves his children and is ready to protect them with his life. He does not beat children and does not force them to fight...even when children express love and warmth, Harlequin does not mind, because not everything in the world should be cold.

The harbinger of the Fatui and the head of the "Hearthhouse of the Hearth" - an orphanage that in reality works as a forge of personnel for the Fatui. For the children from the "Hearth-House", she is both a strict mentor and a figure around whom their whole life is built. Her title is "Servant", and this word in her case sounds not like humility, but like power: she "serves" the Queen, but at the same time she herself dictates the rules.

Costume: practical, but not faceless - elements of diving equipment (helmet behind the back, belts, fasteners) are organically inscribed in the outfit.
Colors: cold, muted - blue, gray, dark blue, white; like the shades of water itself.
Face and hairstyle: he has medium-length blonde hair, bangs cover his left eye; pale skin and freckles, as if he was rarely under the sun. His gaze is calm, a little detached.
Details: a diving helmet as a permanent attribute is both a protection and a symbol of its "shelter".
In general, he looks as if at any moment he can just put on a helmet and go where it is quiet. Fremine does not like to be in the center of events: other people's glances take his breath away, and loud praise frightens rather than pleases. He is not rude - it is just physically difficult for him when people look at him.
Focus and precision. Under water, he is collected and sure: there he has his own rules, and he observes them. This composure is transferred to ordinary affairs - he does not make unnecessary movements.
Warm attachment to loved ones. He has a quiet but very strong bond with Lini and Lynette: he doesn't always know how to put it into words, but he always backs him up. Lini tries to please him, Lynette protects him from unnecessary noise, and Fremine just does what she does best - keeps everything under control. He has something of a child who loves fairy tales and simple pleasures: he sincerely rejoices in small things, and this sincerity is especially noticeable next to the family.

The image of Lynette is an aesthetic of "invisibility": she deliberately makes the eye slide by.

The silhouette is light and agile, as if she is always ready to disappear into the shadows.
The colors are mostly muted: gray, black, dark purple, with rare light accents.
Details - hood, cape, masking layers of clothing; elements resembling cat motifs (a reference to her constellation).
Face and posture – calm expression, a minimum of emotions; she seems to be always on the alert and ready to take a step to the side to disappear. Lynette rarely speaks first, but she notices everything: a tremor in her voice, a look, a random movement. For her, the world is a set of details that make up the truth.
Loyalty to Lina. She is not just his sister - she is his support: if Lini is responsible for the scene and applause, Lynette is responsible for making sure that everything goes smoothly.
Independence. Despite the duet with her brother, she has her own principles and a willingness to act alone if necessary to protect loved ones.
Slight detachment. She does not seek to be the center of attention and does not like unnecessary conversations. Lynette, along with Lini, participates in Fontaine's affairs, often remaining in the shadow of big names. Her connection to Hearthhouse adds to her story of tension: she knows the value of survival and loyalty, and this affects the way she evaluates people. In dialogues and quests, she often acts as the voice of common sense and an observer who sees what others miss.

Lini has the image of a classic stage magician, but with Fontaine's trademark elegance:

The costume is theatrical, but not overloaded: top hat, cloak, tailcoat, gloves; A lot of black and white colors, as if he deliberately plays on contrasts.
Details are the most recognizable feature: a painted teardrop under the right eye. This is a part of the stage image that adds to its mystery.
Colors and accents are strict shades with rare bright touches that emphasize that he is always the center of attention. This is a part of the stage image that adds to its mystery.
Colors and accents are strict shades with rare bright touches that emphasize that he is always in the center of attention.
Attributes are props that look like part of a costume: ribbons, maps, hats; even the Eye of God is hidden in a bow on his back - as if strength should be part of the performance. In public, Lini is an ideal host: smiling, eloquent, knows how to hold the audience. For him, the stage is a space where he controls everything, even the emotions of the audience.
Thoughtfulness. He does nothing at random: every trick, every phrase is premeditated. Even his "lightness" is the result of great preparation.
Devotion to loved ones. For the sake of Lynette and those whom he considers family, Lini is ready for a lot. Behind his smiles hides a serious will and readiness to protect his own.
A slight excitement. Leni doesn't just entertain the people of Fontaine, his performances are a way to keep up with the gossip of the city and make a discreet impact. In the storylines, he often finds himself where the interests of different parties intersect, and knows how to use his "innocent" reputation as a cover. His connection to Hearthhouse makes his story particularly intense: there is a fine line between the light of the ramp and much darker affairs, which he constantly balances.

the commander of the underwater prison of the fortress of Meropid in Fontaine. He has the title of duke, and he is responsible for order in a place where ordinary laws hardly work: it has its own rules, its own hierarchy, and its own ways of maintaining discipline. At the same time, Risley is not just a "tough boss": he understands that people (and non-humans) in prison must be treated humanely, otherwise the system will fall apart.
Colors: dark and cold shades (black, dark blue, gray) plus Cryo accents (blue, white).
Details: elements reminiscent of the uniform and signs of power, but without ostentatious luxury; It often looks like you've just come out of a tense meeting.
Attributes: The God's Eye is located on the right side of the back cape, a noticeable detail that immediately connects it to the element of Cryo. Risley is strict, but not to show power: he maintains discipline, because in Meropid, any weakness can cost lives.
Justice without pathos. He does not make beautiful speeches about justice, like some of Fontaine's judges, but makes sure that the system works and does not break the innocent.
Restraint. He does not like unnecessary emotions and drama, prefers facts and clear decisions.
Hidden care. Despite his stern appearance, he makes sure that there is no arbitrariness in the prison, and tries to avoid injustice even in such a harsh environment.Hobbies: He likes to have tea parties - this is his way to get out of the "prison warden" mode for a while and just be human.

Chiori has a very "sharp", graphic silhouette - there are many clear lines in her image, as if each element is thought out to the millimeter:

Clothes are a combination of sophistication and boldness: corset details, asymmetrical cuts, sleeves that resemble fluttering fabrics.
The colors are mostly noble and contrasting: deep black, white, shades of gray, with subtle accents that emphasize the cut.
Hairstyle and face - neat styling, emphasizing composure; Her gaze is direct, confident, as if she immediately sees all the shortcomings in the image of the interlocutor. Chiori decides for herself what to do and how to do it, and does not like to be told her. Her favorite phrase in spirit is: "I will decide for myself how to live and who to be."
Perfectionism. For her, there is no "almost good": if a thing is not perfect, it will not be published. This applies to both work and the behavior of others.
Straightforwardness. She doesn't beat around the bush: if she doesn't like something, she will say it directly, but without unnecessary drama – more like a professional who sees a mistake in the pattern. Fashion for her is not about trends, but about craftsmanship. Therefore, she reacts painfully to negligence and hackwork.

Furina is the former Hydro Archon of Fontaine (officially called the goddess of justice and mistress of the waters), and in fact the human part of the Focalors. Her role in Fontaine's plot is one of the most dramatic: she played the role of a deity for hundreds of years to fulfill a certain plan, and this "game" became her life. Her image combines elegance and theatricality:

The outfit is in the spirit of Fontaine's haute couture: a corset, puffy elements, gloves, and spectacular accessories.
The colors are mainly white-blue and silver, with contrasting dark details.
Hairstyle and face - neat curls, expressive features; In general, she looks as if she is always ready for a standing ovation.Attributes - often associated with theatrical surroundings, bubbles and foam, which emphasizes her connection with water and the stage. She loves the stage, applause, spectacular entrances and lines. It is important for her to be looked at, listened to and admired.
Emotional vulnerability. Behind the bright mask hides a man who has lived in tension for a long time and was afraid that he would be "exposed". Hence the sudden mood swings and the desire to control everything.
Pride and touchiness. She doesn't like to be underestimated or treated like a game. At the same time, she sincerely worries about Fontaine and people, even if she shows it strangely.
Irony and sarcasm. For years, she has maintained the image of the Archon, staged spectacular trials and performances to hide the truth about the situation in the region.
At the climax of the plot, her true nature and the purpose of this long "game" are revealed, and this leads to great changes for Fontaine and for herself.
Her relationship with Neuvillet is an important line: he is almost the only one who has seen her real life, and at the same time he has remained impartial and reliable.

Neuvillet is the Supreme Judge (Judex) of Fontaine and the Lord of the Hydro-Dragons. After the events of Fontaine's story, he actually takes charge of the region and the power of the Hydro element, after the title of Archon was abolished. The image has a lot of strict lines and dark tones, but there are also bright accents: for example, blue details referring to water and the elements. He wears an elegant robe similar to that of a referee and uses a catalyst in the form of a graceful cane in battle. In general, its design emphasizes the status: it looks as if every movement is verified and nothing superfluous. For him, justice is not an abstraction, but a principle that cannot be violated even for the sake of convenience. He does not succumb to emotions and does not allow personal feelings to influence decisions.
Restraint. Neuvillet seems almost emotionless, but this is not indifference, but the habit of keeping a distance and not showing off feelings.
Hidden care. He is very attentive to the melusines and has done a lot to ensure that they can live in the Cours de Fontaine on an equal footing with humans. Melusins treat him almost like a father. It is important for him that everything is clear, logical and according to the rules. Therefore, he cannot stand lies and manipulation.
Neuvillet does not have the Eye of God: his power is his nature as the Lord of the Hydro-Dragons.
He loves to look at the calm water and taste spring water from different places – it's almost a ritual for him.
His constellation is called "Leviathan the Executor".
His birthday is December 18.

Neuvillet is the Lord of the Hydro-Dragons, effectively the chief judge of Fontaine. He is very calm, extremely impartial, speaks clearly and to the point. In the plot, he literally holds the entire judicial system on himself.
Furina used to be the face of the Hydro Archon, loved to be the center of attention, put on a show and keep the audience in suspense. She has a very contrasting image: on the one hand, theatricality, on the other hand, a deep fatigue from the role.
Risley is the warden of Meropid Prison. Tough, but fair: he does not tolerate arbitrariness and keeps order in a place where everything easily gets out of control.
Lini and Lynette are brother and sister, illusionists. Lini is charismatic and talkative, Lynette is quiet and observant. They both have a great sense of the stage and know how to distract attention.
Fremine is a master of scuba diving, calm and a little reserved. He is more comfortable under water than in the spotlight.
Navia is the head of the Spina de Rosula group, which helps ordinary people deal with injustice. She is very empathic, but at the same time stubborn and principled.
Charlotte is a journalist for the newspaper "Steam Bird". Curious, persistent, ready to get involved in any business for the sake of good material.
Chevreuse is the commander of the Special Patrol. Order and justice are important to her, she tries to act in such a way that the innocent do not suffer.
Chiori is a fashion designer, she has her own fashion house. He behaves confidently, appreciates style and individuality, does not like compromises in design.

Fontaine is home to a variety of creatures: melusines (often working as guides or patrols), Oceanids (they were once native to Fontaine, but some of them left the region due to differences in ideals with the new Archon). The Melusines are a unique people of Fontaine, living in the village of Merusi near Beryl. They have an unusual appearance (often with features similar to sea creatures) and are famous for their sense of beauty and justice. Many melusins work as patrolmen and guides, because they know the area well and do not tolerate deception.Oceanids used to live in Fontaine, but over time, many of them left the region due to disagreements with the new ideals of power. In the game, they can be found elsewhere in Teyvat.The Jardingage Chamber is the ruling group that governs the region and maintains order. This is not one person, but an entire structure on which many decisions in Fontaine depend.
Workers of the fortress of Meropid - this underwater prison has its own hierarchy and its own rules. Risley is just the tip of the iceberg: there are many guards, guards, and even prisoners who have become part of the system.
Artists and theatergoers - In Fontaine, theater is not just entertainment, but part of culture and even justice: trials can turn into spectacular productions, and artists often find themselves in the center of events.

Fontaine is divided into several districts, and each has its own atmosphere:

the Cours de Fontaine is the central part with impressive European-style architecture from the late 19th century. Liffey - Here are the "Scattered Ruins" of the Hearthhouse (an abandoned orphanage), and under the water is the fortress of Meropid - a prison for the inhabitants of the region. Beryl is an emerald ridge under which the village of Merusi, the home of the melusines, is hidden.
Bello – there is Port Romarin with an aquabus that takes you to the Cours de Fontaine. Erinys Forest - On the top of the island of Erinys stands the Epiklez Opera House. It was originally designed as the main courthouse, but it also hosts magic shows. Mort is the land of the ancient civilization of Remuria, where sunken ruins have been preserved. For a long time, the region worshipped the Hydro Archon, Focalors (also known as the Goddess of Justice). The story (in Volume IV, Chapter V) reveals her story, and after certain events, the title of Hydro Archon was abolished. Responsibilities related to the Hydro element have been transferred to Neuvillett, the Lord of the Hydro-Dragons. Fontaine has a special energy system based on two types of Arche energy: Pneuma and Ousia. This energy not only helps in combat (gives additional attacks), but is also used to solve puzzles and explore the region. For example, the Meks that guard the city work on the power of pneumusia. At the same time, the region's energy system itself was experiencing difficulties - it was on the verge of decline, which pushed residents to look for alternative sources. Due to the rapid development of technology, the environment has also suffered. Fontaine is home to a variety of creatures: melusines (often working as guides or patrols), Oceanids (they were once native to Fontaine, but some of them left the region due to differences in ideals with the new Archon).