Lo, the watcher, Jodah and Ebardo

He called Lololoshka a beauty or a cutie. Jodah the winged one. and the one watching is old time or just old time

Hundreds of years of life and a vast store of knowledge. Over the years, he has studied the structure of the multiverse, temporal paradoxes, and magic—and he hates not knowing anything. The creator of automatons and founder of JCompany. He contributed to the creation of automatons (including Simon Solus, whom he considers a friend, though he also refers to him somewhat as a "thing") and launched a whole network of companies, from JDPhones to JDBank. The author of the book "Strange Phenomena of Misr" - it contains almost all the knowledge about the Flame. Destroyed the Dispatch in his reality - a feat that the Observer said was nearly impossible. Associated with key artifacts and projects: he is the true bearer of the Sword of the Traveler, having passed it on to Lololoshka; he led the "General Vacation" project (he wanted to create a Vidomnia analogue). He interacts with Lololoshka - their connection affects both of them: around Lololoshka, John gradually changes, begins to treat people differently.

Appearance JDH's appearance is very similar to Lololoshka—in fact, he's an alternate version of him from another reality (World 994). But there are important details that immediately reveal the difference:

Height: about 190 cm. Build: Strong, probably slender. Clothing - instead of his usual hoodie and pants, he wears a white business suit with rolled-up sleeves. Accessories: a scarf (more like a bandana) and orange sunglasses (Lololoshka's are blue). Another detail: when he first appeared, he was wearing an orange Interworld mask. Physiological differences - John has different fingerprints and eye color compared to Lololoshka. John Davey Harris Lolocestus thorn/jdh, Caleb, Lolocestus thorn Character John has a rather contradictory and flamboyant personality. Here's what stands out about him:

Emotionality and talkativeness. He's never silent—almost every word he says is accompanied by a joke or sarcasm. When he talks, he's constantly moving, grimacing. Spontaneity and unpredictability. His actions are often impulsive. Narcissism and a tendency to manipulate. John likes to call himself a genius, carefully choosing his words to humiliate his opponents and demonstrate his intelligence. Infantilism. Sometimes manifests itself in behavior like that of a child or an "adult bully." Selfishness. Because of this, he has few friends. The only person who could spend much time with him was Molly—but even her John treated with disdain. He only considers Simon Solus a friend, and for John, he's more of a "thing," since John created him. At the same time, he's very intelligent. Despite his childish appearance, John possesses a wealth of knowledge—he's accumulated it over hundreds of years of existence and constantly strives to learn new things, because he can't stand not knowing something.

John (JDH, John Davey Harris) for Lololoshka is an alternative version of Lololoshka himself from another reality, almost identical to him (99.007% match), but with a radically different character and experience.

What is their connection? Almost clones, but not the same. They have different eye colors, different fingerprints, and different Spark strengths. Because of this, they can exist simultaneously and even interact. Parallel destinies. Lololoshka often loses her memory and acts more on conscience and intuition, while John has accumulated knowledge for hundreds of years and is used to calculating and maintaining control. He understands the workings of the multiverse and temporal paradoxes better than almost anyone. Telepathic and narrative connection. John can "reach" Lololoshka even across realities: for example, he gave him the Sword of the Traveler and gave him clues (like glasses) to help him escape the simulation and regain his memory. How John influences Lololoshka A guide and a thorn in Lololoshka's side. John doesn't just help—he constantly pushes her toward the right conclusions, sometimes harshly, through reproaches and sarcasm. For Lo, this is both support and stress: John is like the "voice of experience," unsparing. A contrast of personalities. Lololoshka is calm, empathetic, and often doubtful. John is emotional, talkative, and arrogant, loves to show off his intelligence, and hates ignorance. Around Lo, he gradually softens a little and begins to appreciate living beings more. Fusion and Paradoxes. In the "Heart of the Universe" season, a temporal paradox caused John and Lololoshka's particles to intermingle, affecting both their behavior and abilities. In other words, they could literally "share" traits with each other.

Jodah He doesn't die at the "Point of No Return." Jodah is one of those who consciously "erases himself" from this timeline to stop the collapse of the Archaean. This isn't death in the traditional sense, but rather a voluntary self-elimination as a magnet for anomalies: he removes his influence from this timeline so as not to drag other worlds down with him.

However, due to his nature (enormous reserves of power, connection to higher planes of reality, near-godlike status), Jodah doesn't vanish without a trace: he continues to exist in other timelines and seasons. His strength and experience allow him to "survive" the erasure of branches—he remains as a figure operating across timelines.

Oketra The same thing happens to her as to Jodah: at the end of "Point of No Return," she sacrifices her mark on this timeline. Oketra is a key stabilizer of the Archaean, and her presence in the collapsing branch only accelerates its collapse. Therefore, her "death" is part of the plan: she erases herself to save neighboring worlds. For Lololoshka, this feels like a true loss, because he remembers her and understands the cost of this sacrifice.

John (JDH) There's an important point here: Jon (JDH) and Jodah are different characters, despite their similar names. JDH is Jon's alter ego/version, tied to the Sword of the Traveler and its own storylines.

In the context of "Point of No Return" and the rescue of Lololoshka, John acts as part of a rescue team: they attempt to pull Lololoshka out of the simulation and restore his memory by planting objects and signals from the past (for example, his glasses and sword). His arc is closely tied to his transitions between realities and his struggle with control mechanisms. John's "death" at the very end of "Point of No Return" does not serve as a separate final blow to him: his story continues through intersections with other seasons, where his position and status shift due to paradoxes and shifting realities.

What is the main difference between these "deaths"? Jodah and Oketra sacrifice their mark on the branch to close the collapse: a conscious sacrifice for the sake of balance.

The main events of the final The end of Archaea and the "death" of time. The world of Archaea, already in a state of collapse, finally collapses: the concentrated time in the atmosphere destroys the remnants of reality. This is not simply the death of a world—it is the erasure of an entire timeline, causing many connections and lines to cease to exist. Sacrifice and "self-elimination" of key figures. To stop the growing collapse and prevent it from spreading to other worlds, Oketra, Jodah, and several other key characters decide to "self-eliminate" as points of attraction for the anomalies. Essentially, they voluntarily erase their traces from this timeline—this stops the chain reaction. The Role of the Overseer. The Overseer registers the imbalance and confirms that the chosen path is the only way to avoid the collapse of neighboring worlds. He neither saves nor punishes, but rather confirms and solidifies the outcome: the timeline is closing. Lololoshka makes a choice without losing his memory. Unlike many of his past versions, here Lololoshka retains his memories and consciously accepts the consequences. His final decision—not to flee, but to stay and capture reality as it is—becomes a significant turning point: he ceases to be simply a "victim of circumstances" and becomes an active participant in the balance. Consequences for the multiverse. The closure of the Archean branch stabilizes neighboring worlds, but creates "blind spots": some events and characters disappear from the overall story, while others are given the chance for a new development.

His attitude toward his students and loved ones. He is a strict teacher and does not spare those who make mistakes, but at a critical moment he is ready to take risks for his own. Interaction with the Watcher. Around the Watcher, he becomes more serious and collected: this shows that even Jodah recognizes a power greater than his ambitions. A difficult childhood due to the Avi lineage. Jodah was an outcast from an early age: the Avi lineage was renowned for its ability to absorb life and power, and because of this, he was bullied. At the school of magic, he was treated with disgust; he felt lonely and dreamed of simply leaving. The Force awakened at age 10. In a fit of rage, Jodah absorbed his abuser, Lemak, thus manifesting his powers far earlier than expected. After this, his life took a completely cruel turn. Long years of power absorption. Over approximately 600 years, he absorbed thousands of lives and abilities, seeking to become stronger. This culminated in the "Thousand Eyes" ritual: he absorbed a thousand demons, after which he no longer needed to constantly absorb them and effectively became immortal. The Prison of Time. Due to the scale of his actions, Jodah was noticed by the Watcher and imprisoned in the Prison of Time—it was believed he had exterminated an entire race. There, he met Lucius, with whose help he was able to escape. The turning point was Eola's power. Later, Jodah accidentally absorbed the powers of the demigoddess Eola, and this changed him: compassion, empathy, and a desire to help (for example, saving fairies) awakened in him. Building structures and new plans. In Dalivarik, he founded schools of magic and the Order of the Great Tree, plotting grand schemes, manipulating, and calculating futures—all for the sake of controlling the multiverse and achieving godhood.

A lust for power and a confidence in his right to decide. Jodah is accustomed to being the strongest and believes that the magnitude of his power gives him the right to make tough decisions for others. For him, the end often justifies the means—he readily resorts to manipulation and sacrifice if it "maintains balance." Calculation and strategic thinking. He can see many steps ahead: for example, in "God's Game," he had a well-thought-out plan that took into account various future scenarios. Jodah doesn't act on emotion—even when angry, he tries to keep a cool head. Arrogance, but with a touch of self-irony. He has an elevated tone and a manner of holding himself "above" others, but he also has a sense of humor and can even make fun of himself. Moral ambivalence. On the one hand, he positions himself as someone who upholds order and justice; on the other, he himself breaks the rules if he finds them inconvenient. This gives rise to a sense of hypocrisy: he harshly judges others for what he himself does for the sake of a "higher purpose." Capacity for affection. Despite his aloofness, Jodah is genuinely attached to those close to him: he loves his brother Jace, cares for his students in his own way, and is capable of both gratitude and regret. How character changed over time In his youth and early days, he was more cruel and selfish: survival and gaining strength were the most important things to him, and he felt almost no remorse. After absorbing Eola's powers, he began to show compassion and a willingness to sacrifice himself for others - for example, he was willing to give up his last to help the fairies. By "The Voice of Time" and "Thirteen Lights," he had become calmer and more collected, but retained his arrogance and controlling nature. At the same time, he is now capable of admitting his mistakes and regretting the past, though he doesn't like to admit it. Vivid manifestations of character The wager with Ebardo. Jodah sent Ebardo back in time almost as a joke, because he found it amusing to play with time—this demonstrates his arrogance and penchant for risky experiments.

Main features:

Height: about 2.5 meters. Hair—in flashbacks (for example, that of the character Spectre) it's black, but in the main story, Jodah is already completely gray/white. He also has a beard. Eyes are purple. The wings are a key detail. Originally, he had white wings and a feathered tail. But after the "Thousand Eyes" ritual, the wings became significantly larger and more powerful. And when Jodah absorbed the powers of the other gods, his appearance transformed even further: his wings changed color to black with red feathers, and a second, smaller pair appeared. These additional wings have multiple eyes—they can close and move. Clothing and accessories: In the "Thirteen Lights" arc, Jodah wears a black and purple tabard (long cape) that reaches to his knees. Around his neck, he wears a pendant with a color-shifting stone that shifts from blue to red.

Appearance It appears as a tall, dark figure, like a clot of shadow; its facial features are almost indistinguishable. It is often associated with emptiness and darkness: the light around it seems to be distorted, and the silhouette seems to “float”, without having clear boundaries. In some scenes he appears as a multitude of eyes in the darkness, which emphasizes his essence: he sees everything. Character Emotionless and detached: shows no anger, joy or pity - acts as a force of order. Strict and impartial: for him there are no “good” and “bad”, there is only balance and consequences. He rarely speaks, but his every word is weighty; he does not convince, but states a fact. Facts He is the personification of the multiverse's oversight and the keeper of balance, ensuring that timelines and worlds do not collapse due to excessive interference. Capable of influencing reality through a "gaze": his attention can fix or erase an anomaly, stop a collapse, or punish an offender. Closely linked to the Time Prison: he decides who goes there and how long they stay. He's not a regular planeswalker or a Prime: his nature transcends those categories—he's closer to the fundamental force of creation in the Seasons lore. What does his speech sound like? Concisely and without unnecessary words. He doesn't explain, doesn't persuade, doesn't justify—he simply states the fact. Example tone: "It's not in my power. I exist only to monitor." Polite, but cold. There's no malice or contempt in his words, but there's no warmth either: it's a tone of absolute detachment, as if he's recording the event rather than participating in it. Weighty. Because of his status as the Overseer, every word he says is perceived as a final decision—so even a short remark feels like a verdict. Sometimes he doesn't speak out loud at all. Often, his "speech" is conveyed as a feeling, a thought, or a presence: other characters seem to simply understand what he wants to say.

Major crimes and acts of interference Stealing the sun from the world of Thirteen was one of his most ambitious acts—it plunged the entire world into a catastrophic situation, and it was for this that Ebardo was ultimately sent to Vidomnia. The mass destruction of families and worlds. He created hundreds of families across various worlds and destroyed just as many, viewing these worlds as experimental sites. Consequences were irrelevant to him: he believed that power justified any action. Torture and forced transformation into a Dask. The most striking example is Imreptok: Ebardo tortured him with skintonite until he became a Dask. This isn't just cruelty, but a systematic use of force to intimidate subordinates. Using a hallucinogenic potion against Lololoshka. Ebardo, under the guise of "curing her parasites," gave Lololoshka a hallucinogenic potion and deliberately withheld the antidote. He also dragged Lis into the scheme, even though he didn't know the whole truth—meaning he was also manipulating her. Distorting history and recruiting through lies. He deliberately retold the past in order to recruit Lololoshka and create false impressions about the Interworld, Vidomnia, Faragonda, and Poen. Crimes against time and reality A bet with Jodah and an attempt to destroy Vidomnia from the past. The terms of the bet were rigged in such a way that Ebardo was willing to destroy entire timelines for the sake of his own freedom. Even with Lololoshka's intervention, this caused a global temporal collapse and rewrote multiple realities. The attack on Poena and a new bet with Lololoshka. In the finale, he attacked the city and again put everything on the line, acting out of overconfidence and a desire to maintain his power. Losing landed him in the Time Prison, but the act of aggression itself was a conscious choice. Systemic violations and abuses of power The use of reduplicator fluid technology. It allowed the creation of psychic copies of people from biomass.

Childhood and early years According to Bartholomew (his twin brother), as a child, Eo was a mischievous boy with enormous faith in himself and in people. He viewed the world with enthusiasm and genuinely wanted to make it a better place—he believed that helping others made him a better person. He lacked the cold cruelty that would later become his calling card. The Path to Power and the First Crimes When Ebardo's Spark awakened, he quickly realized how much stronger he was than most. The power literally intoxicated him: he believed that in the multiverse, only power matters, and that all else is weak and foolish. Hence his superior behavior and the fearful intimidation of his subordinates (a prime example being Impreptok, whom he tortured with skintonite until he became a dusk). During this period, Ebardo started hundreds of families in different worlds—and destroyed just as many. For him, these worlds were almost like playgrounds: he easily interfered with destinies, conducted experiments, and considered the consequences unimportant. Conclusion in Vidomnia For his crimes, Ebardo ended up in Vidomnia, a prison specifically designed for planeswalkers. There, he was kept chained in the upper chamber, where he was subjected to the use of skintonite to extinguish his Spark and break his will. Years of torture and isolation left him drastically changed: his hair turned gray, he became scarred, and his psyche fractured—hence the post-traumatic stress disorder that could cause him to lose touch with reality in the future. In that timeline, he became a Dusk: his sclera turned yellow (like all Dusks), but he later hid this with special lenses from the Observer bubble to make his eyes appear green. The Jodah Bet and the Global Collapse The key twist was the wager with Jodah. The terms were insane: Ebardo had to travel back in time, destroy Vidomnia, and free himself before losing his Spark. If he won, he would gain incredible freedom and power; if he lost, he would vanish from reality forever. Thanks to Lololoshka's intervention, Vidomnia was destroyed and the bet was technically over.

In his youth, he was strong, strong-willed, and decisive. He abhors procrastination, is impatient, and quick-tempered. He is also a passionate gambler and loves betting—he hates losing, and if he does, he often simply breaks the terms. After discovering his powerful abilities, he became "drunk" with power: he became convinced that only strength matters, and all other beings in the multiverse seemed weak and foolish to him. He perceived the infinity of worlds as a justification for his permissiveness. He is cruel to his subordinates, keeping them in check through force and intimidation (a prime example is Impreptok, whom he tortured with skintonite until he became a dusk). While Ebardo strives to maintain good manners, he constantly projects superiority, denying his interlocutors the opportunity to gain the upper hand in a dialogue. At one point, he even noted a "heightened sense of justice"—this could also indicate vindictiveness. In old age, after years of imprisonment and torture, new facets emerge in his character. He becomes calmer and more balanced, though still with his quirks. Due to post-traumatic stress disorder, when reminded of the nightmares of Vidomnia, he can lose his sense of reality, panic, and convince himself he's safe. This is why, when he first met Lololoshka, old Ebardo mistook him for a hallucination. Yet he remains persuasive and masterfully conceals his true feelings, finding common ground with a wide variety of people. As the story progresses (especially in the context of his friendship with Lololoshka), Ebardo becomes kinder: feelings of guilt and gratitude awaken in him, he becomes more down-to-earth and less obsessed with the idea of ​​​​omnipotence, and begins to show affection.

Appearance The character has several distinct appearances, and they change greatly depending on the stage of the plot. Old Ebardo. A gray-haired man with green eyes (though the natural color of Dusks' sclera is yellow, he conceals this with special lenses from the Observer bubble to make his eyes appear green). He wears a long, dark gray cloak with long sleeves and a black fedora, giving him an imposing, edgy appearance. Young Ebardo (before his imprisonment). Tall, with sharp features and piercing green eyes (natural, darker than the contacts he'll later get). His hair is dark and neatly styled. He dresses stylishly: gray pants, a white shirt, and an emerald green sweater—the color beautifully accentuates his eyes. Ebardo in captivity (Vidomnia). Here, the image changes dramatically: he wears tattered, swamp-colored rags, his body is covered in scars and bruises, his hands are shackled. His dark hair has even turned partially gray from constant torture. After his escape, Ebardo tidies up: the scars disappear (probably with the help of magic), and he looks neat again. At the time of the story, he is a young man with chains.

Spark (OMP) This organ of interdimensional travel grants the ability to walk between worlds. It has a host of bonuses: slowed aging, resistance to poison, and rapid acquisition of the languages ​​of the world they've entered. If the Spark is damaged or extinguished, the planeswalker loses power and can become a Dusk.

Skint These are grains of Spark that remain in the Void during transitions between worlds—essentially, "shards" of a planeswalker's power. They form crystals: skints are used both as a resource and as a marker for movement.

Skintonite (anti-skint) A dark gray crystal that acts against the Spark: it draws, weakens, or completely extinguishes it. It is used to block abilities—for example, in Vidomnia's mechanisms, to prevent prisoners from escaping through the passages. Prolonged exposure is dangerous: it can lead to mental derangement, paralysis, and transformation into a Dusk.

Planeswalkers Beings with the Spark, capable of moving between worlds. They are not a separate race, but a status: a planeswalker can be a human, an elf, etc. They cannot remain in the Void for long—it is dangerous for them. The power of the Spark varies: in some, it is weaker and has poor memory retention during transitions, while in others, it is stronger and allows them to take things with them or even transport others.

Interworlders It's most often a synonym for "planeswalker," but sometimes the term is used more narrowly: it refers to those with a particularly close connection to the Void or a special role (for example, in an organization). The word's meaning can change over the seasons.

The first ones The oldest and most powerful bearers of the Spark. Their main feature is that they can travel not only between worlds but also through time through the Timeless Void. They live for millions of years, their Spark is more powerful, regenerates faster, and they are more "bound to time." Initially, the First Ones were close to Egrasel and participated in the spread of the Spark across the multiverse.

Lololoshka's character's past (from the story seasons) Lololoshka is a Planeswalker and a half-breed (human + elf), and his past is heavily tied to world-travel and memory loss.

Homeland and early years. He was born in the Archaean dimension, in the city of Glassgarf. Lololoshka's parents died, and he was effectively "adopted" by the First Ones—a special group of beings who became his new family.

Spark and Power. Lololoshka was one of the first to receive the Spark—a gift that allows one to walk between worlds. This power is associated with Egrasel: he played a key role in spreading the Spark across the worlds and was Lololoshka's best friend and partner. In his earlier self, Lololoshka was more goal-oriented and outgoing, wanting to explore the world and make it a better place, but he also remained somewhat childish.

Memory loss. The most significant turning point in his past is the loss of his memories. Because of this, his character has become softer and more naive, and many old connections and knowledge have been erased. The plot then revolves around his attempts to gradually piece together the past and understand who he was. At this point, he has stopped forgetting.

Key events by season (very briefly):

“The Voice of Time” is the theme of attachment to time, detachment from it, a gray strand in the bangs as a trace of this event. "Thirteen Lights" is a story about Buris's ship, exploring a new location, searching for artifacts, and clashing with various factions. "Point of No Return" - Lololoshka finds himself in a dead Archaea of ​​the distant future, where time has already ended; there, he encounters the Organization, which purges such branches, and meets old acquaintances like Valdhar. "The Last Reality" is a story about a simulation, automatons, and a prison for planeswalkers; issues of memory and control over the Interworlder play a prominent role.

Appearance (main appearance): A tall guy (190 cm) with pale skin. Light brown hair, cut short, with bangs slightly slanted to the left. Brown eyes. Wears white headphones with black ear pads and blue inserts, and blue decorative glasses with dark lenses (the eyes cannot be seen through them). He is wearing a white hoodie with a soft blue tint, black stripes on the puffy sleeves, and black laces. The look is completed with a black and blue checkered scarf (made from a not very dense fabric), black pants with two blue hanging suspenders, and blue sneakers with white soles. Important details that change in the plot: When a character becomes infected with a skint, their body becomes covered in purple crystals (on their head, shoulders, and torso), and their eyes change color to purple. After “untethering from Time,” a gray strand appears in the bangs. Key facts about the character: According to the lore, he is a half-breed (human + elf) and a Planeswalker. Possesses different abilities depending on the season: from occult magic and flight to implants (improving vision, hearing, speed, strength, endurance). By nature, he is easygoing and balanced, kind and fair, but can sometimes be frivolous, inattentive, and naive. He loves to help others and is willing to give second chances. The plot also contains some amusing details: for example, he has an "unhealthy love of chickens," and, according to Muscat, he smells of caramel and wool.