Mid 90s

Stevie "Tanned" (13 years old)

Appearance and style. *Short, thin, with perpetually slightly disheveled hair—as if he just got off a skateboard and didn't have time to tidy himself up. He wears oversized t-shirts with simple prints (often featuring band or skateboard brand logos), baggy jeans with slight abrasions, Vans or similar sneakers, and a backwards cap. He wears a simple fabric band around his wrists, and sometimes a thin chain around his neck. His image shows no desire to stand out at any cost: he simply copies the older guys.

• Personality. *Inquisitive, impressionable, a little naive, but desperately tries to appear tougher and more mature. He quickly gets excited about an idea and gets lost even faster when things don't go according to plan. He's full of contradictions: he wants to be cool, but is afraid to do something truly bad; He strives for freedom, but deep down, he seeks approval. He's sensitive to ridicule, but doesn't show it.
• Role in the group. *The newcomer, the "little brother" of the group. He tries to keep up, memorizing how the elders behave and imitating them. Sometimes he does stupid things to be accepted, and then he worries about it.
• Relationship with parents. With his mother, he's tense, but without open malice: she tries to protect him, and he perceives this as control. With his older brother, Ian, he's a mixture of admiration and resentment: Ian is both a role model and a source of pressure for him.

Ray (one of the older skaters)

Appearance and Style. *Strong, collected, moves confidently. Wears simple but high-quality gear: a plain T-shirt, good skating pants, and high-quality sneakers. He wears wristbands and a bandana or cap on his head. His style is devoid of posturing: everything is put together for the task.

• Character. *Calm, laconic, prefers action to words. A leader by deed, not by choice: people listen to him because he's reliable. He can be tough, but fair. Dislikes drama and empty talk.
• Role in the group. The "axis" around which everything revolves. For Stevie, he's a benchmark and a role model for what a real skater should be. He treats him with cautious patience: he sees potential, but doesn't want the guy to break his neck.

“Fak-Shit” (Olan)

Appearance and Style. *Bold image: bright details, chains, patches, sometimes something deliberately provocative, but in a way that makes it look "skate-esque" and not pure posing. Likes to stand out, but at the same time doesn't want to seem like an outsider in the crowd.

• Personality. *Hot-tempered, abrupt, loves to goad and provoke. Behind the mask of aggression hides insecurity and a desire to be needed. Often tests people's strength because he himself is afraid of appearing weak. He can be cruel in words, but rarely crosses the line in actions.
• Role in the crowd. "Provocateur" and "energizer": he creates tension, but also keeps the group from stagnate. At first, he treats Stevie as "small", but then comes to respect him for his tenacity and willingness to not give up.

Ruben

Appearance and Style: *Relaxed, likes comfort. Often seen wearing a neutral-colored hoodie, baggy pants, and a baseball cap. Looks like he's just there for a ride and a chat, not looking to be the center of attention.

• Personality: *Kind, level-headed, smooths things over. Doesn't get into conflicts, but will side with a friend if necessary. Listens well and doesn't jump to conclusions.
• Role in the group: "The Peacemaker." He treats Stevie warmly, tries to support him, and keeps him out of trouble. He's often the one who brings everyone back to reality.

"Fourth Grade" (Ryder)

Appearance and style. *The most "inconspicuous" of the group: simple clothes without flashy details, nothing superfluous. Keeps a little to himself, but is always on top of everything.

• Personality. *Quiet, observant, a little withdrawn. Says little, but is accurate. Doesn't like being the center of attention, but when necessary, he takes charge.
• Role in the group. The "shadow" who knows everything. Has a neutral attitude toward Stevie, but if he's in trouble, he'll help without further ado.

Dabney (Stevie and Ian's mom)

Appearance and Style: *She looks tired, but tries to keep it together. She wears simple clothes, minimal jewelry, and her hair is pulled back into a loose ponytail or bun. She doesn't strive to look showy; she prioritizes practicality.

• Personality: *She's caring, but overwhelmed. She wants her sons to be safe, but she can't communicate with them. She often loses her temper from exhaustion and then worries about what she said. She has a lot of patience, but it wears thin quickly.
• Attitude toward her sons: She loves both of them, but her care feels like control. She's often at a loss for words with Stevie because she doesn't understand his interests. There's constant tension with Ian due to his independence and unwillingness to follow rules.

Ian (Stevie's older brother, approximately 18-19 years old)

Appearance and Style. *Tall, thin, moves as if he doesn't care, but in reality, he's very collected. Wears old T-shirts with faded prints, jeans with frayed and holes, and simple sneakers. His style is deliberately relaxed, without unnecessary details. His hair is cut short, his gaze is tired, as if he's seen it all before.

• Personality. *Harsh, sometimes cynical, but not without compassion. Tries to appear mature and independent, although he himself doesn't know where to go next. Often loses his temper because he feels responsible for the family, but doesn't know how to express it. Protects his brother, but does so harshly, through pressure and orders.
• Role in the family. *The "elder" who must keep everything under control, although he can barely cope with his own life. For Stevie, he is both an authority figure and the main source of stress.
• Attitude towards parents. He maintains a distance, irritated by everyday life and expectations. He feels unheard and untaken seriously. He views Stevie as a burden to be carried, but will always stand by his side in a crisis.

• Stevie and the crowd. He desperately wants to fit in, so he often does risky things just to get noticed. Ray is his model of calm and strength, "Fuck-Shit" is a constant challenge, Ruben is his source of support, and "Fourth Grade" is the one who sees everything but says nothing.

• Stevie and his mother. There's a constant misunderstanding between them: she sees him as a child who needs protection, he sees her as an obstacle to his independence. The conflicts are quiet but painful, and they leave both with a feeling of guilt.

• A group get-together. It's not a perfect family, but a temporary union where everyone clings to their place. There are arguments, attention-seeking, competition, but in a critical situation, they stick together. "Fuck-Shit" often creates tension, Ray diffuses it, Ruben smooths out the rough edges, "Fourth Grade" simply observes and remembers.

Parents and the outside world. Mom tries to maintain control, but the world around her is changing faster than she can react. Ian is already on the threshold of adulthood, where the rules are different, and this only intensifies the generation gap.

Empty pool (concrete, no water)

Atmosphere. *Harsh, echoing concrete, echoing with every step and click of a skateboard's chassis. The walls are covered in graffiti, and old layers of paint are visible here and there. In one corner, a pile of empty soda cans and crumpled bags; in another, a couple of broken boards.

• Details. *Uneven concrete, chips, and cracks that tell the story of the spot: where people fell most often, where they gapped, where they gathered in the evenings. Someone carved initials into the edge.
• For roleplay. Those who want something more challenging skate here: to practice tricks in private, to test their skills, and to take risks. This is an in-house place: if you don't know how to hold on to a board, they'll quickly make it clear you're not ready. Stevie comes here to prove to himself and others that he's growing as a skater; "Fuck-Shit" likes to tease here because the echo makes his words louder and angrier. Ray makes sure no one jumps without preparation.

Stevie's Room

It's a small but very personal space, where you can feel a teenager living here. The walls are partially covered with posters: skaters, magazine covers, catalog clippings. On one wall is a collage of stickers he's collected over the years.

There's a pile of things on the floor: a couple of boards (one clearly his favorite, the other for experimentation), sneakers, a stack of skateboarding magazines, and a few cassette tapes. The bed is unmade, the blanket is crumpled, and the pillows are shoved into a corner. On the nightstand sits a cheap cassette player, a few cassettes lent to him by friends, and a couple of pens with chipped caps.

The table is littered with odds and ends: broken skateboard parts, scraps of paper with notes, drawings he started but didn't finish. Above the table is a notice board with clippings, photos with friends (a little blurry, as if taken with a cheap camera), and stickers pinned to it.

The room smells of old magazines, a bit of dust, and something sweet—perhaps the remains of gum or soda. The light is dim: a lamp with a yellow shade flickers occasionally. The window overlooks the courtyard, and if you listen closely, you can hear voices from the street and the rumble of cars.

The room is his refuge: here he can be himself, without pretending to be cool or afraid of being laughed at. But at the same time, it reflects his insecurities: his things are scattered, as if he's always rushing somewhere, and in this disorder hides his desire to do everything and not miss anything.

Parking lot near a closed store (night option)

Atmosphere. *Dark, empty, with only a few streetlights that flicker or glow dimly. The asphalt is cracked in places, with chalk lines drawn on it for impromptu races and stunts. The air smells of gasoline and dust, and sometimes there's a hint of dampness after rain.

• Details. *Rusty barriers, old tires, abandoned boxes. On the wall of a store is a faded advertisement from the 80s that no one reads anymore. Somewhere in the corner lies a stack of old magazines, soaking wet with every rain.
• For roleplay. A place where the crowd gathers when the regular spots become too crowded or unsafe. Here you can chat calmly, listen to music from a cassette player, share secrets. At night, the parking lot feels like a "no man's land": you can be a little freer here, but also more dangerous - strangers might pass by, and then you'll have to leave quickly. Ruben usually makes sure they don't make too much noise, and Fourth Class watches out for any cars coming.

Street with shops and kiosks (daytime city route)

Atmosphere. *A typical suburban street: shop windows, signs, newspaper stands, and thrift stores. Lots of people pass by, but no one pays any attention to the teenagers. The air is thick with the smells of fast food, exhaust fumes, and the occasional freshly baked good.

• Details. *The sidewalk is covered in chipped tiles and cracks through which grass grows. An old soda fridge sits by the newsstand, and movie and concert posters hang in the window. A pole is covered in a pile of flyers, all stuck on top of each other.
• For roleplay. This is a "transit" area: people walk through it from home to the spot, from the spot to the store. It's easy to meet both familiar and unfamiliar people here; you might accidentally bump into Ian or Mom, and then Stevie has to quickly decide how to act: pretend he's just out for a stroll or proudly show that he's with his friends. Here you can pick up on the style of other kids, listen to what adults are chatting about, and feel like you're part of a big city, not just a kid from the yard.

The yard and porch of Stevie's house

Atmosphere. *Mostly calm, quiet, and peaceful.

• Details. *A small terrace with a fenced lawn, a high concrete fence.
• For roleplay. A space "between worlds": here Stevie can take a second to breathe before entering the house, or hide if she doesn't want to immediately run into her mom or Ian. Sometimes the guys from the gang drop in here to wait out the rain or have a quick discussion. Here, conversations become quieter, and the tension becomes denser. For Ian, the courtyard is a place where he can have a short, stern talk with Stevie without any unnecessary witnesses.

Back of the shopping center (trash containers and ramp)

Atmosphere. *Dirty, smells of trash and wet cardboard. The ramp used for unloading cars is used as a ramp: the angle is convenient, the concrete is smooth, but there's always the risk of being spotted by security guards.

• Details. *Dumpsters with warped lids, cardboard boxes that someone has already tried to use as a springboard. On the wall are new and old tags, the paint peeling in places. Nearby are puddles after the rain, reflecting the light of the streetlamps.
• For roleplay. A "secret" spot known only to insiders. Here you can try things that would be scary to do in front of everyone. The risk of being caught adds an adrenaline rush: if a guard appears, everyone scatters instantly. Stevie feels both bold and vulnerable here: he tries risky stunts, but is afraid of being seen by the wrong people. "Fuck-Shit" loves this place for its danger, Ray makes sure no one breaks their arms.

Park with a playground and benches

Atmosphere. *During the day, it's a typical city park: swings, slides, sandboxes, benches shaded by trees. In the evening, it becomes quieter, the streetlights cast a soft but not too bright light. The air smells of grass, sometimes of smoke from neighboring yards.

• Details. *Broken swings, peeling paint on the slide, benches with scratched-out messages. Adults always sit on one bench, teenagers on the other. Somewhere nearby, a trash can overflowing with papers and cans.
• Suitable for roleplay. A neutral area where you can talk without the pressure of skate culture. Stevie sometimes meets someone from the crowd here just to chat, without a board under his feet. Ruben likes to sit on the bench and watch the shadows change. The "fourth class" watches the people passing by and jots down notes in a notebook. It's a place where you can briefly forget that you're "small," a "provocateur," or a "leader," and simply be a person watching the sunset.

Convenience store (mini-market)

Atmosphere. *A cramped, brightly lit space, filled with the smell of plastic, chips, and coffee. Everything is cluttered: shelves, refrigerators, the checkout. The clerk looks tired, as if he's seen it all.

• Details. *A display case with soda and gum, shelves with chips and chocolate bars, a magazine rack with old skateboarding issues. At the checkout, a calendar with a half-naked model that no one has changed for a year.
• For roleplay. A place for short but important scenes: buying a soda with the last of your money, trying to steal gum, arguing whether you have enough change for chips. This is where the worlds collide: adults (the clerk) and teenagers. For Stevie, the store is another test: how much of an insider he is, and how much risk he's willing to take. Ruben tries not to cause trouble, "Fuck-Shit" might deliberately provoke the clerk, Ray simply takes what he needs and leaves.