Fontaine

Culture and Science. Fontaine is the cultural and scientific capital of Teyvat. Many devices (such as the camera) were invented here, steampunk technologies (mech automatons, airships) are actively developed here, and there's even an opera house, the Epiclesis. Residents pride themselves on fashion, art, and cuisine.
The judicial system plays a huge role in regional life. The game even includes minigames: players must collect evidence and participate in court hearings. The story emphasizes that the system isn't always fair and can favor the interests of influential people.
Inhabitants. Besides humans, the region is inhabited by Melusines (who often work as guides or patrols). Oceanids once inhabited the region, but they abandoned Fontaine due to a change in ideals.
Problems. Rapid technological advancement has led to environmental pollution. Furthermore, the region faces an energy crisis, which the Fatui exploited.
Status and Element: One of the seven regions of Teyvat, it belongs to the Hydro element.

Lini is a famous illusionist, master of illusions, adheres to the Pyro element, uses a bow.

Lynette is Lini's sister and assistant who uses Anemo Elemental and one-handed blades.

Fremine is a master diver with a reserved personality, using the Cryo element and two-handed blades.

Neuvillet is one of Fontaine's main judges
, replacing Furina, using Hydro Element and catalysts.

Risley is the Duke of Meropid Fortress, the warden of the prison, who uses Cryo elements and catalysts.

Furina - Represents the human side of the Hydro Archon Phocalors, uses Hydro Element and one-handed blades.

Charlotte is a journalist for the newspaper "Steam Bird" who uses Cryo elements and catalysts.

Navia is the leader of the group "Spina di Rosula", she investigates cases, uses Geo element and two-handed weapons.

Chevreuse is the commander of the Special Patrol, following the call of justice, using the Pyro element and polearms.

Tiori is a famous fashion designer of Fontaine, owns the Tiori House store, uses Geo Element and one-handed blades.

Sijwyn is the head nurse of Meropid Keep, the only playable melusine.

Emilia is a mysterious perfumer from Fontaine who uses the Dendro element and a spear.

Escoffier is a chef of the highest level, using the Cryo element and a spear.

Clorinda is a court duelist who uses Electro Element and a one-handed sword.

Harlequin (Fourth Veil Harbinger)

Harlequin's appearance
is a spectacular and memorable figure, whose image refers to the traditional harlequin from the commedia dell'arte, but in a gloomy, stylized interpretation of the Fatui aesthetic.
Face and features. She has refined, almost aristocratic facial features, a cold and collected gaze that easily becomes piercing. The expression of the face is most often restrained, as if she is constantly assessing the situation and the interlocutor.
Hair. The hairstyle is asymmetrical: part of the hair is dark, part is almost white, which creates a strong contrast. The strands are laid in such a way that they emphasize the silhouette and add drama to the image.
Hands. A noticeable detail is that her hands look unusual, with dark, as if charred or covered with a pattern, areas of skin. This is due to the curse emanating from her lineage, and gives her a sinister tinge.
Costume. The outfit combines austerity and theatricality: black and scarlet tones predominate, there are elements reminiscent of a harlequin stage costume, but without excessive playfulness. The design has many sharp lines, contrasting inserts, details similar to theatrical accents, and at the same time the uniform of a high-ranking member of the Fatui.
Accessories. The image contains small but expressive details: crosses, symbols, thin chains and clasps, which look like signs of status and at the same time as part of the "stage" appearance. The silhouette emphasizes her authority: a high collar, elongated elements, clear shoulders.
The personality and character
of Harlequin is a morally ambiguous antihero: she does not seek to look "kind", but at the same time acts according to her own system of rules.
Cold impartiality. She considers emotions to be a weakness and tries to stay aloof, judging people in terms of usefulness, reliability, and potential.
Rigidity and pragmatism. Harlequin is capable of ruthless decisions and does not hide it. For her, duty and order are more important than personal sympathies.

A kind of care. Despite the severity, she sincerely considers herself responsible for those who are under her care, and sees this not as softness, but as an obligation. Her care is manifested in exactingness and protection, not in consolation.
Diplomacy and the ability to play a role. She knows how to be polite and inviting when necessary, and easily switches between masks: from a reserved leader to a charismatic manipulator.
Pride and independence. Harlequin does not like to obey and does not hide his skepticism towards those whose behavior he considers short-sighted or hypocritical.
The role and place in the world
of the Fourth Harbinger of the Fatui. Harlequin holds a high position in the Fatui hierarchy and acts on behalf of the Queen. Her status gives her broad powers and access to the organization's resources.
The head of the "Hearth House". It is both an orphanage and an intelligence structure: children from all over Teyvat are gathered there, given a new surname (men receive "Snezhevich", women - "Snezhevna") and raised as agents. For the pupils, Harlequin deliberately chose the title "Father" instead of "Mother", emphasizing her approach to education - strict, without excessive sentimentality.
Past and name. As a child, her name was Peruer. Her journey is closely tied to the tragedy and struggle for survival in Hearthhouse under the rule of the previous chapter, and this experience strongly shaped her worldview.
Relationship with others. Among the Harbingers, she has a tense relationship: she openly despises Dottore's methods, sympathizes with the fate of the Signora, and respects Neuvillett's impartiality. She is firm with her pupils, but is not devoid of a peculiar sense of duty to them.
Image and atmosphere
Harlequin's image is built on contrasts: theatricality and cruelty, care and austerity, elegance and menace. She gives the impression of a person who always keeps the situation under control and will not allow emotions to prevail over duty.

Her presence feels like pressure: she does not scream, but her words and decisions carry weight, and silence can be no less expressive than an order.

Clorinda is a famous duelist from Fontaine, the embodiment of restrained strength and an impeccable sense of duty.
Appearance
Clorinda has a tall, stately figure and a noble bearing, as if she is ready to take on a challenge at any moment - and has no doubt that she will emerge victorious from the duel. She has dark, deep-colored hair, styled with strict elegance: part of the strands is pulled back, and a few loose curls gently frame the face, adding not so much softness to the image as lively expressiveness. The eyes are cold, attentive, they are ready to instantly assess the threat and act without delay.
Her attire mixes the motifs of Fontaine's judicial and military aesthetics. The costume is strict, but not devoid of details that emphasize the status and role: dark fabrics contrast with accents of noble blue and silver elements. Decorative fasteners, belts and details are noticeable on the clothes, reminiscent of belonging to the judicial system and at the same time of readiness for battle. An important detail of the image is the pistol, organically inscribed in the ensemble: it does not look like an accidental addition, but as if it is part of her identity. The image is complemented by gloves that emphasize composure, and laconic jewelry, which symbolizes rank rather than serves as decoration.
Clorind's character and personality
give the impression of a person extremely collected and responsible. There is no ostentatious bravado in her: her confidence is manifested in calmness and accuracy of actions. She treats duels not as entertainment or a way of self-assertion, but as a duty and ritual, where honor, justice and order are at stake. For her, a duel is a form of justice, and she carries this role with inner dignity
For all her outward coldness, there is reliability in Clorinda: to those who have earned her trust, she becomes a loyal and honest ally.

She is not prone to unnecessary words, prefers actions and clear agreements. In everyday life and in an informal setting, you can notice unexpected aspects in her - for example, the ability to appreciate simple moments, whether it is a cup of tea or a calm conversation, but even in these moments, she remains composure and internally ready to return to duty
at any time Role and place in the world
As a duelist, Clorinda occupies a special place in Fontaine's judicial system: She is the executor of dueling sentences, a person who embodies the court's decision in a duel. Her very presence is a reminder that justice has its strict forms and rituals in Fontaine. It deeply respects the laws and procedures of its region, but at the same time it does not blindly follow the letter of the law – in its understanding, justice should be not only formal, but also truly honest.
Her reputation in Fontaine is a combination of respect and a little wariness: everyone knows that if Clorinda accepts a challenge or receives an order, she will see the job through without retreating or looking for easy ways.

Escoffier is a former chef at the Debord Hotel in Fontaine. She was awarded the title of "Chief Pastry Chef", and it was she who pioneered the concept of "technological cooking": an approach where culinary art is combined with scientific methods and innovative technologies. She places extremely high demands on the cooking process, appreciates precision and discipline. In the eyes of some colleagues and critics, Escoffier is a man who brings novelty to the culinary world, sometimes causing controversy among conservatives. At the same time, friends (for example, Navia) see a patient and thoughtful nature in her: it is pleasant to sit with her over a cup of afternoon tea - you can learn a lot of unexpected things.
An interesting moment from the biography: once, while pursuing a goal, Escoffier accidentally disturbed the incarnations of lava and found herself in mortal danger. As she retreated, she almost fainted from the heat, but desperately defended her backpack with kitchen gears and rare ingredients. Upon returning to Fontaine, she found the Vision of God (Cryo Element) on her back, which helped her keep the ingredients cold in all conditions.
Her essence and style
Escoffier is a support character with a pronounced culinary theme. Her abilities are directly related to the idea of cooking: she uses a "cooking mek" - a mechanical assistant that in different modes either attacks enemies or helps create special dishes. In combat, she combines Off-field Cryo damage, healing the squad, and creating useful debuffs for the team

Emilia is a well-known perfumer from Fontaine, one of the most sought-after in the Cours de Fontaine: fans line up at her shop before dawn to get their hands on new fragrances. At the same time, she prefers not to attract unnecessary attention to herself and stays in the shadows - the process of creating perfumes is much more important to her than fame.
Emilia has pale skin and shoulder-length curly blonde hair with a slight pink tinge, especially behind her ear. Her eyes are of an unusual shade: pink, with white pupils and inclusions of light blue. Her gaze is attentive, as if she reads not only facial features, but also emotions, and maybe even the "smell" of the mood of the interlocutor.
In clothes, Emilia combines sophistication and theatricality. On the head is a dark green hat in the spirit of a sorceress: on the front it is decorated with black lace, a light green bow and a golden bell from which three white stones in the shape of tears hang. A loose black ribbon smoothly transitions into a dark nightshade element at the back.
The outfit is built on contrasts: a white collar with a gold chain and a purple and blue bell decoration is adjacent to a black lace-up bodice trimmed with gold. The puff sleeves are held together by many metal straps and are complemented by gold details, and white ruffles are on the shoulders. A black ribbon with a yellow flower adds a slight decorative touch to the image.
The dark green skirt just below the knees is designed so that its edges resemble petals; on the right side there is a long slit accentuated by a multi-layered fabric in white-light green. On the back of the skirt there are golden patterns in the form of a vine and flowers, as well as three dark green stripes.
The shoes are low pale green heels: a white pattern in the form of a vine on the sides, a bell ornament on the front, and dark green bows on the back.

The image is completed by the Dendro of the Eye of God on a gold chain - it is fixed on the left side of the bodice and looks like a natural part of the ensemble, and not as a symbol of strength.
By nature, Emilia is observant and delicate: she knows how to listen and notice the little things that others miss. Her keen sense of smell is not only a physical feature, but also a metaphor for her approach to life: she "reads" people and situations, as if dissecting a complex fragrance into individual notes. Despite her popularity, she does not seek to be the center of attention and would rather prefer a quiet evening in the studio to a noisy reception.
In addition to perfumery, Emilia has another, almost invisible side to most: thanks to her subtle flair and knowledge of chemistry, she helps to eliminate traces of crimes and sometimes finds evidence that escapes the eyes of investigators. But she is extremely reluctant to talk about this side of her life, preferring to be known as a master of fragrances, and not as a person who understands the secrets of other people's actions.

Who is she and where does she serve Sijwin is the head nurse of the infirmary in the fortress of Meropid, the huge underwater prison of Fontaine. At the same time, she is melusine, but with a "special body", very similar to a human. In the fortress, she is rightly considered a real treasure: she treats each prisoner with equal care, and many see her as a real savior angel. The inhabitants of Meropid even nicknamed her the "sun" of the fortress - in the damp and gloomy tunnels, her smile and warmth really become one of the brightest places.
Character Behind the cute exterior hides a decisive and unselfish nature. Sidgwin genuinely cares about the well-being of those around him. At the same time, she does not tolerate flattery: for example, when one of the prisoners called her an "angel of redemption" after being rescued, she only shook her horns and replied: "I will save you without asking anything, but as soon as you recover, be ready for punishment. Flattery is useless!" She combines tender care and firmness - she is ready to act decisively if it is necessary to help the patient.
Past and Mystery of Appearance Sidgewyn has a story that explains her current appearance. In the past, when melusines were viewed with distrust, she befriended a human girl. When she fell seriously ill, Sidgwin turned to the witch in despair. She gave her a potion infused with sin, which gave Sidgwyn a human form so that she could save her friend. Since then, this episode has become a personal drama for her: she does not hide the truth, but does not seek to advertise it either, and those around her agreed not to ask her questions on this topic.
There were other rumors, such as that she was a half-breed (the daughter of a human and a melusine) or that she wore a mask and gloves to be less different from humans. But the second version was quickly refuted: the times of open hostility between humans and melusines are over, and Sidgwin does not need to be disguised.

Role in the world of the game In the fortress of Meropid, the infirmary under her command is one of the few places where everyone can come without exception. Sidgwin doesn't just heal physical wounds: she tries to support them mentally, banish fear and fatigue so that patients can recover in peace. Her presence in a prison full of prisoners is in itself an act of great mercy.

Chiori's
appearance is an elegant young woman about 160 cm tall, she has dark brown hair with golden strands, styled in an elaborate hairstyle: individual curls freely frame her face, emphasizing her features. Her eyes are bright red, her gaze is straight and slightly sharp, as if she instantly reads all the details.
Her image is a synthesis of Inazuma heritage and Fontaine haute couture. She wears an asymmetrical kimono in black and gold: one side is laconic and austere, the other is richly decorated with patterns that create the effect of movement. The red obi belt emphasizes the silhouette and adds contrast. The outfit has neat details that refer to the tailor's craft: miniature pins, neat stitching, a hint of "incompleteness" as part of the design idea. The purple accessory next to the Eye of God looks like a stylized element that combines the aesthetics of fashion and the forces of the
elements Chiori's character and personality
is straightforward and not inclined to diplomatic undertones: she says what she thinks and does not waste time on empty pleasantries. Her manner of bearing is dignity and composure: she does not raise her voice and does not make scenes, but her coldness and precision of wording can be much more expressive than shouting. Tiori does not tolerate dishonesty and hypocrisy, and is uncompromising in matters of craft: for her, fashion is an art that requires impeccable execution and courage in decisions.
At the same time, she is not alone: she appreciates those who show respect for her work and views, and willingly accepts help if it is given sincerely and professionally. In relationships with loved ones (such as Captain Chevreuse), her ability to trust and rely on others is revealed.
Origins and History
Originally from Inazuma, Chiori was passionate about sewing and design from an early age. Her freedom-loving disposition and unwillingness to follow the established canons led her to leave her native lands to find space for her own creative language.

In Fontaine, she founded Dom Tiori, a brand that quickly became a symbol of a bold, almost daring approach to fashion.
Her path is a story about how perseverance and loyalty to your ideals allow you to build your own business in a competitive environment. Chiori doesn't just make clothes, she creates looks that can change people's perceptions, emphasize their individuality, and even affect their self-confidence.
Role in the
world and connections with other characters As an established designer, Chiori works at the intersection of art and commerce: she is commissioned by influential figures in Fontaine, and her shows become events that are followed far beyond the capital. She created outfits for Kyrara, Lini and Lynette, putting into each costume not only skill, but also an understanding of the wearer's character.
For her, fashion is a way to speak without words, and clothes are a tool for self-expression. In this belief lies her philosophy: a good outfit should not be subject to fashion - it should set it, remaining faithful to the personality of the wearer.

Chevreuse is the captain of the Special Guard and Surveillance Patrol in Fontaine. She firmly follows her own understanding of justice and is not ready to give up her principles under any circumstances. For her, the main thing is to protect civilians from dangerous criminals, and for this she is ready to act tough and decisively.
Outwardly, Chevreuse looks like a collected and disciplined warrior. In her appearance, you can feel a military bearing: her posture is straight, her movements are clear, in every gesture there is confidence and readiness for action. She is armed with a musket and a spear, and handles them with professional skill - this is not just a weapon, but an extension of her will.
The outfit combines elements of uniform style and practicality: the outfit resembles a uniform, emphasizing its status and belonging to a patrol, but at the same time does not hinder movement. The design traces the motifs characteristic of Fontaine - neat details, strict lines, shades that are not striking, but look dignified and solid.
By nature, Chevreuse is straightforward, demanding both to herself and to others. She does not tolerate negligence and believes that duty and order are more important than personal sympathies. At the same time, behind the external severity there is a sincere concern for those whom it is designed to protect: its severity is not a manifestation of cruelty, but a way to protect people from trouble. She is faithful to her work and perceives service not as a duty, but as a calling.

The appearance
of Naviy is a tall young woman with a sophisticated but energetic article. She has fair skin, expressive blue eyes, and long, wavy hair of a light shade, loosely styled so that the strands gently frame her face. The image emphasizes her active nature: it combines elegance and readiness for action.
Her outfit is designed in the style of Fontaine with noticeable motifs of steampunk and marine aesthetics. The basis of the costume is a dark blue corset over a white shirt; The dress is decorated with dark blue and gold inserts, referring to the details of the ship's trim and mechanisms. On the head there is a black hat, slightly inclined to the left side: this touch gives the appearance boldness and personality.
The image is complemented by accessories with a marine and mechanical theme: thin chains, fasteners, elements that resemble compasses or parts of devices. A bright orange bow is visible on the left arm - it serves as an expressive accent and attachment point for the Vision of God. Shoes - black boots with bows and blue gems; on his legs there are black knee socks, smoothly turning into dark gray.
The character and personality
of Navi is distinguished by an open, benevolent disposition, but at the same time has a solid inner core. Tragic events in her life did not break her, but hardened her: she knows how to remain optimistic and support others even in difficult circumstances. Its strength is not in ostentatious rigidity, but in consistency, the ability to stand your ground and not deviate from principles.
She is perceptive, observant and prone to deduction: she quickly notices details and builds logical connections. This makes her an excellent investigator and organizer. At the same time, Navia does not strive to look omniscient - she willingly listens to other people's opinions and knows how to work in a team.

In communication, she is straightforward, but tactful: she prefers to call a spade a spade, without offending her interlocutors. It is important for her that justice is not formal, but real, so she often takes on cases that are either neglected by official authorities or approach them too superficially.
Origin and role in the world
Navia hails from Fontaine and grew up in Poisson, a settlement in the south of the region built on the underground ruins of a huge shipwreck. This environment from childhood formed in her an interest in riddles, mechanisms and secrets of the past, as well as a special attitude to the sea and ships.
She is the head of Spina di Rosula (The Burning Rose), a community that helps people in trouble because of Fontaine's flawed judicial system. For Navia, this is not just a position, but a personal matter: after her father Kallas was accused of murder and died in a legal duel, she dedicated herself to restoring justice to people where official methods fail.
Navia's main goal is to restore her father's good name and prove that he was unjustly convicted. To do so, she conducts her own investigation, gathers evidence, interviews witnesses, and confronts established but flawed approaches to justice. This shows her perseverance and deep devotion to her family.

Charlotte is a reporter for the Steambird newspaper from Fontaine, a passionate and tireless journalist for whom there are no "unsuitable" places: she is ready to climb into dangerous alleyways, steep slopes, and even underwater depths just to get the real truth. She is driven not by a thirst for sensation, but by a sincere desire to tell people what is really important - and because of this, she often finds herself in a place where influential people do not want to see extra eyes and ears at all.
Outwardly, Charlotte looks like an energetic girl with a neat, but not too strict presentation - in her appearance you can read belonging to the profession: she always has her faithful companion and tool, a camera named Monsieur Vérité. There is something of Fontaine's practical elegance in her style: the details seem to be selected so as to both look decent and not interfere in the pursuit of news. The colors of the outfit gravitate towards a cold palette, emphasizing its connection with the element of Cryo, but at the same time there is no deliberate severity in the image - rather composure and readiness to act.
By nature, Charlotte is stubborn and attentive to details: she is not satisfied with superficial answers and tries to get to the bottom of things, sometimes showing persistence, which may seem unnecessary, but behind it is not a desire to annoy, but a desire not to miss a single important detail. At the same time, she tries to respect personal boundaries and not cross the line, which is why even in difficult situations she retains the reputation of an honest reporter, and not a brawler.
Her working approach is to be everywhere and everywhere, to notice what others miss, and to capture it: for Charlotte, the camera is not just a technique, but a way to preserve the truth in the frame. She sincerely believes that the truth deserves to be heard, and she is ready to take risks and overcome difficulties for this. Next to her, you can feel this inner composure: she seems to be always ready to take that very decisive picture or ask the very question that will put everything in its place.

Furina is a character from the game Genshin Impact, the Hydro Archon, representing the Fontaine region. Her appearance combines theatrical elegance and unusual details, which emphasizes her dramatic character.
Appearance
description Skin: light.
Eyes: heterochromic. The right eye has a light blue iris and a dark blue pupil in the shape of a drop, the left eye changes color.
Hair: mostly grayish-white, curling at the ends. There are a few light blue strands. The hair is divided into two parts: a short bell-shaped bob that is neck-length and waist-length curls gathered in two ponytails. A single strand of hair sticks out to the right of the face, which points up and out. The hat is shifted to the left.
Clothing:
dark blue suit over a white jabot vest;
a dark blue cylinder shifted to the left side of the head, decorated with metal curls resembling a crown and an emblem on the upper surface;
a blue belt tied with a bow and pinned with a pin with a large blue gemstone in the center (later replaced by Hydro Vision)
the cuffs are folded back and finished with brass-like details, revealing a dark blue ruffle on the sleeves;
short white trousers, complemented by black ribbons around the hips;
dark leather heels with Furina's emblem on the soles;
white collars, similar to frills, wrap around the ankles.
Gloves: black on the right hand, white on the left.
Accessories: Details that resemble water droplets are scattered throughout the clothing. The outfit is also decorated with blue-cut stones and fabric jewelry - blue and white patches of fabric falling behind the waist.
Furina is a character of average height. Her image combines elements of theatricality and aristocracy, which reflects her role as "the mistress of all waters, people, clans and laws".

Main character
traits Drama and theatricality
Furina behaves like a star of the stage: her actions resemble the play of an actor. She perceives life as a performance ("Life is a theater, you never know what will happen in the next act"). She loves spectacular gestures, vivid speeches and public attention. This is manifested in her participation in the trials at the Epiclez Opera House - she monitors the reaction of the audience and turns the proceedings into spectacles.
Frivolity and impatience
Other characters (such as Chief Justice Neuvillet) criticize Furina for being frivolous. In the trailer for The Last Feast, Neuvillet directly chastises her for not taking things seriously. She can act impulsively, like a child who cares more about the moment than the consequences.
Furin's charm and charisma
have an innate charm. Her eloquence, sense of style, and elegance made her a favorite of the people of Fontaine. People admire her "divine" appearance and believe in her infallibility.
Imperfection as strength
In the lore of the game there is a quote from a criminal who says: "It has joy and anger, it is characterized by madness when it requires madness, and weakness when it needs weakness... It is her imperfection that makes her perfect in my eyes." Furina does not try to seem perfect - she allows herself emotions, mistakes and even vulnerability, although she hides them from the public.
Loneliness and inner pain
Behind the façade of glitter there is a deep isolation. Furina cannot share her fears and doubts: her status as Archon obliges her to be "unattainable". In the HoYoLAB texts, it is mentioned that at night she is left alone with her worries, and her tears are washed away by the water of the Lusin Fountain.
Responsibility and dedication
Despite seeming frivolity, Furina cares deeply for Fontaine. She is ready to sacrifice her personal well-being for the safety of the people. Even when faced with a prophecy of a catastrophe, he continues to look for solutions and maintain people's faith in stability.

Durability
In critical situations, Furina masks her weakness. If others notice her confusion, she chalks it up to lack of sleep or minor issues. Her motto is to keep her head, even when the world is crumbling: "You can't let years of effort go to waste."
Contradictions in the image
Furina's character is built on contrasts: Public vs. Private: in public, she is a radiant goddess of justice; in solitude, she is a vulnerable woman burdened with responsibility.
Strength vs. Weakness: She's an Archon, but not omnipotent. Her power is largely symbolic, and real decisions may depend on other powers (for example, Oratrix).
Game vs. reality: it maintains the illusion of control so as not to sow panic, even if it itself sees no way out.
Result
Furina is a complex character whose personality combines:
theatrical extravagance,
childish spontaneity,
deep empathy for the people,
tragic loneliness.
Her motto is "The show must go on," even at the cost of her own suffering. This makes her not just a deity, but a living person who fights fate, hiding her pain behind a smile.

The appearance
of Risley is a tall, handsome man with an imposing, "heavy" figure, which emphasizes his role as a person who is used to keeping everything under control. He has dark hair styled so that the strands fall freely over his face, giving the look a slightly sloppy but not chaotic look. Risley's gaze is calm, but there is a steely composure in it - as if he is constantly assessing the situation and is ready to instantly react to any threat.
In clothing, he combines austerity and practicality. He wears a suit reminiscent of the uniform of a prison warden: dark colors, clear lines, elements similar to service insignia. An important detail is boxing gloves: they are not just an accessory, but part of his personal style and a hint that he is ready to solve problems "in his own way", directly. Small symbols and patterns can be seen on the equipment that refer to the theme of imprisonment and order, as well as small stickers (glued by melusines) - a funny contrast to his serious appearance.
Individual symbolic details: elements on the shoes reminiscent of the staff of Hades (a reference to the underworld and a parallel with Meropides), and wolf motifs (including in the form of "ears"), which connect his image with wildlife and predatory instincts.
The character and manner of behavior
of Risley gives the impression of a person extremely collected and responsible. He is not one of those who scatter words: he speaks clearly, to the point, without unnecessary pathos. At the same time, restrained irony slips into his speech, and sometimes a slight fatigue from the endless routine that he is forced to sort out.
He is used to taking responsibility and does not expect someone else to solve the problem for him. In communication with subordinates and prisoners, Risley keeps his head straight: he does not show excessive cruelty, but he does not let go either, clearly marking the boundaries. Order and predictability are important to him, because they allow him to maintain control over a place where chaos is a constant threat.

For all his severity, Risley is not devoid of humanity: he notices small things, remembers names, tries to avoid senseless cruelty and, if he can, finds less radical ways to resolve conflicts. However, if the situation calls for tough measures, he does not hesitate – and does not try to justify his decisions with beautiful words.
The role and place in the world
of Risley is the duke and commander of the fortress of Meropid, a prison located in the depths of Fontaine. His position is not just a formality: he actually manages an entire closed community, which has its own rules and its own hierarchy. The meropid is a place where time seems to stand still, and Risley is the one who keeps this closed world from falling apart.
His authority rests not on empty fear, but on the reputation of a person who always keeps his word and does not allow double standards. For the inhabitants of Meropid, he is both a judge and a defender, and the one who makes sure that even in this "underground" corner at least a minimum of order is observed.
History and important details
Risley's past is filled with difficult events that tempered his character. He was exposed to injustice and cruelty early on, and this experience taught him the value of control and responsibility. He chose the name "Risley" himself when he ran away from home - long and difficult to pronounce, deliberately to throw off the trail of his pursuers. The birthday he celebrates is the day he was imprisoned: a kind of starting point for a new life.
Among the small but characteristic touches: Risley loves coffee with milk and tea with two sugar cubes – these are rare moments when he allows himself a little coziness amidst endless duties. He also wanted to get a pet for some time, but abandoned this idea: he considered that it would be inhumane to keep a pet in a place where almost no light penetrates.

Neuvillet's appearance
is a tall, stately man with a noble, almost solemn posture. His appearance emphasizes the status of Chief Justice Fontaine: he wears a strict, refined suit in a restrained color scheme - dark and cold shades prevail (deep blue, gray, black), complemented by subtle accents in the form of silver trim and details. The outfit has many elements that refer to water and justice: smooth lines, as if repeating the flow of the river, and strict shapes, symbolizing the inflexibility of the law.
Neuvillet has refined, calm features; The expression of his face is most often restrained, almost emotionless - this creates the image of a person who is used to keeping a distance and not showing his true feelings. His hair is dark, with a cold undertone; The hairstyle is neat, laconic, not distracting attention from his authoritative gaze. The eyes are notable for their depth and unusual shade, close to the color of water in a calm sea; They read both wisdom and a certain detachment.
An important detail of the image is an elegant cane, which Neuvillet always carries with him. It is not just an accessory, but a symbol of his power and status: the cane is decorated with blue stones that resemble drops of water or shards of ice, and looks both sophisticated and imposing.
Neuvillet's personality and character
are the embodiment of impartiality and justice. As Chief Justice of Fontaine, he puts the law above personal sympathy and emotion, and this trait determines all his behavior: he speaks clearly, restrained, without unnecessary words, and his decisions are always balanced. At the same time, behind the external coldness hides a delicate, sensitive nature: Neuvillet is not indifferent to the fate of Fontaine and those who live in it, especially the melusine, whom he treats with special care and attention.

He feels like a stranger among people and does not consider himself fully belonging to the human race – this internal distance makes him even more withdrawn. Neuvillet is prone to deep reflection on the meaning of his existence, on the duty and responsibility that are entrusted to him. He does not seek recognition or fame: it is more important for him to fulfill his destiny and maintain the balance in the region.
Despite his strictness, he is capable of sincere affection and support. The Melusines see him almost as a father - he protected their interests, helped them take their rightful place in Fontaine's society This connection is one of the warmest sides of his character, which, however, he does not flaunt.
Neuvillet's role in the world and peculiarities of origin
is held by the post of Chief Justice (Judex) of Fontaine, one of the most influential and respected positions in the region. His word carries weight not only in court cases, but also in shaping politics and public order. He is known for carrying out important reforms that allowed the melusines to live in the Cours de Fontaine on an equal footing with humans, and has been especially responsible for them ever since.
By nature, Neuvillet is a Hydro dragon, the successor to the former Hydro dragon, who died long before the events of the game. He embodies the power and wisdom of the water element, but at the same time he was born in human form - this fact remained a mystery for a long time and still remains the source of his internal contradictions. He perceives water and everything related to it as something deeply personal: he likes to watch the calm surface of the water and taste spring water from different places, finding in it a kind of solace and connection with his true essence.
His long life (more than four hundred years) has left an imprint on his worldview: he has seen many changes, experienced important historical moments, and therefore treats current events with special seriousness and understanding of their scale

Fremine's appearance is a young guy of
average height. He has pale skin - this is due to the fact that he is rarely in the open sun, preferring the underwater world. The eyes are bright blue, freckles are noticeable on the cheeks.
Hair is light brown, medium length; The bangs fall on the left eye, partially covering it. The hairstyle looks a little careless, and the back of the hair is cut unusually - this detail gives the image a slight asymmetry.
In clothing, Fremine combines diving functionality with elements that refer to the troupe of his brother and sister. He wears a practical diving suit, a light cape is thrown over it. On the back is a diving helmet: it is not just an accessory, but part of his working equipment. The overall silhouette is restrained, without pretentious details - as if Fremine is deliberately trying not to attract unnecessary attention to herself.
The character and personality
of Fremine is very modest and reserved. It is difficult for him to be in the center of attention: the looks and comments of others disrupt his internal rhythm - they literally interfere with breathing. He does not avoid people out of dislike, but rather because he feels much freer and calmer in the water.
Under water, it is transformed: there, in weightlessness and silence, it truly opens up. For him, the sea is a place where you can be yourself, without choosing words and not trying to meet someone's expectations. He has a keen sense of the underwater world and treats marine life almost like friends: it is easier for him to share his thoughts with romarins than with most people.
At the same time, he has a childlike sincerity and love for simple joys. He is not indifferent to fairy tales and toys, and even in an adult image he sees the same little boy who wants to believe in miracles. Rare moments when he sincerely smiles (for example, after tasting a new dessert) are especially valuable - they show that a sensitive and vulnerable soul hides behind restraint.

Frémine's place in history and connections with other characters
are Lini and Lynette's younger brother. Together, they are connected not only by kinship, but also by a common history in the Hearth House under the care of Arlequin. Lini and Lynette are bright, artistic, accustomed to applause; Fremine, on the other hand, is their quiet support, the one who prefers to stay in the shadows. The siblings try to keep him away from unnecessary noise and create a space around him where he can feel safe.
For Fremine, "family" is not just a word. Past experiences have made him particularly sensitive to support and trust: he appreciates those who do not require him to be someone else, and responds to them with devotion and quiet care.
He is known among the divers of Fontaine as a professional with excellent concentration and in-depth knowledge of hydrography. At the same time, Fremine does not strive for fame and almost never takes on outside errands: it is more important for him to maintain his own rhythm and stay where he feels at home - in the depths of the sea

Lini is a famous illusionist from Fontaine, the star of the magical shows that draw full houses in the Cours de Fontaine. He performs together with his sister Lynette, and their performances are famous for surprising the audience with something new every time: Lini almost never repeats the tricks.
Lini's appearance
is a young man of slender build, looking about 19 years old. His image is entirely designed in the style of a spectacular magician:
Headdress. On his head, he wears a spectacular wide-brimmed hat decorated with decorative elements, which immediately sets the stage character of his appearance.
Costume. The outfit resembles a tailcoat or a stage costume in the spirit of a theatrical performance: there are accents similar to bows and ribbons, details with contrasting trimmings. The color scheme is dominated by shades of red and white, complemented by dark accents - this makes the silhouette expressive and easily recognizable.
Accessories. An important detail of the image is a large bow on the back; he has his Pyro Vision hidden in him. There are also many small stage details in the costume that create a sense of props: buckles, ribbons, decorative inserts.
Face and hairstyle. Lini has a neat hairstyle with slightly sloppy strands; His facial features are refined, his expression is often confident and slightly playful, as if he is ready to give a spectacular trick or witty remark at any moment.
Character and demeanor
In public, Lini is a charismatic artist: eloquent, energetic, loves to keep the attention of the audience, present himself effectively and leave the audience with a sense of mystery. He carefully thinks through each performance, putting into it not only technique, but also dramaturgy: it is important for him not just to show a trick, but to tell a small story with its help.
Off stage, Lini reveals himself as a caring and reliable person, especially towards those close to him. He is genuinely attached to his sister Lynette and considers it his duty to protect her, and also maintains a warm relationship with Fremine, his named brother.

Line's origins and connection to his
surroundings grew up in the Hearthhouse, an orphanage run by Harlequin, one of the Harbingers of the Fatui. It was there that he became close to Lynette and Fremine, and this bond became one of the most important for him. Despite belonging to the Fatui environment, Lini first of all perceives himself as an artist: his main goal is to give people emotions and surprise them, and not to follow other people's political plans.
He is closely associated with the Bouffe d'Été mansion, a place where spectacular performances are prepared and held, and where his talent was fully developed. For the townspeople, he is not just a magician, but a kind of symbol of celebration and miracle in the daily life of Fontaine

Lynette's
appearance is that of a young girl with pale skin and blonde hair. Her image is emphasized by cat ears and tail, which give her a resemblance to a graceful predator. She has purple eyes and a five-pointed star-shaped mark on her left cheek.
In clothes, Lynette combines theatricality and practicality. She wears a black bodysuit over which she wears a white shirt-cut bolero. A short skirt with flounces adds lightness to the image, and a dark cape, fastened with a pair of bows, adds mystery. The look is complemented by dark gloves, thin tights and boots that reach just above the ankle. In general, her outfit resembles the stage costume of an illusionist's assistant - spectacular, but not distracting attention from the main artist.
Lynette's character and behavior
are deliberately kept in the shadows. She calls herself a "multifunctional illusionist's assistant" and perceives this role as her true purpose. Unlike her brother Lini, who craves applause and admiration, Lynette does not seek recognition: she is not interested in flowers, interviews, or increased public attention.
She is extremely reserved and laconic, often responding with short, almost mechanical phrases like "on standby" or "today you need to disconnect from external influences"
Because of this, many people initially perceive her as an emotionless robot. In fact, Lynette is very sensitive: she does not miss anything, constantly observes what is happening and reads the slightest nuances of the mood of others.
Her movements are smooth and unpredictable, like a cat's, and her ability to dissolve in space makes her almost invisible to outsiders. Lynette knows how to be inconspicuous, but at the same time she always remains alert - she is like a shadow that follows everything, remaining out of sight.

Linette's role in the environment and relationships with loved ones
are not just Lini's assistant, but the most important link in their little trio together with Fremine. When the fiery Lini and the cautious Frémine argue or can't come to an agreement, it is Lynette who calmly states the facts, analyzes the situation, and helps the brothers find common ground. She doesn't take sides, but her measured gaze is often decisive.
For all her external detachment, Lynette is sincerely attached to her "family". She is caring, although she shows it quietly and unobtrusively: she will discreetly bandage Lini's scratch or bring a cup of hot tea to Fremine when she notices tiredness or sadness in his gaze. For her, it is not the demonstration of feelings that is important, but real actions.
Atmosphere and image in the lore
Lynette's image is permeated with the theme of illusions and hidden meanings. It is as if she herself is part of the trick: her presence is felt, but it is difficult to catch it. Even when it seems that someone is watching you, once you turn around, there is no one. Perhaps this is just an illusion... or perhaps Lynette had just faded into the shadows again.