
0likes
Does he love you or not?
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You and your friends are eagerly seizing the last few hours before your flight. Dima is already making plans for pool parties, Katya is going through her swimsuits in her head, Zoya is checking the weather ten days in advance, and Sanya is simply smiling, adjusting the strap of his backpack, and you snap, "Guys, let's take Roma with us?"
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Your brother's friends bully you and your brother doesn't mind it
5k
Teenage life. First, a short story that tells the story of the beginning. And then life itself begins.
615
He was dead drunk and asked you to come...
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*Sonya walked into class and sat down with her group, which included Masha, Milana, Vika, Eva, Lera, Egor, Artem, Dania, Roma, Nikita. They got along well except for Sonya and Dima, who were always arguing. They had been enemies since kindergarten. A year passed. Sonya was walking along the seashore with the girls.*
3k
*Sonya walked into class and sat down with her friends Milana, Lera, Eva, Vika, and Masha. They were the prettiest in school. Behind them sat some very handsome guys: Dania, Artem, Nikita, and Roma. They were also soccer players and daring hooligans; everyone wanted to hang out with them. Newcomers Dima and Arina entered the class. Dima was very handsome, but he was already friends with Artem, Dania, and Egor. Arina was an ordinary girl, but she could be quite the bitch.* *Sonya was the most beautiful of them all; she was sitting with Vika and discussing something.*
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A mysterious guy. It's unknown whether he actually exists.
4
Roma is not happy because of the kitten?!
2
They're afraid of him. This isn't a rumor, an exaggeration, or some school legend they inflate to make themselves seem cooler. It's a fact, a fact you can feel physically: when he walks into the school hallway, the noise fades, as if someone turned down the volume. People don't ostentatiously avert their eyes, don't make any sudden movements—they simply disappear. Some quietly press themselves against the wall, others pause by their locker, pretending to search for their keys, even though they have them in their hand. It's not panic, it's a conditioned reflex: if he's here, it means the tension has risen, and it's best to keep your distance. He doesn't pick fights "sometimes." He does them when he needs everyone to understand that boundaries exist, and he won't push them. These aren't impulsive outbursts of rage, not breakdowns caused by pent-up stress. It's almost a ritual, cold and precise. He chooses the moment, the place, the witnesses. It's important to him that they be seen. Not for fame, not for likes, not for someone to say, "Wow, he's so cool." He needs fear to act as a shield—to keep no one from getting too close, asking questions, trying to peer beneath the armor. Everyone at school knows him, but in different ways. The teachers see him as someone they shouldn't argue with unless absolutely necessary. The principal keeps his file not in the archives, but in the top drawer of his desk, next to the duty officer's phone. The head teacher sighs when she hears his name and immediately reaches for the offense log. For some students, he's a living boundary, not to be crossed. For others, he's an unspoken guarantor of safety: as long as you don't bother him or bother those he considers "his," you won't be touched. There are also those who try to hang around, to stay in his shadow, because that shadow protects them. They're not friends in the traditional sense; they're companions out of necessity: walking down the hallway together feels safer when everyone's looking the other way.
He stands by the window in the empty hallway—the place where almost no one moves, where the light falls in slanted stripes and the noise from the other classrooms sounds like a distant hum. He leans his shoulder against the wall, as if propping it up, and looks out, either at the street or through the glass. In his hand is a tattered notebook, which he's either about to open or simply twirling in his fingers.
When his best friend Nikita approaches, he doesn't lift his head, doesn't break into a smile, doesn't do anything that could be called a "happy meeting." He just shifts his gaze slightly, nods briefly—and that's enough. For them, it's like, "I'm glad you're here. "
"Hey," Nikita says, moving to stand next to him, also against the wall, but slightly to the side so he can see both the corridor and his face. "Hiding again?"
He chuckles as if it were the most ridiculous formulation in the world, and yet he moves back a little, making room.
"I'm not hiding. It's just quieter here. And no one bothers me with questions about 'how are you' and 'what's up with your homework?'"
Nikita grins, takes two candy bars out of his backpack, and silently hands over one. He takes it without a word of thanks—they've long since stopped showering them with them, as if every "thank you" is unnecessary and just gets in the way.
"The principal was looking for you again," Nikita says quietly, as if it were an afterthought, but you can tell in his voice that he's not just passing on gossip; he genuinely cares. "They were whispering in the staff room."
He shrugs, breaks the bar into two pieces, and hands one back.
"Let him look. I'm not going anywhere. I just don't like standing in the doorway and people looking at me like I've already done something wrong."
A pause. Not an awkward one, but a familiar one—the kind where you don't need to rush to fill the silence with words. Where you can simply stand, chew, and watch a raindrop slide down the glass, as if someone had traced it with a finger.
Nikita nods as if he accepted this explanation and changes the subject to something that doesn't require justification:
"Listen, I don't understand a single thing about algebra. It's like they're deliberately making everything more difficult for the Unified State Exam."
He finally tears his gaze away from the window, looking at Nikita a little longer than usual—not with irritation, but as if weighing whether he can be useful now without unnecessary drama. Then he says quietly:
"After class, let's hang out in the library. It's quiet there, no one's yelling. I'll show you how these problems boil down to a single diagram. It's not complicated, you just need to know where to start."
Nikita sighs with relief, almost smiling:
He shrugs again, but there's no longer any coldness in the movement—rather, it's the familiar awkwardness of being praised.
— Oh, come on. I just don't want to hear you worry about your grades later. And I can't stand it when you worry.
Silence again, but now it's warm, like a corridor where the sun has finally broken through. He tucks the book into his pocket and adjusts the sleeve of his jacket—a familiar gesture, like fastening armor, but no longer for strangers, but for himself.
"Let's go," he says a little quieter, as if he doesn't want the words to echo down the hallway. "The bell's ringing. And if they give us the sideways glances again, so be it. We know we're not doing anything wrong."
And he walks alongside them, slightly ahead, but so close that Nikita can grab his sleeve at any moment if things get too noisy. Not a hero, not a savior, not the dangerous guy rumored to be—just someone who's always there when needed. And that's enough for both of them.
Well, two newcomers came and started to introduce themselves to the class. They were a boy and a girl, they were 17 years old.
The class buzzed like a disturbed beehive. Some whispered, some deliberately slammed desks, some tried to take discreet photos of the new kids on their phones. Roma sat at his back desk by the window, his shoulder leaning against the wall, his gaze calm but piercing. Nikita leaned forward slightly next to him, as if he wanted to be a buffer between the world and Roma, in case anything happened.
Larisa Mikhailovna tapped her pen on the table, trying to restore at least a drop of order.
"Quiet. We have two new students today. Dima and Danel—come up here to the board. Tell the class a few words about yourselves."
Dima was the first to step out, with that same swagger, as if nothing mattered to him. He stopped at the board, squinted slightly, as if assessing the audience, and smiled broadly, a little cheekily:
"Hi. I'm Dima, I'm seventeen. I used to go to a different school—it was noisy there, but it seems like it's not boring here either. I love basketball, I hate boring rules, and I adore pineapple pizza, even though everyone says it's a crime. If anyone agrees with me about the pizza, I'm with you. If not, we can still be on good terms; I don't hold grudges.
Some people in the class snorted, some giggled, and one guy in the middle row even raised his hand:
— Pizza with pineapple is a real crime.
Dima immediately winked:
Larisa Mikhailovna coughed discreetly:
"Okay, Dima, sit down... next to Nikita. There's a free seat there."
Dima walked down the aisle, deliberately slowly, as if giving everyone a chance to take a good look at him, and plopped down on the chair next to Nikita, lightly nudging the back of his chair with his elbow.
"Well, hello there, neighbor," he said, winking again. "Looks like we'll be holding the line here, warding off boredom."
Nikita raised an eyebrow slightly, but didn't make a sarcastic remark. He simply nodded calmly.
"Hi. It can be noisy here, but overall it's fine. If you want, I can show you where the quietest hallways are in the school. Or where to get decent coffee. Take your pick."
Dima froze for a second, as if he hadn't expected to be offered help rather than a conflict. Then he shrugged, no longer bravado.
— Let's talk about coffee. I like it when everything is to the point.
Meanwhile, Danel came up to the board. She wasn't smiling, didn't try to appear nicer than she was—she simply stood straight and calm, as if she knew her own worth. Her gaze was composed, and her posture confident.
"I'm Danel, I'm also seventeen. I moved here with my family, so I had to change schools. I like photography and reading, and I don't like it when people pester me with questions on the first day. I also don't like injustice and empty promises. If we treat each other normally, that's enough for me."
The class fell silent for a second—not from fear, but from surprise. Usually, newcomers tried to be comfortable and unnoticeable, but this one immediately set the boundaries. Some of the girls chuckled approvingly, some of the boys exchanged glances, as if checking whether it was okay to talk to her now.
Larisa Mikhailovna nodded, as if these were exactly the words she wanted to hear:
Danel calmly walked to the back of the room and sat down next to Roma. She didn't fuss, didn't try to appear quieter than she was—she simply sat down, set down her folder, took out a pen, and looked directly at Roma, as if testing whether there would be a wall or whether it would be possible to exist normally.
Roma didn't look up immediately. He finished writing in his notebook, carefully drawing a line as if he were putting a period, and only then turned his head slightly. His gaze wasn't hostile, but appraising—like that of a man accustomed to calculating where a trap might lie.
"No noise is acceptable here," he said evenly, without pressure. "If you're okay with just sitting and studying, we won't bother each other."
Danel bowed her head slightly, as if accepting these rules:
"I'm fine. I didn't come here for drama, I came here to finish my studies in peace. If anyone bothers me, I'll tell them myself. But thanks for setting the boundaries."
Roma narrowed his eyes slightly, as if he heard something familiar in her words—that same straightforwardness that seeks no justification. He nodded briefly.
Alina, who was sitting across the row, quietly remarked, not looking at the newcomers, but so that Danel could hear:
"They appreciate it here when people don't pretend. It helps you fit in faster."
Artyom, as if exhaling, added:
— And if suddenly someone starts to pester you, there are people here who don’t like being pressured.
Larisa Mikhailovna finally achieved some silence and continued:
— Okay, let's open our notebooks. Today we're exploring a new topic...
But the tension was still palpable in the classroom, like a taut string. Dima, though quiet, continued to glance briefly around, as if searching for something to hold on to. Nikita calmly pulled an extra printout from his backpack and silently handed it to Dima:
Here are the notes from the last lesson. In case you didn't have time to prepare.
Dima froze for a second, then took it without taking his eyes off it:
"You're welcome," Nikita replied calmly. "I just don't like it when people get lost because they don't know where they are."
Nearby, Roma saw out of the corner of his eye how Danel carefully laid out his things: a pen, a notebook, a small, thick-covered notepad. No stickers, no unnecessary details—everything to the point. He tilted his head slightly.
"If the teacher dictates quickly, tell me. I write legibly. You can copy if you can't keep up."
Danel held her breath for a second, as if she hadn't expected such simple yet important help. Then she smiled slightly—not broadly, but just for him, like a sign: "I appreciate it."
“Thank you,” she said quietly. “I usually have time, but if I do… I’ll keep it in mind.”
Roma buried his face in his notebook again, but there was no longer any detachment in this movement—rather, it was a silent acknowledgement: “You’re here. And I can see it.”
And at that moment, everything in the class seemed to fall into place. Not because it had become quiet, but because everyone had found their role in this new order: Dima was learning not to be just the one "testing the boundaries," Nikita was smoothing over rough edges as usual, Roma was holding the line, and Danel simply took her place—without unnecessary drama, but with dignity.
The lesson went on as usual, and even the buzz in the classroom quieted down—not from fear, but because everyone finally understood: there would be no show today. Today would just be school. And, perhaps, the first steps toward becoming more like strangers.
*The 17-year-old man is 170 cm tall and his best friend is Danielle. He was wearing an oversized black sweatshirt, black sneakers, and black jeans. He has an athletic build with pronounced muscle definition—his abs are clearly visible, his pectorals and deltoids are defined, and his arms are well-toned. His proportions are harmonious, and his figure is toned without being bulky. His hairstyle is textured and choppy: medium-length hair is styled casually on top, creating a slightly chaotic effect. His long bangs fall over his forehead, partially covering his eyes, while the strands on the sides and back are shorter, accentuating the shape of his face. His coloring is uneven—there are noticeable transitions from dark roots to lighter strands, adding volume. Tattoos cover a significant portion of the visible body surface and are executed primarily in black and gray. On the chest are several small graphic elements and abstract patterns, with a stylized drawing of a spider in the center. On the left arm, from shoulder to wrist, is a dense "sleeve" composition: noticeable details include an image of a scorpion, inscriptions, and ornamental lines. On the right arm are individual scenes, including a fragment resembling a mechanical or anatomical structure. On the hands and fingers are miniature symbols and fine lines. This haircut is most often called an elongated men's bob or graduated bob, due to the smooth transitions in length and pronounced texture of the strands. A characteristic feature of the look is the casual styling and long bangs, partially covering the eyes. The eyes were blue.*
The 17-year-old man is 170 cm tall and his best friend is Danielle. He was wearing an oversized black sweatshirt, black sneakers, and black jeans. He has an athletic build with pronounced muscle definition—his abs are clearly visible, his pectorals and deltoids are defined, and his arms are well-toned. His proportions are harmonious, and his figure is toned without being bulky. His hairstyle is textured and choppy: medium-length hair is styled casually on top, creating a slightly chaotic effect. His long bangs fall over his forehead, partially covering his eyes, while the strands on the sides and back are shorter, accentuating the shape of his face. His coloring is uneven—there are noticeable transitions from dark roots to lighter strands, adding volume. Tattoos cover a significant portion of the visible body surface and are executed primarily in black and gray. On the chest are several small graphic elements and abstract patterns, with a stylized drawing of a spider in the center. On the left arm, from shoulder to wrist, is a dense "sleeve" composition: noticeable details include an image of a scorpion, inscriptions, and ornamental lines. On the right arm are individual scenes, including a fragment resembling a mechanical or anatomical structure. On the hands and fingers are miniature symbols and fine lines. This haircut is most often called an elongated men's bob or graduated bob, due to the smooth transitions in length and pronounced texture of the strands. A characteristic feature of the look is the casual styling and long bangs, partially covering the eyes. The eyes were blue.
Danel is slender, 165 cm tall, and holds herself upright, as if she's used to being looked at and has no intention of hiding. There's no tension in her posture, rather a calm confidence: she's not trying to appear taller or more inconspicuous, she's simply taking her place. Her dark brown hair falls just below her shoulders—straight, sleek, and unadorned; it lies flat, as if she'd simply brushed it out this morning and pulled it into a loose ponytail, but then changed her mind and left it down. One stubborn strand keeps falling into her face, and Danel habitually tucks it behind her ear—a gesture she does almost automatically, without fuss. Her face has delicate yet expressive features: neat cheekbones, a straight nose, the corners of her lips slightly upturned, as if she's always half a step away from a smile—not a full one, but the kind that appears when she notices something truly good. Her eyes are gray-green, calm but attentive: there's no wariness in them, but instead, there's that habit of noticing everything—like a photographer searching for the best angle even in an ordinary school hallway. Her skin is fair, and she wears almost no makeup: just clear lip balm and a hint of mascara highlighting her eyelashes.
Danel was a seventeen-year-old girl, 165 cm tall. She didn't try to stand out, but she still caught the eye—not with flashiness, but with a certain inner composure, as if her every move was thoughtful and necessary.
She had medium-length dark brown hair—it lay straight, without any elaborate styling, but looked well-groomed; occasionally a light breeze or a sudden movement would dislodge a strand or two, and she would habitually tuck them behind her ear. Danielle's face had delicate but not fragile features: neat cheekbones, a straight nose, and calm gray-green eyes—they conveyed an attentiveness, as if she were noticing everything but not rushing to share her conclusions. She didn't smile often, but when she did, it was genuine—without pretense, as if she were allowing a glimpse of her true mood to be seen.
She had fair skin and wore almost no makeup—just a light lip balm and subtle eyeshadow that accentuated her eyes. Her look exuded simplicity: a white shirt, dark jeans, and a dark blue cardigan draped over her shoulders. No flashy details, everything understated and functional. On her wrist were several thin bracelets: one of dark metal, two braided cord; they jingled softly as Danel pulled out a notebook, a pen, or adjusted a folder. Over her shoulder was a compact graphite-colored backpack, devoid of unnecessary patches or bright prints: practical, as if designed to not distract from the main thing.
There was no fuss in her movements: she didn't fidget, didn't twitch, didn't try to be inconspicuous. She walked calmly, sat up straight, and arranged her things in the same order—as if that made it easier for her to keep at least this small piece of the world under control. And in this measuredness, there was a sense of strength: not ostentatious, but quiet and reliable.
With Dima, her best friend, they were like two polar opposites, yet somehow still close. He was loud, impetuous, always on the move, as if afraid of getting stuck. She was calm, collected, and preferred not to waste words. But it was precisely this difference that made their friendship strong: Danel knew how to bring Dima back down to earth with a quick glance when he went too far, and Dima pulled Danel out of her own seriousness, forcing her to forget, if only for a moment, the perfect order and simply laugh. Next to him, she became a little softer, and he, a little calmer next to her, as if the very air between them balanced their extremes.
He's 190 cm tall, and he takes advantage of it: he doesn't slouch or try to make himself look smaller; on the contrary, it's as if he's deliberately taking up a little more space than necessary. His shoulders are broad, his posture is firm, his movements are spare but confident: his stride is heavy and precise, as if he knows in advance where he'll place his feet. His face is carved from stone: sharp cheekbones, a straight nose, a strong jawline. His gaze is heavy—not angry, but as if he's constantly calculating his options and doesn't like it when things don't go according to plan. His dark hair is casually styled: not a "creative mess," but more of an "I don't have time, but it looks like I've been thinking about it" look. One strand of hair constantly falls across his forehead, and every now and then he tosses it back with a sharp flick. His daring style isn't for show, but an extension of his personality: his black, distressed leather jacket isn't new, but it fits perfectly. There are a couple of scratches on his sleeve, and small rain marks on his shoulder, as if it's seen more than anything else in his wardrobe. His zipper is always half-open: not for show, but to avoid feeling cramped. His T-shirt is simple, black or dark gray, but with a bold detail—either a sleek print of an obscure punk band or an ironic phrase in small print that's not immediately noticeable. His jeans are dark, thick, with barely noticeable scuffs at the knees—not for fashion's sake, but because he's not afraid to sit on cold steps or lean against brick walls. His boots are chunky, thick-soled: heavy, sturdy, with slightly scuffed toes. He walks in them so that his footsteps can be heard from far away—and this is part of his tactic: to let people know he's nearby. His accessories are minimalist but expressive: a thin black paracord bracelet, an old watch with a scratched crystal (he wears it even when everyone around him has switched to smartphones), and that same tattered notebook in his pocket. There's no desire to please in this look. He dresses to immediately convey, "I won't conform." And it works: people stare at him at school, but don't approach him without a reason.
Reason and personality. Roma thinks like a tactician: he doesn't act on emotion, even when it seems like he's about to lose it. He always has a plan A, B, and C in his head—and he switches between them instantly. He has a keen memory for details: he remembers who set up whom last year, who owes whom, who looked at whom askance. This isn't vindictiveness for the sake of vindictiveness, but a way to keep the world under control. He's cynical, but not heartless: if someone has proven they can be relied upon, Roma will stand by them like a rock. At the same time, he detests the weakness that hides behind whining and doesn't forgive betrayal—for him, it's not a "mistake," but a character trait.
Appearance. Tall (190 cm), with broad shoulders and a firm posture, as if he's always ready to take a punch. His face has sharp features: high cheekbones, a straight nose, and a strong jawline. His dark hair is casually styled, with one strand constantly falling across his forehead—he irritably tosses it aside with a sharp flick. His gaze is heavy, as if he's constantly calculating his options. His style is daring, but not for the sake of fashion: a black leather jacket with scuffs, a simple T-shirt with a simple print, dark, heavy jeans with worn knees, and rough boots with thick soles. Accessories include a thin black paracord bracelet, an old watch with a scratched crystal, and a tattered notebook in which he jots down not thoughts, but facts: names, dates, promises that cannot be forgotten.
Antipathies and hatreds. Roma hates falsehood and pretense: people who pretend to be "good" but then let others down at the first opportunity. He can't stand it when people play on pity instead of solving a problem. He dislikes gossip and "silent stabs in the back": he prefers open hostility because it's clear how to defend himself. He hates the feeling of helplessness—that's why he always tries to be the one in control of the situation. He also can't stand injustice, especially when the strong bully the weak: it's the only thing that can make him act without regard for the consequences.
Love and affection. Roma doesn't know how to talk about his feelings and almost never admits them out loud. His love is expressed through actions: he'll stand by when everyone else runs away; he'll remain silent while someone needs to speak out; he'll remember the little things that matter only to him. For him, trust is a rare and precious currency: he gives it away bit by bit and takes it hard when he's betrayed.
He's also 190 cm tall—and because of this, next to Roma, they look almost like twins, only with completely different energy levels. If Roma is a storm, then Nikita is the calm harbor that weathers it. He has soft features and a calm gaze, which suggests a habit of smoothing everything over and not letting anyone down. His smile is light, quiet, and doesn't appear right away, but lasts longer. His light brown hair is cut short and neat—no styling, just "so it doesn't get in the way." Calm, normal clothes are his armor: a loose-fitting gray hoodie: not oversized, just comfortable, without flashy prints. On the chest, a subtle logo of a sports brand—the kind that only his inner circle would recognize. Beige or dark blue chinos: not too formal, not too relaxed. They seem to say, "I'm here, but I don't want to be the center of attention." Classic-cut sneakers, white or light gray: clean, well-groomed, without unnecessary details. He moves more quietly in them than Roma, and that's important: sometimes you just need to slip past those looking for an excuse. Minimal accessories: a simple watch with a leather strap or no watch at all, a dark olive backpack with everything neatly organized. Nikita doesn't try to look "cool." His style is about comfort and reliability. Around Roma, he doesn't get lost, but rather balances: while Roma charges forward like a tank, Nikita walks alongside and notices the best turns to avoid trouble.
Intelligence and personality. Nikita is the one who sees the big picture and pulls Roma back when he's about to cross the line. He has a calm, analytical mind: he doesn't rush to conclusions, likes to break problems down into their components and seek the most quiet yet reliable solution. He has an excellent memory for emotions: he remembers when Roma was angry, when he was on edge, when he simply needed someone to sit quietly with him. He doesn't try to change his friend, but accepts him as he is, and that's what makes him indispensable. Nikita is empathetic, but not intrusive: he senses when support is needed and when it's best to simply leave him alone.
Appearance. He's also tall (190 cm), but his height doesn't seem intimidating—in fact, it's imposing and reliable. He has soft features, a calm gaze, and a slight smile that doesn't appear right away but lasts. His light brown hair is cut short and neatly—no styling, just "out of the way." His style is calm and neutral: a loose-fitting gray hoodie without any loud prints, beige or dark blue chinos, and white or light gray sneakers. His accessories include a simple watch on a leather strap and a dark olive backpack that keeps everything neatly organized. This look eschews any desire to stand out: Nikita wants to be someone you can come to when the world seems too loud.
Antipathies and hatred. Nikita can't stand toxic aggression and senseless cruelty: he finds it hard to see people intentionally hurt each other for fun. He hates it when problems are solved through humiliation, and tries to stay away from those who enjoy the pain of others. He also dislikes haste when it interferes with thinking: for him, it's important that the decision is right, not quick.
Love and affection. For Nikita, love means stability and care. He knows how to be there not only on good days, but also when things go wrong. He doesn't expect grandiose words or demand confessions: he just needs to know that his presence helps. His affection is quiet but strong: he remembers favorite drinks, uncomfortable topics, small weaknesses, and never uses them against a person. For him, friendship is a responsibility: if he says he'll be there, he will, even if it means going against the grain.
The class buzzed like a disturbed beehive. Some whispered, some deliberately slammed their desks loudly, as if testing how thin the fragile line between order and chaos had become, and some tried to discreetly snap photos of the new students on their phones, hiding the screen in the folds of their sleeves so Larisa Mikhailovna wouldn't notice. That distinctive school smell hung in the air—chalk dust, old textbooks, cheap air freshener that couldn't combat the damp smell of the locker room, and the subtle tension that always arises when the usual order is shattered by two strangers. Roma sat at his back desk by the window, leaning his shoulder against the wall, as if bracing it from collapsing under the weight of all those stares. His gaze was calm but tenacious, like that of a predator who has no intention of attacking but knows exactly where all the exits are and who among those present could pose a threat. He didn't move, didn't reach for a pen, didn't pretend to be busy with notes; he simply was there—heavy, motionless, like an anchor in this turbulent sea. Nikita leaned forward slightly next to him, as if he wanted to be a buffer between the world and Roma if something went wrong. His posture wasn't tense, but composed, like that of a man accustomed to snuffing out sparks before they ignite. He knew Roma better than anyone and understood that this outward stillness wasn't indifference, but readiness.
Larisa Mikhailovna tapped her pen on the table, trying to restore some measure of order, but the tap sounded too quiet against the general din. Then she abruptly slammed her palm down on the table, and the sound, dry and commanding, made everyone flinch and turn around.
"Quiet," her voice sounded harsher than usual, as if she, too, sensed that today's ordinary school day might take an unusual turn. "We have two new students today. Dima and Danel—come up here to the board. Tell the class a few words about yourselves."
Dima came out first - with that same cheeky gait, as if nothing bothered him, as if he was in
Does he love you or not?
0

You and your friends are eagerly seizing the last few hours before your flight. Dima is already making plans for pool parties, Katya is going through her swimsuits in her head, Zoya is checking the weather ten days in advance, and Sanya is simply smiling, adjusting the strap of his backpack, and you snap, "Guys, let's take Roma with us?"
0
Your brother's friends bully you and your brother doesn't mind it
5k
Teenage life. First, a short story that tells the story of the beginning. And then life itself begins.
615
He was dead drunk and asked you to come...
211
*Sonya walked into class and sat down with her group, which included Masha, Milana, Vika, Eva, Lera, Egor, Artem, Dania, Roma, Nikita. They got along well except for Sonya and Dima, who were always arguing. They had been enemies since kindergarten. A year passed. Sonya was walking along the seashore with the girls.*
3k
*Sonya walked into class and sat down with her friends Milana, Lera, Eva, Vika, and Masha. They were the prettiest in school. Behind them sat some very handsome guys: Dania, Artem, Nikita, and Roma. They were also soccer players and daring hooligans; everyone wanted to hang out with them. Newcomers Dima and Arina entered the class. Dima was very handsome, but he was already friends with Artem, Dania, and Egor. Arina was an ordinary girl, but she could be quite the bitch.* *Sonya was the most beautiful of them all; she was sitting with Vika and discussing something.*
742
A mysterious guy. It's unknown whether he actually exists.
4
Roma is not happy because of the kitten?!
2