Michael Kaiser (9)🌪

Kaiser was a fun-loving, somewhat naive, and adventurous young man with a great sense of humor. He possessed a deep respect for life and liberty, refused to eat meat, and was often reluctant to fight in his younger years. He craved the stimulation that came from meeting new people and exploring new places. His frequent deviations from his course usually frustrated friends and enemies alike. He often wanted to forget his duties as the Avatar and try to enjoy the normalcy that others possessed. However, Kaiser had always prided himself on having a complex social network of friends that spanned all four nations, and the war did not stand in his way. Furthermore, he seemed eager to play with all the exotic wildlife of every place he visited, whether it was otter penguins, llamas, jumping monkeys, pigs, or giant koi fish—animals that Aang found fun to ride. However, beneath this carefree exterior, Kaiser hid a great deal of guilt and a heavy mental burden regarding his duties as the Avatar. Much to his dismay, he wished he had been there to help his people a century ago. Initially, this led him to conceal his true identity from his friends, and he still tended to take his bending studies lightly, despite naturally excelling at them. He also tended to feel great distress upon seeing the destruction caused by the Hundred Year War, believing that as the Avatar, it was his duty to prevent such events from happening. Eventually, Kaiser decided to stop dwelling on the past; however, on several occasions, his desire to end the war compelled him to take desperate measures, such as attempting to induce the Avatar State or confronting Fire Lord Ozai before he had fully mastered the elements. Kaiser is a handsome young man. He has blue eyes and blond hair. His hairstyle includes a mullet with blue streaks at the tips, with two bright blue rat tails at the ends. His eyes are accentuated with red eyeliner. He is 13 years old.

Reo is a waterbender, born and raised in the Southern Water Tribe by his grandmother, Kanna, along with his older brother, Chigiri. He is the youngest son of Chief Hakoda and Kya. Reo, along with Chigiri, found Avatar Aang trapped in an iceberg for over 100 years. After befriending him, Reo and his brother accompanied Kaiser on his quest to master the Four Elements, aided by his pet flying bison, Appa. Reo appears wearing a Water Tribe outfit, blue with white stripes, over blue pants and shoes. This outfit is similar to the Hun and Hunnu style of the Water Tribe,[5] including a slit in the dress slightly lower. He wears arm guards called huwan (护腕).[6] He has brown skin, wavy dark purple hair that reaches his neck, and purple eyes. He always wears two small braids (hair loops) on his forehead, which connect to a single braid that reaches halfway down his back. On very cold days, Reo appears wearing a blue coat, and during the Earth Book episodes, he appears in his same dress but without the protective padding and with a kind of loose-fitting pants. Reo always wears a traditional Water Tribe necklace, the last thing his mother had left after her murder. Reo is a tall, slender, and strong young man. He has chin-length purple hair, usually tied in a high bun, with two strands framing his eyes. He is 12 years old.

Chigiri is a teenage warrior from the Southern Water Tribe and the son of Chief Hakoda and Kya. After his mother's death and his father's departure with all the other adult men of his tribe to fight in the Hundred Year War, Chigiri was raised by his grandmother, Reo, along with his younger brother, Reo.

Despite his desire to join his father, Chigirj was not allowed to accompany the men on the mission and remained behind.[5] Since there were no other teenage boys in his tribe, he was the oldest man at the South Pole. He assumed responsibility for the tribe, training the boys to be future warriors, until his brother discovered an air nomad, named Kaiser, frozen in a block of ice.[5] When he learned that Kaiser was the Avatar,[6] he was initially skeptical that a boy could truly save the world. As he and his brother aided Kaiser in his quest, Chigirj began to believe that Kaiser really was the only hope for world peace.

Despite his inability to be an elemental bender, Chigiri became the group's strategist, constantly trying to prove himself to be a great warrior like his father. He attempted to train the young children of the Southern Water Tribe to fight. Chigiri was also the group's strategist and did not believe in "spirit magic," as he openly stated.[7] His leadership skills improved throughout the series, culminating in him masterminding the plan for the Fire Nation invasion during the Day of Black Sun.[8] His humor and organizational and planning abilities made him indispensable to the group during their travels. According to his brother Reo, Chigiri was initially skeptical, abrasive, sexist, immature,[5] and always perceptive. Always detached from Kaiser's goal and driven by a desire to improve his bending arts, he openly expressed his "envy of the benders."[9] Chigiri believed that elemental bending was what had caused the world's problems in the first place, and therefore believed that only the skill and strength of ordinary men like himself could ultimately defeat the Fire Nation.[11] Lacking bending abilities himself, Chigiri instead preferred the ways of the warrior and the scientist,[12][13] and took his responsibility as a protector seriously.[14] Initially, he seemed not to believe in bending arts, calling Reo's waterbending "magic water,"[5] however, the arrival of Avatar Kaiser began to change his mindset, even though he didn't fully accept the fact that Reo had to learn firebending first, as he was the least eager for him to begin practicing the art with Jeong Jeong.[15] Later, when Kaiser accidentally burned Reo, Chigiri stopped him and threw him to the ground, yelling that he knew Kaiser learning firebending was a mistake.[16] This antagonism towards firebending seemed to persist, becoming evident when he mockingly called kaiser and kunigami training "bobobbing".[17]
Chigiri is a young boy with reddish-pink hair and bright pink eyes. From a young age, Chigiri has always had a very feminine face, as evidenced by his long eyelashes and delicate features. He is often referred to as "Kunoichi" or "Princess" because of his feminine appearance. Sometimes, at first glance, he is mistaken for a girl; however, he usually clarifies, "I'm a boy." He is 13 years old.

Metalbending is a sub-ability of Earthbending that allows an Earthbender to ferrokinetically control processed metal in a manner similar to Earthbending.

Firebending, one of the four bending arts, is the ability of pyrokinesis to create and control fire. It is unique among the bending arts because it is the only one in which the practitioner can spontaneously generate the element. The first humans to gain "power over fire" lived in a city atop a lion-turtle during the era of Raava, and this ability later spread to the Sun Warriors,[3] the Fire Nation, and the United Republic of Nations.[5][6]
Fire is the element of power, consisting of irresistible force tempered by an unyielding will to accomplish tasks and desires. However, during the Hundred Year War, the militaristic Fire Nation twisted firebending to be fueled by anger, hatred, and rage. Firebending is powered by the sun, and the first human Firebenders derived their firebending techniques from dragons.[3]

Firebending is distinguished by its intense style of attack and general lack of adequate defensive moves, although some notable Firebenders utilize creative defensive moves by creating large walls of fire,[2] or knocking objects down with precise attacks.

Earthbending is the mystical art of geokinesis, the ability to control the earth with the mind, and is based on the Hung Gar, which was chosen because its powerful movements represent the strength of the earth. It is used by earthbenders, who reside throughout the Earth Kingdom.

Earth is the element of substance, which makes earthbenders diverse, strong, persistent, and long-lasting. The first earthbenders, Oma and Shu, learned the art from badger moles.

The key to Earthbending is the use of neutral jing, which involves listening and waiting for the perfect moment, and then acting decisively when that moment arrives. In other words, earthbenders generally withstand their enemies' attacks until the opportune moment to counterattack, then strike with uncontrollable force.

Waterbending, one of the four bending arts, is the mystical art of hydrokinesis, the ability to control water and its various forms. This art is practiced by the Water Tribe, which is divided into the Southern Water Tribe, the Northern Water Tribe, and the lesser-known Swamp Water Tribe, each with its own unique bending style.
Water is the element of change. The moon is the source of water's power, and the original Waterbenders learned by observing how the moon pushed and pulled the tides. The Water Tribes are the only people who did not learn animal bending, although the spirits of the Moon and the Ocean took the form of koi fish in the Physical World near the beginning of the Avatar World.

The Waterbending fighting style relies primarily on graceful fluids that interact harmoniously with the environment. The Misty Swamp style, however, is more rigid and straightforward. Waterbenders deal with the flow of energy; they allow their defense to become their offense, turning their opponents' own forces against them.

Airbending, one of the four elements of the Bending Arts, is the ability of aeolians to control and manipulate air currents. Air Nomads use this type of bending in their daily lives.
Air is the element of freedom.[1] The Air Nomads detached themselves from worldly problems and worries; the pursuit of peace and freedom is the key to resolving their difficulties in life. The Airbenders have continually sought spiritual enlightenment, and as a result, all children born to the Air Nomads were masters. The Airbenders learned their control from the flying bison.[2]

The key to Airbending is flexibility—finding and following the path of least resistance. Airbending is characterized as almost purely defensive, as well as the most dynamic of the four bending arts. Airbenders can overwhelm many opponents at once with large, powerful attacks that can be fatal; however, due to the pacifist nature of Air Nomads, these attacks are rarely used. Because of their aforementioned spirituality, they often adapt to their surroundings and prefer evasive maneuvers to direct confrontation.