The Voice of Time

The Dusks (aka the Extinguished) are planeswalkers from the Voice of Time season (Lololoshka's universe) whose spark has been completely depleted, meaning they can no longer travel between worlds.

How they become Dasks
Their spark is extracted in Faragonda's Tower using a procedure called "calculation." The idea is this: using empathic magic and the tower's special design, the prisoner is repeatedly exposed to the most intense fear—so that the reflex of the Interdimensional Travel Organ (ITO) is triggered. The planeswalker attempts to escape to safety, but is unable to extract the spark from the Between Worlds, and the energy is simply wasted. It is collected in vials, and the planeswalker is left without a spark.

Their position in the world
Chained to Poena, Dusks cannot leave the Between Worlds: attempting to pass through the portal without a spark will result in them being "torn apart by the void."
The lower class of society. In Poena, people rarely interact with the Dasks: association with them is considered a blow to one's reputation.
Collars. Dusks wear special collars—they additionally block their movement and prevent the accidental activation of their remaining powers. If a Dusk removes the collar and attempts to pass through the portal, it will shatter.
Distinguishing feature: Dusks have yellow eyes—this can be hidden with lenses.

The Oracle (Bartholomew) is a character from the "Voice of Time" season of the Lololoshka universe.

Appearance
Oracle (Bartholomew) has brown hair, green eyes, a beard, and a mustache. He wears a white headband, a brown vest over a white shirt, light blue pants, and dark brown shoes. He resembles his twin brother, Ebardo, but has deliberately made sure there are noticeable differences between them.

Character
Bartholomew is a good-natured and peaceful man. He spent a long time meditating in the Altar and found inner balance: he remains calm in almost any situation. He is the complete opposite of his brother Ebardo—he disapproves of his actions and tried to convince him to change.

Role in the plot
The nickname "Oracle" comes from the fact that the residents of Bartholomew's home village turn to him for wise advice and prophecies. However, he is not a true oracle, but simply a planeswalker who has spent much more time in this world than others, and therefore has accumulated a wealth of experience and knowledge.
Abilities: Can travel between worlds (worldwalking), but, unlike his brother, does not have a strong Spark or outstanding magical skills.
Family ties: Ebardo's twin brother; in his homeworld, only his wife knows they are both planeswalkers. It was Bartholomew who first began affectionately calling his brother "Eo."

The character of the Watcher from the Lololoshka seasons is a mixture of absolute detachment and heavy, almost tragic responsibility.

Main features
Emotionlessness and composure. He doesn't get angry, doesn't rejoice, and doesn't show irritation. For him, everything that happens is simply part of the cosmic order. Even when he takes someone to the Time Prison, it doesn't sound like a punishment from a vengeful god, but rather a dry statement of fact.
A perception of duty as inevitable. The Watcher doesn't consider themselves great or special. They simply must keep track of time and balance, and they do so without pomp. Phrases like "It's not in my power" or "I'm just watching" are very typical of them.
Silence and telepathy. Often, he doesn't even speak aloud—other characters simply sense his thoughts and intentions, and this is enough to freeze everyone around him in horror. His silence only heightens the sense of his alienation from all life.
Hard patience. This is where the main drama of his character lies. Although he seems indifferent, in the "Point of No Return" season it is revealed that Lololoshka's actions, having created an infinite number of timelines, cause the Watcher genuine suffering. He literally feels the pain of every temporal paradox, yet continues to bear his burden.
Curiosity without interference. He cares about what living beings do, observes them, and even takes a certain interest in them, but he almost never breaks the rules or directly assists unless it's necessary for balance.
In essence, the Watcher is the personification of an indifferent force of nature: he is not evil, but he is not good either, he simply is, and before him even the most powerful gods of the multiverse are powerless.

Who is he?
The Watcher is the embodiment of Time and, in essence, Death itself. He rules the Prison of Time and maintains balance in the multiverse. He is often referred to as the "God of Time."

What does it look like and what can it do?
Appearance: A black figure in a long cloak with a hood trimmed with white fur, revealing only glowing white eyes.
Abilities. He exists outside of linear time, can be everywhere at once, sees the past, present, and future, manipulates souls, teleports, and creates avatars. His presence causes fear and a feeling of cold in other beings.
Character. The Watcher is not particularly emotional, taking his duties for granted. He does not seek power or recognition, but simply maintains order.
Connection with Lololoshka
The Watcher appears regularly in various seasons ("The Voice of Time," "Point of No Return," and others) and directly influences the fate of Lololoshka and other characters—for example, by taking someone to the Time Prison or helping them realize important truths. In some plot twists, it is Lololoshka's actions that cause the Watcher to suffer due to temporal paradoxes.

Jodah's character
Selfish and heartless to the point of absorbing the powers of the demigoddess Eola, he openly states that he feels no remorse for killing countless inhabitants of Skyzern. His goal is survival and the acquisition of ever greater power.
Self-satisfied, power-hungry, and slightly arrogant, he can lie to achieve his goals. He yearns for universal justice and believes that non-divine beings have the right to exist. He is quite patient, but strict.
After absorbing Eola's powers, he became filled with compassion, which resulted in his willingness to give up everything he had to help the fairies.
During the season, "The Voice of Time" is pleasant to talk to, but maintains an elevated tone, manner of speech, and self-esteem.
Attitude towards other characters
To Lololoshka. In some stories, Jodah shows concern for Lololoshka, for example, when he tries to find out from the Watcher what happened to him.
To Jon (JDH). Jodah may be indifferent to Jon, but he still respects his intelligence. In one storyline, Jodah, at Jon's request, pretended he too didn't know how to restore convergence, as he saw that Lololoshka was the only one Jon cared about.
To Oketra In some interpretations, Oketra may have a negative attitude towards John, but because of the way he communicates with Lololoshka, she is unconsciously jealous of him and therefore is happy about their quarrels
To Raya In some stories, Raya tries to “measure up” John and Lololoshka because she sees that John is smart, and Lololoshka needs someone who can push him to smart thoughts.
Appearance and appearance
Jodah is a representative of the Avi clan
Wings. After absorbing the powers of the gods, Jodah grew wings: a primary pair, black with red feathers, and a second, smaller pair with eyes that can close and move. Because of this, he is often associated with an angel, hence the nickname "Angel of Death." Jodah wears a black and purple tabard—a long cape or cloak reaching to the knees. A pendant around his neck completes the look, with a stone that shimmers, changing color from blue to red. He has white hair braided in the front and violet eyes.

Main features
Cool-headed and level-headed. The Interworlder almost never acts on emotion. He evaluates situations based on "what will bring the best outcome for the multiverse," not on personal sympathies. Even in critical moments, he speaks with restraint, gives clear instructions, and doesn't waste words. A sense of responsibility and mission. For him, finding the "perfect" timeline is not an ambition, but a duty. He sincerely believes that this is the only way to prevent new catastrophes and the destruction of worlds. Hence his willingness to break the rules: for the sake of the "greater good," he erases lines and rolls back time, even though he knows this makes him a criminal. Loneliness and inner pain. He is the Lololoshka from a lost universe. This loss leaves its mark: the Interworlder maintains aloofness, does not allow himself to get close, and rarely shows vulnerability. In rare scenes, weariness from the constant "correction" of reality and the weight of the decisions made are revealed. Justice and gentleness toward those under his care. According to Louise, as the leader of the Organization, he was kind and understanding: he tried to consider people's motives and not punish thoughtlessly. He treats Lololoshka himself as a strict but caring mentor—guiding him firmly, but always trying to protect him from the worst outcome. Stubbornness and determination. Once he decides that a certain path is the only right one, it is difficult to convince him otherwise. He is willing to accept conflicts and paradoxes, if only to prevent a repeat of the tragedy of his universe.
In this story, the Interworlder is an alternate version of Lololoshka from another timeline. He is considered the most dangerous criminal in the multiverse because he violated the fundamental laws of the universe related to time and reality:

The Interworlder is essentially an alternate version of Lololoshka himself from a different timeline. His universe perished, and he was picked up by representatives of the Organization; there, he took over the position of CEO, inherited by the previous Lololoshka-director. His main goal is to find the "perfect" timeline and guide other Lololoshkas along the "correct" path.

At the same time, the Interworlder is considered the most dangerous criminal in the multiverse: he has repeatedly changed the course of time, which violates the fundamental laws of the universe.

Capabilities
He has a very wide range of powers, as he is one of the demiurges and planeswalkers:

Movement between worlds and realities, including with other beings.

Time Manipulation: Can rewind time, erase entire timelines using the "Time Sphere," and create new branches of reality.

Creating pocket dimensions (for example, Misr was originally such a dimension).

Adaptation to conditions of different worlds, increased physical strength, durability and regeneration.

Timeline Observation: Able to see the future of time-bound beings and view threads from beginning to end.

Appearance
There are two main versions of the appearance:

Old version: black armor, bright purple glowing stone on the chest, purple eyes, white decoration around the jaw.

New version: dark gray armor with purple elements, a hooded cape, a mask with characteristic stripes and protrusions, purple eyes with a bright white glow.

Role in the plot
The Interworlder sometimes helps Lololoshka, sometimes turns out to be his enemy—his role changes depending on the season:

He repeatedly intervened to roll back time and prevent events from interfering with Lololoshka's mission.

It was he who transferred Lololoshka to the Interworld, citing “breaking signals.”

In some seasons, it appears as an image of Lololoshka's subconscious.
At the end of "The Last Reality," it is revealed that Lololoshka is actually speaking about himself in the third person when he mentions the Interworlder: this is his own possible future.

What does he look like when he was young?
Young Ebardo has several images:

In Vidomnia. Imprisoned, he was clad in tattered, swamp-colored rags, covered in scars and bruises—he'd been tortured for a long time. His hands were shackled, his dark hair had turned slightly gray from the torture, and his eyes were darker than those of the future Eo.

After his escape, he began to look cleaner: for example, in episode 80, he's wearing gray jeans, a white T-shirt, and a bright green sweater. He has black wings. The scars have disappeared—most likely due to magic.

The character of young Ebardo
He's blunt, strong-willed, and impatient, easily angered. He's a passionate gambler, loves betting, and hates losing, often breaking the terms if he does lose. He already has a strong desire for power: he considers strength the ultimate measure, and others weak. While he tries to maintain a cultured demeanor and good manners, he still emphasizes his superiority.

Important moments in its history
He stole the sun from the world of Thirteen - that's why he was imprisoned in Vidomnia.
possesses void magic and spark
During his imprisonment, Ebardo looked horrific: his emaciated body was covered in scars and bruises from torture, his clothes were tattered, swamp-colored rags, and his hands were shackled. The constant abuse had even left some of his dark hair silver.

Who is he?
Lololoshka is a planeswalker, meaning a character capable of traveling between worlds. In "The Voice of Time," he ends up in Poena, most likely due to the operation of the Organ of Interdimensional Travel (Spark). Lololoshka's unique feature is that when crossing between worlds, he completely loses his memory—unlike more experienced planeswalkers.

Appearance and character
He is usually depicted as a young man with brown hair, neon blue glasses, and headphones. He wears a white sweatshirt, blue jeans with bright blue ribbons, and turquoise sneakers. He is kind, sympathetic, a good listener, but a man of few words.

Important plot details
Connection to Faragonda's Tower. Due to his mental and physical connection to the tower, Lololoshka experiences special effects: for example, a potion made from a special wormwood causes hallucinations, weakness, and loss of sanity.

Void Magic. Lololoshka wields void magic—the same as Faragonda and Ebardo (Eo).

A powerful Spark. A long journey through portals with an antiskin in his inventory put a heavy strain on his Spark, which is responsible for his ability to move.

Who is she?
Ashra is the leader of a smuggling group in Poen, living in the Betweenworld. She is approximately 230 years old. For a long time, she didn't know her parents, but later discovered that her father was Scar (the head of the smugglers' guild), and her mother was a Dusca named Dorothy.

Character and features
Daring and emotional, Ashra loves excitement and adrenaline: for her, forays aren't about the spoils, but about testing her own limits.

She's devoted to her "family." She treats her guildmates and friends with great warmth, because they've become her true family.

She is distrustful of strangers, but if she begins to trust, she gives herself completely to friendship.

Loves animals, especially bees and guild void deer.

Spontaneous and a little awkward in communication, but she has strong moral principles.

Role in the plot
Ashra learns of Lololoshka and Eo's plans to destroy Vidomnia and is initially wary of them (in particular, she initially believes Lololoshka to be an incubus), but then joins the party and even brings San-Fran with her. She actively participates in the adventures, helps uncover the secrets of the Interworld and Poena, and fights for the rights of the Duskians—including the fate of her mother.
Hair and eyes. Ashra has brown hair and brown eyes.
Clothing: She wears a brown buttoned vest with a gold badge on the upper right side of the vest.
Guild symbol. The smugglers' symbol—a gray wolf's head—is embroidered on the back of the vest.
Fur detail. Around her neck lies a fur coat; according to some versions, it may be made from the skin of a slain animal.
Variations. In Eressia, Ashra can sometimes be seen wearing a black tank top.

Faragonda is a powerful sorceress and the founder of the Tower of Vidomnia, who has dedicated her life to fighting planeswalker crime. Initially portrayed as an antagonist, her tragic history and motives are later revealed.

Her story
Ebardo played a key role in Faragonda's fate: he stole the sun from her homeworld of Thirteen, causing her daughter to fall ill and die. Following this tragedy, Faragonda created Vidomnia, a tower where she "calculated" the fears of criminals and stripped them of their Spark, turning them into Dusks. She sincerely believed she was acting for the good of the multiverse. Later, when Vidomnia was destroyed, Faragonda abandoned her previous methods and sought a more humane approach. In Episode 96, her disguise was exposed by Ben, and the inhabitants of Poena killed her.

Abilities and features
Void magic. Faragonda could alter the space within the tower with practically the power of her mind.

Spark Tracking. I invented the Conseco spell myself, which helps me find planeswalkers.

Traveling between worlds. As a planeswalker, she freely traveled across different realities.

Knowledge of magic. She mastered various types of spells, including resurrection spells.

Appearance and character
She is an elderly woman with gray hair and black eyes. She dresses formally: a black jacket with cornflower-blue buttons, a white shirt, and a skirt. She has a strong character: she is confident in her decisions, does not tolerate disregard for her intelligence, but is also capable of noble deeds.

He was involved in the creation of the Vidomnia Tower. This stems from a personal history: on his homeworld (World 13), a rogue planeswalker stole a star. San-Fran sought revenge, and this eventually led him to Faragonda, where he became her right-hand man. But later, he saw how hatred and grief corrupted Faragonda's ideas, and this forced him to retire, leaving Vidomnia and moving to Poena.

I
Alice
Most likely, you mean San Fran (often simply called Fran) from the season "The Voice of Time" (Lololoshka universe).

Fran's role in the creation of Vidomnia
He was Faragonda's right-hand man. *San-Fran, an elven planeswalker and mage, worked closely with Faragonda as she created the tower of Vidomnia and laid the foundations of order in the Between Worlds. He believed they were doing the right thing and considered such methods necessary.

• Motives and Disillusionment. *Fran initially helped because Faragonda promised to help him take revenge on the planeswalker who stole the sun from his homeworld of World 13 and plunged the world into darkness. But over time, he saw Faragonda's ideas distorted, and her methods becoming increasingly cruel and insane. Fran realized that the tower, conceived as an instrument of justice, was turning into a tool of control and fear.

• Retirement. Realizing this, San-Fran withdrew from Vidomnia and Faragonda, preferring to live in Poen. He was never proud of his contribution to the tower's creation and tried to keep his involvement under wraps, because he ultimately disliked what it had become.

Character
San-Fran is quite cheerful and friendly, but only with those he truly trusts. He rarely interacts with strangers. However, he can be quite rude when he's not in the mood—for example, he kicked Lololoshka out of the shop when it was sparsely populated. He enjoys making a good impression, but he's also incredibly hot-tempered: when he's angry, he loses control and can attack anyone. Another trait is that he dislikes and is terrible at delivering bad news. Repaying debts is also crucial to him.
Appearance
He is an elf. He has white (gray) hair, braided into two short ponytails on the sides of his face and one high one in the back.
He often wears a long cornflower-blue trench coat over a white shirt. His signature piece is a thin necklace with a faceted amethyst. He also has a "summer" version: a gold short-sleeved T-shirt with black cuffs, white pants, and black shoes. He changes his hair ties for each outfit—in the "summer" version and in his smuggler uniform, they are orange with purple accents.
Capabilities
San-Fran is a planeswalker, meaning he can travel between different worlds. He also graduated from a magic academy, so he has mastered various spells:
opens portals;
uses water elemental magic;
possesses the technique of invisibility and muffling of steps;
mastered a special breathing technique for meditation.

He also mines and sells skint in the interdimensional void. He also plays the guitar.
Role in the plot
He used to be a diver and worked in the Immortal Spark store.

Killers

Occupation: They act as mercenaries, quickly and silently eliminating targets. However, after the agreement with the leader is signed, they are forbidden from killing people or animals within the borders of Poena, although they can cause "accidents."
Symbol: The head of a white hawk (which is why they are sometimes called "Hawks").
Chapter: Button.
Personality: An eccentric woman capable of controlling an entire guild and manipulating people. She prefers to get straight to the point, can be indifferent and bloodthirsty, and enjoys taking risks. She shows little respect for other leaders and was willing to start a massacre right in the square. However, she lost many people in the war with Faragonda and after that began to avoid new conflicts. Her nickname comes from her signature gesture: sewing buttons onto the eyes of her dead victims.
Button (Guildmaster: Assassins) Minecraft
5. Spice merchants

Occupation: Travel between kingdoms selling various spices.
Symbol: Gold coin.
Chapter: Muscat.
Personality: His descriptions emphasize his status and wealth (he's even nicknamed "fat cat"), but his character traits are less prominent in the canon than in other chapters.
Dance! Dance! Dance! Lololoshka/Muscat, the voice of time, C.O. - YouTube
A couple of general points

The guild leaders form a Council, which acts as Poena's "government": they are the ones who pass sentence on lawbreakers. Occasionally, storylines involve conflicts between the leaders or their interactions with Lololoshka and his friends.

Smugglers

Occupation: They exterminate aggressive creatures and smuggle goods from the Reality Shift forests. They are allowed outside the city walls.
Symbol: White wolf (embroidered on the uniform).
Chapter: Scar.
Personality: Quite arrogant and picky. He dislikes it when someone stares at him (he thinks they're scrutinizing his unusual face). He's quick-tempered and emotional, but quickly cools down. He tries not to show weakness, but he can't stand flattery. At the same time, he's sincere: if he decides to hit someone, he'll do it without hesitation, and if he praises someone, he'll sincerely praise them back. He can sometimes act childish, but he's also quick-witted and has excellent reflexes.
Scar lololoshka Lololoshka and, Voice of Time, Characters from
2. Thieves

Occupation: Their profile is dexterity and cunning: they can easily fool and rob.
Symbol: Green tree.
Chapter: The Serpent (sometimes also referred to as "Salazar" in discussions).
Character: Cunning and taciturn.
✧ Lololoshka and the Snake.✧//The Voice of Time.\ - YouTube
3. Mages

Occupation: They practice magic. They have the exclusive privilege of opening portals to other kingdoms.
Symbol: A man holding a blue diamond-shaped portal above himself.
Chapter: Hat (real name - Savos).
Personality: Calm and reasonable. In episode 50, he immediately stood up for the heroes, declaring their innocence. After Lololoshki's speech, he remarked that he reminded him of his younger self. He is capable of using magic, moving between worlds, and opening portals. He also has the ability "Eye of the Interworld": he can see everything that happens within the Interworld, record it in his memory, and then reproduce it as an illusion. He helped the heroes transport the rescued prisoners from Vidomnia.
Nikolina - YouTube

What is this place?
Poena is located in the World Between and is considered the safest city there, although life there is certainly not tranquil. The city is surrounded by thick stone walls, and bouncers stand at the entrance to screen all arrivals.

Features and structure of the city
District division. Poena is divided into five main areas: Azure Harbor, Wild Bay, Golden City, Green Grove, and Dead City. Each district is associated with a specific guild and is often only accessible by passes.

Guilds. Almost all Poena residents belong to one of the guilds—smugglers, thieves, mages, assassins, spice merchants, and others. Each guild has its own powers and strict rules, violation of which can be punishable by death.

Governance. Power in Poen rests with the council of guild leaders. There is also a special position of guarantor—they resolve conflicts between guilds, and their decisions are usually not contested.

The Duski. This is a special group of Poena residents—outcasts who have passed through Vidomnia. It's not customary to speak of them out loud in the city, and they occupy a special, rather dark place in the social fabric.

Special Rules. Poen has many specific laws: for example, you can't use individual portals without permission, and access to certain areas requires special items like an Extinguished Skint.

Essentially, it's a gigantic three-story tower that serves as a prison for the most dangerous Planeswalker criminals. It was created to prevent such prisoners from wreaking havoc on the multiverse without bloodshed and to take away their most important part—the Spark. Faragonda was the instigator: she convened a congress (of both Planeswalkers and non-Planeswalkers), and the result was the creation of the Betweenworld—a special fragment of matter in the void.

How does this work

Entrance. The enormous gates can only be opened with magic or an anti-skin shard.
Access. Only those who are present in the tower's base are allowed inside: employees, Faragonda, and the prisoners themselves.
Protection. The tower's exterior is protected by void magic, which absorbs any external threat. However, this protection is ineffective from the inside. If the tower is damaged, it will begin instantly repairing itself, and Faragonda will immediately be alerted to the breach.
Quarantine mode. If suspicious activity occurs, the tower can isolate floors, making access possible only with a special pass.
A magical antenna. The signal from the top of the tower can spread throughout the multiverse.
Prisoner distribution. They are placed on floors based on threat level: the lower floors hold the least dangerous, the middle floors hold those posing a significant threat, and the third floor (under strict control) holds the strongest and most dangerous, whose data is encrypted.
Nightmares. When entering the tower, the system uses empathic magic to analyze a person's emotional state and recreate their deepest fear. Each prisoner has their own nightmare: it could be a pitch-black room with a carousel, a cemetery, a mental hospital, an orphanage, or a vast library. Lololoshka had to endure such ordeals to save other planeswalkers.