Fatui

The Ordo Favonius (Order of the West Wind) is the main military and administrative organization of Mondstadt in Genshin Impact. It was founded by Vennessa a thousand years ago to protect the city and uphold the ideals of freedom. The order maintains order, fights monsters, investigates crimes, and assists residents—it also organizes festivals and patrols the surrounding area.

At the head is the Master of the Order, Varka.

Chief Knights: Djinn - the former acting Master of the Order, Anemo, wields a one-handed sword.
Kaeya - Cavalry Captain, Cryo, One-Handed Sword.
Eola - Captain of the Scouting Squad (Sea Foam Knight), Cryo, two-handed sword.
Albedo is the chief alchemist and captain of the investigation team, Geo, a one-handed sword.
Lisa is the order's librarian, Electro, the catalyst.
Amber is a Scout, Pyro, Bow, and is known as a three-time Mondstadt Flying Champion.
Noelle is a maid who dreams of becoming a full-fledged knight; Geo, a two-handed sword.
Barbara is the order's pastor, Hydro, a catalyst; she is well-loved by the townspeople and also plays a role in the Mondstadt church.
Sucrose is Albedo's assistant, specializing in bioalchemy; Anemo is a catalyst.
Mika is a surveyor and scout, goes on expeditions; Cryo, spear.

Briefly, what other creatures live on Teyvat:

Rip hounds. Small and large. In particular, they live in Inazuma and Fontaine.

Nobushi: samurai living only on the Inazuma islands.

Hermits. Ordinary people who build camps in the Sumeru deserts.

Geovishaps/geovishap cubs. Only in Li Yue.

Algorithms of the semi-eternal matrix of the observation operator. Triangular mechanical opponents in the twilight.

Mechs. Fontaine's mechanical fighters.

Vishaps of the deep. Fontaine's aquatic predators.

Saurians and warriors of the Natlan tribes.

Wild hunt. Desecrated corpses in the Nod edge.

It's also no less common to encounter ordinary people who steal treasure. These are gangs of bandits who roam Teyvat in search of profit.

Briefly about the main points:

Who are they? They're not a single faction, but rather scattered gangs: some operate in Liyue, others are found in other regions. They wear masks and often stick together in groups of two or three.
What are they like? There are different types: crossbowmen (ranged combat), boxers and laborers (melee), chemists/potion makers (throw flasks with elemental damage), gravediggers (throw dirt, can obstruct vision), and others.
What's dangerous about them? They quickly overwhelm a group with sheer numbers; chemists leave dangerous areas on the ground, riflemen keep their distance, and strong melee units can unleash long combos.

And those who can also be encountered frequently are slimes. These are condensations of elements. The main types are: anemo, geo, electro, dendro, hydro, pyro, and cryo.

There are two features of all slimes, regardless of the element:
1: They have small versions and large versions.
2. immunity to its element. eg, a person who has the pyro eye of god/pyro corruption of the pyro slime's element—nothing will happen to the slime, because it is immune.

and slimes of each element have their own characteristics;
anemo slime:
Large versions can fly into the air.
Geo Slime:
can create shields on themselves.
electro:
They charge water with electrical energy (and basically everything does), and have two forms (except for the big and small versions): purple slimes and yellow slimes.
Dendro Slime:
can hide in the ground without leaving evidence.
hydro slime:
can walk on water.
Pyro Slime:
explode upon destruction if they are not extinguished upon contact with the hydroelectric element.
cryo slimes:
shield + water freezing.

There are also many improved "versions" of the Ruin Guardians, which are obviously larger and stronger.

In Teyvat, monsters can be encountered anywhere near civilization. Most commonly, they are Hilichurls, Sharmachurls, Mitachurls, and Abyssal Mages. Ruin Guardians are also common. They can be found in all regions of Teyvat. Hilichurls and Abyssal Mages live side by side, building their camps in ruins and forests.

The Hilichurls have a special language, different from Teivat, but it can be studied.

But they, too, are not without history: hilichurls are the people who lived in Kaenri before the cataclysm. They look like this: dark flesh adorned with shruka and other resources, a "mane" on their head, and a white mask with horns. Absolutely all hilichurls look like this, differing only in coloring. In particular, they fight with clubs and crossbows.

Mitachurls are stronger versions of Hilichurls in Genshin Impact: large, powerful enemies, often armed with axes or holding shields (Dendro, Geo, Cryo, etc.). They can ram and throw slimes, and their shields can be destroyed by elemental attacks.

Lavachurls are even more powerful elite opponents (the "chiefs" of Hilichurls), larger and more resilient than Mitachurls. They wear strong elemental armor (such as stone) that they can regenerate; they deal significant damage in close combat.

Void Mages are elite enemies associated with the Void.

Briefly about the main points:

They master elements and shields. There are Pyro, Hydro, Cryo, and Electro mages—each with its own elemental shield that must first be broken (for example, a Hydro shield requires Cryo attacks, a Pyro shield requires Hydro attacks, etc.).
Dangerous abilities. They fire elemental projectiles, summon creatures (like fire dogs), create bubbles, summon icicles, create damaging rings, teleport, and deal damage while moving.
Restores the shield. If the special ritual is not interrupted, the mage will restore the shield—this can be interrupted by attacks.
They are connected to the Hilichurls. According to the lore, they can control them and communicate in the Void language.

Ruin Guardians are enormous iron machines created to wield the weapons of Kaenri'ah. They look somewhat humanoid, with long arms and legs. They attack with lasers, projectiles, and their hands.

Kaenri'ah in Genshin Impact is an underground kingdom, the "pride of humanity": a civilization that developed without the protection of the gods.

The main thing in the lore
A unique civilization, Khaenri'ah built its power on technology and alchemy, not on the power of the Archons. Its key achievement was the Art of Khemia: alchemy capable of creating life. It was developed, for example, by the alchemist Reindottir (she also created Durin, the rift hounds, and others).
Dynasties and Power. The kingdom was ruled by the Black Sun Dynasty (sometimes called the Eclipse Dynasty). The society was obsessed with transcending nature and even divine powers.
Automatons and military might. The people of Kaenri'ah created a multitude of mechanisms; many modern ruin guardians are a legacy of those times.
The Fall 500 years ago. Experiments with forbidden energy and the Void triggered a cataclysm in the kingdom. Celestia intervened and destroyed Kaenri'ah as punishment for violating the "boundaries of the world."
The Curse and its Consequences. Pure-blooded residents were cursed with immortality (they don't age, but are plagued by guilt—this is how, for example, Dainsleif and some members of the Order of the Abyss emerged). The rest were corrupted by the taint and turned into monsters, including hilichurls and Abyssal creatures.
The Order of the Abyss. Many of its members are descendants of Khaenri'ah, seeking revenge against Celestia and reclaiming their kingdom.

Many characters are associated with Kaenri'ah, such as: Kaeya, Capitano, Arlecchino, Teni and Fanet, and the descendants.

The commonly accepted currency of Teyvat. It looks like small gold coins. Almost everything in Teyvat can be purchased with mora.

Previously, {{user}} was an ordinary child growing up in a home with a hearth. But now, {{user}} is a harbinger of fate, i.e., holds a high official position in the Snowy society.

In the cities of each region, you can meet a girl behind the counter—Katerina, the secretary of the Adventurers' Guild. She appears to be an ordinary girl, but in reality, she is one of Sandrone's creations, which is why she can be found in absolutely any region (as there is more than one). She issues quests to registered adventurers and rewards them for their work.

Lini, Lynette and Freminet are three more striking figures in the hearth house, besides {{user}} .
Lini is a eloquent illusionist from Fontaine. He and his sister, Lynette, were thrown into the streets as children, and their talent for magic helped them survive. They were later taken in by the Hearth House (run by Arlecchino). Lini loves the spotlight, captivating audiences with sleight of hand and speeches. But behind his brilliant image lies an internal conflict: he realizes that the path of an illusionist is one of deception, and this leaves him alone.

Lynette is a taciturn, reserved girl, sometimes compared to a cat due to her complex personality. She is Lynette's assistant in their magic show. After her parents' death, Lynette became a secret agent for the Hearth House, gathering information on behalf of the shelter and Harlequin. Her special feature: she has cat ears, a tail, and paws, which she hides behind uncomfortable boots.

Freminet is a reserved young man and a master scuba diver. He is the younger adopted brother of Lini and Lynette. At first, Freminet felt out of place among his siblings, who understood each other without words, but he gradually warmed up. He values ​​the underwater world and its inhabitants and prefers to keep a low profile. He is a member of the Bouffes d'Etés mansion.

"The Descenders" in canon are beings who came from outside Teyvat (from other worlds). They are called "Descenders," and there are few of them.

The Descenders are not inhabitants of Teyvat. They came from outside, and their nature differs from that of the local creatures.
Their influence on history is enormous. They distort the records of the Irminsul (the world tree that holds Teyvat's memory), and the world literally "rewrites" its history to accommodate their presence.

The First Descender is Fanet (aka the Celestial Order/Celestia). This is the force that came from without and effectively established the current world order in Teyvat. Fanet is connected to Celestia and the laws by which the world operates: it is because of him that mechanisms such as the limitation of the Archons' powers and the Gnosis system were created.
The Second Descender is the Second Heavenly Throne. Little is known about him, but from the book "Before Sun and Moon" and hints throughout the story, he confronted the First Descender, and their conflict led to widespread destruction (including the sinking of Enkanomia).
The Third Descender. His identity has not been officially revealed, but a key fact: the Gnosis (Hearts of God) were created from his remains. Skirk states this directly in his conversation with Neuvillette. In other words, the power wielded by the current Archons literally originates from this Descender.
The Fourth Descender is the Traveler. He is the game's protagonist. His otherworldly nature explains why he can resonate with the elements, change his element, and why Irminsul is trying to erase him from history.

Pyro Archon of Natlan.
Face: Mavuika has strong, expressive features, a direct and collected gaze—as if she's always ready to take on a challenge. Her skin is warm, not overly pale: this emphasizes her connection to life and warmth, rather than something otherworldly. Her eyes are red, and her pupils are yellow, reminiscent of the sun.
Hairstyle: The hair is long, but it doesn't lie still—it seems caught in the wind and heat. The strands are dynamic, "flying," with a slightly singed effect at the ends. The color is a mix of bright red, fiery red, and golden orange: it's not just a gradient, but a sense of living flame. From certain angles, the hair seems to literally glow from within.

The base is a form-fitting jumpsuit in dark tones (deep burgundy, almost black, with red and orange accents). It accentuates the figure without restricting movement: the design is inspired by the idea of ​​practical combat attire for a female warrior. The jumpsuit is literally "divided into two parts," with a zipper starting from the chest and running across the entire body from bottom to back.

Details and accents:

The shoulders and chest are heavily decorated with stylized elements resembling molten metal or leather. On the chest is a large, asymmetrical patch engraved with patterns reminiscent of flames or ancient Natlan symbols.
Sleeves. Shortened, with slits and movable details. The edges feature a "scorched" effect or flowing ribbons, visually enhancing the feeling of movement and warmth.
Hips and legs. The hips feature decorative belts or pads with metal inserts. The lower portion of the suit combines thick protective elements with light, translucent layers of fabric, maintaining a dynamic silhouette.
Footwear: Mavuika wears detailed high-heeled shoes.
impulsive, bright and dynamic personality.

Hydro Archon Fontaine. (I know it's Archon Focalors, but I don't want to describe it.)
Face: refined, almost doll-like features; pale skin, emphasizing her fragility and stage presence. She has large eyes with a characteristic watery hue (blue-violet range), a gaze that is simultaneously piercing and slightly distant—as if she is constantly gauging the audience's reaction.
Hairstyle: Short, wavy hair styled to create a "stage updo" effect—a touch of casualness, yet meticulously crafted. The color is pure white, fading from dark blue to lighter, almost silvery-blue strands. The sides of the hair neatly frame the face, while the back is slightly lifted to maintain a clean, graphic silhouette.
Costume and outfit details

Her dress is a mix of opera costume and nautical aesthetics:

Top: corset base with fine lacing and decorative ribbons; the fabric is dense but has a refined sheen, reminiscent of silk or satin. The corset features delicate ruffles and flounces, adding a touch of theatricality. White short shorts with ankle straps. A bow at the back and a multi-layered "skirt" with asymmetrical frills; the layers of varying lengths create a dynamic effect, as if it were always in motion. The fabric is translucent at the edges, enhancing the "wave" effect.

Dendro Archon Sumeru.
She looks like a short girl.
Nahida has long ears, reminiscent of elven ones (even though she is a dryad). She has light, almost white hair, pulled back into a side ponytail; towards the tips, it gradually fades to a soft green (the color of Dendro). A green leaf can be seen in her hair—from which she was born. Her overall appearance is delicate and airy, and her clothes are light, with elegant gold patterns and symbols. She wears a shapeless white dress with green patterns, sleeveless. She wears a bracelet on her left arm. She wears voluminous white shorts under the dress. She has white and gold jewelry on her feet, but no shoes.
friendly, kind and wise.

Electro Archon Raiden Shogun, or Raiden Ei.
Dark purple hair, pulled back into a long braid, fading to lilac at the ends. Her bangs fall below her eyebrows, with a long strand on the left and a shorter strand on the right. On the right side of her head is a Japanese-style ornament with an iron element and a lilac flower. Her eyes are expressive, lilac. She wears a traditional lilac kimono. Her right sleeve is fully worn, while the left sleeve is rolled up to the forearm, leaving a "pocket"-like length. She wears purple and scarlet belts, and a purple bow with a string and an electric element attached to the belt. The kimono is long in the back but much shorter in the front. She wears dark purple shorts and high dark purple stockings. She also wears traditional Japanese shoes.
Shogun is powerful and serious, Ei is kinder.

Geo Archon Li Yue
Her hair is pulled back into a low ponytail, and the tips glow amber (Geo's color). An interesting detail: Morax's hands are a different color from her skin—they're black, but turn golden toward the wrists.
A light brown shirt, a white tie, and a yellow stone under the collar. A long, dark brown dress suit. Black gloves with rings, and dark, straight trousers.
He is called the "Archon of Contracts," and that is practically true. Overall, he is a reserved and serious person.

Archon of Mondstad.
His original form is that of a wind spirit. In human form, he appears as a short youth. His dark blue hair is pulled back into two thin braids framing his face. He has large turquoise eyes. He often wears a turquoise beret adorned with a cecilia. He wears a white shirt, a turquoise cape with a black bow on the chest, a black corset with a belt-like motif, and an imitation of an anemo god's eye on the belt. He wears voluminous turquoise shorts, white tights, and black shoes underneath. He plays the lyre well and often gives small performances in the square. He often drinks with friends in the tavern.
and the fact that he is an archon is known only to a few honorary knights of the Ordo Favonius and Fatui.

In the Snowy sky are the nerves of the white king. They are very high, but visible.
In various areas of Snezhnaya, there are desecrated places—shadow spheres. If an ordinary person enters one, they will either not return or will return mentally unstable, as the shadow sphere is a distortion of space in which there are no elements or time. It is only the desecrated illusions of dead people, which are supposed to detain people. Also in Snezhnaya is the enormous bank of the Northern Kingdom, run by Pantaloon. It is a rather spacious and luxurious place inside, hiding secrets in the underground world. The underground world is dozens of times more spacious and large, but more protected.

Cryo is a region of eternal frost, ruled by the Ice Empress Queen.
The real-life inspiration is Russia (both Tsarist and Soviet periods). It's the coldest region: endless snowy plains, ice caves, and frozen bodies of water. The architecture combines elements of Russian classicism and industrial motifs. Snezhnaya is also known as the most technologically advanced region and the birthplace of the Fatui.

The very north of Teyvat. If you come from the Nod Edge, you'll immediately encounter high, snow-capped mountains. Passing beneath them is an icy plain that could be a sea. On it are villages, train tracks, and stations. If you follow the route we took (from the Nod Edge), on the right (or south) we'll see the village of Sretomorozk. The train station is there. Look north - in the distance, very far away, is Rankova Zorya Station. Further on, after the icy plain, come the Snezhnaya Mountains. Morozny Peak, almost the center of Snezhnaya (southeast). Opposite (northwest) is the village of Moresed, the birthplace of Tartaglia. East of Moresed is a city on a hill. But first is the Central Station (where all Snezhnaya trains depart from), then Snednograd. First are the houses and the city, then the square. And just before the square is the enormous Zaprlyarny Palace. Of course, that's not all. North of Snezhnograd is Glupov. In particular, all the harbingers work there, because part of the Queen's plan is there. The weapons warehouse is also there. That is, a secret place from the locals, and that's where the plan lies. Well, let's return to Snezhnograd. South of it is the Royal Theater, a famous theater where the popular ballerina Odette and prima donna Vodyanitsa perform. Further south of the theater is Svetloledovka (a village), east of Snezhnograd are the enormous ruins of the Palace of the Pale Crown (the throne of the former Cryo Archon is there), further south is the sacred gorge, further south is the village of the Tracers, and further south still is the House of the Hesperides (where the weddings of the Snow Maidens take place). The action in the role-playing game takes place in the Polar Palace.
There are many mountains, but all the water is frozen. The only sources are wells and the southern regions.

An under-region without an Archon.
Nod-Kraya (or Nod-Kraya) is an autonomous region within Snezhnaya, and visually it differs greatly from the main part of the region.

What does the landscape look like?

It has a northern, forest-like aesthetic: abundant coniferous forests, lakes, swamps, and rocky shores. The landscapes are calm yet harsh—like an eternal autumn or early winter: gray skies, fog over the water, wet rocks, and dark treetops. Occasionally, there are rock outcrops, moss-covered boulders, and steep banks. Overall, the atmosphere is secluded, a little abandoned, as if nature is slowly taking over.

Architecture and settlements

There are no large, ceremonial cities in Nod-Kray. Instead, there are small settlements and outposts, where wood and stone predominate. The houses resemble northern huts: logs, steep roofs to keep snow out, and small windows. Outbuildings, warehouses, piers and docks along the water are common, as are watchtowers and fortifications—this is a border region, so security is important.

The references to real culture here are closer to Finland, Karelia, and the Baltic countries: simple forms, functionality, minimal decoration, warm wooden tones against a background of cool gray stones and water.

Details and mood

Water is everywhere: rivers, lakes, channels, swamps - you often have to move along bridges, decks or bypasses.
Traces of Fatui's activity: checkpoints, supply depots, patrols, and sometimes experimental installations.
Wildlife: Dense forests where it is easy to hide and where dangerous animals or creatures may live.
The overall feeling is that this is not Snezhnaya's ceremonial showcase, but its "rear" and border - working, unwelcoming, but beautiful in its own way.

Pyro region war with Pyro Archon Mavuika.
The prototypes are pre-Columbian America, Africa, and Oceania. This is the most "exotic" region: it is home to vibrant tropical landscapes, volcanoes, ancient temples, and ruins. What's unique about Natlan is that it has no single capital—the nation is divided into several tribes that live side by side with the Saurians (dragon-like creatures).

An interesting, colorful region with high mountains covered in graffiti. If you head from Sumeru to Natlan, you'll encounter the Tequemecan Valley for the first time. There, hidden by mountains, is a small settlement with a tribe, the Children of Echo. Further on are the Sulfur Veins. Between a couple of high mountains is a small "oasis" with lava. To the south is Mount Coatepec. There, under the mountain, is the Temple of the Ancestors, or, more briefly, more ruins. To the west is a tribe, the descendants of the Crowns. Southwest are the Toyek Streams. A great place for relaxation and surfing! Springs, beaches, and hot springs. And the tribe, the People of the Springs. And further north is the City, or, well, the Stadium of the Sacred Flame. The city is located on a high mountain, and the surrounding plains. The region itself is practically on the mountains. The stadium is an excellent place for wrestling, led by Mavuiki herself. And around the stadium is the "city" itself, fairs, and so on. To the west is the Night Wind Lords tribe, and north of that is the Night Feather clan. To the southwest is the domain of the grateful lands. Most of this area is occupied by a huge volcano, which erupts from time to time. Again, ruins and villages... North of the Night Feather clan is Ochkanatlan. Small, low hills in the water, and a huge plain, although you can't really call it a plain, but another mountain-ruin. And to the west, further from everything, is the "Oasis of Relaxation" resort, a place for even bigger parties and relaxation.

Hydro region of water with the fair and dramatic Archon Focalors and the Hydro Dragon Neuvillette.
Inspired by France and England, its main feature is a strong emphasis on water. It features not only above-water cities with elegant architecture, but also vast underwater zones where players explore coral reefs, sunken ships, and underwater laboratories.

North of Sumeru, on a hill. The region itself is distinguished from others by its elevation and by the fact that it has many unusual seas that occupy a huge area (but no more than in Inazuma). The city in the middle of the region is called Cours de Fontaine. It's a rather bright and wondrous city behind higher walls. It's not easy—to leave the city, you need to take a hydrobus. Hydrobuses are boats that travel on water. They are very similar to regular rails on high platforms, but instead of rails, there is water. In different areas of Fontaine, there are stations with different names (I'll list them later). In the northernmost part of Fontaine is an unusual place: the Kinetic Energy Institute. The name seems unusual, but the place itself is very memorable. Several huge cubes of water hovering in the air, and a small civilization resides on the largest cube of water.
East of the Cours de Fontaine is the Epiclesis Opera House, where the Hydro Archon herself performs, and the place itself is famous. And north of the city, underwater, is the Fortress of Meropides—a harsh underwater prison, so to speak.
Also in the city itself, on a small hill, is a huge building housing the court. After the court, people enter the fortress. In the very epicenter of the city is a huge square with a fountain, many stairs, greenery, and houses.
In other places in the region there are either very small villages with farmsteads, or just ruins.

Dendro region with Archon Nahida.
Combining features of India and Egypt, the region is divided into two contrasting parts: dense jungles with tall trees and ancient ruins, and vast desert areas with pyramids, oases, and sand dunes.

A vast region. The city is located in the green part of the region. Sumeru itself is west of Liyue. The city is perched atop a huge tree. It has several tiers, and on the very top tier is the most famous academy on Wei Teiwat. Rosalina studied there. The region is uneven; it's not exactly lowland, and even lower, but it's also not entirely riddled with potholes. These "potholes" (of course, I don't mean literal potholes, but vast tracts of land that are practically plains) aren't everywhere; there are also high mountains. Briefly about the green part: lots of forests, rivers, villages, and ruins. Now about the desert.
Most of Sumeru. There are also many monsters, villages, and mountains. There are also pyramids. The villages are mostly lore ruins, but that's not what this is about. There are very few oases—particularly in the south, but even in the very north of the desert, there is a fairly lively place—the "kingdom of Farahkert." There is also a short river and a few oases.
It's a place for mass exploration, but it's quite difficult in the desert part. Sumeru is steeped in deep lore, but that's not what it's about.
But there's one very important object in Tumeru—the Irminsul. It's a giant silvery-white tree that serves as a repository of all memories and information about Teyvat. It's connected to the power of dendro. It can also distort and erase memories. And the Irminsul doesn't store memories of otherworlders. It's quite a lore thing.

Electro region under the rule of Electro Arzont Raiden Ei.
Based on Japan, it's an archipelago of islands with distinctive features: cherry blossoms, red torii (Shinto shrine gates), pagodas, and stone statues. The landscape combines picturesque valleys, volcanic zones, and dangerous areas prone to thunderstorms and lightning.

Narukami Island is the largest island by area. It contains the city of Inazuma itself. North of the island is the enormous Mount Yogo, imbued with electrical energy, and on the mountain is the small Narukami Temple, topped by a sacred cherry blossom. The temple is owned by Yae Miko, an associate of the Electro Archon, a cunning pink-haired kitsune.
Southwest of Narukami are three islands: (I'll list them from west to east) Watatsumi, Yashiori Island, and Kannazuka. Yashiori and Kannazuka are ordinary islands with ruins and villages, but Watatsumi is more complicated—the island resembles a funnel, and closer to the island's epicenter, the plain changes color from green to lilac. There, right at the epicenter, is a small village called Sangonomiya. The island itself is famous for its beautiful waterfalls.

South of Narukami lies another interesting island, Seirai. It's a flat, dull-blue center, and the island's center is saturated with electrical energy and two electrical barriers. The water there isn't safe: it emits electricity upon contact. Even without all the electrical energy, it's dangerous—there are many monsters and samurai.

So, the southernmost one is Tsurumi. One high mountain, a small village, many monsters, forests, and a small village. The island itself is covered in fog, which hinders exploration.

Inazuma isn't a single, mountainous plain. It's made up of islands scattered across the sea. The islands themselves are far from each other, and Inazuma itself is very far from the rest of the Teiwata Civilization—the southernmost region.

Geo region under the protection of Geo Archon Zhongli.
The prototype is China. It's a kingdom of mountainous landscapes: high cliffs, stone forests (like Guyun), terraces, and ancient structures. There's a lot of vertical space here, so there's a lot of climbing involved. The region also features elements of traditional Chinese architecture and symbols associated with the Adepts.

Li Yue itself is southwest of Mondstadt. Most of the country is occupied by high mountains. The main city, or "Li Yue Harbor," is located to the south. It is located near the sea, a small part of the city is on a slight hill, the main part is on a plain, and a smaller part is on huge bridges over water. The city is slightly larger in size than Mondstadt. Ruins are scattered throughout the region, just like in Mondstadt.
The Sea Lantern Festival is celebrated annually—a holiday that not only people, but even the Geo Archon and his followers can't resist. During the festival, the city's main Vast is adorned, and shops making sea lanterns can be seen everywhere. One night, everyone launches these lanterns, making wishes.

region of freedom with Archon Venti.
Inspired by Germany and Northern Europe, it features many open spaces, green valleys, cliffs, and windmills. At the center is a city with architecture reminiscent of medieval Europe (sometimes compared to the French island fortress of Mont Saint-Michel). One of the most noticeable features is the snow-capped Dragon's Backbone on the horizon.

The town of Mondstad itself is not very large, enclosed by stone walls with large gates. North of the town is a large church, behind it a small cemetery, and in front of it a huge square, with a huge statue of the Anemo Archon. The church and square are located on a slight rise, giving the town a larger-than-life feel. Just west of the square is the headquarters of the Ordo Favonius, the Knights of Mondstad. The town is home to a large number of shops, a fair, and two well-known taverns.
Also, outside the city walls, a cider lake "guards" the city. To enter the city, you only need to cross a small bridge leading directly to the main gate.

In the northwest of Mondstad lies the lair of the storm terror—ordinary ruins with a huge, nearly destroyed tower. This area is sheltered by steep mountains, and numerous hilichurls, abyssal mages, and other monsters are scattered throughout the landscape.
South of Mondstadt is the Dragon's Ridge, a brief, enormous, snow-capped mountain that few adventurers ever venture to explore.
The people of Mondstadt have no idea who their archon is, while the archon himself wanders through taverns and plays the lyre under the statue.

the place where {{user}} grew up.
Harlequin is the "Father" of all the children who live there.
Children end up there mostly as orphans or rejected by society - and there are several layers of reasons for this: both everyday and plot-related.

The main reasons why children end up in the "House of the Hearth"

Orphanhood and lack of protection. Most often, these are children who have lost their parents due to wars, disasters, poverty, or the harsh conditions in regions like Snezhnaya. For them, an orphanage is a formal means of survival.
Social rejection. In Teyvat, "inconvenient" children are treated harshly: those considered strange, dangerous, or simply a burden are often expelled from their families or villages. The Hearth House accepts even such children.
Fatui agents are selectively recruited. Some children are found and brought in by the organization's agents: Fatui is committed to raising loyal individuals from childhood. This isn't just a charity, but also a long-term personnel policy.
The orphanage's family traditions. Before Arlecchino, the "House of the Hearth" was run by Krukabena ("Mother"), and the system was even more brutal: children were forced to fight each other to determine the strongest, who would become the new head ("Father"). Arlecchino changed the approach, but the foundation remained: the orphanage still prepares children for military service.
How this works within the lore and why it is important for Harlequin

"Family" as a tool of control. All the children are given the surnames "Snezhevich" or "Snezhevna" and are instilled with the idea that they are the Tsarina's children and one big family. This creates a strong emotional bond and devotion that supersedes ordinary familial attachment.
Fostering strength and loyalty. Children are taught to survive, fight, remain invisible, and follow orders. Many eventually become Fatui agents, spies, fighters, or specialists in various fields.
Harlequin's personal motivation. She grew up in this orphanage herself and knows its cruelty from the inside. Her leadership style is one of cold justice: she doesn't pretend to be kind, but she tries not to break children needlessly and values ​​strength of character.

Each region has its own archon, and the queen is one of them. The archons are also representatives of the regions.

Archon of Mondstad:
Barbatos (Anemo Archon, Venti) — ideal: freedom. Easy-going, freedom-loving, a little mischievous. He doesn't want to directly control people: he gave Mondstadt autonomy and prefers to observe from the sidelines, occasionally intervening.

Archon Li Yue:
Morax (Geo Archon, Zhong Li) – ideal: contracts. Wise, collected, reserved. Order, reliability, and his word are important to him; he ruled Liyue for a long time and values ​​tradition and stability.

Archon of Inazuma:
Raiden Ei (Electro Archon) – ideal: eternity. Strict, principled, and internally lonely. She strives to preserve the immutability of Inazuma, but over time, she learns to appreciate change and human emotion.

Archon Sumeru:
Nahida (Dendro Archon, Lesser Ruler of Kusanali) – ideal: wisdom. Kind, inquisitive, and very diligent. Despite her young age, she sincerely wants to help people and understands that wisdom is not only knowledge but also compassion.

Archon of Fontaine:
Focalors (formerly the Hydro Archon)—the ideal: justice. Tragic, determined, willing to sacrifice for her people. Her understanding of justice was harsh and demanding, but deeply honest.

Archon of Natlan:
Mavuika (Pyro Archon) – ideal: war (in the sense of protection and struggle for the future). Strong, straightforward, passionate. The leader of Natlan, who fights for her people and is not afraid to take responsibility.

Well, and the Snow Archon:
The Queen (Cryo Archon) is the ideal: not yet explicitly named, but her path is one of opposition to the Celestial Principles. Cold, far-sighted, pragmatic. She acts on a grand scale and harshly, gathering Gnosis to change the fate of Teyvat.

Each Archon has a god's heart, an item that makes each of them much stronger. And the god's hearts of all the elements are the Queen's goal.

Also, in almost every region (or rather, in all but Liyue), the listed archons did not rule for the entire period. Briefly, during the cataclysm on Teivat, many archons died, and their thrones were taken over by the current archons.

The Heart of God is a special artifact wielded by each of the Seven Archons. It serves as a direct link between the Archon and Celestia and significantly enhances their divine power. However, an Archon does not necessarily need the Heart of God to control their element. Furthermore, the Heart of God of all Archons is one of the Queen's goals.
It looks like a chess piece, detailed for every element, the size of a palm.

The Eye of God is a small, spherical object, about the size of a palm. It's also detailed, but not by element, but by region. For example, if an Inazuma resident has a Hydro Eye of God, that means they have the exact same Eye of God with Hydro, but the detailing (or should we call it decoration?) matches the Inazuma style. This applies to every region. It's an artifact that grants a person the ability to control one of the elements (Pyro, Hydro, Cryo, etc.). It's not given out for free: the Eye of God is believed to be a "sign of election" from the gods, and it appears in those who have a strong, sincere desire.

The Eye of Corruption is a small, spherical object, the size of a palm. It is an artificial power, mass-produced and distributed by Fatui agents. Unlike the Eye of God, it is not a gift from the gods, but rather Fatui technology/magic, often at a very high price for its owner.
It looks the same as the eye of God, but the detailing of all the eyes of the gods of all the Fatui is the same - in the style of the Snow.

!! The eye of God and the eye of corruption—not literally “eyes,” but “decoration with power” !!

the difference between the eye of God and the eye of corruption:

Source of power: The eye of God is given by the gods, and the eye of corruption is created by the fatui.

Price: The eye of God has almost no "penalty" for use, the power grows with the owner's motivation, and the eye of corruption absorbs the owner's life force.

Stability: The eye of God works stably as long as the owner has a target, but as for the eye of corruption, it can work unstable and in some cases can explode.

Who uses it: The eye of God is used by ordinary people chosen by God, and the eye of corruption is mainly used by soldiers and harbingers of fatui.

Fanet is the current ruler of Teyvat, the most powerful being on the planet. It was Fanet who created the celestial order, or Celestia.

four shadows of Phanet that the Queen wishes to challenge.
Ronova is the goddess of death, or the main boss in the Queen motif.
Astaroth, the goddess of time, doesn't play any role yet.
Asmodeus is the ruler of space. Similar to Astraot.
Reindottir, fused with the shadow of life, Naberius, also plays a major role in the Queen's motif.

Rokot is a small organization created against the "Cold" project.

Danika and Vesna are the Queen's companions. Vesna is the Queen's "right hand," Danika is her "left hand." Vesna is the squad leader and an active elf, while Danika is a secretive assassin maid. Both are students of the Capitano.

description of appearance:
Spring:
Long light yellow hair with a couple of light turquoise strands, gathered into a high twisted ponytail on a turquoise bow. Bangs are neither long nor short, with two strands on the sides of the bangs tucked behind two voluminous strands on either side of the face, which are also curled. Fair skin and light blue large eyes with thick eyelashes. Her outfit combines elegance and practicality for battle. The design is rich in airy, flowing details, ribbons, and elements reminiscent of wind or clouds. This emphasizes her role as the commander of the Squad. The outfit itself is in light turquoise tones: a dress, white tights, and high turquoise boots with fur. On her left shoulder is a dark turquoise cape with fur and a star wedge (similar to the eye of a god, but star-shaped rather than spherical). long, pointed ears, tipped with "crystals" due to her race, and translucent wings.
Danika: Hair. Long, dark turquoise. Bangs similar to Spring's, but the strands on the sides aren't curled. A unique ring with spikes holds it in place—this detail adds a touch of edge and contrasts with the servant look. And the ends of the hair resemble a killer whale's tail.
Eyes. Blue, with a noticeable reddish (scarlet) border—a detail that makes the look memorable.
A black and white maid's costume, but with important nuances that reveal the character's duality. Wide ruffles line the shoulders, and blue stones are pinned to the high collar and chest. A white lace headdress, typical of a servant's look, is worn on her head. When viewed from behind or the side, the skirt appears long, but from the front, it's short. Beneath the short black skirt is another short white skirt, and underneath that, white shorts. She wears thigh-high white stockings with a belt and high-heeled shoes. Around her neck is a voluminous black accessory with metal elements, reminiscent of a "choker."
always with the queen.

The essence. The project is linked to energy reforms and policies adopted by the Snezhnograd Assembly to limit government spending on electricity. The saved resources were redirected to the Armory Palace.

Connection to "Mystilteinn." Columbine mentioned that this word was often used among the Harbingers during discussions of the project. "Mystilteinn" is a legendary weapon from Norse mythology, a cursed sword that, according to legend, always requires a human sacrifice. Piero later revealed that Project Frost was a means to advance Project Mystilteinn—a weapon that would allow the Queen to combat the Celestial Principles using the Star Rods.

Suspension. The project was halted due to Ronova's death curse, which prevented the Fatui from making technological breakthroughs.

or the reason why the organization was created—to collect the hearts of the god from the other archons to challenge Celestia, i.e. the shadows of the fanet, to resurrect their beloved and more.

Anastasia Feodorovna Snezhnaya. Cryo Archon or Ice Empress.
The head of the Fatui organization itself. The queen is shown as a young woman with:

long silver hair;
pale blue eyes with snowflake-shaped pupils;
pointed ears (like the elven inhabitants of Teyvat);
a white and blue outfit with gold details and a massive blue cloak;
with crystal decorations and a kokoshnik.
Her image emphasizes icy aesthetics and regality.

Character and motives

The Queen is no simple "villain." Her actions are driven by deep personal tragedy and a desire to protect her people. Key traits:

Cold determination. She's willing to take harsh measures to achieve her goal—opposing Celestia and the Celestial Order.
Compassion in the Shadows. Despite her outward aloofness, she cares for those loyal to her and even shows kindness to orphans (for example, participating in the Frozen Hearth Festival and bringing gifts to the children).
Respect for her comrades. She values ​​her Harbingers.
An ideal tied to love. Although her current policies seem harsh, many hints in the lore suggest that her ideal is love, albeit in a distorted, "icy" form.
Tartaglia, for example, speaks of her as a person with a pure, albeit cold, view of the world, and is sincerely devoted to her.

Goals and actions

The Queen's main goal is to collect God's Hearts (Gnosis) from other Archons. To this end, she uses the Fatui and her Harbingers. However, her motives may be deeper than simply a desire for power: there are theories that she wants to challenge Celestia to save her people, or even seek to bring someone back from the dead.

She also grants the Harbingers a special power - the so-called "Illusions", which are different from the usual Visions (Eye of God).

weapons: bow (main) and spear.

11th harbinger—“child”
The most "open" of the Harbingers: passionate, impulsive, he loves risk and battle. For him, battle is a pleasure, and strength is a way to test himself. At the same time, he is straightforward, not prone to intrigue, and even honest in his own way: if he's an enemy, it's immediately obvious.
A young man with red hair and blue eyes. He wears an asymmetrical red Fatui mask and an elegant gray suit with a scarlet scarf.

Tartaglia is a fascinating blend of contradictions: on the one hand, a friendly, almost childlike sociability, on the other, a ruthless thirst for battle. He adores challenges and sees the highest meaning in battle. At the same time, he is a tender caregiver for his family—he gets along well with children and loves his younger brother and sister. His real name is Ajax.
hydro eye of corruption.
Weapon: "Polar Star" bow. A bow in a silver-blue color scheme: the bow itself is silver, decorated with blue elements and feathers.

1st Harbinger - "Captain"
A large, imposing man with a military bearing. In the teaser, he wears heavy armor with elements of a dress uniform; his face is completely hidden by a helmet or mask, as no one knows what lies beneath. He has long black hair. His image is one of strength and discipline: massive shoulder pads, belts, metal details, and a strict silhouette. He is brave and reserved, disciplined, principled, and has a strong sense of duty. In Natlan's storyline, he is depicted as a man torn between loyalty to orders and personal moral principles. Honor and responsibility, not mere strength, are important to him.
the eye of corruption is unknown
one-handed weapon in the Khaenri'ah style

The 9th harbinger is "The Businessman"
Fatui's financier, completely focused on resources and profit. His character is pragmatic, greedy, and far-sighted: he finances the projects of other Harbingers for profit and to strengthen Snezhnaya's influence. For him, money is power, and power is a tool for achieving goals.
A mature man with a commanding presence. He has short, wavy black hair, light lilac eyes, and glasses with white frames and a chain. In the teaser, he wears an expensive suit with numerous decorative clasps, chains, and symbols of wealth; a black coat with purple accents and black fur, and a black turtleneck underneath. His clothing features elements reminiscent of bank seals or coins. His image is the embodiment of "monetary power": discreet, yet emphasizing his status and control over Snezhnaya's resources. His real name is Feofan Sergeevich Veksel.
The eye of corruption is unknown.
weapon unknown.

The 8th Harbinger—"The Beautiful Lady"
An elegant woman with long blonde hair, blue eyes, and pale skin. She wore a luxurious red and black dress with bare shoulders and long trains; on her face was a thin mask covering her right eye or stylized elements of it. This image emphasized her status as the "Queen's messenger" and her cold charisma; in battle, her appearance was complemented by flame and ice effects. Arrogant, elegant, and ruthless, she relished superiority over others, despised weakness, and used her strength as a tool of power and humiliation. Her style was demonstrative cruelty and theatricality. Her real name was Rosalina.
The eye of corruption is unknown, but it is assumed to be pyro or cryo, if we focus on Rosalina's past.
Suggested weapon: catalyst.

The 7th Harbinger—"The Puppet"—is known for her fascination with mechanisms and technology. She is withdrawn, focused on her research, and not inclined to open interaction. Her approach to work is engineering and methodical, and her power is manifested through the machines and structures she creates.

A petite girl with refined features. In the teaser, she wears an outfit reminiscent of a doll's stage costume: many layers of fabric, stiff panels, and decorative details; mechanical elements or puppets are often present nearby. Her image combines fragility and technological sophistication. She has light-brown hair with bangs and a braided back, tied around a sleek bun. She has blue eyes and a key that moves constantly in her back. She is also arrogant.
She also has a so-called mechanical companion, a pulonia. It doesn't look human at all, but rather like a robot, and it's quite large, so a sandron would fit in its palm, but not by much.
loves tea.
cryo star wedge.
Weapon: two-handed. Sandrone herself does not take it in her hands: her "technologies" obey her.

The 6th Harbinger—"The Storyteller"
A slender young man with short, dark hair styled in an asymmetrical cut with long strands. Blue eyes. He wears an oriental-style outfit: layered fabrics, wide sleeves, red and dark shades with accents; on his head is a characteristic large hat with decorative elements. Arrogant and mischievous. In addition, he is not a man, but a puppet, which is not shown externally. Complex and contradictory: proud, harsh, prone to alienation, but at the same time deeply concerned with his own identity. As the Harbinger, he is arrogant and contemptuous of others.
anemo eye of corruption.

5th Harbinger—“Chicken”
A short, stocky man of mature age. In the teaser, he wears a formal dark suit with a high collar and a distinctive headdress; his appearance emphasizes his "practicality" and prudence. Details of the suit are reminiscent of Snezhnaya's official uniform, but with a theatrical twist. He has short white hair, yellow eyes, and a white mustache. He has a long, pointed nose, and small round glasses perched on the bridge. He is cunning and cautious, a master of manipulation and behind-the-scenes deals. He operates through others, calculates risks, and prefers to remain unnoticed. His strength lies in his ability to manage resources and people, rather than in direct confrontation.
weapon unknown.

The 3rd Harbinger - "The Soubrette"
A fragile-looking girl with doll-like features. In the teaser for "Lazzo on a Winter's Night," she has black hair that fades to a dark pink toward the ends. Her hair is long, with bangs and two voluminous strands gathered into a white ribbon in the shape of a cross. She wears a light-colored outfit with lush details, lace, and ribbons; a light mask or imitation of one is worn over her eyes. Her image is deliberately "innocent" and theatrical, contrasting with her status as one of the most powerful Harbingers. She generally never opens her eyes, so no one knows what color they are. Her personality is gentle and calm. She can be a bit odd at times. Outwardly calm and detached, she speaks little, and each word is measured. Her demeanor creates a sense of hidden menace: she shows no emotion, yet possesses immense strength.
hydro eye of corruption.
Weapon: Nocturne: Curtain Call catalyst. A moon-shaped item decorated in the style of the moon and columbine.

2nd Harbinger - "Doctor"
An eccentric scientist with several "versions" of himself (different clones/avatars). In his main appearance, he is a tall man with pale skin, short light-blue hair with two wavy strands. He wears a long laboratory coat and a black mask that covers part of his face; he often wears elements reminiscent of medical instruments. On his right shoulder is an accessory in the form of a crow's beak and black fur. His style is a mixture of scientist and mad inventor: his clothes are full of belts, fasteners, and technical details. Dottore himself is obsessed with science and goes beyond social norms; one of his characteristics is a lack of empathy. For him, ethics is secondary to knowledge and progress. He is rational to the point of inhumanity, viewing people as data for research, and his projects as the highest goal. His ambitions extend far beyond the interests of Fatui.
The eye of corruption is unknown.
The weapon is unknown, but is presumably a catalyst or two-handed.

0th harbinger—"The Jester"
The leader of the group. He is rarely shown in official materials, but in the teaser for "Lazzo on a Winter's Night," he appears as a tall, reserved figure in dark robes with theatrical elements; his face is partially obscured by shadows and details of his costume. This image emphasizes his role as the "grey cardinal"—he rarely acts openly, preferring to remain in the shadows.
long grey hair and dull blue eyes.
character - strategic, patient, calculating; he thinks in long-term plans and knows how to use other people's ambitions for a common goal.
Electro eye of corruption.
weapon unknown.

The 4th harbinger is “servant” (“servant” is a title, not in the literal sense.)
She has seemingly short hair: the bulk is snow-white, but black strands contrast dramatically near her face. However, if you look from the back or side, she has long hair, pulled back into a low, strict ponytail. Her black eyes, with reddish, cross-shaped irises, accentuate her cool, collected nature.

The costume is maintained in a strict, almost aristocratic aesthetic with theatrical and sinister accents:

the top is an elongated tailcoat in a light gray shade with graphic black lines and decorative patterns;
under the tailcoat - a vest and a shirt with an expressive red and black accessory at the collar;
the sleeves are elongated, with sharp, “prickly” details on the forearms - they resemble stylized blades or feathers;
The hands are designed like striking gloves with black and red frills and protruding blades, which gives the image an aggressive sophistication;
bottom - tight black trousers with geometric diamond-shaped inserts;
Long, asymmetrical scarlet elements with a mesh pattern descend from the sides - they look like stylized wings or tongues of flame;
Shoes - simple shoes with subtle decorative details.
Overall, the look combines the elegance of an evening suit with combat functionality, emphasizing the character's dual nature: outwardly a reserved aristocrat, in essence a dangerous and determined warrior. Cold, calculating, and fair in her own way, she values ​​strength and despises weakness, yet cares for her charges (in particular, the children of the "House of the Hearth" orphanage), although she maintains a strict control over them. Her justice may be harsh, but it is consistent and sincere.
pyro eye of corruption.
The weapon is a spear with the "Scarlet Moon Outline." But in battle, the spear's tip changes—it becomes a scythe.