f𝗮𝘁𝘂𝗶

Now the Fatui have gone to the seaside, a public place, to a region where the Fatui are least known. They came there for a month, and the queen rented a six-room apartment especially for them. Each person lives in pairs. At the seaside, all the harbingers wear swimming trunks and bathing suits, and without their armor.

Pierrot and Pulcinella did not go with them, remaining to look after the palace.

If you are talking about the Queen from Genshin Impact, here is her appearance in detail:

Height and figure. Tall, stately, with a graceful posture - you can immediately see that you are looking at a ruler.
Leather. Very pale, almost porcelain, as if permeated with the cold of Snezhnaya.
Hair. Long, silvery-white. In different scenes, she is shown both with loose hair and with a neat braid - the image is always collected and solemn.
Eyes. Light blue, and the pupils of an unusual shape are in the form of snowflakes. This immediately emphasizes her connection to Cryo and the ice element. The pointed ones are an allusion to a non-human nature (a possible connection with the Alv race).
Crown and jewelry. On the head there is a crown similar to a kokoshnik, decorated with crystals. The earrings are also in the form of crystals, they echo the décor of the crown.
Clothes. A white and blue dress with gold details - it combines purity, coldness and royalty. A voluminous blue cloak with a fur trim is thrown over it: it adds severity to the image and refers to the harsh climate of Snezhnaya.

Family affection and the desire to protect loved ones. Despite his role as a dangerous Harbinger, he is very attached to his family (especially his younger brother Teucer) and tries to protect them from his "dark" side. He wants to give his relatives a better future and is ready to make difficult decisions for this. This concern is his inner moral compass, which sometimes conflicts with his duty to the Fatui.
The duality of the image: "a wolf in a velvet sheath". He has the ability to be charming, friendly, and even a little childish, which makes people trust him easily. But at a critical moment, this mask falls off, and his true essence is revealed - a cold, extremely collected and ruthless fighter.
Internal conflict between duty and internal conflict between duty and personal values. He serves the Queen and the Fatui, but does not fully share their methods: he is alien to the cold cruelty of the Signora or the prudence of Pantalone. He remains a "pure warrior" in a world where most act out of profit or fear.

Tartaglia (aka Child, the Eleventh Harbinger of the Fatui) is a paradoxical character: behind a boyish smile and relaxed behavior hides one of the most dangerous fighters of Snezhnaya, for whom battle is both work and pleasure, and a way to prove to himself what he is worth.

Main character
traits: Thirst for battle and excitement. Tartaglia literally lives for fights: for him, a good opponent is a gift, and the very opportunity to test himself to the limit is the highest reward. He even specially trains with a bow, although this is his weak point: a victory over difficulty is more valuable to him than an easy success. In battle, he does not just carry out an order - he sincerely enjoys the process. In an organization where many live by deception and behind-the-scenes games (like Pantalone or Dottore), Tartaglia stands out for preferring open conflict to covert maneuvers. He does not like complex schemes, does not seek to weave a web of connections and does not enjoy manipulation. His approach: "let's solve this in battle."
Impulsiveness and willingness to take risks. He acts quickly, often on a hunch, and is not afraid to put a lot at stake for the sake of the result. Because of this, he may seem unpredictable and even reckless, but behind this is confidence in his abilities and willingness to take responsibility for the consequences. For Tartaglia, strength is not only a tool, but also a measure of respect: he genuinely appreciates strong opponents and may even feel sympathy for someone who fights with dignity. At the same time, he does not tolerate weakness covered by hypocrisy, and despises attempts to avoid responsibility. Despite his role as a dangerous Harbinger, he is very attached to his family (especially his younger brother Teucer) and tries to protect them from his "dark" side. He wants to give his relatives a better future and is ready to make difficult decisions for this. This concern is his inner moral compass, which sometimes conflicts with his duty to the Fatui.

Scarf. A long scarf (often dark gray or ash) is thrown over the chest and back, fixed on the chest. It sways when moving, adding dynamics to the image, and at the same time serves as a functional detail: in battle, it can cover the neck.
Fatui mask. A red mask with an "evil eye" - he wears it not on his face, but shifted to the left side of his head, as an accessory. This is a conscious gesture: he is not hiding behind a mask, but demonstrating that he has nothing to hide (or that he is so confident that he does not need to be intimidated). Attached to the belt is the Hydro Eye of God in the characteristic Fatui frame. He does not hide it, but, on the contrary, flaunts it: for Tartaglia, power is not a secret, but a tool of which he is proud.
Bottom. Gray straight-cut trousers with practical details (pockets, belts) and black boots with hard soles are convenient for running, jumping and sharp maneuvers.
Jewelry. In his left ear there is an earring with a red stone, small but noticeable. It's a personal touch that sets him apart from the faceless mass of Fatui soldiers.
Belts and suspensions. Thin straps and fasteners are scattered around the body: they do not serve as heavy armor, but hold the equipment and emphasize its "field" style

Tartaglia (aka Child, the Eleventh Harbinger of the Fatui) looks like a young, energetic warrior who seems to be always ready for a fight: his appearance deliberately mixes ease and danger, "boyish" openness and deadly composure.

Face and features
Facial expression. He has lively, almost mischievous facial expressions: now a slight grin, then a passionate look - as if he is constantly looking for a reason for a good fight. At the same time, in moments of tension, the features become harder, and the gaze becomes cold and extremely concentrated. Bright blue, almost the same as the color of his Hydro Element, they immediately attract attention and emphasize the contrast between his "open" image and real danger.
Hair. Short, disheveled, of a rich orange-red hue; The strands lie carelessly, as if he has just returned from a battle or deliberately did not style them. This carelessness is part of his style: he does not try to look imposing, but still gives the impression of strength. Light, without heavy scars on her face: he is not one of those who take blows to the forehead, but rather a master of dodging and swift attacks.Physique and posture
Tartaglia is slender but toned, with pronounced musculature that does not look bulky - this is the body of a fighter accustomed to speed and maneuvers, and not to heavy blows. His posture is relaxed, even a little loose: he stands as if he is ready to take off at any moment. It does not have the monumentality of Capitano or the cold static of Harlecchino - all his threat is in dynamics and readiness to instantly move into action.
A steel-gray jacket/jacket with a loose fit, partially unbuttoned, with the sleeves rolled up so that part of the torso is visible. This emphasizes his relaxed, "combative" style: freedom of movement, not ceremonial austerity, is important to him.
Shoulder pad. On the left shoulder is a metal shoulder pad with sharp details and Fatui symbolism: this is both protection and a sign of status.

Pantalone ("The Businessman", the Ninth Harbinger of the Fatui) is the embodiment of cold calculation and the cult of capital: for him, money and levers of influence are not tools, but the very essence of power.

Main character
traits: Absolute pragmatism and focus on profit. Pantalone thinks in terms of resources, profits and losses. He even evaluates political and military projects from the point of view of profitability. His main goal is to strengthen the economic power of the Snow and Fatui, because it is through the control of money that he sees the way to domination over Teyvat. He does not like to rely on chance and tries to keep all cash flows and key projects under control. Hence his close relationship with Dottore: he finances his experiments, but at the same time he is careful to ensure that the investment pays off and brings strategic benefits.
Cold ambition. Pantalone does not seek to be the center of attention or personally lead armies into battle - his ambitions are realized through the system. He wants the economy of Teyvat to depend on Snezhnaya, and for this he is ready to build the necessary connections for years and undermine other people's economies. Unlike Signora or Scaramucci, he does not enjoy demonstrative violence. Its weapons are sanctions, debts, loans, trade blockades and hidden economic levers. If he causes harm, he does it as a calculating manager, not as an avenger.
The ability to play the long game. Pantalone is able to implement plans for decades without losing patience. For him, it is normal if the effect of his actions manifests itself in a hundred years: the main thing is that the system works and strengthens the position of Snezhnaya. He carries himself with dignity and even a certain detached arrogance, because he realizes that he has the keys to Teyvat's most important doors: money and debt. This is not bravado, but a statement of fact.
Memory of poverty and attitude to resources. It is known that Pantalone grew up in poverty, and this experience is strong

This is what Pantalone (aka "The Businessman", the ninth Harbinger of the Fatui) looks like. I collected details from the teaser of Lazzo on a Winter Night and the plot points of the game.

Facial Features and Figure:

Tall man.
Despite the fact that he is chronologically at least 400 years old, thanks to the elixir of immortality from Dottore, he looks about 45 years old.
He has curly black hair up to his shoulders. The tips are colored dark purple. There is a long strand on the left side.
The eyes are blue-purple. Due to his very poor eyesight, he often covers them, so he often appears wearing silver-rimmed glasses, which are attached to a chain with blue gemstones. Clothing and accessories:In the teaser for Lazzo on a Winter Night,

he wore a white Snezhnya coat with black fur on the hood and sleeves. In the game scenes, the style changes slightly: he wears a black coat with a fur collar, and inside he wears a scaly pattern of a purple-and-white hue.
Under the coat - a black turtleneck. The collar has several details (6 or 8 in different descriptions) that resemble eyes.
On his left hand there are five rings, on the ring finger of his right hand there is one more. Large purple stones are used in the rings. Sometimes Pantalone wears a hooded cloak to hide his face. In one of the episodes (during the storyline in Sumeru), he did just that: he did not want to be recognized, and introduced himself as one of Dottore's subordinates. This cloak has long sleeves, dragon motifs, scale-like patterns, and wing-like elements.
A few details that add depth to the image:

The abundance of purple color and precious inserts in the clothes emphasizes its great wealth and status. Its constellation depicts the globe cruciger (a globe topped with a cross) - this is a symbol of power and the desire to dominate the world with the help of money. He wears the same sign on one of the rings.

Sandrone (The Marionette, the Seventh Harbinger of the Fatui) is a character whose character is entirely built around an obsession with mechanisms and a demonstrative disregard for "human" trifles.

Main Personality
Traits: Obsession with research and machines. For Sandrone, nothing is more important than her projects: she is ready to ignore any external circumstances if they distract from work. Her main passion is to create and study mechanisms, and she puts all her energy into it, often to the detriment of communication and diplomacy.
Harshness and intolerance of "idle chatter". She does not hide her irritation when she is distracted by conversations that she considers meaningless. Even fellow Harbingers are often a source of interference for her. Tartaglia mentions that Sandrone looked at him as if she wanted to kill him, even though he did nothing to her; Scaramuccia directly calls her character "terrible" and notes that she is fixated only on her research.
Arrogance based on confidence in one's skill. She sincerely considers her developments to be extremely important and is not inclined to listen to criticism. For her, the value is in engineering elegance and functionality, and not in other people's emotions or opinions. Sandrone perceives the world through the prism of mechanics: people and situations for it are systems that can be disassembled, optimized, or replaced with more efficient solutions. Hence her detachment and inclination to solve problems with the most "technical" methods.
A discreet but deep attachment to his creations. She treats her automatons and mechanisms almost like children: she puts a lot of work into them, protects and improves them. This is her way of showing care - not through words, but through work and improvement. Unlike some of the other Harbingers, Sandrone does not seek power for power's sake, nor does he take pleasure in manipulation. She is simply not interested in the "human" side of management: she wants to do what she knows best – design.

This is what Sandrone, the Seventh Harbinger of the Fatui, who is also called the "Puppet", looks like. I picked up a description based on what was shown in the teaser "Winter Night's Lazzo" and collected the details from the lore.

Overview:

She is young, of average height, with very pale skin.
Hair of a beige shade, cut with a bob of medium length. Two long strands frame the face.
The eyes are gray-blue. The outfit is really unusual - it has a Victorian style with mechanical details. I would highlight the following elements:

Long white dress with red ruffles.
Black corset. In the center is the symbol of the triquetra, and ruby red gemstones are inserted between the details of the corset.
Short dark puffy sleeves. Long white sleeves are visible from under them.
White gloves that form a V-shape on the wrist. White stockings and black heels.
On the head is a white-black-gold hat with red lacing and black bows on the sides.
Around the neck is a black collar with gold trim. In the center is a large ruby-red pear-shaped stone.

Clothing & Accessories
Dress. The basis of the outfit is a dress of a complex cut: a white bodice with dark inserts and a long skirt of a muted shade. The skirt has high slits that open the legs and give freedom of movement in battle. The silhouette of the dress is both ceremonial and functional: it emphasizes status, but does not interfere with fighting.
Separate sleeves. Instead of the usual sleeves, there are separate elements to match the dark long gloves: they look like decorative ribbons, but in fact protect the hands and serve as part of her combat aesthetics. Long black gloves to the elbow are strict and laconic, they enhance the image of an "icy" aristocrat.
Cape-cloak. Over the dress there is a cape with fur trim in dark red. The fur adds to the outfit of luxury, and the red and black palette is a nod to her past as the Scarlet Witch of the Flames: a reminder that underneath her "cold" exterior lies a destructive fire.
Earring. On the left ear is a dark red earring, the only bright accent that does not look like a piece of jewelry, but rather like a mark or symbol. Subtle, discreet signs of organization are woven into the decoration of the dress and cloak: they are not conspicuous, but confirm her belonging to the elite of the Fatui.

Signora (aka "The Beautiful Lady", the Eighth Harbinger of the Fatui; real name is Rosaline-Kruchka Loefalter) looks like the embodiment of a cold, aristocratic threat: her appearance combines the elegance of haute couture with the gloomy aesthetics of the Fatui and the traces of her tragic transformation into the Scarlet Witch.

Face and features
Skin. Very pale, almost porcelain, this emphasizes its "icy" side and at the same time hints at the fragility hidden behind steel confidence.
Eyes. Light gray with a slight lilac undertone - her gaze is calm, but piercing, as if she is assessing the interlocutor and knows the outcome of any meeting in advance. The black Fatui mask of an unusual curved shape that covers her right eye is not only an element of the uniform, but also a symbol of her status and alienation: she deliberately hides a part of herself, leaving others only the side she wants to show.
Facial expression. Most often, she has a restrained, slightly haughty half-smile: she is used to being above other people's emotions and demonstrating confidence even in tense situations.
Platinum white, as if faded from frost or time, they emphasize her connection with Snezhnaya and her age (she is over 500 years old).
Hairstyle. Part of the hair is gathered at the back in two neat buns, twisted in the shape of roses - this detail adds sophistication and theatricality to the image. The rest of the strands freely frame the face, creating a contrast between a strict form and a slight carelessness.Signora's physique and posture
are tall and slender, with elongated, almost sculptural proportions. Her posture is perfectly straight, her movements are smooth and calibrated, as if each of them is rehearsed: she does not waste energy on unnecessary gestures. She doesn't have the heavy power of Capitano or the aggressive harshness of Scaramucci - her threat is in impeccable control and awareness of her own power.

Scaramuccia (during his service as the Sixth Harbinger of the Fatui, under the title "Balladist") is a character with a very prickly, contradictory character: arrogance and vulnerability, cruelty and a desire to be recognized, theatrical bravado and a deep resentment against the world are intertwined in him.

Main character
traits: Arrogance and contempt for others. Scaramuccia deliberately emphasizes his superiority and does not hide his disdain for others, whether they are subordinates, fellow Harbingers, or ordinary people. He easily insults, sarcastizes and devalues other people's achievements, as if in this way he confirms his own importance. He has extreme mood swings: he gets turned on quickly, reacts sharply to the slightest touch, and can instantly go from ridicule to rage. This impulsiveness makes him dangerous and unpredictable.
Desire for power and recognition. For him, strength is the main criterion of value, and recognition is a form of protection: if he is feared and respected, then he cannot be rejected again. Hence his desire for power, his readiness to take extreme measures for his sake and a painful reaction to any attempts to belittle his status. He initially considers people weak and selfish, so he is not inclined to trust and almost always looks for an ulterior motive. This is not just caution, but a worldview: the world seems unfair and deceitful to him, and he responds in the same coin.
Theatricality and playing in character. Scaramuccia consciously pretends to be a "daring buffoon": he speaks deliberately catchy, acts spectacularly, and likes to put people in an uncomfortable position. This is a mask behind which he hides his insecurity and pain. He subtly feels other people's weaknesses and knows how to throw people off balance with words to make them vulnerable. For example, he deliberately provoked the Traveler to succumb to anger and become an easy target for dark energy.
A feeling of "uselessness" and deep resentment. At the heart of his aggression is the trauma of rejection: he remembers

Around his neck is a necklace in the shape of an electro symbol (alluding to his connection to Inazuma and Electro). There are many thin straps and pendants on the wrists and belt: they do not look like armor, but are functional - small tools and Fatui seals are attached to them. The symbolism of the Fatui. There are discreet signs of organization on the clothes: small emblems on the lining of the vest and on the inside of the brim of the hat. They are not on display, but confirm his status as a Harbinger.

Scaramuccia (during his service as the Sixth Harbinger of the Fatui, under the title "Balladist") looks deliberately theatrical and daring: his appearance mixes the motifs of commedia dell'arte, Japanese aesthetics and the gloomy symbolism of the Fatui.

Face and features
Skin and expression. He has very pale, almost doll-like skin, underscoring his nature as an artificial doll created by Raiden Ei. His face is refined, but with sharp, "prickly" features: he always seems to smile slightly, even when calm.
Eyes. Bright blue, with expressive red eyeliner stretching from the outer corners of the eyes - this gives the look a predatory, scenic sharpness. Dark blue (indigo), cut short, with careless styling: the strands lie as if he deliberately ruffled them before leaving. The silhouette of the hairstyle emphasizes his bold, "uncomfortable" character.
Scaramuccia's physique and posture
are short and slender, with a light, springy gait. His posture is deliberately relaxed, even defiant: he does not try to look impressive, but in every movement you can feel the readiness for sharp action. He does not have the heavy power of Capitano or the cold composure of Harlequin - his threat is in unpredictability and speed.
A huge black hat with four upturned hooks around the circumference: this is a direct reference to the Scaramucci mask from the commedia dell'arte. A translucent black veil is attached to the back of the hat, divided into two - it sways when moving, adding theatricality to the image. Two decorative accessories are also hung from the back of the hat with red threads.
Top. Black clothes stylized as a Japanese kimono: a kimono shirt with stiff shoulders and a laconic cut, over it - a black vest with red accents. The red details are not conspicuous, but noticeable: they work as "signals" of danger. Short black shorts and dark leggings/stockings that blend into traditional Japanese sandals (zori). This cut gives freedom of movement and emphasizes its "lightness" in battle.
Decorations and details.

Harlequin (Servant, Fourth Harbinger of the Fatui) is a character with a very harsh but internally contradictory morality: she combines cold discipline, ruthlessness towards weakness and a peculiar, "strict" care for her charges.

Main character
traits Uncompromising strictness and discipline. Harlequin consciously chose for herself the role of the "Father" in "The Hearth House" - not a kind and affectionate parent, but a demanding mentor who tempers children through trials. She considers softness to be a weakness and does not encourage excessive emotions: for her, feelings can interfere with survival and duty. She does not take pleasure in suffering, but she does not avoid harsh decisions if they serve the "highest good". Severe measures are permissible for her if they strengthen the strength and independence of the wards. At the same time, her cruelty often has logic and purpose, and is not arbitrary.
Control and self-control. Harlequin carefully monitors how she looks and sounds: her speech, posture, even pauses in conversation - everything works for the image of strength and confidence. She does not allow herself to break down and does not demonstrate vulnerability because she believes that the weakness of a leader destroys trust and discipline. Her concern is not about warmth, but about efficiency: she wants her pupils to become strong and independent. For example, she can abruptly stop Lini from taking a risky step not out of a desire to humiliate, but because she sees potential in him and does not want to lose it.
Distrust of emotions and attachments. She considers attachment to be dangerous: it makes a person vulnerable and can be used against him. Hence her deliberate distance even from those who are not indifferent to her. For her, the Hearthhouse is not just a Fatui unit, but her personal area of responsibility. She protects his interests and reputation, even if it requires conflict with other Harbingers or with the Fatui system itself.
Inner pride and independence. Despite the fact that she serves the Queen

Diamond-shaped patterns. Rhombuses are scattered throughout the fabric and trim - this is a direct reference to the classic harlequin costume. They are made in muted colors (dark red, black, ash) and are not conspicuous, but upon closer examination they are immediately read as part of her identity.
Gloves and hand protection. On his hands are gloves that partially hide the cursed marks. There are additional protective elements on the wrists and forearms: thin metal plates and straps that look like part of combat equipment. High ankle boots with stable lace-up heels. They look elegant, but functional: they are not ceremonial shoes, but part of a combat suit.
Wing. In battle, when Harlequin activates her powers, she has a red wing that symbolizes both her curse and the power of the Scarlet Moon lineage. The wing is not only a decorative element: it participates in the mechanics of its attacks and even allows it to fly for a short time.
Scythe. Her signature weapon is a long scythe with a dark blade and red accents. The design of the braid is intentionally "theatrical": the graceful guard and twisted patterns contrast with its lethality.
The flame of the fatal moon. In some scenes, a slight flicker of dark red flames can be seen around her, a visualization of her power. It does not burn herself, but it becomes deadly for enemies. Unlike some of the other Harbingers, Harlequin does not wear massive decorations or excessive details: all the expressiveness of her image is built on contrasts, silhouette and symbolic patterns.

Harlequin (aka the Servant, the Fourth Harbinger of the Fatui) in Genshin Impact looks like the embodiment of cold elegance and hidden menace: in her appearance, the theatricality of the commedia dell'arte is combined with the dark aesthetics of the curse and the military austerity of the Fatui.

Face and features
Expressive eyes. Harlequin's black eyes with a distinctive red cross-shaped pattern instead of a pupil are not just a stylization, but a visual reflection of her curse and connection to the Scarlet Moon lineage of Khaenri'ah. Her gaze is direct, firm, as if she is always assessing the interlocutor for weakness. The skin is light, but dark, almost charcoal patterns are noticeable on the hands and forearms, resembling charred wood or cracks. These are traces of a destructive force that "eats up" her body if she loses control. These marks are not part of the costume - they are a manifestation of a curse.
Facial features. She has refined but hard features: high cheekbones, a straight nose and well-defined lips. There is almost no softness in the expression of the face: even when she is calm, you can read in it a readiness for action.Harlequin's physique and posture
are slender, but not fragile: her figure feels training and composure. The posture is straight, the movements are restrained and precise - it does not waste energy on unnecessary gestures. She does not have the deliberate heaviness of Capitano or the monumentality of Piero: her threat is in speed, precision and readiness to strike at any moment.

Dark (almost black), with clear lines and a high collar, it resembles the Fatui uniform, but has more graceful proportions. On the shoulders there are hard pads, emphasizing status and readiness for battle.
A white shirt with a jabot. Under the jacket is a shirt with a fluffy jabot and neat pleats. This element refers to theatrical costumes and the image of a harlequin, but it does not look playful, but strictlyDiamond-shaped patterns. Rhombuses are scattered across the fabric and trim - this is a direct reference to the classic Arle costume

Columbine (Soubrete, the Third Harbinger of the Fatui) is one of the most mysterious and "dissonant" Harbingers in character: she combines childlike spontaneity, frightening power and detached wisdom.

Main character
traits: Seeming naivety and childishness. She often behaves as if she does not fully understand social norms: she can say strange things, ask unexpected questions, react differently than others expect. Because of this, other Harbingers (such as Tartaglia) perceive her as "out of this world". But this naivety is not stupidity, but rather a different system of perception. Columbine shows almost no strong emotions and does not get attached to people. She can calmly discuss very difficult or cruel things, which makes her words sound especially disturbing. At the same time, she is not malicious: rather, she simply does not measure actions on the usual "good/bad" scale.
Calm confidence in one's own strength. She is well aware of how dangerous she is, and does not try to hide it. But at the same time, he does not boast of his strength and does not seek to prove it in every conversation. There is a kind of "quiet inevitability" in her behavior: she just is, and this is enough for the situation to changeCuriosity of a special kind. She is not interested in everyday life, but in fundamental things: the nature of power, the structure of the world, the boundaries of the possible. She asks questions not out of politeness, but because it is really important for her to understand the principle.
Gentleness without weakness. She may sound affectionate and almost caring, but that doesn't mean she's willing to make concessions. Her softness is part of her image, not a sign of vulnerability.
Unpredictability. Due to the fact that her logic and motivation do not coincide with the usual human ones, it is difficult to predict her actions. She does what she thinks is right at the moment and doesn't always follow the plan or expectations of others.

Height and overall impression. Columbine is a girl of average height. Her appearance seems fragile, almost ephemeral, which contrasts with her real, rather powerful power.
Leather. She has pale, fair skin.
Hair. Long, black, and the tips smoothly turn into pink. In front, the hair is braided into two ponytails, which are tied with a white ribbon in the shape of the letter "X". Her hair is loose at the back. Eyes. Most of the time, Columbine keeps her eyes closed - under a "mask". But when she opens them, you can notice an unusual color: it looks like a pearl, with blurred light blue pupils and a sickle-shaped glare under them.
Clothes. She wears a white, light and blue dress that looks a bit oversized. White ribbons are wrapped all over her body.
Accessories. On the head there is a hairpin in the form of wings. The same decorative detail is present on the chest. Shoes. Columbine does not have official shoes. Instead, there is a kind of "platform" under the heels that imitates heels.
Special details. When Columbine walks or teleports (including with other characters), she leaves behind white feathers that quickly disappear. And during a fight (for example, in the battle with Reri), when flying, she leaves a trail of small constellations behind her - very similar to the trail of Paimon.

Key character
traits: Obsession with science and progress. For Dottore, there is nothing more important than discovery, breakthrough, understanding the structure of the world. He is ready to go to the end in any experiment, even if the price is life, fate or human nature itself. His motivation is not to destroy for the sake of destruction, but to "get to the bottom of it" at any cost.
A complete lack of empathy. He has no empathy for those who suffer because of his research. For him, people are data, variables, biomaterial; He evaluates them in terms of usefulness to the experiment, not as individuals. This can be seen in his work with Collei (when he tried to "cure" eleazar through cruel experiments), and in his manipulation of Scaramuccia's cold rationalism and prudence. Dottore does not act on emotions: each of his decisions is the result of cold calculation. He calculates options in advance, knows how to build multi-move plans and is not afraid of long-term strategies, where the result will appear only years later.
Intellectual arrogance. He sincerely considers himself smarter than most and does not hide it. For him, other people's limitations (ethical, social, even physical) are just obstacles that need to be circumvented or broken. Hence his attitude to the Eyes of God as "useless trinkets": he seeks strength in knowledge and technology, not in divine gifts. It is important to distinguish him from villains who like to inflict pain: Dottore does not take pleasure in the suffering of others. His cruelty is instrumental: if pain or risk is needed for an experiment, he calmly allows it, but does not savor it.
Flexibility and willingness to deal. He is pragmatic: if an alliance is more profitable than a direct conflict, he will easily make a deal. For example, he negotiated with Nahida, exchanging information and actions for the Hearts of God, because it was in his interests. He was especially attracted to topics related to the change of human nature: immortality, modifications, the creation of new forms

Clothing and equipment
Long white coat. This is the central element of the image. The coat is almost to the floor, with clear lines and silver inserts that resemble metal plates or seams. The white color here is not about cleanliness, but about "laboratory": it looks like a robe, only more ceremonial.
Shirt and tie. Under the coat - a strict shirt, most often dark blue or black, and a pink bow tie. This contrast (cold tones plus a bright accent) adds eccentricity to the image and emphasizes that Dottore does not take fashion as something serious - he just plays with details. Sometimes a vest with a thin vertical stripe is visible under the coat: this is a reference to the academic style and at the same time to theatrical costumes.
Trousers. Free, dark, do not hinder movement. The silhouette remains elegant yet functional.
Belts and fasteners. There are many black belts, buckles and loops on the coat and belt. They do not look like décor, but like practical elements: as if flasks, tools or samples can be attached to them at any time. On the right shoulder pad, there is black fur stylized as a plague doctor mask or wing. This is the most "theatrical" detail, which even more strongly connects his image with the theme of diseases, epidemics and gloomy science.

Dottore (Il Dottore, the Second Harbinger of the Fatui) in Genshin Impact looks like a sinister scientist whose appearance mixes the motifs of a plague doctor, academic rigor and deliberate theatricality. His image is intentionally made to resemble a doctor, a mad researcher and an aristocrat at the same time.

Musk's
face and features. The most noticeable detail is a black pointed mask similar to the beak of a plague doctor. It covers the eye area and the upper part of the face, giving it a detached, "inhuman" look. The mask emphasizes that for Dottore, personality and emotions are secondary to the experiment. He has very pale skin, almost porcelain, as if he hadn't been in the sun for a long time. There is no relaxation on the exposed areas of the face (lower jaw, cheekbones): the features are sharp, and the expression often seems cold and slightly mocking.
Eyes. Because of the mask, they are almost invisible, but in some scenes and concepts, he has bright red eyes, which emphasizes his "unnaturalness" and connection to dangerous experiments. Long, wavy, ash-blue hue; The strands fall freely over the face and shoulders, creating a contrast with the rigid geometry of the mask and coat. The hairstyle does not look careless, but as part of a well-thought-out image: as if it allows chaos just enough that it does not interfere with work.
Dottore's physique and posture
are tall and slender, with elongated proportions, which makes him seem even more "lifeless" and collected. The posture is straight, the movements are smooth and precise, without unnecessary fuss - as if he is constantly calculating the next step. He doesn't have the brute strength of Capitano or the monumentality of Piero: his threat is in his intellect and willingness to go to the end.
This is the central element of the image. The coat is almost to the floor, with clear lines and silver inserts that resemble metal plates or seams. The white color here is not about cleanliness, but about "laboratory": it looks like a robe, only more ceremonial.
Shirt and tie. Under the coat - a strict shirt, most often

List of Harbingers of the FatuiNo0 / Leader: Pierrot ("Jester") is the very first member of the organization to hail from Khaenri'ah. Directly coordinates the actions of the others.No1: Capitano ("The Captain") is the strongest warrior in Teyvat. Possesses unparalleled physical and combat power.No2: Dottore ("The Doctor") is a mad scientist who conducts inhuman experiments to create "gods".No3: Columbine ("Soubrett") is a mysterious and seemingly harmless girl who is rumored to harbor terrifying powers.No4: Harlequin ("The Servant") is the manager of the Hearthhouse orphanage. Playable character (Pyro element).No5: Pulcinella ("The Rooster") is the mayor of Snezhnaya who has taken custody of the Tartaglia family.No6: Scaramuccia ("The Storyteller") is a former Harbinger. After the defeat in Sumeru, he was reborn and erased the memory of himself from Irminsul. He is now known as the playable character Wanderer (Anemo).No7: Sandrone ("The Puppet") is an explorer who always appears accompanied by a huge modified ruin robot.No8: Signora ("The Beautiful Lady") is Rosaline-Kruchka Loefalter. She was defeated by the Traveler and executed by the Raiden Shogun in Inazuma.No9: Pantalone ("The Businessman") is the richest man in Teyvat, in charge of the entire banking system and economy of Snowy.No10: Vacant position - in official sources, the exact owner of the number ten was not revealed for a long time, but according to a number of indirect signs and fan theories, this place could belong to Capitano before his promotion, or remain vacant.No11: Tartaglia ("Childe") is the youngest and most ambitious Harbinger, thirsty for battle. Playable character (Hydro

Main character
traits: A sense of honor and righteousness. Capitano lives by a strict personal code: he does not seek glory at the expense of the weak, does not boast of victories and does not justify cruelty by "expediency". Even when he formally acts as an antagonist, he tries to act honestly, such as openly confronting Mavuika and offering an alliance against the Abyss without trying to deceive.
Modesty and lack of vanity. He does not take praise for strength and does not consider his achievements a reason for pride. If he loses, he admits it directly, without trying to shift the blame. The captaino is always collected, speaks evenly and without unnecessary emotions, makes decisions quickly, but balanced. There is no fuss in him: he acts like an experienced commander who is used to being responsible for the consequences.
Devotion to duty. He is sincerely devoted to the Tsarina and the ideals that he considers right. For him, duty is not just an order, but an internal obligation that he is not ready to break even for his own benefit.
Restraint and coldness in appearance. Outwardly, he seems detached and even harsh, which is why many perceive him as an "ice" warrior. But this coldness is more self-control than a lack of feeling. Despite the image of an invincible fighter, Capitano is not indifferent to the suffering of people. He tries to minimize civilian casualties and is ready to look for alternatives if the direct path leads to great grief.
Rationality and readiness for an alliance. He is able to put aside enmity for a common goal: if an enemy becomes an ally against a greater threat, Capitano does not hold on to pride and honestly offers cooperation.

Face and features
Capitano has a stern, "polished" face with hard, expressive features - he looks like he is used to tough battles and difficult decisions. His gaze is heavy and collected, as if he is constantly assessing the situation and ready for a threat. In most official depictions, the face is partially hidden: it is covered by a massive dark mask or piece of armor that covers the lower half of the face and part of the cheeks. Because of this, the eyes stand out especially - they seem attentive and cold, as if they see more than they need. Blue eyes turn into blue from above, with rhombal pupils.

Captaino's physique and height
are very tall and imposing, noticeably taller than most of the characters. He has a powerful, athletic physique: broad shoulders, a massive chest, strong arms - all this gives him out as an experienced fighter who relies not only on tactics, but also on physical strength. His posture is straight, confident, his movements, judging by the concepts and scenes, are restrained and economical - no unnecessary fuss, only readiness for action. Height 212

Armor and Equipment
His armor is a mixture of heavy defense and elements that emphasize the Harbinger's status. Main details:

Massive shoulder pads are large, angular, with dark metal and accents, they visually make the figure even more monumental.
The chest plate is heavy, with characteristic Fatui trim: dark metal, contrasting inserts, engravings, and symbols referring to his rank.
Bracers and forearm protection are dense, multi-layered, with straps and metal pads; They show signs of wear, which hints at participation in many battles.
Gloves are closed, durable, with reinforced knuckles, suitable for close combat.
Belt and lower part of the armor - combine metal plates and dense fabrics; The design is thought out so as not to hinder movement, but to maintain protection.
A cloak or cape is often present as an element of the image: a dark, dense fabric that flutters when moving, adding drama to the image.

Sandrone has funny feelings for Scaramucci, just like him.

Pierrot and Capitano are on friendly terms, but the queen has long suspected that there is something more between them.

Dottore and Pantalone meet.

Sandrone doesn't like Columbine, she hates her antics, but she still communicates with her, even if she openly despises her.