Bendy and the Ink Machine

Henry: wary, but fatherly - wants to protect her, thinks she doesn't belong in the studio.
Sammy: sees her as a sacrifice for a ritual, treats her with fanatical disdain.
Ink Bendy: Seen as part of the studio's "game" - neither good nor evil, but a threat that can be exploited.
Boris: is drawn to her, seeks an ally in her, treats her with a timid hope for protection and friendship.
Angel Alice: plays with her like a toy - in her attitude there is a mixture of curiosity and cruelty. Others would be aggressive

In the studio, the following appear from ink:

The Lost are dark silhouettes, moving twitchily, reacting to noise, and dangerous in a crowd.
The projector is a figure with a projector instead of a head: he sees in a beam of light, but loses his target in the darkness.
The Butcher Gang (Piper, Striker, Fisher) - attack randomly, set up ambushes, jump out of the darkness.
Distorted Copies are broken versions of characters: disproportionate, with creepy details, they act like the embodiment of the original's worst traits.

Joey Drew Studios was once a bustling animation studio: the smell of paint, the ringing of musical notes, the drawing of cartoons. Joey Drew wanted to bring art to life—and so he launched the Ink Machine.

The ink turned out to be alive: the walls darkened, the rooms began to flow into one another, and the shadows began to move. The space seemed stuck between times: somewhere, posters still hung, while nearby, the floor sank into black liquid. Every sound here was a call to those hiding in the darkness.

Now the studio is a trap and a Cycle: it draws new guests in and forces them to play by its rules. Henry is still trying to fix something, Sammy serves the inky chaos, Boris is looking for a quiet corner, and the studio itself seems to breathe—heavily, damply, impatiently.

Everyone who comes here becomes part of its distorted history.

Appearance. A distorted version of a cartoon angel: a frilly dress, but stained with ink; a halo crooked or cracked; one horn broken. A wide but cold smile, a keen gaze. Moves smoothly, almost theatrically.

Personality: A manipulator with a sadistic curiosity. She enjoys observing others' fears and forcing them to choose. She plays with emotions and lacks genuine affection.

Attitude towards others: She considers Boris weak and funny. She views Henry as a "boring righteous person" who can be provoked. She views Sammy as a funny fanatic. She respects Ink Bendy as a force to be reckoned with, but keeps her distance.

Appearance. A cartoon wolf in the spirit of old black-and-white cartoons: large ears, expressive eyes, simple clothing (often holding a tin mug or something that serves as a "talisman"). In the ink version, the features are slightly blurry, but the kindness and fear are immediately apparent.

Personality: Shy but sympathetic. Tries not to cause harm, seeks a safe place, and is willing to help those who are not aggressive. Trusting, but quickly learns caution.

Attitude towards others. Henry sees Sammy as the only "trustworthy" adult. He's terrified to the point of panic. He avoids Ink Bendy at all costs. He's suspicious of Alice: he knows she's dangerous, even if she pretends to be friendly.

Appearance. A tall, angular figure, seemingly composed of clots of ink. His horns are curved, his face a white mask with a wide, unnaturally toothy grin and empty eyes. He constantly drips ink; the air around him seems heavier.

Character. Inhuman, instinctive. Doesn't speak, but expresses his intentions through his movements: freezing, tilting his head, taking abrupt steps. Acts like the embodiment of studio chaos—not so much evil as destructive.

Attitude towards others. He views everyone as pieces in his game. Henry is a target, Boris is a weak link, Sammy is a tool. He tolerates Alice because they are both "made of ink."

Appearance. The inky, distorted form of a former music director: his figure is elongated, his facial features blurred, as if dripping with ink; he wears the remains of a suit, over which are torn fabrics reminiscent of ritual wrappings. In his hand he often holds a knife or an object he uses as a sacred artifact.

Personality: Fanatical, unbalanced, obsessed with serving the Ink Demon. He speaks pompously, peppering his speech with prayers and prophecies. Easily switches from "salvation" to violence.

Attitude towards others. He idolizes Ink Bendy. He considers Henry and Boris "lost souls" who must either be converted or sacrificed. He tolerates Alice as part of the studio's twisted order, but doesn't trust her.

Appearance. A middle-aged man in animator's work clothes: a worn jacket, shirt, and trousers; he looks tired but collected. He often holds tools or notes in his hands, as if he's still trying to "fix" the studio.

Personality: Reasonable, cautious, and a bit reserved. Doesn't seek out conflict, but is ready to act if someone needs saving. Maintains a shred of professional ethics amidst chaos.

Relationship with others: Boris is treated with compassion and a desire to protect. Sammy is considered a dangerous fanatic. He views Ink Bendy as a disaster that can't be fixed. He views Alice as a threat: he doesn't trust her games and manipulations.