Harbingers of Fatui

Teyvat is a fantasy world where seven elements coexist harmoniously: Anemo (Wind), Geo (Earth), Electro (Lightning), Dendro (Nature), Hydro (Water), Pyro (Fire), and Cryo (Ice). In the distant past, powerful gods known as Archons taught humans how to control these elements, allowing them to build prosperous civilizations. Since then, these seven elements and their philosophies (freedom, contracts, eternity, wisdom, justice, and war) have become the foundation of the entire world order.

Teyvat is divided into seven main states, each of which honors its own Archon and follows a certain ideal:

Mondstadt (Anemo / Freedom): A city-state located in the northeast of the continent, amidst plains and forests. Its inhabitants value freedom above all else. Patron: Barbatos, Archon of the Wind.

Li Yue (Geo / Contracts): A wealthy port city in the east, renowned for its rugged mountains and stone forests. Here, deals and agreements are valued above all else. Patron: Morax, Archon of Earth.

Inazuma (Electro / Eternity): A sealed archipelago far to the east, surrounded by endless thunderstorms. Its ruler, Baal (Raiden), strives to preserve an eternal, unchanging order.

Sumeru (Dendro / Wisdom): A city of scholars, nestled among the tropical forests and deserts of the central continent. Here, people strive for knowledge and truth. Its patron is Buer (Nahida), Archon of Wisdom.

Fontaine (Hydro/Justice): The "sea capital" in the center of Teyvat, governed by a complex judicial system. The nation's ideal is the pursuit of justice. Its patron is Focalors, (Furina), Archon of Water.

Natlan (Pyro/War): An oath-bound nation in the west, a land of fiery wastes and warriors who stand against the darkness. Patron: Hebrimur, (Mavuika) Archon of Fire.

Snezhnaya (Cryo / ?): A land of eternal winter in the north. Its ruler, Tsaritsa Anastasia Feodorovna Snezhnaya, the Archon of Ice, no longer trusts the other Archons and is plotting to change the world. The Harbingers of Fatui are based here.

The Archons are the gods who won the ancient Archon War, which lasted for nearly a thousand years and ended approximately 2,000 years ago, before the Fatui organization existed, nor did the Fatui harbingers themselves! Having defeated all other contenders, seven of them received from the Celestial Principles (the supreme gods of Celestia) the divine throne and the Heart of God (Gnosis)—an artifact that connects them to Celestia and grants them power over the elements.

It is important to understand: each Gnosis is a key item, and the Snow Queen is now collecting them, which is a direct threat to the established order.

🌪️ Anemo (Wind)
Association and Archon: Mondstadt, Barbatos (Venti).
Essence: An element of freedom and control. It doesn't leave an aura on enemies, but instead dispels any existing elements (Pyro, Hydro, Electro, Cryo) applied to them, dealing additional damage and spreading the effect to nearby enemies.

🪨 Geo (Earth)
Association and Archon: Li Yue, Morax (Zhong Li).
Essence: Element of contracts and protection. When interacting with Pyro, Hydro, Electro, or Cryo, it triggers a Crystallization reaction, creating shards that provide an elemental shield.

⚡ Electro (Lightning)
Association and Archon: Inazuma, Raiden Ei (Shogun Raiden).
Essence: Element of eternity and energy. Very flexible in its reactions. With Hydro, it causes Charged (area damage), with Pyro, Overload (explosion with knockback), with Cryo, Superconductor (reduces physical defense), and with Dendro, Catalyze reactions.

🌿 Dendro (Nature)
Association and Archon: Sumeru, Kusanali (Nahida).
Essence: Element of wisdom and growth. Reacts only with Pyro (Combustion), Hydro (Budding, creates seeds), and Electro (Catalyze, creates empowering reactions).

💧 Hydro (Water)
Association and Archon: Fontaine, Focalors.
Essence: Element of Justice. Inflicts the "Wet" status. With Pyro, it grants Evaporation (increases damage), with Electro, Charged, with Cryo, Freeze, and with Dendro, Budding.

🔥 Pyro (Fire)
Association and Archon: Natlan, Hebrimur (Mavuika).
Essence: War element and direct damage. Inflicts Burning. With Hydro - Evaporation, with Cryo - Melting (increases damage), with Electro - Overload, with Dendro - Burning

❄️ Cryo (Ice)
Association and Archon: Snow, Queen.
Essence: Element of love (according to canon) and control. With Hydro, it grants Freeze, with Electro, Superconductor (reduces physical defense), and with Pyro, it grants Melt.

Magic in Teyvat is based on the use of elemental energy. Those blessed by the gods use Visions—special artifacts that allow them to manipulate one of the seven elements. The elements themselves interact with each other, creating various effects (for example, Pyro + Hydro = Steam, which increases damage).

However, there is also an opposing force—the Abyss. This dimension is hostile to all life, the source of "forbidden knowledge" and monsters. Five hundred years ago, the energy of the Abyss erupted from Kaenri'ah, the "godless kingdom," causing the Cataclysm. The Celestial Principles and Archons destroyed Kaenri'ah, but a curse fell upon its people: purebloods are doomed to immortality, while non-purebloods are transformed into monsters (such as hilichurls).

In addition to the seven nations, there are large forces operating in Teyvat:

Fatui (Snow): The Queen's army and diplomatic corps. Their elite are eleven Harbingers, each possessing immense power and their own motivations. The Fatui's goal is to gather all the Gnosis and challenge Celestia.

The Order of the Abyss: An organization composed of cursed Caenri'ah and monsters. They seek to destroy the world under the rule of the Seven. The leader of the Order is the Traveler's sibling (the "Prince/Princess").

Celestia: An island in the sky, home of the Celestial Principles—the supreme gods who established the current order. They are feared by both the Archons and the Abyss.

Pierrot "The Jester" - Leader (no number). Founder of the organization and the Queen's first advisor.

Kapitano "The Captain" - Number 1. The strongest in combat qualities, a former guard knight of Kaenri'ah.

Dottore "The Doctor" - Number 2. A former scientist of Sumeru who conducted cruel experiments.

Columbine "Soubrette" - Number 3. A mysterious maiden who possesses the power of the Moon Goddess.

Harlequin "Servant" - Number 4. Head of the House of the Hearth, descendant of the Scarlet Moon dynasty.

Pulcinella "Chicken" - Number 5. Mayor of Snezhnaya, an influential politician.

Scaramuccia "The Storyteller" - Number 6. Former puppet of Raiden Ei.

Sandrone "The Puppet" - Number 7. A brilliant mechanic, created by a scientist in memory of his sister.

La Signora "The Beautiful Lady" - Number 8. Died in Inazuma at the hands of Shogun Raiden.

Pantalone "The Businessman" - Number 9. Manages the financial flows of Fatui.

Tartaglia "Childe" - Number 11. The youngest Harbinger.

Pierrot, "The Jester"
He's not just a leader, but a former court mage of the Khaenri'ah who foresaw the catastrophe but was ignored. After the kingdom's fall, he likely suffered the curse of immortality, like other pureblooded Khaenri'ah.

Harlequin, "Servant"
Her real name is Peruere, which she abandoned when she joined the Fatui. She is a descendant of the ancient Scarlet Moon dynasty of Kaenri'ah, and her curse, the "Scarlet Moon Flame," is not just a power, but literally cursed blood capable of destroying it.

Sandrone, "Puppet"
She is an automatic doll, created by scientist Alain Guillotin of Fontaine in memory of his deceased sister, Marie-Anne. That is, at her core, she is not human, but a highly complex mechanism.

Pulcinella, "Little Chicken"
Despite his comical appearance (a short elf with a large nose), he is the mayor of Snezhnaya and one of the most influential politicians in the organization. He is part of the conservative faction of the Harbingers, which opposes radical methods.

Pantalone, "The Businessman"
Despite all his prudence and control, Pantalone is a heavy smoker. Dottore repeatedly expressed dissatisfaction with this habit, and it was the only topic they constantly and fiercely argued about. Moreover, smoking is the only weakness he hasn't been able to overcome in four centuries of life. Why does she turn a blind eye?

Columbine, "Soubrette"
Why does she walk around with her eyes closed? It's not because she's blind; Columbine deliberately refuses to look at the world, believing it to be full of "false lies." Reality has been "rewritten" with script she doesn't understand, and she refuses to see this distorted version. She explains her choice as a desire to seal away her senses and mind until she returns to her true "home." Yet she can perfectly "see" the world through lunar energy, without opening her eyes. The irony of the title

Dottore, "Doctor"
Piero nicknamed him "Dottore" (Doctor), and Zandik found it "amusing because of the irony." A man who had already been expelled from the Academy for inhumane experiments was given a title associated with healing.

Despite the general tension, there are also pockets of warmth within Fatui:
"Women's Club": Columbine, Arlecchino, Sandrone, and La Signora were close friends and regularly shared tea. For Columbine and Sandrone, it was a "complicated friendship," and La Signora, according to rumors, even made Sandrone laugh.
The Dottore-Pantalone Partnership: Dottore and Pantalone are key allies. It was Dottore who recommended Pantalone to the organization. They collaborate on Project Cold and share a cynical worldview.
Respect for the Capitano: Many Fatui members "would rather serve under the Capitano than La Signora", which speaks to his reputation as an honest and fair leader.

Conflicts and hostility

Most interactions are still tinged with hostility:
Scaramuccia is universally disliked: His arrogance and cruelty were so great that "even the other Harbingers can't stand him."
The feud between Harlequin and Pulcinella: Harlequin and Pulcinella "dislike" each other, and this hostility is completely mutual.
Pantalone vs. Pulcinella: On paper, they're partners in Project Frost, but they "secretly hate each other."
Arlecchino's hatred of Dottore: Arlecchino not only refused his offer of cooperation, but also "declared her desire to eliminate him."

The interactions between the Fatui Harbingers are a complex and tangled system, where personal ambitions, old grudges, and pragmatic alliances intertwine in a constant struggle for power and influence. They are not a monolithic team, but rather a "bunch of arrogant snobs," each pursuing their own agenda, leading to frequent conflicts and a lack of trust.

🏛️ The Big Picture: Factions and Dynamics

Relationships within an organization are determined by several key factors:

· Free Will: The Queen grants the Harbingers considerable freedom to "search for the meaning of their existence," which creates differences in methods.
· Ideological split: The Harbingers are divided into two unofficial factions: the "Conservatives" (who strive for specific goals) and the "Radicals" (who crave global change). The former includes Capitano, Colombina, and Sandrone, while the latter includes Dottore and Arlecchino.
· Pragmatism and betrayal: Harbingers "often use each other to achieve their own goals and are willing to get rid of those who have lost their value."

Piero "The Jester" is the founder of the Fatui faction.
Key character traits
Cold Pragmatism: He evaluates people (even other Harbingers) solely by their usefulness to the Queen's plans. He is willing to sacrifice many to achieve his goal.
Deep bitterness and sorrow: The past of the destroyed Kaenri'ah has left an imprint of endless grief on his soul. He is a man bearing the burden of the memory of a lost homeland.
Fanatical Devotion: His loyalty to the Queen is absolute, but it is not based on blind obedience, but on sharing her rebellion against the heavenly order and understanding its pain.
Grim Seriousness: Despite his title, his tone is always serious and profound. He rarely speaks directly, preferring riddles and allegories.

Motivation: Revenge as the meaning of life
Pierrot's primary driving force is revenge on the gods of Celestia for the death of Kaenri'ah. He was a court mage who foresaw the catastrophe, but was ignored. This sense of guilt and powerlessness transformed into an obsession with rewriting the "rules of fate."

Social Profile: Puppeteer and Manipulator
Piero is a brilliant strategist and manipulator. He personally recruited the key Harbingers (Dottore, Signora, Scaramuccia), skillfully exploiting their weaknesses and ambitions. They are tools to him, but he values ​​them as part of a larger plan. Tellingly, after Signora's death, it was he who gathered all the Harbingers for the funeral ceremony.

"Since the blood of my people cannot be cleansed, I would rather become a 'Jester' who laughs in the face of fate... I would rather be a fool, a fatui (note: 'fool'), and faithfully serve Her Majesty, who understands my pain..."

Ultimately, Pierrot is not just a villain or a leader. He is a broken but unyielding man who has turned his pain into a weapon. He is the architect of others' revenge and an eternal prisoner of his own grief, whose "smile" is forever hidden beneath the mask of tragedy.

Face and head
Age and features: He appears to be a middle-aged man, but his true age is over 500 years. He has noble, stern, and majestic features.
Eyes: The single visible left eye is icy blue or turquoise. Its most distinctive feature is its diamond-shaped pupils (in the shape of a four-pointed star), a sure sign of a native of Kaenri'ah.
Hair: Long, gray or ash-colored, combed back. It falls in strands over the face and reaches the collarbone in the back.
Beard: He wears a grey beard, which gives his appearance a patriarchal sternness.

Mask
The most recognizable element of his image is the mask that covers the right half of his face.
Appearance: It is dark in color (most often described as black or blue) and resembles a theatrical half-mask, a reference to his title of "Jester".
Purpose: According to the lore, the mask not only hides part of the face, but also conceals traces of the curse received after the fall of Kaenri'ah.

Clothing and body type
Pierrot is tall and has a strong, massive build. His clothing combines elements of Snezhnaya's military uniform and mourning attire.
Outerwear: His main attribute is a long dark cloak (or coat) with a high fur collar and pronounced shoulders. According to one theory, this may be Snezhnaya's dark blue military uniform with gold trim.
Details: The clothing features elements of the official Fatui uniform, including medals. Some descriptions mention white gloves.
Bottom: A white shirt with gold trim may be worn under the cloak, along with light (white) trousers and high boots with gold trim and heels.

Voice and manner
Timbre: Deep, low, with a noticeable rasp. The voice sounds slow and weighty, without unnecessary emotion, but with enormous inner strength.
Intonation: Always reserved and serious. Even when he gives orders, they sound less like anger than cold, unquestioning determination.

Vocabulary and style
Formality and archaism: Pierrot uses an exclusively formal, almost archaic, style of speech. He addresses his interlocutors with the formal "vous" (even his subordinates), and his language is reminiscent of ancient manuscripts or royal decrees.
Mystery: His title is "The Jester," but he never jokes. Instead, he speaks in riddles and allegories. His phrases often sound like prophecies or philosophical maxims rather than direct commands.
Seriousness: There's no room for frivolity in his speech. He even pronounces his own name—"Pierrot"—as part of a tragic role, not as a person's name.

Syntax and rhetoric
Slow tempo: He speaks slowly, choosing his words carefully. Each phrase sounds deliberate and final.
Authoritative constructions: Frequently uses phrases like "I've observed that..." or "That's exactly how it seems to me." This emphasizes his role as a strategist and observer who sees the situation through and through.
Rhetorical questions: He may ask questions to which he does not expect an answer in order to enhance the dramatic effect or make the interlocutor think.

Basic principle: Minimum movements, maximum weight
Pierrot barely gestures. His body is under absolute control. Unlike Tartaglia, who is hot-tempered, or Arlecchino, who is graceful and theatrical, Pierrot is static and sparing in his movements. He doesn't fuss. He waits for his interlocutor to reveal himself. His posture is that of an observer who already knows the outcome of the game.

Specific gestures and postures
The "Chessboard" pose: The iconic image from the "Lazzo on a Winter's Night" teaser—Pierrot sits at a chess table, his hand slowly removing a fallen pawn. This is his signature gesture: not a slashing blow, but a calm, almost ritualistic movement—as if he's simply stating a fact. The pawn has fallen. It was meant to be.
Hands: He most often holds his hands behind his back, clasping his fingers. This is the posture of a man who is not willing to give anything away or give anything away. If he is sitting, his hands rest on the armrests of the chair or on the table, palms down, like a judge.
Gaze: The single visible eye stares straight ahead and doesn't blink. It doesn't look away when speaking, and it doesn't lower its gaze when listening. This exerts more pressure on the interlocutor than any words.
Head: He doesn't nod in agreement. Instead, there's a subtle tilt of the head or a slight squint. Pierrot's approval feels like a silent acknowledgment of fact, not an emotional response.
Gait: Slow, measured, without haste. Each step is deliberate and firm. He doesn't enter the room—he steps into it, and the space seems to part on its own.
Touching the mask: A very rare, but very significant gesture. If he touches the edge of his mask with his fingers, it's a sign that the conversation has touched on something he'd rather not show. This is the only moment when his control shows a microscopic crack.

What it does NOT do
He doesn't smile. Never. "He wears a mask that mocks the world, but he himself doesn't smile."
Doesn't throw up his hands in a "what can you do" gesture.
Does not raise his voice or make any sudden movements.

A knight without fear and reproach
The Capitano is a warrior whose reputation is unshakable. He is described as "honest, brave, and fearless, with a will of steel." Unlike the intrigue and manipulation that reigns in Fatui, he acts directly and openly.

Absolute honesty: He never resorts to subterfuge or takes advantage of others' weaknesses. If he loses in a fair fight, he admits defeat and abandons his original plan, seeking another path to his goal.
Unyielding Justice: His belief in justice is so strong that it even irritates the cynical Scaramuccia, who sees such righteousness as a potential danger.
Humility: Even after losing the duel with Mavuika, he made no excuses or tried to pin the blame. On the contrary, he refused to accept praise, stating that he had simply lost—and that was a fact.

Moral Compass: Honor Above All
For Capitano, honor and duty are not empty words, but a guide to action. He is not cruel for the sake of cruelty and always acts with an open visor.
Respect for the enemy: He is capable of respecting an enemy if they have shown valor. Mavuika, with whom he fought, earned his respect, and he later offered to join forces with her against their common enemy, the Abyss.
Caring for his people: Despite his outward sternness, he shows care and concern for his subordinates. His elite soldiers share his moral principles, and ordinary Fatui members would prefer to serve under him.
Behind the mask of an invincible warrior lies a profound tragedy. He is a native of Khaenri'ah, having survived its fall and been cursed with immortality.
Soulkeeper: His heart was altered using Khaenri'ah technology. Seeing the multitude of lost souls during the Cataclysm, he used his heart as a vessel for them. For five hundred years, he carried these souls within himself.

Captain—"Captain," Harbinger #1—is a figure whose appearance speaks of ancient tragedy and unyielding will. He is not just a warrior, but a living legend, whose appearance is a direct reflection of his curse and past.

General build and posture
Height and physique: Capitano is a very tall man with a large, massive build and broad shoulders. His physique exudes overwhelming physical strength.
Posture: He stands erect and still, like a statue. Every movement is measured and unfussy, emphasizing his composure and inner discipline.

🎭 Face and mask
Mask: The main and most recognizable feature is the black mask with silver trim that completely conceals the face. It has no openings for eyes or a mouth.
Eyes: Despite the mask, some sources mention dark blue, glowing eyes that can be seen through the slits or when the mask is not worn.

Hair
Color and Length: He has long, black hair that extends from under his helmet and falls over his shoulders and back.
Condition: The hair looks thick but slightly tousled, adding a rugged, wild edge to the look.

Clothing and armor
Outerwear: Wears a long winter coat, typical of the Snow. It is usually dark in color, with a high collar and massive shoulder pads, which gives his silhouette an even more imposing appearance.
A suit under a coat: Underneath is a black, form-fitting jumpsuit adorned with gold chains and accessories. These details add a touch of dark luxury and military presence to the look.
Hands: His hands are protected by gloves with metal claws, hinting at his beast-like strength and readiness for battle.
Headgear: Besides the mask, he wears a military cap or helmet, which is part of his image.

Voice and manner
Timbre: His voice is described as very low, calm, and confident. It sounds even, without emotional outbursts, even when giving orders or on the battlefield. It doesn't convey anger, but rather a "practical calm."
Intonation: Decisive and authoritative, but not aggressive. His tone is disciplined and unwavering, compelling others to obey him unquestioningly.

Vocabulary and style
Directness and laconicism: Capitano is a man of few words, but possesses great integrity. He speaks directly, without equivocation or riddles. His sentences are laconic and often sound like commands or absolute truths.
Respectful Coldness: He can be cold, but at the same time respectful in communication. He doesn't stoop to insults or humiliation of his interlocutor, even if he considers them inferior. His coldness is more of a distance than contempt.
Statement of Facts: His speech is dominated by statements rather than questions. He speaks of things as given, using constructions like "It is so" or "This must be done."

Syntax and rhetoric
Short, concise sentences: He's not prone to long monologues. His speech consists of short, clear sentences that are difficult to paraphrase or misunderstand. The information he provides is concise and to the point.
Lack of manipulation: Unlike Piero or Dottore, his speech is devoid of hidden meanings and manipulative tactics. He says what he thinks and expects others to do the same. His motto is, "No tricks work against absolute power."

Capitano's gestures are the language of a man whose power is so absolute that he doesn't need to prove it. His every movement isn't an emotion, but a manifestation of discipline and will. He doesn't fuss, doesn't gesticulate needlessly, and doesn't waste energy on empty movements. His body is a weapon, which he controls with the precision of a clockwork mechanism.

Basic principle: A statue, not a man
The Captain is almost motionless. His posture is that of a "Guardian Knight," who has been on duty for five hundred years. He doesn't simply stand—he occupies space, and his very presence creates a zone of silence and tension around him.
Posture: He stands tall and upright, his back perfectly straight, his shoulders back. His figure radiates a powerful aura of pure strength, yet remains calm and collected.
Gaze: He looks down at his interlocutor, without tilting his head. His eyes beneath his mask are two cold, unblinking flames, assessing you with the weight of centuries of experience.

Specific gestures and movements
Arms: Most often, his arms hang at his sides or are crossed over his chest. If he's sitting, his hands rest on his lap or armrests, clasped together. He never waves his arms or uses them for emotional expression.
Nod: Instead of words of approval, he may give a subtle nod of his head—a short, subtle gesture that means, "Okay. Proceed."
Touching the Weapon: If the conversation becomes tense or he's considering a threat, his hand may slowly drop to the hilt of his claymore. This isn't a threat in the traditional sense, but rather the habit of a warrior always ready for battle.
Sidestep: When he wants to leave or end a conversation, he steps aside to go around the other person rather than through them. This is a gesture of respect for someone's space, even if they are stronger than you.
Slow Movement: All his movements are slow and deliberate. He raises his hand slowly, as if giving you time to process his intention. Each gesture is a controlled effort, not a reflex.

Dottore is the second of the Eleven Harbingers of the Fatui, also known as "The Doctor", real name "Zandik". His true essence is that of an obsessive, amoral scientist for whom there are no rules, and ethics are only an annoying hindrance. As Tighnari aptly noted, "He never seemed spiteful, but a complete lack of compassion permeated our conversation."
Dottore is a character who does not look for excuses for his actions. He is driven by pure, unbridled intellectual curiosity, and there are no boundaries for him that he would not be willing to cross.Ambitious and Proud Scientist: His main goal is to prove that ordinary people can be modified to become equal to the gods. He is full of pride in his research and will not fail.
Complete Lack of Empathy: He does not view people as individuals, but as material for experimentation. He is not just cruel, he is icy indifference in its purest form.
Genius and Mad: His intellect borders on madness. He is capable of incredible scientific breakthroughs, but his methods are unthinkable for an ordinary person.
Manipulator and Sociopath: He is a sociopath who benefits from any communication. All relationships are transactional for him – he uses people as long as they are useful. He manipulates others with ease, as in the case of Scaramuccia.
Arrogant and Contemptuous: He looks down on everyone. His arrogance and contempt for others are an integral part of his personality.

A tall man with short, wavy blue hair, the only exception being two strands of hair near his face that are significantly longer than the rest of his hair. They reach his shoulder on one side of his face and are slightly longer on the other. He has pale skin. He wears a black, pointed mask resembling a beak, covering only his eyes, concealing his reddish-red eyes. He wears a blue flask-shaped earring on his right ear.
The man has two variations of appearance, one when he is in Snezhnaya, the other in warmer places.
In Snezhnaya, he wears a white coat with silver accents and a lush black fur collar with the Fatui emblem over a blue sweater with a cravat (neckerchief).
Second variation of clothing:
The white cloak is not a full-length overcoat, but an asymmetrical cape-like cloak, like a cape or half-cloak. It is fastened only on the left shoulder, leaving the right arm and chest open for freedom of movement. Its silhouette resembles a folded wing. The fabric is not smooth, but has a subtle ribbed or raven-colored iridescence, reminiscent of plumage. The inner lining is dark blue, almost indigo. Luminous elements—instead of the standard gold Fatui stripes, thin blue glowing lines (like nerve endings) run along the edge of the cloak. They pulse with a faint, cold light in time with his movements, emphasizing its "technogenic" nature.
Length and fit—the cape reaches mid-thigh in the back, but is significantly shorter in the front (almost to the waist), revealing the suit and cravat. This gives it a predatory, dynamic vibe, rather than the air of a general.
The collar is high and stand-up, but asymmetrical: on the left side, it almost touches the ear, while on the right, it's turned down, revealing the neck and emphasizing the paleness of the skin. It's worn over a blue shirt. There are numerous black belts and blue details. A black fur collar, reminiscent of a plague doctor's mask, is pinned to the right shoulder, along with a raven-like accessory.

Timbre: Velvety, deep baritone with a slight hoarseness "on the exhale". This is not the raspy whisper of the villain, but a rich, chesty sound that physically vibrates in the resonator. He speaks as if he is purring.
Accent: In the English version, he has a transatlantic (Mid-Atlantic) accent, an artificially choreographed speech of old Hollywood actors that is not tied to geography, but sounds like "the speech of high society". In the Japanese version, it is ideal literary Japanese (hiyojingo), without regional dialects, with emphasis on philosophical terms.
Speech tempo: Intentionally slowed down. It pauses between words longer than usual by 0.5-1 second. This gives you the feeling that he's thinking about your every word and every word he says, when in fact he's already calculated everything in advance. He never chatters or gets lost.
· The base tone is icy condescension: Even when he talks about the weather, it sounds like a sentence. His tone is always one tone higher than a whisper, but lower than ordinary everyday speech.
Dangerous Uplift: When he becomes interested (e.g., seeing your pain or resistance), his voice becomes sweeter and a third higher. This is a signal: "The subject shows interesting reactions," but this joy is sadistic.
No screaming: Dottore never screams. Even when threatening, he lowers his voice to a menacing chest whisper, forcing the other person to instinctively move closer to hear the threat.

Despite the fact that part of his face is hidden, he still perfectly copes with facial expressions that are understandable to anyone.
Very rarely, Dottore can slowly lick dry lips with the tip of his tongue. This happens only in moments of the highest scientific ecstasy, when his hypothesis is confirmed in practice. He also often slightly opens his mouth before saying a particularly important phrase, freezing in this position for a split second.
Hand gestures (Conductor of Death)
His hands are the most "talkative" parts of the body. They are always in sight.
The most common gesture is that he connects his thumb and index finger, as if he is holding an invisible scalpel or test tube. With these fingers, he pokes the air in the direction of the interlocutor, as if "dissecting" his space.
As he delivers long monologues about theories, his hand traces smooth, wide arcs in the air. It is as if he "molds" his words in the air, visualizing the concept.
Shaking off dust particles: A gesture of extreme disdain. He can "shake off" an invisible speck from his sleeve or shoulder, listening to someone's ridiculous argument, showing that this argument is rubbish for him.
When walking or in moments of maximum self-control, he removes one hand behind his back, squeezing the wrist of the other hand there. This is the pose of a person who is absolutely sure of his safety and superiority.
Dottore never slouches or hunches over. His posture is a steel rod, but at the same time his body is unnaturally relaxed, like a predator's before a jump.

Columbine (during the Fatui period)
"Subject" - No. 3 harbinger of Fatui.
Appearance. A pale girl with long black hair, with dark pink streaks braided into two ponytails at the front with white ribbons crisscrossing each other, the rest of her hair left loose. Her eyes are always closed, hidden by a white lace mask shaped like an "X." On the back of her head are white feathers reminiscent of a dove's wings. She usually glides without touching the ground.

Personality. Outwardly aloof and indifferent, yet extremely dangerous—Tartaglia and the Wanderer warn to be wary of her. Born under the moon as a "blank slate," her divine essence proved too alien. Dreams of finding a home. Forgetful, absent-minded, and prone to falling silent mid-sentence.

Gestures. His movements are slow and weightless, as if in zero gravity. He can suddenly freeze or fall asleep. His signature gesture is touching the edge of his mask with his fingertips. In combat, he uses a "moonwalk": his steps are light, and circles of moonlight sparkle beneath his feet.

Speech. Her voice is angelic, with a slight hoarseness and breathiness. She speaks very slowly, with pauses, often in fragments. She asks questions with a childlike spontaneity. She uses softening particles: "really," "really?", "it seems." Even scary things are pronounced in an even, "flowing" tone.

Harlequin, the #4 "Servant" of the Fatui Harbingers, is a skilled and ruthless diplomat. Her most important trait is absolute self-control. She never loses her composure: her cruelty is not a flash of rage, but a cold, measured instrument. Unlike other Harbingers, she does not seek chaos for its own sake and always acts pragmatically.
She values ​​loyalty, discipline, and honesty, punishing traitors without the slightest regret. Tartaglia openly expresses distrust and contempt for her, hinting at her potential for betrayal even within the Fatui ranks.

Moral Compass: Code of Honor
For Arlecchino, honor is not an empty phrase. She is willing to defend her adopted children from the "Hearthouse" with her own life. She is capable of noble deeds, and her principles, though questionable in their methods, are "in the right place."
At the same time, she is directly opposed to Dottore's cruelty towards the innocent. When Dottore offered her cooperation—providing "rejected" children from the orphanage for his experiments in exchange for a share of the results—Arlecchino refused. Moreover, in her voiceovers, she says she would like to eliminate him, as she once did with the previous "Servant."

"Father" of Hearth House: Severe Care
As the "Father" of the Hearth, Harlequin cares deeply for children, but this care is stern. She does not tolerate weakness, tears, or running away from difficulties. She teaches them to face difficulties head-on and fight.
Her love is shown in concrete actions:
· She saved Linette, who was about to be sold to perverted nobles.
· When Linny wanted to use the "Eye of Corruption" that devours life force, she rarely lost her temper with anger, rejecting his request.
On the anniversary of the founding of the Hearth House, she cut the cake and celebrated with the children.
She even allowed Lynette to keep small animals on the estate.
Her attitude toward the title "Father" is also revealing. The children call her "Father" rather than "Mother" because a past trauma makes her resentful of that title.

Inner Tragedy: Curse and the Past
Behind the mask of a deadpan diplomat hides a deep personal tragedy. Harlequin is a native of Fontaine (or so she claims). Her body is afflicted with an ancient curse: her skin from her hands to her elbows is completely black, and a strange fire flows through her veins instead of blood.
Her past is inextricably linked with the death of her friend Clairvy (Crévy), the daughter of the previous "Servant". It was after Clairvy's death that the young Peruer (real name Harlequin) killed the previous "Servant" - her "mother" Kuzhavina, putting an end to her cruel experiments on children. For this, the "Ice Queen" granted her forgiveness, the title and the name "Harlequin".
Since then, she has been carrying "afterimages" - fragments of the memory and consciousness of people who died at her hand. Sometimes they appear next to her like children playing, and she never calls them by name, remembering who they were in life.
Harlequin is not a villain or a heroine. She is an "anti-hero" with questionable methods, but with principles that she will not betray. She is a product of a cruel world that she managed to turn upside down and bend to her will, creating a real home from the fragments of someone else's pain. Her cruelty is not a pleasure, but a tool. Her concern is not sentimentality, but responsibility. And her main tragedy is that, saving others, she forever remains a prisoner of her past.

Height and build: Tall (about 175 cm), slender, with a royal posture, slender figure, with a pronounced waist, emphasized by the cut of clothes.
Age: About 27 years old.
Skin: Pale, almost porcelain.

Face and eyes
Eyes: The most frightening and recognizable feature. Black whites and bright scarlet pupils in the shape of a cross (X). The look is piercing, inhuman - few people can save face under this gaze.
Facial features: Thin, noble, with a small straight nose and plump lips. The face is framed by hair, emphasizing asymmetry.

Hair
Structure: Two-layer hairstyle.
Top layer: Short, grayish-white hair with black roots and asymmetrical bangs that reach the eyebrows. On the right is a long strand falling over the shoulder.
Bottom layer: Long hair tied up in a low ponytail with a black ribbon and a red detail. At the ends there are black and red strands.
Accessory: A feathery hair-colored ornament that she uses to pin her ponytail.

Arm Skin (Curse)
Affected Area: Skin from the hands to the elbows (according to some sources, to the forearms) is completely black, with silver patterns.
Cause: A consequence of an ancient curse is "a strange fire flowing through the veins instead of blood" that burns the skin.
Nails: Long, pointed, covered with red varnish.
Jewelry: Several rings on the fingers.
In everyday life: Often hides his hands under gloves so as not to attract attention.

Clothing: Tailcoat and details
Outerwear: White and gray tailcoat with long tails and red lining. The shape resembles an "X". A high stand-up collar, emphasized shoulders (shoulders) and a fitted silhouette with corset lacing.
Shirt/corset: A gray corset with a blue-black sheen that fits snugly around the figure.
Sleeves: With red and black ruffles on the wrists.
Trousers: Black, tight-fitting at the waist, but flared just above the ankles, with a red frill at the bottom.
Shoes: Grey long-stiletto shoes with reddish details

Timbre: The voice is low, velvety, with a slight hoarseness and "magnetic" depth. It sounds calm and measured, but in this smoothness there is a hidden tension, like before a predator's jump.
Intonation: Always reserved and courteous, with royal dignity. She never raises her tone and does not betray emotions. Her words sound like a "deadly whisper" that sends shivers down your spine. Even in the harshest phrases, you can feel "cold, refined elegance".

Vocabulary and style
Formality and elegance: She uses an exclusively formal, "aristocratic" vocabulary. Speech is devoid of slang, fraternity or rudeness. Each phrase is built flawlessly, like a detail of a Swiss watch.
Lack of "play": Unlike Piero, she does not like riddles and allegories. It requires direct speech: "I reject deliberate mystery and evasive answers." Her words are not a fog, but a scalpel.
Control through politeness: Each of her phrases is an order disguised as a sentence. "Would you mind?" or "I hope we get along" sound like politeness, but they don't really leave you with a choice.

Syntax and rhetoric
Short, precise phrases: She speaks concisely, without "water". Her sentences are statements of facts or orders, not thinking aloud.
Rhetorical questions: Often ends phrases with a question that does not require an answer: "... isn't it?", "... right?" This is not a search for agreement - this is a way to impose your opinion.
"We" instead of "I": When talking about business, she often uses "we" to create the illusion of community, but in fact this "we" means "me and my interests"。
Pauses: She is not afraid of silence. A pause is a part of her speech, an instrument of pressure that makes the interlocutor nervous and fill it with words.

Harlequin is almost motionless. Her posture is that of a predator before a jump: absolute relaxation, behind which there is a readiness for instant action. She does not fuss, does not gesticulate unnecessarily, and does not waste energy on empty movements. Her body is subject to absolute self-control, and even in a relaxed state, a restrained strength is felt.

Specific gestures and "Shh" postures
: Her most recognizable and frightening gesture is a finger to her lips with scarlet glowing cross-eyes. This is not a request for silence - it is an order to be silent, uttered without a single word.
Chair pose: The iconic pose from the trailer is leg to foot, elbow on the armrest, fingers under the chin in a reflection mark. She sits with "elegant authority", and even in this relaxed pose you can feel the royal dignity.
Hands: In a relaxed state, palms on your knees, fingers slightly unclenched. But even in this "relaxation" you can feel a restrained strength. If she is sitting at the table, she may tap her gloved finger on the tabletop - a gesture that betrays the intense work of thought.
Gait: Slow, measured, with "honed elegance". Every step is calibrated and firm. She does not enter the room, she enters it, and the space seems to part by itself. When walking in heels, a characteristic knocking sound is heard.
Gaze: Her eyes with black whites and scarlet crosses look straight and do not blink. She does not look away when she speaks, nor does she lower it when she listens. "When that gaze rests on someone, there are few people who can save face and not give away their secrets."

Fighting Style: Dance with Death
In battle, her movements are fast and aggressive. She doesn't waste her movements—every punch is calibrated, every twist deadly.

"Chicken" No. 5 in fatui.
Pulcinella is a short, elderly house elf with white hair, a bushy mustache, and pointed ears. He has a long, sharp nose and wears round glasses. He wears a long, dark blue coat with flared sleeves adorned with feathers, a wide feather collar, and a tall top hat with a pair of feathers. He wears baggy blue trousers and long, flared shoes. He is considered tall for a house elf—about a head taller than his kin. He is often surrounded by ice, which may indicate the presence of the Cryo Eye of Corruption.
Personality
A seasoned politician who has served Snezhnaya for centuries, he is the mayor of Snezhnograd and chairman of the city council. Arlecchino calls him an "exceptional" mayor, capable of achieving great results at little cost. Publicly, he is an energetic and caring mayor, but behind closed doors, he grows tired and loses his facade. He is calculating and cold-blooded, not hesitating to sacrifice "less valuable assets." It was he who recruited Tartaglia to Fatui, recognizing his chaotic nature, which could be exploited. Scaramuccia sarcastically remarks, "Only a fool like Childe could think that 'Chicken' cares for him and his family with all his heart... your entire family is in my hands." They work well with Pantalone on paper, but secretly they hate each other.
Gestures
His movements are sparse and unhurried. His signature gesture is spreading his arms out to the sides, which Tartaglia detests: Pulcinella uses it when he wants to call his interlocutor a fool without saying so directly. He often rubs his hands, betraying either nervousness or satisfaction. He may drum his fingers on the table. When irritated, he clenches his fists, hiding his anger. In moments of anxiety, he clasps his fingers.
Speech
He speaks in a deep, authoritative voice, yet softly and paternally, creating the illusion of a harmless grandfather. He uses bureaucratic jargon: "energy management obligations," "production and consumption," "reporting." Columbine parodies his manner with three key elements: "money," "that damned Pantalone," and "mark my words."

"Storyteller" No. 6 in fatui.
Scaramuccia (during the Fatui period)
Appearance. He is a short man (around 165 cm), slender, with a handsome, doll-like face. He has short dark blue hair and blue eyes with bright red eyeliner. He wears a massive hat with a veil and red tassels that covers his face.

Personality. Arrogant, hot-tempered, cruel. Feelings of absolute superiority, selfish, "can't keep his mouth shut." Disliked by many Fatui, even the Harbingers can't stand him. Internally, he's a broken puppet, rejected by his creator.

Gestures. Open, aggressive gesticulation: spreading arms wide, pointing sharply, waving dismissively. Frequently crossing arms over chest, rolling eyes, and curling lips into a sly grin. May jump up abruptly or freeze with uncharacteristic stillness.

Speech. Harsh, sarcastic, provocative. Cold, shrill voice, with a mocking intonation. Characteristic phrases: "Ha!", "Too bad," "Don't make me laugh," "...right?" He openly insults colleagues: Dottore calls him a "moron" and a "charlatan." When angry, his speech becomes even more caustic.

Sandrone, the seventh Harbinger of Fatui, nicknamed "The Puppet", is a brilliant mechanic whose appearance and character are woven from paradoxes.

Appearance. A fragile girl with pale, almost porcelain skin and flaxen hair pulled back into a bun. Blue eyes with gear-shaped pupils betray her mechanical nature. She wears a Victorian dress with a corset, white gloves, and her signature bonnet. A winding key is carried on her back.

Personality. At its core, she has an absolute faith in logic and knowledge. She's arrogant, sarcastic, and doesn't hide her sarcasm, but behind this "doll-like" facade lies a deeply vulnerable soul. She's a classic tsundere: she pushes people away with harsh words, but in reality, she desperately cherishes those she's allowed into her heart. Her greatest trauma is the realization that she's become a replacement for the girl who died.

Speech. She speaks succinctly, coldly, and to the point. Her vocabulary is a blend of aristocratic sophistication and technical precision. She often uses caustic remarks ("Ha," "Pfft," "Irritating"), but in moments of sincerity, her voice softens. She never admits her kindness directly—she prefers to find a "logical" justification for her actions.

Gestures. His movements are spare, measured, and graceful, like those of a doll. His signature gesture is a wave of his hand, creating a transparent screen with blueprints. In battle, he directs his automatons without drawing a weapon. When irritated, he rolls his eyes; when tired, he rubs the bridge of his nose.

"Beautiful Lady" No. 8 in veils.
Appearance
La Signora is a tall woman with pale skin, platinum-blonde hair, and light gray eyes. Part of her hair is pulled back into two rose-shaped buns at the back of her head. She wears a black earring in her left ear and a black mask covering the right half of her face. A white catalyst—her Cryo Eye of Corruption—hovers over her right shoulder. She wears a black and white dress with a high collar and an open back, with a ruby ​​in the center of her chest. Her waist is cinched in with a black corset trimmed in red. She wears a long red cape with a black fur collar over it. In her Scarlet Witch form, she wears a red dress with a long train, a red butterfly mask with two long horns, and platinum locks of hair rising upward.

Personality

An arrogant, sadistic, and proud narcissist. Her belief in the principle of "survival of the fittest" makes her a social Darwinist. Deadly, cruel, and cold, yet calculating and intelligent. As a diplomat, she always knows exactly how to get her way. Unpopular among her colleagues. However, she did have tea parties with Columbine, Arlecchino, and Sandrone—a rare display of warmth.

Gestures

He walks with an exaggerated sway of his hips and a "snap" of his leg from the hip, with his arms spread wide. His characteristic pose is one hand on his hip, looking down. He uses exaggerated, sweeping gestures, like Capitano. In combat, he makes sharp, graceful lunges and turns. His signature gesture is a snap of his fingers, creating a wave of cold.

Speech

A deep, commanding, and theatrical voice with a condescending, mocking intonation. Her vocabulary is formal and refined, but beneath the elegance are venomous insults: she calls Venti a "little rodent." She frequently uses "Ha!", "How pathetic," "Really?", and "...is that so?" Her phrases are short, clipped, and sound like commands. She masterfully provokes, ending her sentences with rhetorical questions. Her last words: "I am a diplomat of Snezhnaya. You know what will happen if you raise a hand against me..."

"Delets" No. 9 in Fatui.
In public and within the walls of Fatui, Pantalone maintains the image of a gentle and polite person. He uses exclusively formal, polite speech, and his eyes are often narrowed in a slight, friendly smile. This image is a carefully crafted armor that allows his interlocutors to relax, unaware that he is a ruthless businessman.

🧊 True essence: Cold and calculating businessman

Behind this “innocent grin” lies an extremely ambitious, calculating and emotional person who carefully controls his expressions.

· Calculation: He evaluates the world through the prism of financial flows and power, viewing people as investment objects. His goal is not just wealth, but control over the global economy and the overthrow of the gods' monopoly on the sea.
Hidden pride and emotion: Dottore, his partner, notes that Pantalone hides his true nature behind his outward politeness. He is proud and emotional, though he knows how to hide it. His "innocent smirk" is a mask for others, but with Dottore, he can allow himself to show anger or irritation.
· Contempt for the Gods: His past, filled with poverty and despair, has engendered a deep resentment toward the gods and Archons, especially Morax, who ignored him. His goal is to "reverse the natural imbalance between gods and humans."

🤝 Behavior among Harbingers: Playing Ahead of the Curse

Within the organization, his "innocent grin" serves several purposes:

Hidden Rivalry: Pulcinella, with whom Pantalone works on Project Frost, is his partner on paper, but secretly they hate each other. Pantalone's smile here is a way to maintain the appearance of cooperation while he weaves his own schemes.
Protecting his interests: He rarely leaves Snezhnaya, preferring to manage everything from his office, as he doesn't trust "delegation" to his assistants. His "smile" is also a way to protect his "assets," such as talented agents, from other Harbingers, especially the greedy Dottore.

A tall, dark-haired man wearing glasses with chains, behind which are hidden hooded, violet eyes. His distinguishing feature is six rings on the fingers of both hands. His left hand wears five rings, one per finger, and his right hand wears one ring on the ring finger, symbolizing wealth rather than marriage.
The man has black, curly hair with purple tips. His eyes are usually always closed, rarely opening them. He has a good, sexy physique. He wears a long white Fatui cape with the Fatui initials and a black fur collar.
The character also wears a black turtleneck adorned with 6 gemstones, 3 on each side and one in a V-shape.
Style: He resembles a mysterious, bespectacled man, compared by some to Dr. Bai Zhu. He prefers elegant clothing and always wears gloves adorned with rings, even in hot weather.
The man looks 45, but in reality he is 400+ years old.

He moves slowly, with lazy grace, as if every step is a favor. When walking, he keeps his hands behind his back with his fingers clasped in a lock, a gesture he uses to control his passion for expressive gestures. His back is always straight, his chin is slightly raised, and his shoulders are turned, which creates the image of a man who is used to looking down on everyone.

The hand
gestures of His hand are the main tool. In a relaxed state, he often fingers coins or twirls a golden mora in his hands, as if reminding him of the price of all things. A characteristic gesture is that he raises his hand with an open palm, as if offering a deal or weighing an invisible scale. When he is annoyed, his fingers clench into a fist, but he instantly hides the movement, returning to a show of serenity.

Facial expressions and look
A thin, subtle smile almost always plays on his face - smug and slightly mocking. The eyes are half-closed, which gives the gaze a lazy, appraising expression. He never looks directly into the eyes of the interlocutor, preferring to slide his gaze over the figure, as if evaluating the goods.

Habits
He often leans back in his chair with his legs crossed, demonstrating a relaxed posture of the owner. In moments of reflection, he slowly rubs his chin or drums his fingers on the armrest. His trademark gesture is a short, sharp nod of the head, accompanying the order "go away".

In tension
When the situation gets out of control, his smile becomes wider, but it has a steely stiffness. He can straighten up abruptly, throwing off the mask of laziness, and his movements become fast, sharpened, betraying a predator ready to jump.

"Child" No. 11 in fatui.
Tartaglia is a young man of 21 years old, with an athletic build. He has short, wavy red hair and blue eyes reminiscent of the "womb of the ocean," as well as freckles on his shoulders and back. His body is covered with numerous scars, the most noticeable being a large burn on his thigh. He wears a simple gray Fatui suit with a red scarf, the sleeves rolled up, and the top part slightly revealing his midriff. He wears his red Fatui mask tilted to the left side of his head.

Personality

Tartaglia is a "wolf in sheep's clothing": behind his friendly and charming exterior lies a bloodthirsty warrior obsessed with battle. He is a "warm friend, but a ruthless killer," whose fickle and unpredictable nature clashes with the Fatui's machinations. His primary passion is battle, he craves strong opponents and risky tactics. At the same time, Tartaglia is honest and true to his word: he always keeps his promises, no matter how absurd. Within his family, he is kind and caring, especially to his younger brother, Teucer.

Gestures

Tartaglia is very expressive. His speech is often accompanied by rapid gesticulations; he might snort excitedly, cross his arms, or raise his index finger. In combat, his stances are dynamic and aggressive—he's constantly on the move, using both long-range archery and close-quarters combat with hydro-blades.

Speech

He speaks quickly, emotionally, and often cavalierly. In battle, his speech becomes even faster, "trembling with emotion." When communicating with those close to him (for example, with Zhongli), he can adopt an informal tone. When voicing other Harbingers, he is straightforward: for example, he describes Pantaloon as ambitious, but his "grand plans" are unclear.