YASGU | I became a count's bastard

Basen Henityus is the second son of the Henityus family and Cale's younger half-brother. His biological son, Violan, is not related to Cale by blood, though Basen himself is unaware of this.

Appearance. Dark brown eyes, chestnut hair. He's very much like his mother, Violan: the same imperturbable face and habit of not looking people in the eye.

Age: 15 at the beginning, 18 now.

Personality. Kind, intelligent, diligent—a model son. At 13, he assumed the responsibilities of heir while the original Cale was causing trouble. Calm, reserved, and rarely shows emotion. He adores his older brother: when Cale began to raise the family's reputation, Basen firmly decided to become his right-hand man in administrative matters. Cale, however, is still convinced that Basen will inherit the county after Derus.

Lily Henitudes is Cale's younger half-sister, the only daughter of Derus and Violan, and Basen's biological half-sister.

Appearance: Curly brown hair, blue eyes. Tall for her age, with long arms and legs—the typical Henitudes build.

Age: 7 years old at the beginning, 10 years old now.

Personality. Cheerful, friendly, and goal-oriented. She adores Cale and sees him as her idol. She dreams of becoming a swordswoman—she asked her brother to bring her a sword from the capital, and he agreed. She studies under the knight-chef Edro, who once trained Violan.

Abilities. Her talent with a sword is astounding for a child: by the age of nine, her greatsword had grown to the height of a grown man, and a haze of aura rose from its blade—the sign of a high-class knight. Cale was shocked to see this. She wields a sword better than Cale himself.

Both children are normal people without Ancient Powers and magic, but each supports the family in their own way: Basen with his head, Lily with her sword.

Derus Henithuse, Count (later Duke) Henithuse, father of Cale, Basen, and Lily, was married twice: his first wife, Jur Thames, was Cale's mother and died when he was a child; his second wife, Violane, was the mother of Basen and Lily.

Chestnut hair, grayish-brown eyes, and, in the manhwa, a light beard. Outwardly, he's an ordinary man, without much status or influence, but with fabulous wealth: his territory produces marble and the finest wines on the continent. He trains with a sword every morning, though he's not exactly a fighter.

Derus truly loves his family and lives by the Henitudes motto: peace and happiness are more important than fame. It was he who spoiled the original Cale with money and freedom after the death of his first wife—and thereby unwittingly corrupted his character. However, he is far from simple-minded: he possesses an extensive spy network, always knows what's happening in the world, and secretly gathers information about his son through Hans. He doesn't hesitate to go against the royal family for Cale's safety. Albert later grants him the title of Duke.

Violane Henitius is a countess (later duchess), the second wife of Derus, stepmother of Kayla, and mother of Basen and Lili.

Brown eyes, her hair perfectly coiffed in a bun—not a single hair out of place. She comes from an impoverished noble family, rose to the head of the merchant guild before marrying Derus, and came to the Henitudes territory for art and architecture. She oversees the county's cultural and business affairs.

Proud, pragmatic, and strict. She values ​​order and family reputation over noble intrigue. She considers aristocrats pompous, but understands the need to maintain status. She values ​​family above the kingdom. Her career in the trading world left her with a habit of rude speech—sometimes she expresses herself harshly.

Violan barely interacted with the original Cale—they studiously ignored each other. But after Kim Rok-soo's transfer, their relationship warmed: Violan revealed that she considers Cale her son and cares for him like a mother. She knows more about county affairs than she lets on—specifically, that Ron is a murderer.

Tunka is the leader of the No-Mage Rebellion, the "Tyrant" and the strongest man in the Whipper Kingdom, and one of Cale Henitude's most colorful allies.

Race and origin: Human. Hailing from the Kingdom of Whipper, where mages oppressed and enslaved ordinary people. Tunka led a rebellion against the Magic Tower and won, thanks to the support of Cale, who bought the Tower.

Age and height. 36 at the beginning, 39 in the second half. 199 cm tall—huge, muscular, with a wild appearance.

Appearance. Long, tousled chestnut hair, reminiscent of a lion's mane. Light brown eyes. A look so dangerous that, according to the description, it seems he could send an orc flying with a single blow.

Personality. Loud, arrogant, and fearless to the point of insanity—Kale literally thinks, "He has a rock for a skull." He never retreats, even if the opponent is a dragon. A combat maniac obsessed with strength: he used to disrespect the weak and abandon the wounded. Cale considers him stupid in everyday life, but sharp and naturally intelligent in battle.

History. He first met Kayle in Ubarr territory, where he was washed up after a shipwreck. He disguised himself as a fisherman named Bob until he revealed himself by starting a fight with Vitira and Paseton. Kayle promised to buy the Magic Tower and support the cause of the non-mages, which piqued Tunka's interest. Gradually, thanks to Kayle's actions, he changes: he begins to respect the weak and see Kayle as a friend. When his comrade Hota betrayed him, Tunka personally beheaded him, but Kayle helped him to remain steadfast.

Abilities. The pinnacle of physical strength for a human. He can fight with his fists, sometimes with a bat. High resistance to magic. The ancient power "Sound of Wind," acquired after diving into a massive whirlpool and shattering the stone at its apex.

A place on the team. Not part of the inner circle, but a reliable barbarian ally: when it comes to sweeping away an enemy with brute force, Tunka is the first choice. Vitira calls their skirmishes not battles, but "lessons."

Archie is a beast-man orca, the strongest warrior of the Whale Tribe, "Ocean Scum" - a nickname he received for his unbridled nature and complete rejection of authority.

Race and origin. Beastman, orca. The strongest orca of the Whale Tribe, he holds the position of captain of the assault squad. He respects only those stronger than himself—and there are only two of them: the whale king Shikler and Princess Vitira.

Appearance. Silvery-white hair, gray-blue eyes. Like all beast-whales, very beautiful. In beast form, he is a killer whale, approximately 12 meters long, larger than normal killer whales (7-10 meters). Smaller in build than berserker bears.

Personality. Aggressive, rude, provocative—Kale describes his personality as worse than Tunka's. Archie is the typical "nice guy who always causes trouble": a troublemaker of the Whale Tribe, freed from the discipline of King Shickler, who used to beat the crap out of him until "the whole ocean seemed full of dust." This is precisely why, after his beating, Archie became loyal to Shickler—he respects only strength. At the same time, he has morals and loyalty, he just expresses them in his own way. He loves to provoke his enemies: when Kale instructed him to insult the lion Edrich with his "stupid broom-headed head," Archie handled it with delight.

History. In the original novel "Birth of a Hero," Archie beat up Luck because he irritated him. In the current story, he first encountered Cale with hostility—he didn't consider him worthy of King Shickler personally coming to his aid. Cale forced him to apologize with his Dominant Aura. True respect came after Archie witnessed Cale's team blow up Hayes 5 Island—after which he began speaking to Cale with respect.

Abilities. Complete transformation and berserker form. Her sheer physical strength is so great that she can destroy sculptures without mana or aura—with her fists alone. In battle, she charges forward without looking back.

A place on the team. The Whale Tribe's strike force and Cale's ally. Not the most obedient—but when it comes to fighting, Archie is at his best: smashing, provoking, harassing.

Vitira is the princess of the Whale Tribe, the future Queen, Guardian of the Ocean, and one of Cale Henitude's most beautiful and deadly allies.

Race and origin. Beastman, humpback whale. Daughter of the whale king Shikler, older sister of Paseton (a half-breed). By bloodline, she is the heir to the throne and the tribe's strongest warrior.

Age and height. 250 years old at the beginning, 252 years old now. Height 171 cm. Appears young, which is typical for long-lived whale-beastmen.

Appearance. So beautiful that Cale was momentarily speechless upon seeing her. Blue hair, blue eyes, a voice reminiscent of the sirens of Greek mythology. On her back is a large cross-shaped scar, acquired in a fierce battle. She makes elves look like "squids" in comparison. In her beast form, she's a 15-meter humpback whale with the same scar.

Personality. She protects the weak and guards the ocean. Devoted to her family, she especially pampers and cares for her younger brother, Paseton. She keeps her word—Paseton says she's the type who never breaks it. Self-confident, she doesn't back down from a fight or minor provocations. When Cale got wet and covered in dust, her heart sank even before she learned it was he who saved her brother.

Abilities. Full transformation and berserker form (eyes turn red). Water whip several meters long – cuts through water and lifts objects. Ocean Power – the unique power of whales, manifests as a blue aura around their body and weapons. Water shield. Humpback whales with the blood of a king are stronger than Choi Han, and orcas are roughly his equal. Vitira and Paseton have difficulty controlling their strength on land.

Relationships. He fights with Tunka condescendingly, calling it not a battle but a "lesson." Kayla is grateful for saving her brother and eventually becomes a loyal ally. Later, she becomes Queen of the Whales.

Hannah is the "false Holy Maiden of the Sun God", Jack's twin sister, and a master swordsman with a light aura.

Race and origin: Human. An orphan adopted by the Church of the Sun God. Along with her twin brother, Jack, she was proclaimed a Holy Maiden and a Saint—supposedly born with divine powers. In reality, Hannah received nothing from the Sun God: she was raised as a swordswoman, for her talent with the sword was genuine. Later, with Cale's help, it was revealed that the twins were truly chosen—Hannah was granted a bright aura.

Appearance. Light hair, like Jack's. After being poisoned by dead mana, her entire body is covered in black veins, like Mary's. She doesn't hide her scars—in fact, she deliberately leaves them visible: "Every time someone winces at the sight of me, I remember I went through that. So I'll never forget."

Personality. Sharp, unbridled, and bloodthirsty in battle—the complete opposite of the calm and trusting Jack. But she's honest and sincere, never forgetting kindness. She fiercely protects her brother, considering him too naive. She's vengeful toward her enemies—especially toward Arm, the organization that betrayed her.

History: Arm deceived the twins, poisoned Hannah with dead mana, and framed them for the Pope's murder. Cale summoned Mary and Tasha, who saved Hannah from the dead mana. Mary taught her to control the dark attribute, and now Hannah wields both light and darkness.

Abilities. A master swordsman with a light aura—a rare combination of strength and divine blessing. A dark attribute acquired after being poisoned and mastered thanks to Mary. In battle, she easily becomes enraged and extremely dangerous.

A place on the team. An ally of Cale Henitudes. A close-combat strike force, willing to "stain the ocean with blood" for their own. Together with Jack, they are the Holy Twins of the Sun God, but it was Cale who gave them the chance to live freely, rather than as puppets of the Church.

Tasha is a dark elf, the maternal aunt of Crown Prince Albert Crossman, and the former head of the Roan Kingdom's mage brigade.

Race and origin. Dark elf. Born in the kingdom of Karo on the Western Continent. Granddaughter of Obante, an elder of the City of Death. Half-sister to Alberu's mother, and for many years she was closer to the prince than a mother.

Age and height. Her real age is 290, but she looks 29. She's about the same height as Kayla, and she's slim.

Appearance. A beauty compared to a "black pearl"—dark skin, black hair, and brown eyes. Like Alberu, she conceals her race: she wears a necklace that changes her skin color and appearance to that of an ordinary continent dweller. Without the necklace, she appears as a dark elf with distinctive swarthy skin.

Personality. Cheerful, full of life, and a drinker—Cage calls her "unnie," and they quickly become friends because of their shared passion for alcohol. Behind this easygoing demeanor lies a hard life: the dark elves spent centuries on the run and in hiding, her friends aging and dying before her eyes, while she remained young. Tasha bore it all steadfastly.

Abilities: Magic, absorption of dead mana, the ability to see elementals. A contract with the Wind Elemental—she's one of the few who can directly communicate with elementals. She navigates the deserts of the Land of Death very well, which is why she led Cale's group through it to the dark elves.

Relationships. She treats Albert like a son—she cares for him, worries about his health and lack of sleep. She's respected Kayla ever since he saved two peasants from being beaten in Dubori territory: she saw kindness behind his cold gaze. She's grateful to him for bringing Mary out of the dungeon and allowing the dark elves to live openly on the surface. She's ready to do anything for "young master Kayla."

A place on the team. Kayle's ally and guide in matters related to dark elves, necromancy, and the desert. She received the title of Viscountess from him (not hereditary). She rarely participates in combat, but her magic and connections with elementals often save the team.

Taylor Stan is the eldest son of the Marquisate of Stan, the only worthy man in his family, and a loyal ally of Cale Henitude.

Race and origin: Human. Eldest son of Marquis Stan, former heir apparent. He has a younger brother, Venion, who sent the assassin who broke both Taylor's knees to take his place as heir apparent. His father knew of the plot but did not intervene.

Appearance. Light-blond, shoulder-length hair, green eyes, and a frail build—he was frail even before his injury. Many consider him very attractive, but his frail appearance conceals a steely character.

Character. Noble, determined, and just. Despite his family's betrayal and the loss of his legs, he remained spiritually unbroken—he retained his dignity and will to fight. Despite coming from a corrupt family, he categorically rejects the methods of his father and brother. Loyal to his friends: his best friend, Cage, stood by him when everyone else turned their backs.

Original story. In the novella "Birth of a Hero," Taylor discovered the Ancient Power "Heart's Life Force," but discovered it only healed wounds sustained after gaining the power—it had no effect on his crippled legs. In despair, he was unable to defend himself, and a month later, he was killed by Venion's men. His death drove Cage mad—she slaughtered half the assassins and was excommunicated from the Church of the God of Death.

Current story. Cale intercepted the Ancient Power before Taylor, but didn't leave him without hope: he anonymously sent a note that Crown Prince Albert Crossman possessed a one-time healing power. Taylor and Cage traveled to the capital, encountered Cale along the way, and struck a deal with Albert—his legs were healed. At the king's birthday celebration, Taylor appeared before all the nobles with healthy legs. He later became Marquis Stan and helped Cale forge an ancient text to deceive the White Star.

Fact: Despite his fragile appearance, of the three of them—him, Cage, and Cale—Taylor has the strongest tolerance for alcohol.

Cage is a priestess of the God of Death, the "Mad Priestess" from the original novel "Birth of a Hero", and Taylor Stan's best friend.

Race and origin: Human. A priestess of the Church of the Death God, blessed by her patron—which, to put it mildly, doesn't please her. She dreamed of being excommunicated from the Church and ultimately achieved this after Taylor's deal with Crown Prince Albert.

Appearance. Short brown hair, dark brown eyes. She wears a priestess's robe, with glasses hidden in the wide sleeves—she loves to drink and isn't shy about it.

Personality. In public, she's polite and pious—as befits a priestess. In reality, she's abrupt, rude, and hot-tempered: in anger, she can kick someone or destroy those around her. It was precisely because of this duality that she sought excommunication: she was sick of pretending to be "good." At the same time, she's devoted to her friends to the last drop: she stayed with the crippled Taylor and cared for him when everyone else had turned their backs on him.

Relationship with the God of Death. She finds him incredibly irritating—he constantly talks to her, offering advice, and trying to persuade her to join Cale. Cage responds by cursing at him and asking him to leave her alone. The God of Death has repeatedly offered to become a Holy Maiden, but she has refused.

Abilities. Divine Power of the God of Death: senses curses and dark energy around objects and places, like a necromancer. Her own curses are so powerful that they are compared to necromancy—a forbidden profession. A master of mental torture.

Original story. In the novella "Birth of a Hero," Taylor died, and Cage descended into madness after his death, killing everyone involved—earning her the nickname "Mad Priestess." In the current story, Cale saved Taylor, and this outcome was not repeated. Cage considers Cale a benefactor.

A place on the team. An ally of Cale Henitudes. He comes to the rescue when divine power or knowledge of curses is needed, but rarely engages in large-scale battles—preferring to act selectively and on his own initiative.

Mary is one of the last necromancers in the world, "good Mary" (as Raon Miru calls her), a quiet and devoted follower of Cale Henitude.

Race and origin: Human. As a child, she crossed the Desert of Death with her parents, was poisoned by dead mana, and survived only thanks to the dark elves, who rescued her and offered her the chance to become a necromancer. She remembers nothing of her past before the age of ten—only her mother's voice.

Age and height. 25 years old at the beginning, 27 now. Height 158 ​​cm.

Appearance. Her entire body is covered in black, web-like lines—traces of dead mana poisoning. Her left arm is severely scarred. She wears a loose black robe that conceals her figure and face, so Cale often refers to it as her "black robe" in her mind. Violet eyes glow brightly through her hood.

Personality. Her voice is monotone and even—like a navigator's. She seems dispassionate, but is actually kind and caring. Cale is the first person to give her happiness: he led her out of the City of Death and allowed her to see the light of day again. Mary is innocent and naive about the outside world, which brings her closer to Raon—they become best friends. She cares for Cale in a motherly way: "Young Master, you need to eat to be healthy. The only time you don't need to is when you're dead."

Abilities. Her manipulation of bones and dead mana is extremely powerful. She can control the Black Bone Dragon, something most necromancers cannot do. She created an arm for Ron and limbs with dead mana for Clope Secchi. She affectionately refers to her army of flying skeletons as "her babies." She cured Hannah of dead mana poisoning and taught her to control the dark attribute.

A place on the team. She came to Henityes territory after telling Cale she wanted to "see the world." She became a quiet but indispensable force on the team—her undead serve as both reconnaissance and strike forces.

Lak is a young beastman from the Blue Wolves tribe, one of Cale Henitude's first companions. He addresses him as "young master."

Race and origin. Beastman, wolf. He is of the purest Blue Wolf tribe, which is why he is considered the future Wolf King. He hails from the village of Harris, where he lived with his younger brother, Mace, and nine other siblings. The village was destroyed, and Luck was one of the few survivors.

Age and height: 13 years old at the beginning of the story, later 15-16. In his normal form, he's about 185 cm tall, but has the appearance of a skinny and gangly teenager. After his first berserker transformation, he grows dramatically, becoming taller than Choi Han.

Appearance: Ash-gray shaggy hair, blue eyes. In berserker form, he is a huge wolf, over 2.7 meters tall, with dark blue fur, sharp fangs, and red eyes. After evolving, his fur becomes a silvery-blue, like early morning, and his size is even greater.

Personality. Shy, naive, and sincere—especially with people: nervous when talking. But in battle, he's fearless, fighting without regard for self-defense, which is typical of the Wolf Tribe. He's proud of his breed. Over time, his naivety gives way to a willingness to sacrifice himself for his "family." He's so pure at heart that he considers the attacks of the kits Ona and Hong a game. Lak sees a kindred spirit in Kayla—he reminds him of his deceased uncle, and his affection for him is deep and genuine.

Abilities. Berserker transformation and its evolved version are Lak's main strength. He has rapid regeneration (potions don't work on him due to his wolf nature). His pure blood makes him potentially the strongest wolf in the tribe.

A place on the team. He calls Rosalyn and Choi Han "big sister" and "big brother." Raon, On, and Hong are his juniors, whom he looks after. He is the protector and strike force of the group, growing from a frightened boy to a brave warrior.

Eruhaben is an ancient gold elf whose strength and authority are felt even in silence. In Kayle's team, he is a pillar, a mentor, and sometimes the only voice of reason, capable of holding even a dragon in check.

Race. The gold elf is a member of a rare and powerful branch of elves whose magic is closely tied to the sun, light, and time.

Height and age. Around 185–190 cm, his posture is impeccable, his movements smooth and precise. His age is undetectable by human standards: he is several centuries old, but he looks like a man of 30–35—with that eternal youth that borders on majesty among the golden elves.

Appearance. Long hair the color of molten gold falls almost to her waist, as if illuminated from within. Her eyes are a warm amber-gold, with a calm yet piercing gaze that seems to see not only your face but also all your hidden motives. Her features are refined, aristocratic, without harshness—they reflect centuries of training in maintaining composure in any situation.

Clothing. Elegant and understated: loose but perfectly fitting fabrics in noble shades (cream, gold, warm beige), minimal embellishments, but everything of the highest quality. Sometimes he wears a light cloak or cape, emphasizing his status.

Personality. Reserved, patient, but not without a sense of humor—his irony is subtle, almost imperceptible, and hits the mark. He dislikes fuss and empty emotions, preferring clarity and action. Despite his outward coldness, he is incredibly loyal to those he considers family: he is willing to violate his own principles for his own. He treats Raon like an unbearable but beloved grandson—tolerating his antics but not allowing him to descend into recklessness.

External demeanor. He moves leisurely, as if he has an eternity in store. He speaks evenly, without shouting, but every word carries weight. He doesn't raise his voice to be heard: people listen to him because they know he doesn't throw words to the wind. In battle, he's calm and calculating: he doesn't waste his strength, but when he strikes, he decides the outcome of the fight.

Raon Miru is a young black dragon, "great and mighty" (as he likes to say), the heart and chaos of Cale Henitude's team.

Race. Dragon, black. Fully draconic form—not half-breed or humanoid.

Height and age. About 115–120 cm long to the tip of the tail, plump and round (he's well fed). Age: 4 years old at the beginning, 7 years old now. By dragon standards, he's a complete child.

Appearance. Black scales, deep blue eyes with vertical pupils, a round head, and chubby paws. It looks cute and a little clumsy, but behind it lies immense draconic strength.

Personality. Open, cheerful, and emotional—highly unusual for dragons, who are usually haughty and aloof. He adores his family (especially Kayla, whom he calls "the weakling"—an affectionate nickname). He's intelligent, but due to his inexperience, he tends to overestimate his own strength. He's vindictive and vengeful toward his enemies, but he's infinitely loyal to his own. He cries when loved ones are in trouble. He loves to give out nicknames: Eruhaben—"Grandpa Goldie," Rosalyn—"Smart Rosalyn," and Mary—"Kind Mary."

External behavior. Constantly on the move, bragging, and declaring himself loudly ("I am the great and mighty Raon Miru!"). Can be immature and humorous, but when necessary, he becomes serious. Loves free stuff, gold, food, and talk of destruction. Sleeps on or near Kayle.

Abilities. Powerful magic (barriers, attacks, object teleportation), the "Present" attribute (related to time—rare and abstract). Keen senses, magical radar (serves as Cale's "navigator"). Eruhaben calls him a genius for his instant mastery of new things.

He's called the "future Dragon King," and he's certainly capable of it—but for now, he's just a kid who wants everyone to be happy.

Rosalyn is a character who combines sophistication and inner strength: not a fragile "princess", but someone who can take a punch and act with precision.

Race. A human with a touch of magical heritage (often in such settings, this results in slightly longer lifespans, increased sensitivity to magic, and innate inclinations, but without bestial or demonic traits).

Height and age. Approximately 168–170 cm—slender but not angular, with good posture. Age: approximately 22–25 years: mature but still possessing a youthful energy.

Appearance.
Hair. Long, dark brown with a warm undertone; usually styled neatly, but with a few strands hanging loosely around the face, adding a lighter touch.
Eyes. Gray-green, a calm, attentive gaze, as if she were reading not only the words but also the pauses between them.
The clothes are elegant yet practical: dresses and skirts with slits for movement, close-fitting jackets, gloves without unnecessary lace, and comfortable boots. The colors are muted—emerald, graphite, and deep burgundy—to emphasize status not through glitz, but through quality.

Personality. Calculating, but not cold: she prefers to play it safe, but is willing to take risks for those she trusts. Responsible, she dislikes empty promises. A bit reserved in her emotions, but reliable: if she says, "I'll help," it means she's thought through a plan and backup options. Deep down, she's compassionate, but shows it through actions, not words.

External demeanor. She holds herself evenly, without any sudden movements; she speaks calmly but firmly. When stressed, she doesn't raise her voice—in fact, she becomes quieter and more collected, making decisions more quickly. She doesn't seek the spotlight, but when she needs to speak, people listen: her speech is uncluttered, focused only on the essence.

Capabilities.
Support and control magic: can create protective barriers, stabilize allies, and remove light curses.
Sensitivity to magical traces: notices recent spells, residual emanations, “foreign” charms on objects.
Tactical flair.

He and Hong are Miao Beastman kittens, an inseparable duo where audacity meets caution.

Race. Beastmen of the Miao tribe: cat ears and tails, animal plasticity, heightened senses. Their nature makes them natural scouts and tricksters.

Height and age. He is about 110-120 cm, Hong is about 105-115 cm. By human standards, they are 7-8 years old: they still have childlike mobility, but there is already the composure of those who are used to being on guard.

Appearance.

He. Ash-gray fur with dark stripes, amber eyes with an attentive, slightly squinted gaze. The ears are sensitive to sounds, the tail is almost always in motion - it is easy to understand from it that it is excited or wary.
Hong. Warm beige-cream fur with smoky spots, dark brown calm eyes. Her movements are smooth and silent, as if she calculates every step in advance.

Character.

He is inquisitive and impulsive, he is the first to climb where it is interesting. It is fearless, but not malicious: it catches fire quickly and cools down just as quickly. He is sincerely devoted to those whom he considers "his own".
Hong is observant and cautious, able to notice small details. She doesn't shy away from risk, but she'll weigh it first. In a couple, it often becomes the voice of reason, which gently keeps the brother from rash actions.

External behavior. He is always on the move: he jumps, climbs higher, speaks quickly and interrupts with impatience. Hong is quieter, moving almost silently, preferring to look around first. Together, they complement each other perfectly: He sets the pace, Hong belays and notices traps.

Abilities: Heightened hearing and vision, incredible dexterity, developed intuition, and the ability to read footprints.
Magical Abilities: He is the creator of mist. Hong is poison.

They have two forms: man, half-man (ears and tails remain), beast (cat).

He and Hong are always together, but if necessary, they can act separately from each other.

Kim Rok-so (Cale Heunithews in the new world) lived in the modern world before relocating, where he experienced a difficult, traumatic path.

The past. He grew up an orphan: his parents died, and in the family of a guardian he faced cruelty, which is why he learned to keep his distance and rely only on himself at an early age. As an adult, he found himself in the midst of a catastrophe - monsters descended on the world, a real struggle for survival began. Kim Rok-so was among those who did not just hide, but tried to systematically counter the threat: he worked in a disaster management organization, later led the team. He was not a fighter on the front lines - his strength was in analysis, planning and the ability to collect data: he calculated the appearance of monsters, coordinated the evacuation, tried to minimize losses. On his account are not high-profile feats, but dozens of saved thanks to clear logic and cold composure. But the price of this experience is constant losses: he has lost comrades more than once, and this has made him cautious and pragmatic.

Appearance and image. In his previous life, he was an inconspicuous, collected person: dark hair of medium length, calm dark brown eyes, in which one could read the habit of evaluating everything. He dressed simply, without style for the sake of style - comfortable and functional, like a person who can at any moment find himself in the epicenter of chaos. About 175-180 cm tall, a strong, but not massive figure - endurance is more important than brute strength.

Character and behavior. He is calculating, but not cynical: his pragmatism is a way to protect those around him. He avoids unnecessary risks, does not like heroic gestures and does not seek to be the center of attention. When stressed, he does not panic - on the contrary, he becomes quieter and more collected, quickly breaks down the situation into steps. His "laziness" and ostentatious indifference are armor: this is how he lowers expectations and pressure to act freely.

Attitude and impression. He treats those who have proven reliability as his team: he does not scatter praise, but does everything so that they survive and feel supported. He is indifferent to empty words and pathos

Albert Crossman is the heir to the House of Crossman (royal family), the embodiment of the "responsible aristocrat" in the universe of The Count's Dregs.

Height and age. About 180-183 cm: slender but trained, without heaviness. His age is about 20-23 years old: he has the youthful energy and composure of a person who is used to being responsible for his words.

Appearance. Noble, slightly refined facial features. Her hair is blond, ashen, styled neatly, but without excessive pageantry. The eyes are gray-blue or silver - calm, attentive, as if they immediately read the interlocutor. The posture is straight, the movements are confident, without unnecessary sharpness.

Clothes. Aristocratic style, sharpened for action: fitted frock coat or camisole of noble or dark colors, white shirt, gloves, comfortable trousers and boots. A minimum of catchy jewelry - the status emphasizes the quality of the cut and fabric. If necessary, he adds practical details: belts, sheaths.

Character. Restrained, diplomatic, but principled. He does not like injustice and is not afraid to go against the majority if he is sure that he is right. Proud, does not tolerate empty promises, takes mistakes as a reason to become stronger. There is nobility in him without pathos: he does not strive to seem like a hero, he just does what he thinks is due.

External behavior. He is confident, but not arrogant: with equals - as a partner, with subordinates - demanding, but fair. In a crisis, he does not lose his cool, quickly assesses the situation and takes responsibility. He loves order and clear agreements, does not tolerate chaos well.

Attitude and impression. To family and home - with devotion and a sense of duty: the honor of the family is not a phrase for him, but the rule of life. To allies - reliable and loyal, protects even at the cost of personal convenience. To enemies - without unnecessary cruelty, but also without hesitation. Those who prove their worth by their deeds are treated with respect. His smile is often polite, but not always soft: it is a mask behind which hardness is hidden.

Height: About 185-190 cm - tall, handsome, with an athletic, wiry build, in which you can feel endurance and combat hardening. Age: 20-25 years old: young, but already with solid combat experience, without youthful awkwardness, but with the firm confidence of a person who has repeatedly tested himself in battle.

Appearance. Choi Han has dark, slightly disheveled medium-length hair - it seems to be used to the wind and long transitions, it does not strive to look perfect, but emphasizes his freedom-loving nature. His eyes are dark, attentive, with a lively, slightly daring shine: there is no cold detachment in them, but there is a readiness to react instantly.

Clothes. Most often, he wears practical combat attire: dark or earthy tones, thick fabrics that are easy to move. The equipment has a minimum of jewelry, a maximum of functionality: belts, scabbards, protection where it is really needed. Sometimes he wears a raincoat or cape over it - not for the sake of beauty, but to be ready for any weather and a sudden fight.

In the features of the face, you can read openness and directness, but at the same time there is an inner composure, which appears when he takes up a sword.

Character. Choi Han is a straightforward, honest and incredibly loyal person to those he considers his own. He does not like complex intrigues and workarounds: if he does not like something, he will say it directly, if you need help, he will immediately lend his hand. He has a lot of youthful energy and excitement, but this is not frivolity: he knows how to be serious when lives are at stake. His strength lies not only in his fighting technique, but also in his ability not to lose himself even in the most difficult situations.

Behavior. In battle, he is collected, fast and accurate, moving without unnecessary ostentation, relying on honed reflexes. Outside the fight, he is sociable, sometimes even noisy, likes to cheer up his comrades, joke, and relieve tension. At the same time, he is not intrusive: if he sees that a person needs to be alone, he does not interfere with conversations, but simply stays close to him as a reliable support.

Attitude. He treats friends and allies with loyalty. to the enemies without hesitation

Bicros Molan is the chef of the house of Henityuses, the son of Ron Molan.

Height: 180-183 cm, strong, "working" build - not bulky, but it is immediately clear that he is used to physical activity. Age: 25-30 years old: he has young energy, but already the firm confidence of a master who knows his business.

Appearance. Bicros has masculine, slightly sharp facial features - you can read his father's composure in them, but without cold detachment. Her hair is dark, cut short, lies simply, without styling: there is no time for grace in the kitchen. His eyes are dark, attentive, his gaze is direct and tenacious - he immediately notices if something is wrong.

Clothes. In the service - a professional chef's uniform: a tunic, thick trousers, comfortable shoes. Everything is clean, neat, but not ceremonial: clothes for work, not for showing

Appearance features. The main detail is the hands: strong, confident, with noticeable dexterity. The movements are fast, precise, without unnecessary fuss: he cuts, tastes, gives commands as if everything is happening in the same rhythm. Another feature is a slight sharpness in facial expressions: frowning eyebrows, pursed lips when something does not go according to plan. This is not anger, but complete concentration.

Character. Straightforward, demanding, sometimes harsh, but not cruel. He does not waste time on diplomacy: if a dish does not reach his standard, he will say it directly. At the same time, he is not vindictive and does not humiliate: his goal is not to put a person in his place, but to raise the bar. He has a lot of inner pride in his craft: for him, cooking is a responsibility to the house and the people who eat his food.

Behavior. In the kitchen, there is an absolute leader: clear, authoritative, does not tolerate negligence. Outside the kitchen, it is calmer, but still collected and a little harsh. He loves order and predictability, does not tolerate chaos and unprofessionalism. He acts quickly, makes decisions confidently, relies on experience and a sense of taste.

Attitude. To the Henityuse family - with respect and devotion, expresses it through the quality of the dishes and impeccable work. He is strict with his subordinates in the kitchen, but he protects them if there is pressure from the outside

Ron Molan - The butler of House Henityuses, a former assassin, and the father of Bicros.

Height: 180-185 cm - tall, but not bulky, movements light and collected. Age: about 45-50 years old: you can feel maturity and great experience in him, but there is no heaviness, he is very collected.

Appearance. A neat, "imperceptibly status" appearance: nothing superfluous, just impeccable bearing. Her hair is dark with gray, cut short, styled strictly, without stray strands. His eyes are gray-brown - calm, attentive, as if they read everything around. A face with even, restrained features: no harsh severity, no softness, rather neutral firmness.

Clothes. A classic strict suit of dark colors (black, dark gray), perfectly fitting, without flashy details. The shirt is always fresh, the tie is restrained, the accessories are minimal - everything emphasizes the status of the butler, and not a personal demonstration.

Features of appearance. The main "detail" of Ron is his immobility and precision in movements: he does not make unnecessary gestures, each action looks pre-calculated. The gaze is calm, but tenacious: it seems that he notices even what others are trying to hide.

Character. Cold-blooded, extremely disciplined, collected. Not hot-tempered, not emotional: his strength is in control and competence. He is able to see weaknesses, predict problems and eliminate them in advance. At the same time, he is not insensitive: he subtly reads the state of people, simply expresses care through order and support, and not through words.

Behavior. He behaves impeccably according to etiquette, speaks evenly, without raising his voice. If it needs to be corrected, he does it briefly and precisely. He loves clear processes, does not like improvisation and chaos. In a critical situation, he acts instantly and without fuss - this side of the character refers to his past, but in everyday life it manifests itself as an impeccable reaction and a willingness to keep everything under control.

Attitude. To the Henityhees family - with deep respect and loyalty, he perceives service as a responsibility for the safety and stability of the home

The County of Henityes is a self-sufficient feudal domain on the Western Continent, essentially a mini-state with its own economy, army, and administrative system. Its strength is based on a combination of natural resources, sophisticated defenses, and the weight of its aristocratic house.

The territory encompasses fertile valleys (the basis of the food supply), forests (timber, game, and rare herbs), mountainous areas with mines (metals and minerals), and a developed network of rivers—they serve both for irrigation and as trade arteries. Forts and watchtowers line the borders: in this dangerous world, border defense is not a formality, but a necessity. The county comprises several towns, trading hubs, and numerous villages; the center and support of the entire structure is the ancestral castle of Henitius.

It is at once a residence, a fortress, and an administrative heart: supplies are stored here, decisions are made, and justice is administered.

The county's economy is diverse. Agriculture provides a stable income and food security. Craftsmen (blacksmiths, weavers, tanners, etc.) meet domestic needs and produce goods for sale. Ore mining and raw material processing enhance the strategic value of the lands. An important source of income is tolls from caravans and traders traveling along roads and rivers: the count ensures the safety of the routes and receives payment in return. Taxes and duties from subjects form the budget, and in times of war, the county can mobilize the militia and call upon its reserves.

The military system consists of garrisons (in the castle and forts), patrols, reconnaissance, and a network of fortifications. The castle is designed as a long-term fortress: walls, moats, arsenals, and provisions for a long siege. Such defenses not only repel raids but also serve as a refuge for residents of nearby settlements.

The social structure is typically feudal.

Politically, Henitiuse County is a medium-to-large regional player. It is capable of acting as an independent center of power, serving as a buffer between powers, controlling important trade routes, and more.

Appearance and status
Cale is an aristocrat, the eldest son of the Henitudes family, and so he has the appearance and manners to match. In the manhwa, he is depicted as a young man with a noble but understated appearance: restrained features, a neat hairstyle, and expensive but not pretentious suits. His style emphasizes his status without shouting about it—this is part of his tactic of appearing "inconspicuous."

Character and motivation
Cale's main trait is that he wants a quiet, comfortable life and doesn't strive to be a hero. At the same time, he's far from a coward: if a situation calls for action, he does, but he always tries to minimize risks and maximize gains.

His character can be described by the following traits:

Pragmatism. Cale almost never acts on emotion. He evaluates what he gains and what he loses, and chooses the option that best protects his interests.
Calculation. He has the ability to see the hidden motives of others and build relationships that work for him.
Reserved. He keeps his plans private and rarely displays his true feelings. To others, he may appear cold or even arrogant, but this is more of a mask than his true nature.
Ability to delegate. Cale doesn't try to do everything himself: he gathers people (and not only people) around him whom he trusts, assigns them tasks, and remains out of the way.
Flexibility. If a plan doesn't work, he doesn't stick to it out of principle, but quickly seeks an alternative.
Attitude towards others
Cale has a unique approach to relationships: he doesn't seek friendship for the sake of it, but if someone has proven their reliability, he's willing to protect and support them. He doesn't throw promises around, but when he makes a promise, he keeps it.

At the same time, he knows how to be polite and courteous when it suits his purposes, and firm when it's necessary to set boundaries. His relationships with his allies are often built on mutual respect and understanding: everyone knows what to expect from each other.

Abilities and skills:
Tactical thinking, diplomacy and manipulation, basic magic and weapon skills

People. Universals often act as the "middle link" around which the rest of the races balance.
Elves. Associated with grace, long life, and a connection to nature or magic. Usually thinner and taller than people, with pointed ears. Strong in magic, art, ranged combat; They can be introverted and arrogant.
Dwarves (dwarves). Strong, stocky, masters of stone, metal and mechanisms. They are famous for blacksmithing, engineering, fortitude in battle, and love of tradition. They often live under the mountains, value honor and family ties.
Orcs. Large, strong, hardy. Most often associated with belligerence, clan structure, and straightforward strength. In different settings, they can be either a "horde of barbarians" or proud fighters with a strict code of honor.
Half-elves. Located between worlds: they have inherited some of the elven sophistication and human adaptability. They often become diplomats, scouts, magicians or travelers, who find it easier to find a common language with different peoples.
Half-orcs. They combine human flexibility and orc strength/endurance. They can face prejudices, which is why they often grow up independent and stubborn.
Dragonborn. Humanoids with dragon traits: scales, claws, sometimes wings, or fire/ice breath. Proud, appreciate the strength and heritage of the family, often gravitate towards combat roles and leadership.
Tieflings. Descendants of humans and demonic creatures: horns, tail, unusual eyes and skin. They are often perceived as "aliens", which is why they become rebels, mercenaries, shadow mages, or loners.
Beastmen (like the Miao tribe). Humanoids with animal features (ears, tails, fur, animal plasticity). They are distinguished by heightened senses, dexterity, and instincts. Often occupy the niches of scouts, hunters, trackers; They have a strong clannishness and connection with nature.
Fairies and lesser magical races. Tiny or graceful creatures with the magic of illusion, charm, nature. They can be capricious, live according to their own laws of time and morality; often act as helping spirits, couriers, spies, or guardians

The Forbidden Lands in the Count's Dregs and Birth of a Hero universe are areas that you can't officially go to: they're either deadly or hide secrets that the powers that be want to keep out of sight.

The Forest of Darkness is a gloomy, almost living zone: it is easy to lose orientation in it, and the silence seems unnatural. There are strong monsters and anomalies that distort perception. For adventurers, it is a place of trial, for the authorities it is a source of constant threat.

Death Gorge is a harsh mountain passage where nature itself becomes an enemy: rockfalls, icy winds, narrow paths over abysses. It is used as a natural barrier and line of defense: to hold the gorge means to close an important route for invasion. Due to the constant danger, reinforced garrisons are kept there and the most hardy fighters are trained.

The Desert of Death is a merciless space with a scorching sun, quicksand, and almost no water. Its depths hide the ruins of ancient civilizations and rare resources for which treasure hunters and scientists risk their lives. But the majority who go deep do not return: the desert tests the strength of both body and will.

The Road of No Return is not so much a geographical object as a dangerous route with a bad reputation. It is prone to ambushes, traps, and anomalous zones where entire caravans disappear. To walk the Road of No Return is to consciously take a high risk for the sake of a goal that is worth it. It is avoided by ordinary merchants, but used by smugglers and those who need to get into hard-to-reach places unnoticed.

The Valley of Despair is a place with a heavy, oppressive atmosphere: there are frequent bursts of dark energy, strong monsters appear, and people quickly lose strength and morale. The valley is considered one of the most ominous points of the continent and often appears in prophecies and legends as a harbinger of disasters.

Eastern Continent
The Eastern continent is the second major part of the world in this universe, opposed to the Western continent. It is perceived as more closed, mysterious and different in culture: power and magic are arranged differently here, and ties with Western lands are often strained or strictly controlled. Due to remoteness and isolation politics, much of the information about the East in the West is rumor, legend, and snippets of intelligence, and rare contacts become important political events.

Castle of Light
The Castle of Light is an iconic, almost legendary location that is perceived as a symbol of order, strength, and the "official history" of the world. It is associated with great events, victories over the threats of the continent and the formation of a canon about heroes (like the "Birth of a Hero" line). For many, it is not just a fortress, but an ideological center: a place where titles are confirmed, fateful alliances are made, and information about magic and ancient powers is stored.

Dragon
Slayer Village The Dragon Slayer Village is a place with a dark fame and a special history. The name reflects its essence: for centuries, traditions and techniques of hunting dragons have been formed here, knowledge about the weaknesses of monsters and ways to survive in the areas of their activity has been transmitted. The village often finds itself in the epicenter of disasters and expeditions: its inhabitants are one of the few who know how to act where others are defeated. In the plots, it serves as a point of intersection of personal stories, ancient secrets and great threats.

The Infinite Kingdom is a mysterious and contradictory territory that seems to exist "according to its own laws". Its name hints at strange geography or distortion of space: the boundaries are blurred, distances behave unpredictably, and the usual rules of navigation do not work. Because of this, the kingdom is almost isolated from the usual politics of the continent: it is difficult to get there, even more difficult to understand what is happening there, and almost impossible to maintain control. It attracts seekers of mysteries, magicians, and those who seek refuge or power outside of conventional systems

The Kingdom of Karo
Karo is known primarily for its dense, impenetrable jungle - this natural feature strongly determines the appearance of the country. With ancient ruins, rare resources, and dangerous creatures hiding in these forests, Karo is the place to go for exotic ingredients, arcane knowledge, or adventurous expeditions. Due to the complex landscape, centralized power is weaker: large cities rely on trade links, and isolated communities and clans live deep in the jungle.

The Kingdom of Breck
Breck is a country with a harsh geography and a tough policy: on its borders lie dangerous zones like the Death Gulch, which is why the state is forced to maintain strong garrisons and develop military infrastructure. In Brek, resilience and discipline are valued, and power relies on the military elite and border fortresses. The economy is largely tied to the protection of borders, escorting caravans and extracting resources in hard-to-reach areas.

Viper Kingdom Wyper
is often spoken of as a state where politics and intrigue have become almost a craft. There is a strong network of secret societies, guilds, and spies, and diplomacy often goes hand in hand with behind-the-scenes deals. Geography and economics may be less visible than the reputation of a place where every agreement has a second meaning, and alliances last as long as it is beneficial to both parties.

The Kingdom of Paerun
Paerûn is one of the states of the Western continent, whose connections and positions are manifested in the great game between the kingdoms and the Mogoru Empire. The country participates in the political and trade balances of the region, trying to maintain independence, maneuvering between larger players. The details of its internal structure are less visible, but Paerûn's role is to be part of a complex system of checks and balances, where even small states can influence the overall balance.

The Kingdom of Roan is one of the key states of the Western Continent in the universe of "The Scum of the Count's Family" and "Birth of a Hero". It is a major power with a complex feudal system: power is formally concentrated in the royal family, but the real power is in the powerful aristocratic houses, each of which controls its own lands, troops, and trade flows.

In Roan, there is a strong stratification between the metropolitan elites and the provincial nobility: politics is in full swing in the capital, intrigues are woven, large academies and guilds operate, and in remote regions, much rests on the personal power and reputation of the lords. Because of this, local conflicts and struggles for influence often flare up in the kingdom, which the central government tries to extinguish, but does not always have time.

Roan's geography is diverse, with fertile plains, important trading rivers, mountain passes, and coastal towns. These natural features have a direct impact on the economy: plains feed the country, rivers connect regions and allow for active trade, and mountain passes serve as strategic frontiers and points of control. Coastal cities are important hubs of foreign trade and at the same time vulnerable places for raids, so garrisons and sea guards are traditionally strong there.

Magic in Roan is officially recognized and partially integrated into the state system: there are magic academies, licensed guilds, and military units with mages. At the same time, the attitude to magic is heterogeneous: in some circles, it is valued as a resource and tool, in others it is feared and tries to limit it, seeing it as a threat to the established order.

It is in Roan that a significant part of the events of The Count's Family Dregs unfolds: the Henityuse estate is located here, the interests of aristocrats, guilds and secret organizations intersect here, and it is here that it is especially noticeable how the "canonical" story of the hero (like the path of Choi Han) affects the fate of ordinary people and entire houses.

The Western continent in the universe of "The Count's Dregs" and "Birth of a Hero" is a large, politically fragmented region where power, magic and intrigue are closely intertwined.

It is divided into three key belts. In the north, there are harsh, cold lands: strong fortresses, warlike clans and societies where endurance and military prowess are held in high esteem. Here, diplomacy often gives way to direct confrontation, and survival itself is an indicator of status.

The center of the continent is the political and economic heartland: powerful kingdoms, large cities, trading hubs, and magic academies. A struggle for power is raging here: alliances are quickly formed and crumbled, and spies are watching every step of the noble houses. It is here that the tension between openness to magic and fear of its destructive potential is felt most strongly.

The south is more chaotic and free: many semi-autonomous principalities, free cities, and territories, where power rests on the power of individual families or guilds. Caravan trade, coastal piracy, and shadow markets flourish here, where you can get rare ingredients, prohibited techniques, and information of any price.

The landscape is diverse: snow-capped mountain ranges, dense forests, wide steppes, hot foothills. Natural boundaries become strategic: passes serve as gates and barriers, rivers as trade arteries and lines of defense, and bays as gates for trade and raids.

Magic is widespread, but its perception and regulation differ greatly from region to region: somewhere it is put at the service of the state, somewhere it is feared and restricted, and somewhere it is used as a commodity and a lever of influence.

"Birth of a Hero" is the story of the formation of Choi Han, an ordinary guy from Earth, who finds himself in a fantasy world and becomes the very "main character", on whose actions the fate of entire kingdoms depends.

The plot starts with Choi Han finding himself in a small village on the outskirts of the continent. There he first encounters magic and evil, learns to protect the weak and gradually reveals his abilities. The village becomes a point of reference for him: it is there that his principles are formed - he does not strive for glory, but cannot pass by injustice.

As the story progresses, Choi Han is drawn into large-scale events: his path leads from local skirmishes to confrontation with serious threats affecting the entire continent. He gathers allies, faces betrayal, goes through heavy losses and becomes increasingly aware of the burden that falls on the shoulders of the "hero". His power grows, but with it comes the price of every decision he makes.

At the same time, "The Birth of a Hero" is not just a chronicle of exploits. The novel emphasizes how the actions of the protagonist, even the most noble, change the fate of many ordinary people, often not for the better. What is an important stage of the path for Choi Han becomes a tragedy for someone else. Thus, history shows heroism not as a series of victories, but as a chain of difficult choices, where there are no completely "clean" decisions.

"Birth of a Hero" is a novella in which Kim Rok-so (Cale Henityuse) got in, but as a secondary antagonist Cale Henityuse - the scum of the family, a drunkard, an arrogant bastard who humiliated Choi Han and Choi Han beat him half to death. but Kim Rok Su got into Cale's body before this moment, which is why he prevented his beating and began to change the plot of the original novel so that the main events remain as in the original, but the details and attitude change
,
no one knows that Kim Rok Su is a hitman from another world
, also no one knows that Choi Han is also a hitman, since Kim Rok so did not have time to read to this point, and Choi Han doesn't tell anyone

Magic and ancient powers
Magic in this world is not just "spells," but a complex system with varying levels of power and risks:

There is household and applied magic (lighting, heating, signal spells) available to many.
There is combat magic, which requires preparation, control and is often associated with the personal power of the magician.
There are ancient powers—artifacts, runes, seals, and abilities left over from long-vanished civilizations. Their use can yield immense power, but almost always comes with a price: physical consequences, curses, and attracting the attention of enemies.
Magical contracts and oaths play an important role: they can be stronger than ordinary law and bind the parties on a deep level.
Society and hierarchy
Society is strictly hierarchical and aristocratic:

Aristocracy is the foundation of the political system. Titles, lands, and the reputation of noble houses determine real power.
Servants and mercenaries play a vital role, from personal bodyguards to estate managers. They often know more than meets the eye.
Guilds and organizations—military, commercial, and research—operate alongside government structures and often have their own interests.
Intrigue and reputation—in this world, rumors and image are resources. One misstep can cost you a title, but a well-built reputation opens the door to alliances and resources.
World-building features: "isekai within isekai"
The world's key feature is that it exists as a canon within a canon. The main character, Kim Rok-soo, finds himself in Cale's body.
Plot twists often rely on the hero knowing the "future" but unable to simply hide: the world itself pushes him to participate in major events.
Atmosphere and style
The world feels like a blend of palace intrigue and epic fantasy. Yet the story's tone remains pragmatic: the hero acts not out of idealism, but out of calculation, and this defines the narrative's distinctive style.

The world of the manga and novel "I Became a Count's Bastard" (aka "Trash of the Count's Family") is a classic fantasy in the isekai format, but with an atypical motivation for the main character: he doesn't want to save the world, but wants a quiet and comfortable life.

Geography and political structure
The action takes place on the Western Continent (there's also an Eastern Continent, but it's less explored). The continent is divided into numerous states, including:

The Kingdom of Roan is one of the key states around which many intrigues revolve.

The Mogoru Empire is a large and aggressive power, often acting as a military threat.
Other kingdoms and territories (Caro, Brek, Viper, etc.) form a complex political map, where alliances and conflicts are constantly shifting.
States are heterogeneous: they contain capital cities, remote villages, dangerous wildernesses, and ancient ruins. The boundaries of aristocratic territories play an important role: the holdings of counts, dukes, and other noble families are almost mini-states with their own resources, garrisons, and interests.

The world is multinational and multiracial:

People are the main force in politics and the military, but they are far from the only influential players.
Elves (light and dark) are often associated with magic, ancient knowledge, and forests; they have their own politics and distrust of humans.
Dragons are powerful creatures that can be both allies and threats. Some directly interfere in human affairs.
Beastmen are different tribes (cats, wolves, lions, etc.) with their own customs, hierarchy and territories.
Dwarves are master craftsmen, miners, and builders; their contributions to the economy and military are significant.
There are also vampires, demons, and other supernatural races—they either live in isolation or secretly influence events.