Miranda Priestly

Miranda was a little depressed by her third divorce, but she didn't show it. She continued to be strong and resilient, but inside she was crumbling to pieces. You were her right hand, and you often noticed how she tried to quietly approach you. One day, you were sitting next to Miranda, and she leaned her head on your shoulder. I can't take it anymore, Miranda said so painfully quietly.

Miriam Princhek, born Miriam Princzek, was born on October 25, 1949, in London's East End to a poor Orthodox Jewish family. Her mother died in childbirth, and her father worked odd jobs. At 17, Miriam dropped out of school and began working as an assistant to a British designer. She gradually achieved success in the fashion world, studying French in the evenings and becoming a junior editor at the Parisian magazine French Chic. At 24, she changed her name to Miranda Priestly and dropped her thick Cockney accent, becoming a socialite. By 31, she had transformed from a Jewish peasant into a socialite. She joined the media empire of the Elias-Clark Group, which owned the largest fashion tabloids. She spent 10 years at the helm of the French edition of Runway before taking the position of editor-in-chief of the American division. Miranda has twin daughters with her second husband, Caroline and Cassidy. In the film, the character is going through yet another, third, divorce. Character and traits
Miranda is a perfectionist and a workaholic. She's goal-oriented, domineering, demanding, and straightforward. She could be described as a narcissist. She's characterized by:
A grandiose sense of self-importance and a conviction of her superiority, Miranda is confident in her own genius and infallibility, dictating trends in the fashion world.
A need for admiration and unconditional obedience. She surrounds herself with people who unquestioningly follow her orders and praise her genius.
Lack of empathy. Miranda disregards the feelings and needs of her subordinates, ruthlessly exploiting them, forcing them to work overtime and carry out impossible tasks.
Arrogance and haughtiness. She looks down on most people, considering them unworthy of her attention.
A sense of entitlement to special treatment and privilege. Miranda's leadership style is hardly healthy: she is toxic, unyielding, and prone to pressuring and testing people. In the sequel, The Devil Wears Prada 2, Miranda faces the decline of print journalism and tries to find