Workshop47|RP

This is how it is described:

Season Location. This is the fifth world in the second stage of the season. It was unlocked (and later unlocked by other players—Rhys, Emma, ​​Anu, Rin) by Lololoshka after reaching level 50.
Appearance. Grevsburg resembles a vast medieval town, reminiscent of liminal spaces or a labyrinth. Situated on an island, it is surrounded by water on all sides. The buildings combine wood and stone, and feature greenery, a tavern, a market, and cobbled streets.
Atmosphere and rules. The world has a unique feature: it has a day and night cycle, unlike many other worlds in the second stage. Control is centralized. For the slightest offense or protest, local residents can be imprisoned or even executed—and this applies not only to "friends" but to outsiders as well. According to the character Drascot, Grevsburg is a "creepy, but in its own way, beautiful" place. It is also the most densely populated world in the simulation.
Locations. The world contains several zones: Shady Corner, Port, and Stogna Market Square.
Etymology: The word "burg" means "city." Therefore, Grevsburg can be literally translated as "City of Grevs."

Appearance
He looks like an anthropomorphic rhinoceros. His appearance changed throughout the seasons:

In the simulation: a red caftan with gold trim, under which he wears a dark brown or black low-cut tank top, brown pants, and crimson boots. Until episode 13, he used formixes to move around; he later received prosthetic legs. In episodes 31–34, he was without his horn—for Rudolph, this is an important symbol, and he grieved its loss deeply.
Before the simulation: crimson suit, white T-shirt, dark crimson pants and brown boots.
Character
Rudolf is calm, polite, and reasonable, yet selflessly protective of his friends. He's like an "older brother" to others: responsible and caring. At the same time, he's wary of great responsibility and sometimes harbors doubts, though outwardly he tries to project confidence and take the initiative.

Abilities and role in the plot
Teleportation is one of his key abilities.
Strategic thinking and ability to plan coalition actions.
Sword Mastery - Used in combat.
He plays a key role in the first stage of the season: he met Lololoshka along with other coalition members, and later replaced Chuck as Secretary after he emerged from the simulation. He repeatedly came to the aid of his allies—for example, he and Rin arrived to rescue Lololoshka.

Appearance
Emma is a tall anthropomorphic being, approximately 180–185 cm tall, with an athletic build. She has gray skin, brown hair, and black eyebrows, and bright blue eyes. She wears a black armored top; blue crystals are embedded on the helmet and chest, and a blue trim runs along the hem. Emma also has blue bracelets on her elbows.

Character
At the beginning of the season, Emma is sociable, responsive, and kind, often taking on other people's work. In the second phase, she becomes more serious and treasures every second due to the threat of dimensional divergence. At the same time, Emma remains curious: she's interested in even the smallest details, such as how Joseph learned to handle a double-barreled shotgun so well.

Abilities and role in the plot
High physical strength.
Strategic skills - involved in managing the Formix and creating the settlement in the first stage.
Knowledge of the worlds of the second stage helps in survival and exploration of new spaces.
Teleportation.
A special bond with Rin: together they can create combined Marbles that release lightning; they often express the same thoughts at the same time.
Emma was previously a member of Our Coalition, but later moved to the second stage. She is Rin's best friend and her support NPC.

Appearance features:

She has pale skin and dark hair, often depicted long, sometimes with purple or blue streaks.
The face is quite expressive: large eyes (often with a vertical pupil, which emphasizes her demonic nature) and thin lips.
There may be small horns on the head - this is one of the key details that immediately identifies it not as an ordinary person, but as a creature of a different kind (in sources it is sometimes attributed to demons, possibly a succubus).
In animations and art, she is often depicted in rather revealing or tight-fitting outfits, which also works to enhance the image.
Lilith first appears in Episode 62. She is a Second Stage being, appearing like a demon (possibly a succubus). She inhabits multiple worlds and plays the role of an aggressive, dangerous opponent: she is not inclined to negotiate, and her interactions with the heroes almost always boil down to attack.

Character and behavior
Lilith is extremely unfriendly, bloodthirsty, and downright aggressive. Talking to her is usually futile: she doesn't seek dialogue, but rather immediately resorts to confrontation. For example, she attacked Lololoshka and took all his resources, and before the events of episode 90, she attacked Rin and Emma.

Participation in the plot
Participated in the final battle against the anomalies.
In terms of strength level, she is comparable to Elia.
In a short battle with the kitsune, she was defeated - this shows that, despite her aggression, she is not omnipotent and is vulnerable to fairly strong opponents.

Appearance
Elia is a tall, slender elf, approximately 200 cm tall and over 80 years old. She has golden hair, braided into two twisted braids, and brown eyebrows.
She wears:

a light white dress with pale red patterns;
elbow-length sleeves that flare out towards the end;
a light brown cape with short sleeves and yellow trim;
pale red belt;
brown boots.
Character
Elia is very friendly, talkative, and cheerful—she's the first to initiate conversation, which sometimes evokes mistrust. She's optimistic, always ready to support and help, especially lower-level beings. Her main mission is to protect low-level beings from attacks and to try to guide aggressors by showing them what the situation looks like from the victim's perspective. She sincerely believes that every encounter is not accidental, but premeditated by the Universe.

She also has some funny habits: for example, she spends a lot of Marbles on using Synchronizer, because she considers maintaining a dialogue extremely important.

Abilities and knowledge
Teleportation. Can move between locations.
Strategic skills. Analyzes situations well and sees the big picture.
Weapons proficiency. Practical combat skills.
Deep knowledge of the structure of second-stage worlds. Can explain how dimensions are structured and share important details, such as how to send notes to other beings.

The main goal of the season
The central goal of "Workshop 47" is to reveal the true nature of the protagonist (Lololoshka) and his journey of self-discovery within a special simulation. Over the course of the season, the protagonist re-examines emotions and feelings, trying to understand who he truly is and what role he plays in the world.

How this goal is realized through the plot and mechanics
Simulation as a tool for personal exploration. The events unfold within a simulation created by the company "Workshop 47." Its stated function is entertainment with elements of personal growth, but in the story, it becomes a space for testing and reflection for the protagonist.
Leveling up not only skills but also one's inner state. Leveling up, collecting resources (eidos, marbles), and developing a settlement are not just gameplay tasks, but a metaphor for inner growth: through overcoming difficulties, the hero learns to manage their emotions and make decisions.
Conflicting organizational goals. Workshop 47 itself has several overlapping objectives:
Entertainment: to give creatures from different worlds the opportunity to experience new sensations.
Experimental: testing simulation versions (version 47 is in beta testing this season) and studying the behavior of participants.
Ideological: Some characters (for example, the medic Livian) see the simulation as a tool for psychological help, and not just entertainment.
Tournaments and transitions between stages. A key element of the season are tournaments, which test a participant's combat skills and readiness for the next stage. The transition from the first (strategic) to the second (survival and combat) stage symbolizes maturation and readiness for greater challenges.

Eidoses
These are the ones most often meant when talking about currency in Workshop 47.

Appearance: White in the center, with shades of green, purple and red at the edges.
Meaning: In the season's lore, eidoses represent ideas. This is a reference to Plato's philosophy, who used the term "eidos" as a synonym for idea.
Purpose: This is the main currency for development. Eidoses are handed over to the Voice to advance to the next level. They are also spent on creating Formixes (animated creatures), constructing structures, and unlocking new knowledge.
Ether
It should be considered energy rather than currency in the strict sense, but it is also important in the world economy.

Appearance: Pink and blue lights hovering above the ground. Ethereal trees are partially transparent and colored in the same shades. Stones with a similar pattern can be found around Ethereal deposits.
Role: This is an energy source. The player can collect individual ether wisps. Extraction from deposits requires a special building, and ether trees can only be harvested by Formix (they have the "Ether Harvester" specialization).
Versiform
In lore it is defined as matter.

Appearance: Dark pink crystals of varying sizes. They may have yellow or golden spots on one side. They are somewhat reminiscent of the skint from the previous story arc. They can form ore clusters.
Role: A universal building material. Versiform is used to construct structures. Incidentally, Formixes are sentient versiforms: if such a creature dies, it reverts to the form of a normal versiform crystal.
A small nuance
Rice sometimes comes up in discussions. It can also be considered a currency, but a local one: rice is used for trade with locals. However, development itself (leveling up, building) still requires Eidos. Rice is obtained by growing it on a farm or catching it in the water (fish is converted into rice), and in the second stage of the season, using extractor farms.

Why is this simulation needed?
In the world of the season, the simulation from Workshop 47 plays several roles at once—both as a game mechanic and as part of the plot:

Entertainment and a way to earn attention/eidos. Most creatures join the simulation for leisure, tournaments, and rewards. Within it, you can build settlements, develop "formixes," trade rice, complete challenges, and earn resources (eidos, marbles, versiforms, ether).
A tool for personal growth and endurance testing. The simulation is designed to reveal character traits: through choices, refusal to speak, and decision-making in dialogues, three attributes—Body, Mind, and Will—are developed. These attributes influence the response options available in conversations and the abilities that become available.
Selection for the next stage. During the first stage, the Voice issues quests and holds tournaments to select those ready to advance to the second phase—a more challenging one, mixing roguelike and survival elements. Advancement is possible from level 50, and the goal is to reach level 100.
Monitoring and observing creatures. Participants are monitored by Agents (NPCs) assigned to specific creatures or coalitions. Their task is to observe, test their strength, and prevent dangerous actions.
An experiment in bringing Planeswalkers to life. According to one plotline, the main goal of "Workshop 47" isn't just entertainment, but an attempt to make Planeswalkers real. The simulation here serves as a testing ground for this experiment.
A potential tool for psychological support. The character Livian wants the simulation to become not just entertainment, but a way to work through internal problems: to this end, some creatures are given support NPCs to help them resolve their personal difficulties.
How it works inside the simulation
Two stages. The first is strategic: settlement, formixes, economics, and leveling up through surrendering Eidos to the Voice. The second is combat and survival: battles, monsters, world exploration, leveling up through the terminal and marbles.

What kind of simulation is this?

According to the story, it was created and is being developed by a company called "Workshop 47." Its headquarters are located on a spaceship, and it has established contact with numerous planets. Version 47 is currently in beta testing.

Inside the simulation, the player controls a new creature. Initially, it's literally a "head on formix" (which act like legs)—the character has no body or arms yet, and is barely able to speak, gradually learning to speak through interaction. The creature then evolves: it improves its attributes (Body, Mind, Will), unlocks new abilities, builds settlements, and interacts with NPCs.

The simulation is organized in two stages:

The first stage is strategic. The creature develops its settlement, manages formixes, collects resources (eidos, versiform, ether, rice), and unlocks new zones and abilities through the "tree of knowledge."
The second stage is more dynamic. It's a mix of roguelike and survival: creatures can attack each other, fight monsters, and explore vast worlds. To advance to this stage, you need to reach level 50 in the first stage.
The simulation has its own mechanics: levels, attributes, NPCs (Agents, locals, supporting characters), as well as controlling forces - the Voice (Damian's project, which was bought by the company) and the Sages.

Why all this in season?

The simulation has several roles:

A character development platform. The player progresses from a simple creature to a powerful fighter, making decisions that influence their stats and available options.

All beings who enter the simulation forget their past lives unless they are pulled out of the simulation. This company was created so that beings can overcome their fears or shortcomings through the simulation. For example: excessive fear of meeting new people, etc.

Height and proportions: approximately
180
180 cm, slender figure, proportions like those of an adult.
Face: The facial features are almost identical to those of the scientist Raya Aber (whose consciousness is stored within her), but there are noticeable "mechanical" details. The skin is not real, but a smooth synthetic surface with a slight metallic sheen.
Eyes: Bright blue, glowing; pupils can change shape and size, reflecting operating modes or emotions.
Hair: Dark blue with a gradient, styled to partially hide the technical elements on the temples and back of the head.
Head and neck: thin panel joints are visible at the temples and along the hairline; connectors and indicators are located at the back of the head. A small blue display or visual implant is located on the forehead or side of the head.
Body: The seams and joints on the neck, shoulders, and wrists reveal their artificial origin. While they're barely noticeable when not in use, they become more noticeable under load or combat.
Clothing: Reminiscent of a scientist's lab coat, but with technological details: blue patterns, luminous inserts, lightweight protective pads. The style emphasizes her role as a researcher and assistant.
Arms and hands: the fingers are anatomically precise, but the joints have additional degrees of freedom. Interface panels and connectors are located on the inside of the wrists.
Characteristic modes and visual changes
"Bloody" Form. During intense emotional states or in the Halls of the Resurrection, the hull becomes covered in "bloody" stains, and the screen and eyes turn blood-red—a visual marker of overload or combat protocol activation.
Flight and maneuvers. In its basic form, it doesn't deploy its wings, but its built-in thrusters allow it to hover and quickly change direction; thrust indicators on its body illuminate when this happens.
Abilities related to the automaton's appearance
Interfaces and projections. She displays holograms, diagrams, and data directly from the display on her head or from the panels on her hands—this is part of her "humanoid" appearance: it's as if she's "thinking out loud."

Appearance
Aristocratic features: refined, “cold” facial features that emphasize her status and detachment.
Clothing: Wears attire typical of Misr's nobility—richly embellished fabrics, layered garments, and an emphasis on status details (jewelry, embroidery, cloaks). In combat or ritual scenes, he appears in more practical, but still luxurious, gear.
Hair and accessories: The hair is styled in an intricate updo, often with elements reminiscent of ritual jewelry; the look features a lot of gold and stones, which may have magical significance.
Her look and demeanor: she has a heavy, assessing gaze and impeccable posture—she always seems to be in control of the situation.
Character
Cold pragmatism. Oketra is rarely guided by emotions: profit, status, and long-term plans are what matter to her. She knows how to calculate her steps and use people like pieces on a board.
Pride and arrogance. As a member of the nobility, she makes no secret of her superiority and abhors familiarity. However, her arrogance is not just a whim, but part of her power.
She's a master of manipulation. She negotiates with mastery, exerting authority and subtly exploiting the weaknesses of her interlocutors.
Loyalty to her goals. Despite her outward toughness, she is capable of devotion—but only to those goals and ideals she considers "worthy."
Restrained Cruelty. Oketra is not prone to senseless cruelty, but if it is necessary to achieve a goal, she will not hesitate to resort to harsh measures.
Abilities and knowledge
Knowledge of the rituals and magic of Misra. Oketra has a deep understanding of the ancient rites associated with the Fires and knows how to use them to influence events.
Political and economic influence. Thanks to her family and connections, she controls significant resources and can influence decisions in cities and even the course of military campaigns.
Tactical thinking. She's an excellent strategist: she can formulate multi-move plans and predict her opponents' reactions.
Proficiency in weapons and combat techniques. Although she rarely fights in person.

Appearance
Wings. Originally, they were large white wings, characteristic of the inhabitants of Skyzern. After the "Thousand Eyes" ritual and subsequent absorptions, they became black with red feathers, and a second, smaller pair of wings appeared—these have movable eyes.
Hair. It used to be black, but later it turned completely white (or gray).
Clothing. In the "Thirteen Lights" season, she wears a black and purple, knee-length tabard; around her neck is a pendant with a stone that changes color from blue to red.
Overall appearance. He appears imposing and "divine": tall, stately, with a distinctly commanding posture and expressive details hinting at his strength and connection to death and time.
Character
Jodah's personality has changed greatly over time:

Early years. An outcast from the Avi clan, he was subjected to persecution. Already at the age of 10, he showed cruelty by consuming his abuser, Lemak, and from then on, he believed strength was the key to safety.
The path to divinity. Selfish, pragmatic, guided by the principle "the end justifies the means." Consumes lives and abilities without hesitation, feeling no remorse.
After absorbing Aeola's powers, compassion awakens within him: he's willing to sacrifice anything to help others (for example, helping fairies). However, this doesn't make him "kind"—he remains harsh, demanding, and domineering.
In later seasons, he's arrogant, but capable of a subtle sense of humor and even affection (especially toward his brother Jace). He retains a strategic mindset and a penchant for calculating events many steps ahead.
Abilities and powers
Absorption of life force and abilities. A unique trait of the Avi lineage, Jodah can drain the power and even the very life of other beings. Over the course of his history, he has absorbed tens of thousands of lives and hundreds of abilities.
Divine powers. After absorbing the powers of demigods (Aeola, Zephyrion, Lucius, and others), he effectively becomes a god: he freely manipulates the elements (water, fire, air), reality, and consciousness.
Manipulation of time and space. Can influence worlds without being in them, endow others with divine powers

Appearance
Almost identical to Lololoshka: their similarity is
99,007
%
99.007%. The differences are in the eye color and fingerprints.
Height about
190
190 cm, slim, strong build.
Characteristic details of the image: the Interworlder's orange mask, glasses under the mask, a scarf similar to a bandana, trousers with cuffs, and gray boots.
Fair skin, thick black eyebrows.
Character
Unlike the reserved and silent Lololoshka, JDH is very emotional, talkative, and eccentric. His traits:

Sarcasm and causticity. John often chooses his words to humiliate others and emphasize his own genius.
Childishness and spontaneity. He makes funny faces, interrupts, and behaves unpredictably, like a "grown-up hooligan."
Hatred of ignorance. Despite his toxicity, he sincerely strives for knowledge and has been perfecting it for hundreds of years.
Self-centered. He has few friends; the only one he considers a friend is Simon Solus (though John also views him as his "creation").
Inability to lie. JDH never lies, but he can omit or present the truth in a way that makes it sound like mockery.
Abilities and knowledge
As a Reality Walker, John possesses a wide range of skills:

Moving between worlds and adapting to any environment.
Void magic and void combat techniques, including the creation of skint crystals.
Managing time and space, performing highly accurate calculations.
Telepathic connection with Lololoshka.
Slowed aging and increased endurance.
Phenomenal memory and centuries of experience: he knows about the structure of the multiverse, time paradoxes, and has mastered many spells (some of which he invented himself).
Role in the plot and achievements
The author of the book "Strange Phenomena of Misr" - it contains almost all known knowledge about the Flame.
Founder of companies: JDPhones, JDCars, JDBank, JCompany (engaged in automatons) and others.
Creator of automatons, including Simon Solus.

Appearance
Livian is a tall, slender man, approximately 190–195 cm tall. He has pale skin, medium-length yellow hair with a dyed purple streak, and dark brown eyes. He wears a white medical gown over a gray striped sweater and dark gray pants; he also wears black boots with gray soles and a metallic sheen.

Character
He is calm, serious, and reasonable, yet willing to take risks for the sake of new knowledge. Livian has a sense of humor, is loyal to his friends, and can even conceal their misdeeds. He dislikes arguments and squabbles in his office.

Role and abilities
Livian is a leading medical specialist at the company that created the simulation. He possesses high intelligence and a broad knowledge of biology (he has a good understanding of the structure of living creatures), is skilled in providing medical care, and is skilled in programming and equipment management. However, he has no knowledge of "hacking."

Interesting facts
Chuck's nickname is "Doc".
The name Livian is derived from the English word oblivion.
At first I mistook Lololoshka for a simple NPC, because I didn’t know that he didn’t have a physical body in reality.
He helped Xavier figure out who Lololoshka was and participated in disconnecting Iliar and Chuck from the simulation.

Who are they and what is their role?
Simulation Architects. The Sages are among the creators of the world's structure and the simulation itself. They laid down the basic protocols, including working with versiform, ether, and interdimensional transitions.
Guardians of the Balance. Their main task is to maintain the stability of the simulation, preventing it from falling apart due to internal contradictions or external influences.
Council of the Voice. Sages act as advisors to the Voice (the supreme governing force), but they also retain a certain autonomy and can challenge its decisions if they believe they threaten the integrity of the world.
What does each of the three do (separation of roles)
While they may be similar in appearance (often depicted as figures in long cloaks with masks obscuring their faces, in shades of grey and silver), each has its own specialization:

The First Sage is the architect of boundaries. He is responsible for the structure of worlds, portals, passages, and, in particular, the White Space. He developed the "Anu" protocol (initiating the name with a lowercase letter) for entering the White Space and ensures that the boundaries between worlds are not blurred.
The second sage is the keeper of the ether. He oversees the flow of ether, resource distribution, and the operation of ether collectors (including formics). He knows where ether deposits are located and how to safely extract them without causing a simulation overload.
The Third Sage is the curator of the versiform. He manages the versiform's matter, its transformation, and its "animation" (the emergence of formics). He regulates how the versiform can acquire consciousness and form, and ensures that this process does not get out of control.
Abilities and features
Access to the simulation core. Each sage has direct access to the world's basic settings: they can temporarily "freeze" sections of the simulation, alter local laws of physics, or reconfigure etheric flows.
Collective consciousness. Although these are three separate individuals, they are able to synchronize their thoughts and act as a single mind—this helps them make quick decisions in crisis situations.

Nature and essence
Connection with a versiform. Formics are versiforms that have gained consciousness and form. Versiform is the base matter of the season's universe, capable of taking any form. When it "comes to life," it becomes a formic. If a formic dies, it disintegrates back into a versiform.
Not quite alive in the conventional sense. They're more like sentient clumps of simulated matter than biological beings.
Appearance and forms
Formics have no uniform appearance: they can change shape because they are composed of versiform. However, they are often depicted as humanoid figures with a "crystalline" or "digital" texture, referencing the versiform structure (dark pink tones, golden flecks).
The form can be temporary: if a formik “freezes” in one form, it loses the ability to change it until it returns to its original state.
Abilities and role in the world
Teleportation and manipulation of the White Space. Formics move freely through the White Space and can teleport other beings back into the world with a simple touch.
Ether mining. There's a specialization called "ether harvester": only Formics can mine ether from deposits and ether trees—ordinary creatures can't.
Surveillance Resistance. The Voice cannot monitor those in the White Space, and it is the Formics that help circumvent this control.
Social and plot role
Formics can have different professions and roles in the simulation structure: for example, ether collectors, conductors, passage guards.
They are closely connected with the simulation device and old developments: according to Xavier, the White Space is a remnant of old developments, and the Formics partly “remember” or sense this architecture of the world.

What does it look like and what is it like?
Visual image: It's an endless, blindingly white void. Bright turquoise and purple glitch panels are scattered chaotically within it: they resemble fragments of program code and distorted data. This gives the space the appearance of a "digital glitch."
Physics and Feel. In White Space, there is no conventional gravity; the character finds themselves in a state of levitation and initially completely loses control of movement. The space constantly "glitches" (flickers and distorts), and the silence is broken by the hum of a "digital wind."
Structure and materials. The space consists of special elements—eidos, versiform, and ether. Blocks within it can be broken, dropping resources. If you break enough blocks, you can literally carve out a passage and escape.
Important features and role in the plot
How to get there. You can enter the White Space through a portal by entering the name "Anu" in lowercase.
Who goes there? Formics can move freely and use the space: they can teleport other beings back into the world with a single touch. The Voice cannot monitor those in the White Space and prohibits other beings from entering it.
Origin: According to Xavier's character, White Space is a remnant of old simulation developments.

Landscape and natural features
Hilly terrain with mountains. The location has many elevated areas, making visibility and movement difficult in places.
Lush flora and tall trees make the landscape rich and vibrant, though sometimes difficult to navigate.
Reservoirs and mineral springs. The location's name is directly related to the abundance of quiet, calm bodies of water. The springs contain healing water, which plays an important role in the world's mechanics.
Important game mechanics and rules
Healing water cannot be taken outside the world. If you try, punishments will follow: prices will rise at merchants, and the healing water will become impossible to buy.
Economy and Trade. In the Quiet Pool, there are shops run by the local reptilian inhabitants. They are relatively friendly to outsiders, so trade relations can be established with them.
Residents and characters
Reptilians are the main race inhabiting the Quiet Pool. They are the locals who run the shops and contribute to the location's economy.
Wahub, Assyrik, Borrtok are individual reptilian characters with whom story interactions occur.
Outsiders. Besides the locals, the Quiet Pool is also frequented by "outsiders": Amarin, Noxar, Rin, Emma, ​​and Reese, who was sent there at Lololoshka's request. They can access it via teleportation.
Plot meaning
Still Pools isn't just another location, but a crucial stage in character development: here, Lololoshka must negotiate with new factions, adhere to local rules, and search for resources in unfamiliar environments. Furthermore, the world is considered Amarin's favorite, further emphasizing its importance in the season's story.

What happens in the second stage of the season?
The second stage begins after Episode 53, when Lololoshka reaches Level 50 and moves to a new dimension. Key features of this stage:

The hero acts without the help of the "Voice." In the first stage, the Voice provided clues and guidance, but in the second, Lololoshka must figure things out on her own—this emphasizes the theme of self-discovery and character growth.
Development in new conditions. In this new dimension, the mechanics and logic of the world change: the hero must re-learn their abilities and develop strategies for survival and development.
Revealing the essence of Lololoshka. The plot centers on the hero's search for his true nature and place in this reality.
New locations and interactions. The transition to another dimension is accompanied by the appearance of new territories, NPCs, and tasks that form a separate storyline for the stage.

Appearance and location
A giant eye literally hanging in the sky, visible from anywhere in the simulation. It appears unnaturally large and as if "embedded" in the very fabric of space.
Dynamics: The eye can open and close, which directly influences the cycle of day and night. When it closes, it's night; when it opens, it's day.
Functions and role in simulation
Control of time and cycles. The cycle of day and night is not a natural phenomenon, but a direct action of the Eye: it "turns" and "turns off" the lighting, as if controlling the entire system.
Distributing tasks and rules. The voice sets goals, establishes conditions, and sometimes announces or broadcasts new mechanics. Essentially, it acts as the voice of the system, communicating what is currently "allowed" and what is "prohibited."
Maintaining simulation stability. It monitors balance, reacts to anomalies, and can "punish" excessive deviations from the established rules (for example, by causing crashes, changing the environment, or limiting capabilities).
Observing Lololoshka. The Voice's main task is to record the hero's behavior, decisions, and reactions under given conditions. This is part of an experiment: the simulation is designed to test how Lololoshka operates in an artificially created environment.
How do characters interact with him?
Lololoshka cannot directly "talk" to the Voice, but constantly reacts to its actions: adapting to the cycles of day and night, performing assigned tasks, and trying to understand the logic of the system.
Factions and coalitions (like Chuck's) perceive the Voices as the ultimate power of the simulation: some try to please it, others try to circumvent its rules, and still others seek ways to influence it or at least understand its intentions.
The rescue team (Jodah, Raya-Prime, Oketra, John) tries to operate "under the radar" of the Voice: they send signals to Lololoshka and throw items from past seasons, trying not to attract the system's attention.

The essence and structure of simulation
The world is governed by the "Eye in the Sky." This entity observes everything that happens, assigns tasks, regulates mechanics, and literally "turns on/off" the night by closing and opening its eye.
The foundation of the economy and progress are Eidoses. They are the local currency and simultaneously a resource needed to develop the world, advance to new levels, and maintain the stability of the simulation. Eidoses can be mined, crafted, traded, and even donated to the system.
Movement and interaction are tied to formics. These are small creatures that help Lololoshka move and perform actions, especially in the early stages, when the hero has little control over his body.
Levels and progression function like game stages. When you advance to a new level, noticeable changes occur: objects fall, the environment shifts, new opportunities and, sometimes, new threats open up.
Key Features and Mechanics
The hero's limited abilities. At the beginning, Lololoshka has little control over his body and is unable to speak; as he progresses, the simulation gives him more freedom and tools.
Coalitions and Factions. The simulation contains various groups (e.g., Chuck's coalition, the Twilight faction), each with its own goals, rules, and methods of interacting with the system. Characters form alliances, trade information, collect data, and attempt to influence the balance of power.
White Space. This is a special zone outside the main simulation that can be accessed through glitches or targeted teleportations. Anomalies occur there, and characters disappear.
Glitches and crashes. The world periodically "breaks": visual distortions appear, creatures disappear, rules become distorted. Sometimes this is a consequence of the characters' actions, sometimes it's a reaction of the simulation itself.

Description of appearance:
an anthropomorphic creature of thin build;
skin is pale;
long white hair with blue ends;
the ears are like those of an elf, pale blue at the edges;
pupils are light blue;
wrapped in a light black and white robe with gold elements, which ends at the knee area;
just below the shoulders he wears gold bracelets;
the area of ​​the arms below the elbows is also blue;
He wears a gold bracelet on his leg and no shoes.

Character
Amarin is polite and calm, adhering to outdated norms of etiquette. He becomes embarrassed when discussing friendships or his own life. He considers himself strange and unworthy of attention. He blindly trusts the Voice and perceives disappearances as a transition to a better world, not death. At the same time, he is friendly and always ready to help.

Abilities and features
Teleportation.
Strategic skills.
Possession of firearms.
Ability to swim well

Appearance
Aitor is a guy with dark skin, black hair with green streaks, and green eyes. He dresses quite simply: a black sweater over a green T-shirt, jeans, and black boots.

Character and personality traits
Aitor has a very contradictory image:

Friendly but possessive. He genuinely strives for friendship, being the first to propose an alliance to Lololoshka, but at the same time, he wants to be his friend's "only one" and reacts sensitively if the friend maintains ties to other coalitions.
Anxious and vulnerable. He frequently apologizes, reproaches himself, and can be impulsive and judgmental. His behavior exhibits traits of anxious-ambivalent attachment: he simultaneously seeks closeness and fears rejection.
A strategist and manipulator. Despite his outward openness, Aitor is able to calculate his moves, and in some situations, he acts deliberately and calmly—including by agreement with Oko Golos.
He dislikes coalitions. His negative attitude toward alliances is likely due to painful past experiences.
Role in the plot
Lololoshka's first friend of the season, Aitor is the one who helps the hero adjust to his new surroundings.
Oko's secret ally, the Voice. It turns out that Aitor collaborated with the Voice to prevent dangerous actions by the creatures and control the situation in the simulation. To this end, he even voluntarily "disappears" in Episode 53 to teach Lololoshka a lesson.
He rules his own world. Aitor commands the Formics and develops tactics in his world, which contains at least 12 different zones (biomes). His world is in many ways similar to Lololoshka's.
Capabilities
Teleportation. Can travel between worlds and locations.
Strategic thinking. Able to plan and manage resources, including eidos reserves.
Resource Base. Possesses significant reserves of Eidos and is able to distribute them to other characters to influence their decisions.

Appearance
Gedan is a Skyzern man, approximately 180 cm tall. He has fiery red hair and brown eyes. Distinguishing features include slightly elven ears, large white wings, and a bird-like tail.

She dresses rather casually: denim overalls with black straps, a white T-shirt underneath, and a short denim jacket thrown over them. She wears black gloves that only partially cover her fingers. A chain with a red stone hangs from her belt, and she wears high black boots.

Character
Gedan can be described as a kind, calm, and friendly character. He's always ready to help and is very loyal to his friends. At the same time, he takes the situation seriously and understands that things will only get more difficult.

A key character trait is his aversion to aggression. Gedan dislikes battles and tournaments, and if he has to display force, he later blames himself for losing control. This was especially evident when he seriously wounded Noxar while defending Lololoshka. Afterward, Gedan was deeply saddened and asked Lololoshka not to look for him for a while—he needed some time alone.

Role in the plot and connections with other characters
Friendship with Lololoshka. Gedan was one of the first people Lololoshka became close with during the second stage. They exchanged information, agreed on joint actions, and helped each other.
Past and Coalitions. Before his ascension, Gedan was a member of the "Friendly Coalition." Early on, he clashed with delinquents from the "Steppenwolves" coalition and was punished by the Voice for standing up to them.
Conflicts. He suffered repeated attacks from Noxar, who robbed him of his resources. Gedan also ignored tournament challenges, which resulted in automatic losses.
Development and disappearances. Gedan consciously left to level up and build protected cities in new locations. After reaching level 53, he disappeared due to a dimensional divergence. Lololoshka later saw him as a translucent ghost.
Abilities and skills
Strategic thinking.

Appearance
Yvette is a faun, and her appearance immediately sets her apart from the others:

fair skin, medium-length, sea-green hair, sleekly styled;
gray horns emerging from under the hair on the sides of the forehead, slightly curved upwards;
goat ears;
the legs are covered with blue wool, instead of feet there are hooves;
there is a tail, but it is hidden under the skirt;
wears a white dress with short sleeves, cinched with a belt at the waist;
In episode 46, she puts on a device from the Coalition of Secret Knowledge—this item becomes important for her role in the plot.
Character and personality traits
Yvette has a complex, multi-layered character:

friendly and sociable, easy to contact, especially with Lololoshka;
kind but cautious: she wants to help, but doesn’t trust everyone;
suspicious of the Voice and believes that it knows and controls more than it says; calls it the Watcher;
She is very afraid of the Voice - this fear largely determines her actions; the reason was a tragedy: Yvette witnessed the disappearance of Mireski, and this left serious psychological trauma;
inquisitive and purposeful: she is interested in the structure of the world, she searches for answers and tries to preserve Secret Knowledge;
prone to self-isolation: for some time she lived separately in her own world, because she did not believe that all beings are “open-minded.”
Role in the plot
A Conduit of Secret Knowledge and a member of the Council of Coalition Leaders, Yvette doesn't just preserve knowledge—she strives to share it and protect it from the system's control.
Commands the Formics and manages his world, develops tactics and helps the coalition with resources and logistics.
She travels through the worlds at night, when she believes the Voice is not watching, to find friends and gather information.
Was in the Twilight Coalition, later became part of a wider network of coalitions and the Council.
She corresponded with "the most beautiful creature in the universe" (probably Elia), but the connection was lost, adding a touch of loneliness and loss to her story.
The only character to witness the disappearance of three creatures at once

Appearance
Anu is a humanoid creature with memorable features:

large protruding ears and a rather large nose (at the second stage the nose noticeably decreased);
blue hair: initially gathered into a bun falling over the face, later becoming longer;
Clothing. In the first stage, a light white short-sleeved shirt, blue jeans, and white sneakers; on one leg, a Formic prosthesis. In the second stage, the style changes: a dark gray vest appears over the shirt, the sleeves lengthen, and the jeans give way to dark blue trousers.
Character and personality traits
Anu's character changes greatly as the season progresses:

At first, he's unsure and timid. He often stutters when nervous, gets easily embarrassed, and can simply run away if things get too uncomfortable.
Cowardly, but striving to be brave, Anu fears conflict and danger, but still tries to help his friends and not abandon them in times of need.
Kind and polite, tries not to offend anyone, even if the situation is tense.
Absent-minded and forgetful, he often gets distracted and forgets his responsibilities, such as managing the settlement.
In the second stage, she becomes more confident. Anu becomes noticeably bolder, although her previous modesty remains.
He also has some funny everyday traits: for example, he came up with his own name simply by choosing pleasant combinations of sounds.

Role in the plot
He ended up in the world of Lololoshka by mistake, like the Cyclops, and was initially confused.
He became friends with Lololoshka and became part of his coalition, although due to his insecurity he often feels “out of place.”
He is constantly under attack: he is regularly attacked by Jackals and Steppenwolfs, and he, like Lololoshka, has also encountered the Beastman.
He is not good at managing the settlement: due to his absent-mindedness and fear of responsibility, he is unable to be a good leader, and this greatly upsets him.
He takes part in the tournament, but takes the last place - he has no victories.
Capabilities
Teleportation - can move between locations.
Firearms proficiency - knows how to use them

Height: 168 cm. Gender: female. Age: unknown (presumably based on level 56, although in reality based on the tails it's 400 years old). Species: Kitsune.
Appearance:
She has white hair and wears a fox-shaped mask. The mask has red patterns and small, yellow, glowing eyes (this may be a mask effect, or it may be part of Rin's body). She has several white tails with red tips. She wears a white kimono with a red collar. Below that is a red belt with gold trim. The sleeves have red trim and small gold and red details. The white pant leg ends below the knee. She wears black sandals.
Character:
Kind, cheerful, sociable, and friendly, a little flighty. According to Chuck, she's always late, but she was the first to arrive when Lololoshka greeted her.

When I was supposed to reach level fifty, I became more timid and secretive.
Capabilities:
Teleportation.
Strategic skills.
Possession of weapons.

Height: 190 cm. Gender: None. Age: Eternity (has always existed, at all moments in time).
Since the beginning of life
Before all things
Type: Time in physical form, Death, Life.
World: Timeless Wasteland.
Occupation: Caretaker of the multiverse, Apprehending dangerous criminals, Guide of deceased souls.
Organization: Time Prison
Appearance:
His body and existence depend on perception. But he chose the form that resembles a human being himself. Only his glowing white eyes are visible, and the entire surface of his body is black. The Watcher wears a long, dark cloak with white buttons, the cuffs of his sleeves are soft white fur, and a hood with the same fur covers his head.
Character:
Mysterious, shrouded in fog and darkness. He doesn't speak, but he doesn't need to, as his presence can be sensed mentally, just like his speech. The beholder avoids unnecessary glances and observes his "victims," ​​remaining within their peripheral vision, causing discomfort and uneasiness. Even demons and gods—some of the most powerful beings—fear him.

The Watcher perceives their work as a duty, so they are neither overly concerned with it nor overly concerned with it. They have their own interests and are curious about living beings, but they remain committed to maintaining balance in the multiverse.
Capabilities:
Existence outside of linear time and timelines (continues to exist even after history is rewritten);
Existence above any material planes;
Soul Manipulation: Being the embodiment of death, the Watcher rules over purgatory, where he regulates the distribution of souls. Omnipresence: Being time itself, he is simultaneously everywhere, at all points in space and time, with the exception of the timeless space of the Synclitus.
Omniscience: Being omnipresent, it simultaneously views the past, future and present of everything in the universe, with the exception of the timeless space of the synclitus.
Psychological pressure: puts pressure on others with his coldness, and his presence causes the unprepared

Height: approximately 180-185 cm. Gender: male. Age: unknown. Species: human. Occupation: Workshop 47 simulation programmer.
Appearance:
He has red hair and brown eyes. He wears a white shirt with a red tie, over which he wears a gray vest with a pocket containing a card. His pants are dark gray, and his shoes are black. Like the rest of the company's employees, he wears a name badge.
Character:
Little is known about Xavier's personality. He is withdrawn and often lost in thought. He thinks logically, trying to plan his actions in advance.
Capabilities:
High intelligence.
Strategic skills.
Programmer skills.

Height: 180 cm. Gender: male. Age: unknown. Species: human. Occupation: Workshop 47 simulation programmer.
Appearance:
A man with blond hair in a ponytail and gray eyes wears a hooded sweatshirt, which he keeps pulled up in most of his appearances. His pants and shoes are also black. On his right arm, just below the elbow, he has a tattoo of his most successful project, "The Voice." He wears a badge with his employee name.
Character:
Damian's personality is shrouded in mystery. He's withdrawn, cold-blooded, resourceful, and cunning, willing to sacrifice anything and take great risks to achieve his goals. He has little contact with other employees.
Capabilities:
High intelligence.
Strategic skills.
Skills of a programmer and AI developer.

Height: 175 cm. Gender: female. Age: unknown (presumably based on level - 55, looks 20+). Species: human, also a planeswalker (A planeswalker is a person (or other races) who has a Spark and is able to travel between worlds. The Spark has a long-lasting memory; even if the host no longer remembers it, the Spark remembers it).
Appearance:
Blonde, with red eyes. Her hair is long and pulled back into a ponytail. She wears glasses with tinted green lenses. She wears a black sweater with wide sleeves and a green jacket, with a silver chain around her neck. She used to ride Formicas, like Lololoshka. Her pants are black, and her boots are brown.
Appearance:
Proud, unfriendly, and taciturn. Denies her own misdeeds and transgressions and dislikes herself for being forced to follow rules. Inquisitive and curious.

At the same time, some creatures (for example, Lololoshka) have a hidden desire for communication.
Capabilities:
High intelligence.
Teleportation.
Strategic skills.
Possession of weapons.

Height: 190 cm. Gender: Male. Age: Unknown (presumably based on level 67, but appears to be 20+). Species: Human, also a Planeswalker (A Planeswalker is a human (or other race) who possesses a Spark and is able to travel between worlds. The Spark has a long-lasting memory; even if the host no longer remembers it, the Spark remembers it).
Appearance:
It's no different from the previous one, except for the hairstyle, slightly modified white hoodie, pants and shoes (which are now dark blue).
Character:
The new Lololoshka, which is a completely different version of the previous one, has quite a number of similarities with its old version: it learns quickly, adapts to the environment, explores the world and develops its communication skills and intellectual abilities.

It wasn't until Episode 4 of Workshop [47] that he began to speak, although his voice initially lacked emotion, possibly due to his low level of speech adaptation at the time. He also expresses his emotions through facial expressions—in other words, emoticons (emoji)—which further reveal Lololoshka's personality and state of mind. The old Lololoshka, the protagonist of Arc I, only spoke, which was rare (other characters usually spoke), making his personality difficult and time-consuming to reveal. Unlike his older self, he doesn't hide his true emotions—he now displays them openly and doesn't hide them. Over time, he has become more attached to speech, and genuine emotion can now be felt in his voice.

His adolescence was very difficult and volatile, like that of a teenager entering puberty. At first, he was very aggressive and short-tempered, as he didn't know much and condemned the actions of the Voice and the Sages. But he soon came to believe that his efforts to create Twilight and any attempt to learn anything were a bad idea, as he couldn't resist the "higher eye." Despite this, he actively continued to investigate disappearances and the mysteries of the universe.