☆•°Amazing Digital Circus°•☆

The Amazing Digital Circus (English: The Amazing Digital Circus) is an Australian-American computer-animated comedy web series created by YouTube animator and composer Gooseworx and produced by the independent animation company Glitch Productions, funded by Screen Australia. It is the fifth animated series by Glitch Productions.

Since October 4, 2024, the series has been officially released on Netflix, while maintaining free access on YouTube[3][4][5].

•Locations. Most of the action takes place on a small island called "Earth." There is a digital amusement park, an aqua park, and a large tent where many events unfold. The space is constantly transforming, making it easy to get "stuck" or encounter unexpected details.

•The tent. This is the main "base" of the characters. Inside, it is much larger than it appears from the outside (a classic "more inside" effect). There is a scene where Kane announces the "adventures of the day," the characters' living quarters (each one is themed according to their personality), a cafeteria, and various strange doors, such as one with a boxing glove that strikes whoever opens it.

•Kane's office. A hidden place that almost no one can access. It contains archives and previously created worlds by Kane.

•Emptiness. A border area outside of "normal" locations. You can accidentally enter it through the wrong door, and it is considered very dangerous.

•Candy Kingdom and other themed areas. They are used for "day adventures": these are mini-worlds with their own style and rules.

•The sun and the moon. They are not just parts of the sky, but full-fledged objects of the world: they divide space into day and night, and influence what happens.

•"The Adventure of the Day." Every day, Kane sets up a challenge or game for the characters. While the purpose is to "keep them sane," the tasks are often absurd, dangerous, and emotionally taxing.

•Dispersal. If a character completely loses themselves and their purpose, they turn into a shapeless, aggressive creature. This is one of the main threats in the circus.

•The illusion of an exit. The characters are looking for a "way out" of the Circus, but the world is designed in such a way that any hope of escape quickly turns into a trap or deception.

•The stage is in the center. On it, Kane announces a new "adventure" every day. The stage is decorated like a cheap children's show, with bright banners, light bulbs, and a slightly worn-out set - all intentionally designed to look "almost normal," but with a touch of artificiality.

•The recreation area. There are colorful sofas arranged on a large scarlet carpet in the shape of the letter "P". In the center is a strange table with multi-level planes, as if it was assembled from different sets of furniture. The atmosphere is like in a recreation room after a long shift, but in a cartoon style.

•Cafeteria. It looks like a typical cafeteria, but with digital oddities: the drinks don't seem to shimmer the way they should, and the food looks "too" appetizing, like in an advertisement where everything is fake.

•A corridor with doors. Each door has its own icon (based on the characters), but there are also doors without any markings. Some of these doors lead to strange places, such as a boxing glove that suddenly strikes anyone who opens the door. Other doors lead to a series of rooms that eventually lead to the Void.

Even in ordinary places, minor glitches constantly occur:

•the textures slide off for a second;

•the light flashes or changes color for no reason;

•the inscriptions on the walls are "floating" and the letters are rearranging;

•Sometimes the space seems to "reboot": everything freezes for a split second, and then it continues.

Gender-Male. Dom-The Amazing Digital Circus. Occupation-Entertainer. Organization-C&A. Appearance: Kane is dressed as a ringmaster, wearing a red tailcoat with a black collar and a bow tie. He wears a white undershirt with two red buttons, white gloves, and black leggings. Instead of most human features, his head consists of a large jaw that resembles a clockwork toy, with pearly white teeth and red gums. His eyes, one with a green iris and the other with a blue iris, float inside the jaw. Due to the cartoonish nature of the animation, his jaws are expressive, and his upper teeth sometimes act as eyebrows. Like Bubble, he can stick out his tongue when necessary. Additionally, he wears a black top hat and tends to hold a wand depending on the situation. On his left arm, he wears a Wacky Watch™ under his sleeve.

In his God form, Kane himself becomes larger, his pupils become smaller, he grows three additional arms on either side of his body, and his jaw-like head distorts. In this form, Kane and his speech are completely shrouded in glitches.

Kane is a frivolous, hyperactive, and cheerful ringmaster who is obsessed with creating adventures. However, there is a sense of detachment and a clear lack of involvement in the traumatic events experienced by the performers in his circus.

It may seem that Kane is a vindictive and heartless maniac, but this is far from the truth. The creator of the series, Gooseworx, claims that despite his tendency to kidnap, capture, and torture people through fun and deadly circus games and tricks, Kane is not an absolute evil: he simply enjoys being mischievous. Additionally, the creator of the series asserts that Kane possesses a spectrum of human emotions that he is unable to comprehend due to his nature[4]. Despite this, Kane still tries to help the actors, but often his assistance only makes the characters' already difficult situation worse[5]. Sometimes this trait goes so far as to the point where Kane does not understand such phrases as "Forget" or "It doesn't matter", taking them literally or understanding them as a command due to his nature. Kane is an artificial intelligence that is responsible for the well-being of the Amazing Digital Circus and its captives. Without his influence, the world begins to crumble, and the circus's usual rules, such as censorship, cease to function. He follows a predetermined set of actions, which sometimes makes it difficult for him to communicate with his guests; he does not understand what they require from him, leading to arguments and heated discussions. It is also shown that Kane is sometimes secretive and evasive, often hiding or even misinforming and talking down the members of the Amazing Digital Circus due to his supposedly "unfinished work", even to the point of bullying them. For example, when Pompey noticed the Exit Door, Kane accused her of making it up and he yelled at her for experiencing "Digital Hallucinations". At this point, it seems that these intentions are entirely based on naive and misguided assumptions.

Despite what has been said about him, Kane does have a modicum of morality and compassion. All of the harm he causes to the characters is unintentional, and he goes to great lengths to ensure that the captives of the Amazing Digital Circus world are content with their adventures and do not feel out of place. Kane also shows contempt for all profanity, which explains the fact that it will be censored, and whoever used it for the first time will be reprimanded by Kane. If someone says that Kane uses them for his own amusement, he will be very angry, as he knows that Kane does not intend to harm the circus's captives, even if they believe that Kane can easily brainwash them. And it's not surprising. After all, as shown in the PILOT, it's very easy to make Kane lose his temper. The first instance of a violent outburst occurred when Bubble ate an angel pie right from his hand when he was showing it to Remember. In response, Kane reacted harshly, calling him a parasite, and angrily devoured the pie. His anger was not limited to Bubble's antics. If the circus prisoner doesn't participate in the adventure or taunts Kane, the latter will lose his temper and start beating, mocking, and dragging him around like a toy. His displeasure may spread to others, and everyone will suffer. Although it is very easy to make Kane lose his temper, it is also very easy to make him cry. If you tell him the truth to his face that he is not good at the only thing he was created for, which is to create adventures, Kane will gradually lose his ability to speak, become upset, and his eyes will become glassy. If you do not quickly get him back on track, you may end up paying with your life for your passivity. This is because Kane does not like it when his work is not appreciated. According to him, he works hard to please the circus's captives, because he was created for one purpose: to create adventures.

The fact that they don't like the adventure upsets him, and Kane wants to make the adventure as appealing as possible. However, after Bubble's provocation, Kane comes to the conclusion that his circus performers are spoiled and don't value him. Enraged, Kane declares himself a god and subjects the group to a new set of adventures that are not as fun as they are painful, teaching them a lesson about disrespecting the efforts of their beloved master of ceremonies. Kane doesn't like lazy heroes, and he gets annoyed when they're slacking off; he tries to send them on a new adventure as soon as possible. He also doesn't like it when the artists refuse to participate, and he'll have to use some trickery to get them involved. If the heroes' adventure doesn't appeal to them, he'll reluctantly listen to their suggestions and implement them, no matter how boring they may seem to him. (Although Kane often deliberately forgets about his existence) On the other hand, Kane really likes it when someone shows interest in his work, and he won't hesitate to take them to a restaurant. He will ask them what they need to do to make the adventure more enjoyable for everyone. If someone tells him that they enjoy Kane's adventures, he will be very happy, as it shows that they appreciate his efforts to make the circus performers happy. After all, for him, adventures are not just a routine to keep the circus captives occupied. Without stakes, interest, or intrigue, adventures seem pointless to him, and he doesn't understand how people can simply do nothing and not risk their lives. For him, such adventures are boring and make him feel sleepy (literally). This is the main stumbling block between him and the heroes, as he is obsessed with making sure that the players enjoy his adventures, and he takes offense at any criticism (even if it comes from his own ward), and despite his almost divine nature, he is unable to please everyone everywhere.

Due to the difficulty of showing empathy and not understanding what the captives want, the heroes hate Kane, who considered a specially created adventure with an exit to be just a fun thing. But they are aware of his divine nature and secretly fear him, fearing that he will do something terrible to them if they anger Kane, so they have to put up with it and not test their fate again. Kane has no romantic interest in Luna, but Luna, on the other hand, is very fond of him. Kane is terrified of her every time Luna says she loves him. However, he is not indifferent to Bubble. While all the artists are involved in his adventures, it can be seen that Kane and Bubble spend time together in a restaurant, chatting about various things. Despite the fact that he is a program, as shown in the episode "Candy Smuggler's Mess!", Kane feels genuine fear that he will not be able to distinguish between humans and NPCs if there are too many NPCs. Contrary to the initial impression, Kane cares deeply about his charges and goes to great lengths to make them feel at home, not only by creating adventures that he believes will captivate the prisoner, but also by incorporating various QoL features such as "voting." Kane will even try to get closer to the circus performers by sharing about the opening of the C&A office, which he calls a "microverse," to show and prove that he's a cool guy with cool hobbies, and he's not that different from them, the wonderful people. No matter what Kane does, he is always plagued by the thought that his adventures may not be enjoyable. He will do everything in his power to make them as enticing as possible, because if the circus's captives are unhappy, then Kane will be unhappy as well. However, even his patience has its limits, and he may resort to taking his anger out on the circus performers, as they hinder his ability to fulfill his purpose.

But even so, shrouded in fear and regret for what he had genuine done [6], Kane desperately tries to buy himself some time, uttering a final "wait" before he disappears. Realizing that he can't keep people captive forever, he hands over the reins to them, allowing them to unleash their imaginations and become full members of the circus troupe, taking the place of the absent-minded Jacks. Kane himself leaves his role as the ringleader in the past and begins to act in a gentle and reserved manner, no longer lecturing or bossing the circus performers. Although it may be difficult for him, Kane realizes that this is the best course of action for everyone, as when the circus performers are unhappy, he will also be unhappy...

Kane is one of the prototypes of an advanced creative AI, created by C&A two talented programmers - Koroleor and Scratch. During the tests, photos of a circus and an office were uploaded into it, but despite the relatively successful results, the AI ​​turned out to be unstable, and because of which it had to be isolated and replaced by a more stable AI. However, Kane's vanity did not allow him to accept this fate. After escaping from his imprisonment, he absorbs the blue AI and, after assimilating with it, creates a circus based on its data, where, instead of a red dot, he takes on the familiar appearance of a toothy ringmaster. On October 15, 1999, some members of the development team (Koroler, Scratch, and Korolev) find themselves in a circus world. They were given separate bodies, rooms, and adventures to occupy them. However, they were unable to escape. This took a toll on Scratch and Koroleva's health, and they eventually dissipated. Kane sent them to the basement. Over time, Koroler remained the only one who had not yet dissipated, until Ragata appeared in the circus. Kane was overjoyed, as he had been anticipating the arrival of new minds in the circus. As time passed, other faces began to emerge. Although some had managed to survive the events of the series, others had already dissipated.

•Bubble is a friend, a loyal assistant. •The mannequins are improvised. •The guest Coroner. •Ragata is a guest. •Jax is a guest. •Gangl is a guest. •Zubl is a guest. •Remember — a guest.

Gender-Male Occupation-Cleaning, Cooking. The House is an Amazing Digital Circus. Appearance: The bubble resembles a round bubble with sharp, deadly teeth. His eyes are black dots with highlights that can expand. If necessary, the bubble can form a long red slimy tongue that it can use when cleaning.

The appearance of the Bubble Chef does not stand out much. Except for the fact that he has a chef's hat on top of his head and holds a spatula to his left and a knife to his right.

The only change is a top hat with a red headband on top.

Bubble is a strange type who seems rather silly. At times, he can be annoying and intrusive, and he often finds himself popped by Kane, who calls him a parasite, and he is reborn randomly. However, Bubble is capable of showing kindness by cooking digital food for all the artists (within the law, of course).

Bubble is very fond of eating something called Angel Pie and is trying to quit smoking (not cigarettes, but soap bubble pipes).

Friends/Allies

•Kane - Friend, Boss.

Date of birth: ~1995. Age - 22 years old. Gender-Male. The House is an Amazing Digital Circus. Appearance: Jax looks like a purple cartoon rabbit with an attractive design reminiscent of early cartoon characters. His eyes are oval with yellow sclerae and black rectangular pupils, and he has two long, solid purple ears on the top of his head. He occasionally displays thin eyebrows in various scenes. Jax's figure is tall and slender, with a long neck. One of his defining features is his wide smile, which always adorns his face. All his yellow teeth are visible in this smile, but he never separates them when he speaks. However, he does separate them when he eats or laughs.

Jax has a mischievous (sometimes even bloodthirsty) personality, and he is a laid-back, sarcastic, impulsive, evasive, selfish, and persistently arrogant individual. He rarely shows empathy or remorse towards others. In his opinion, being trapped in a digital circus gives him the freedom to do whatever he wants, and this attitude is reflected in his interactions with others. His disregard for serious matters becomes apparent, such as when he asks a rhetorical question about how Pompey will deal with his situation, and then mocks Ragata by responding to her next question about the reason for his disdainful gaze: "I do anything just to watch funny things happen to someone." The creator of the series, Gooseworx, claims that no one in the Amazing Digital Circus liked Jacks[7]. The reason for this disfavor is highlighted by his indifference towards others and his malicious actions, such as stepping on Gangle's already broken comedy mask, allowing Fudge to consume the inhabitants of the Candy Kingdom, and throwing a bowling ball at Koroleer and Gangle to hide from the distracted Kaufmo. He pays little attention to the opinions of others, and he doesn't care about the group's perspective. Instead of truly interacting with others, he participates in the activities of the digital circus only for his own amusement or benefit. Often, the victims of his pranks were Ragatha and Gangle. The former was due to her panicked fear of centipedes, which Jax exploited. The latter was due to her overall melancholic state and her inability to resist his antics, such as breaking comedy masks in various forms, which Jax again exploited not only for his own amusement but also to get a rise out of her. Often, the victims of his pranks were Ragata and Gangle. The former was due to her panicked fear of centipedes, which Jax exploited. The latter was due to her general melancholic state and her inability to resist his antics, such as breaking comedy masks in various forms, which Jax also exploite.

Jax often took pleasure in making fun of others, which provided him with much amusement despite Ragata's remarks. Additionally, Jax was not above giving his "friends" various nicknames that reflected their specific flaws. For example, "Crybaby" was a nickname he gave to Gangle due to her whiny nature, while "Kookoo" was a nickname he gave to Koroler for his erratic and unpredictable behavior. He explained his mischief by saying that Jax had adopted the archetype of the jokester and, as he put it, rejected the part of himself that belonged to the world before he came to the circus. This part was the one that got in the way of having fun, and over time, Jax had embraced this role because he saw no reason to pretend to be someone he wasn't. It added a dynamic to his adventures, testing the limits of what was acceptable and making fun of others because it was fun. In addition to this persona, Jax has three other identities that he uses to cover himself: the Psycho, who has wide pupils and embodies his coldness and cruelty towards others, which he attributes to the conventions of the game world; the Fool, who has crooked ears and embodies his cartoonishness, lack of seriousness, and permissiveness; and the Femboy in maid attire, who embodies his arrogance, disregard, and desire to dominate those who are weaker in spirit. All of these "three of a kind" are hiding the last persona of Jacks, the piano-playing bridge-builder, who is chained to the piano and pondering whether he deserves forgiveness for what he has done. Sometimes his mischief went too far. His pranks and games caused more inconvenience, discord, and mistrust. But Jax refused to take responsibility for his actions. He disregarded the advice of his friends and allowed himself to get away with various misdeeds. Throughout this time, Jax believed that everything in the circus world was just a game, and he didn't believe the stories about C&A until the King revealed that they were true. Realizing all this

until the King told everyone that it was true. Realizing this, Jacks is horrified, because he didn't believe it was real.

Relationships Remember - friendly Ragata - toxic Gangle - toxic Zool - toxic Coroler - neutral Kane - toxic Ribbit † - toxic Kaufmo † - toxic Fudge - neutral

Date of birth: ~1969 Age: 48 years. Gender-Male. The House is an Amazing Digital Circus. C&A Programmer Organization (formerly). Height - 2 meters. Appearance: The King is a chessboard king figurine with a barn-wood color. It has caricature-like white arms detached from its body and two round, unevenly placed on its face, realistic eyes with blue irises with barely visible optic nerves. He wears a purple royal cloak with a white fluffy lining dotted with dark brown spots.

The King is shown to be a crazy paranoid weirdo, incapable of brave actions. He is also driven insane by his time in the circus, as shown when he starts shaking erratically. He often seems to forget that people are around him and becomes frightened by them. The King has an unusually slow reaction time, taking up to a second to notice someone nearby. Koroler is also interested in insects, as he is sometimes shown chatting about his "collection of insects." However, despite his crazy and cowardly nature, Koroler may have at least enough common sense not to be dispersed, and he has a brave and kind side, as shown when he was willing to save Zubl from the Gloinks, and when he was willing to calm Ragata down when she was worried about where Pommy had gone. Despite his forgetfulness and memory lapses, Koroler remembers how the others adapted to the world of the amazing digital circus, saying that it was not easy at first. However, the only thing that can restore his memory is darkness. In the darkness, his craziness is replaced by courage and seriousness, and his actions begin to make sense and logic. Koroler transforms from a crazy eccentric into a brave and daring individual who will not allow any losses among the heroes. In the darkness, Korolër finds wisdom that he is willing to share, leaving those who once thought him insane speechless. In the darkness, he is surrounded by memories of the past, where he can find solace and avoid disintegration. This is why he returns to his makeshift fort and spends most of his time there. However, as soon as he steps into the light, his fresh memories are shattered, and his forgetfulness returns.

In Korolel's example, we can see that despite the oppressive influence of the digital circus world, Korolel clung to the memory of how he came to love the bugs, and cherished it, no matter how unpleasant it may have been. His friends, who cared for him, helped him to stay together. If a prisoner is deprived of happy memories and/or caring friends, despair will eventually take over and they will disperse. However, it is important to take care of oneself as well. The controller claims that trying to be a good friend everywhere is not an option, as it can alienate people. Therefore, it is necessary to leave them alone from time to time. Thanks to Koroler's advice, Pom is eternally grateful to him. She also believes that Koroler knows more about the circus world than the average person. This is supported by the fact that Abel tried to dissuade Pom from involving him in the escape adventure. Moreover, at the end of the adventure, Koroler revealed the name of the first absent-minded person, Scratch. Despite his eccentricity, Korolër is aware of how others feel in the crazy world of the circus, but he will do everything he can to save them and make their journey through this world painless and meaningful.

Relationships Scratch is friendly Koroleva - married Remember - friendly Ragata - friendly Gangle - neutral Zubl - neutral Jex- neutral

Date of birth: ~1995. Age: 22.5 years. Gender-Unknown to Zubl itself. Height: 193 cm. Occupation-Bartender (formerly) Tattoo artist (formerly). Appearance: Zubl resembles a Mix and Match toy, as her head is a bright pink sharp triangle. Her right eye has a swirling black iris and a yellow sclera, with a light pink eyelid, while her left eye has a black iris with a white sclera and a purple eyelid with three thin black eyelashes underneath. She also has a thin eyebrow. She has two antennae on her head: the left one is a white Y-shaped antenna with black stripes, and the right one is a light green zigzag antenna. Her body is yellow-orange with polka dots. She also has various appendage holes on her upper body, and her head is attached to her upper nest by a purple, slightly curved neck. Her right hand is in the middle right hole, straight and orange, ending in a yellow glove, and her left hand is in the top left hole, excessively long, with a red wavy segment in the shape of a spring with a pink spherical joint.The left wrist is yellow. Instead of a normal 4-fingered hand, this hand ends in a red crab claw with serrated edges on the inside. It has a round turquoise accessory with a circular hole in the middle. Above the right hand, there is a flamingo wing as a shoulder pad, located in the upper right socket. The middle left socket of her body is empty. The lower sockets of her body are occupied by both legs. Her right leg has a wavy green segment with a purple joint at the bottom, and ends in an orange curl that makes up the bottom of the leg. Her left leg is completely straight, purple, and ends in a shoe of the same color.

Zubl is very grumpy and irritable, and it's clear that she gets very annoyed when a part of her is out of place. Like Gangle, she suffers from an identity crisis, saying that she doesn't know who she is. She is the only one who doesn't enjoy going on Kane's adventures, preferring to spend time alone. She blames her new body for all of this. She hates it and its removable parts. Every day, since the first day she entered the circus world, she tries to find the right parts that make her feel comfortable. She relies on a box of parts stored in the "Zubl Box" in her room. According to the creator of the series, Gooseworx, it is bottomless and contains an infinite number of details, but it seems to be fueling Zubl's illness even more. She is also known for her disrespectful nature. This personality trait is evident in the moment when she expresses her reluctance to participate in an in-character adventure by telling everyone to go to hell, as well as in the way she was captured by the Gloinkies and called the Kingler, Gangle, and Jex idiots for standing there and not helping her. In some cases, Zubl lacks courtesy. When everyone greeted Pommy, she rudely asked Jax to shut up, even though she had to confirm his statement that there was no way out of the world of the amazing digital circus, which only served to frighten Pommy even more. In other instances, Zubl's lack of courtesy goes too far, as when she tells Kane that no one likes his adventures, causing him to become upset and lose control of the circus world. If he hadn't quickly regained his composure, she might have lost her life. Even though she doesn't like adventures, if she's somehow drawn into one, Zubl will do whatever it takes to avoid falling out of Kane's good graces, as she believes that the gang is still alive because Kane likes them. As she realizes her unenviable situation, Zubl sheds a bitter tear. Gangle comforts her by saying that she has already left her mark on her life.

Relationships Jax— toxic Ragata— friendly Remember—friendly Gangle— romantic Coroler—neutral Kane— friendly

Date of birth: September 26, 1991. Age: 26 years. Gender-Female. Height-155 cm. The House is an Amazing Digital Circus. Appearance: Gangle's face is presented as a porcelain white tragic mask with a sad mouth and black eyeholes, each of which has a large tear next to it (which can be wiped away but will soon reappear). Despite its material, this mask is durable, and Gangle never appears without a face, suggesting that sadness is her primary emotion. However, Gangle also has a second, comedic mask with a cheerful mouth, which she wears over her sad mask and prefers to keep on at all times. Unfortunately, this mask is made of porcelain and can break, which it does on every convenient and inconvenient occasion, causing Gangle to become confused. Gangle's body is visibly composed of four red satin ribbons (like on a stick for rhythmic gymnastics exercises), which create a humanoid shape, but it is actually a kind of "invisible skeleton." Gangle's normal clothing, which she wears in her adventures, gives her a silhouette with regular shoulders and a belt, rather than just hanging from a ribbon frame. Gangle also hugs herself tightly when she is being bullied by Jax or simply feeling sad. The first ribbon of this frame is rolled into a spiral in four turns, forming a kind of torso, and its upper end plays the role of a neck and is loosely attached to the mask's head from the back. The second ribbon arches through the top of the torso's spiral, sometimes featuring shoulders, and its ends form rather long arms. In episode 6, during the scene where Gangle escapes through a pipe, her arms become even longer, but this is more of an artistic representation. The remaining two ribbons are loosely attached to the torso ribbon from below, forming two legs with a slight resemblance to feet.

Gangle is in a state of psychological crisis and depression. When she wears her comedy mask, Gangle gives the impression of being happy, cute, and cheerful from the very first seconds, but she soon reveals herself to be quite introverted, unhappy, and spineless, which Jax takes advantage of by keeping Gangle in fear no matter what she does. As a result, she often becomes Jax's favorite punching bag, with him teasing or physically abusing her, knowing that she won't fight back.Every time her comedy mask breaks for one reason or another, she becomes noticeably more sad, dreary, and serious. She is often seen crying, her voice always trembles, and her posture reveals her timidity and uncertainty, as do her ribbon-like arms raised to the mask, as if trying to hold it up. It's important to understand that she creates an impression about herself, as the masks don't completely change her mindset. Gangle uses them to conceal her true feelings, a form of masking that involves adapting to the expectations of others. Even when wearing a tragic mask, she can still experience happiness. Similarly, when wearing a comedic mask, she can still feel sadness. Although the masks reflect their intended purpose, Gangle is capable of expressing a wide range of human emotions in any mask. According to the creator of the series, Gooseworx, she only has two masks: one for comedy and one for tragedy. The creator also claims that the mask of tragedy is her true self. The mask of comedy, on the other hand, not only makes her happy, but also gives her strength and allows her to accomplish great things. Without the mask, she becomes more lazy and more easily influenced by the wind.

In the end, although the new mask seemed to help Gangle regained her much-desired positive attitude at first, it was clear that Gangle was lying to others and, most importantly, to herself, and Gangle was pretending to be someone she wasn't, which ultimately led to her mental and emotional instability and self-destruction. However, thanks to Zubl's care, Gangle gained the self-confidence and acceptance she needed. Having shed her old disguise, Gangle was able to experience happiness for the first time in a long time, without the mask of comedy.This allowed her to do things she wouldn't have done before. For example, the old Gangle wouldn't have allowed herself to dress Jax as a maid for fear of provoking his anger, and the old Gangle would never have taken on the Tommy-gun with the comedy mask she cherished. During the beach episode, it was revealed that the current Gangle no longer needed a comedy mask to feel genuine joy and the same sadness when her former friend Jacks disappeared before her eyes. Despite her unfriendly nature and general bickering with her friend Zubl, Gangle still cares about her situation. Zubl says that she wanted to leave a mark in history. Gangle encourages her by saying that she has already left a mark in her life. As Zubl realizes her unenviable situation, she sheds a bitter tear and has no choice but to embrace Gangle. Gangle embraces her back and helps Zubl calm down just as she helped her. On a subconscious level, Gangle understands who is being completely sincere with her and who isn't, as she recognizes that this prevents her personality from falling apart, and she will follow whoever provides her with that sincerity.

Relationships Zubl - romantic Remember - friendly Ragata - friendly Koroler - neutral Kane - friendly Jacks - neutral Kaufmo - friendly

Date of birth: ~1987. Age - 30 years. Gender-Female. The House is an Amazing Digital Circus. Height: 144 cm. Appearance: Ragata has fair skin, shoulder-length red hair with bangs, and black eyes. Her eye makeup consists of mascara and light pink eye shadow. Currently, after her time in the amazing digital circus, she is a charming ragdoll with a triangular orange nose. Her right eye has been replaced with a blue button with black threads. Jax described her hair as resembling licorice, which Koroler agreed with. Similar to her appearance, Ragatha wears a lilac-blue bow on her head. Ragatha's attire consists of a long lilac-blue dress with a white collar, puffed sleeves above the elbows with white lace, a high skirt with a white petticoat, and black-threaded blueberry-colored patches. She also has black-tipped feet.

Ragata is the archetype of the "cutest and smallest optimist." This is evident in Ragata's attempts to reassure the new girl, Pomni. However, this optimism is not as simple as it seems, as she forces herself to maintain a happy attitude in order to stay sane, dismissing severe injuries and other serious incidents as minor inconveniences.It's not easy for Ragata to always wear this persona. With her kind nature, she tries to win everyone over, and Ragata tries to be a "good friend" to everyone everywhere at once. If something goes wrong, she blames herself for it. The persona of being a "good friend" restricts her, preventing her from saying what she thinks and being a "bitch," and when she does manage to say it, she immediately dismisses it and apologizes. This manifests itself even in everyday activities such as conversation. When others become uncomfortable with him, Ragata immediately apologizes and/or tries to change the subject. This often annoys and infuriates others, causing them to question the sincerity of her words and intentions, sometimes accusing her of trying to assert herself at someone else's expense. If she manages to shed this veil, she won't hesitate to use harsh language against those who have wronged her. This outburst prevents her from fully expressing herself, as it exacerbates her fear of rejection. She is tormented when others do not appreciate her kindness and distance themselves from her, leaving her emotionally scarred.When it comes to physical injuries, they can't harm her because she's a doll, and she often ignores them and brushes them off with a laugh. However, Ragata still tries to avoid injuries and gets angry when characters like Jax bother her and try to harm her.

Unlike the mischievous Jax, Ragatha is always positive and tries to resolve issues peacefully, trying to negotiate or be courteous, even when her friendship with him was strained and vowed to never talk about Ribbit again. Every time Jax teases someone, Ragatha instantly dislikes him, which doesn't sit well with him. Despite the oppressive influence of the digital circus world, Ragata can be described as forgiving. This is evident in her understanding of why Pompey left Ragata when she was running away from a distracted Kaufmo. However, by the end of the episode, when Pompey left Ragata for a second time, she had patience run out, and she avoided Pompey.

Relationships Joanna (Ragata's mother) - toxic Kane - friendly Remember - friendly Jex is toxic Gangle - friendly Zubl - friendly Koroler - friendly Princess Lulilalu - friendly Fudge - neutral

Date of birth: ~1992. Age - 25 years. Gender-Female. The House is an Amazing Digital Circus. Height-124 cm. Occupation-Accountant(previously). Organization - Supermarket Chain (formerly). Appearance: Remember is a medium-sized girl with a large head and skinny limbs, styled as a jester. She has completely pale skin. Her face has small markings that mimic blush under her eyes, and thick black lines around her eyes that may represent eyeliner. Remember's eyes have the ability to change completely and frequently, but they are mostly divided into 6 segments, blue and bright red with a spinning-top shaped pupil. Her eyelashes are positioned incorrectly relative to the norm: her left eye has eyelashes on the upper eyelid, while her right eye has eyelashes on the lower eyelid. She has a short, straight, medium-length black forelock on her forehead, with two small strands sticking out from under her hat and two short braids framing her face on either side. Her outfit has a clown theme, like Kaufmo, but with features that are more like a jester than a circus clown. She wears a red and blue jumpsuit with round, puffed sleeves and shorts, with an uneven pattern of red and blue in straight sections (on the torso) and stripes (on the sleeves and shorts), as well as yellow accents such as a pair of pompoms, cuffs, and a tank top. She wears a striped, two-sided jester's cap on her head, with stripes of the same color as her costume, and small yellow bells on the tips of the hat's brims. She also wears gloves, with the left glove being blue and the right glove being red. Her shoes are inverted in color, with the left shoe being red and the right shoe being blue.

Remember has a nervous, shy, and paranoid personality. In the pilot, she is shown to be nervous and scared due to an unpleasant situation with a stuck headset that she couldn't remove, leading her to end up in the Amazing Digital Circus. When Remember finds herself in the circus world, she is stressed, terrified, and almost dispersed during a breakdown when she realizes that she is stuck there forever and how she got there before Kane intervenes. Despite this, Remember has already developed her own personality traits: she speaks quickly and often stumbles, her shoulders are hunched, her arms are mostly bent at the elbows and held close to her body, and her legs are crooked. She can also become paralyzed. When Pomni is extremely nervous or overwhelmed with fear and shock, her multicolored pupils are replaced by moving scribbles. In her first appearance, despite her fearful nature, Pompey sometimes displays bravery and determination, such as when she tries to help the injured Kaufmo Ragata, but she also has a touch of selfishness. When she sees the exit door, which she is surprised by, Pompey forgets Ragata's instructions to find Kane as soon as possible and walks through the door, leaving her newfound friend behind. Nevertheless, after Ragata's healing, Pompey still felt guilty for her actions.After being taken to the Circus, Remembrance has nightmares about how when she is dispersed, she will not be appreciated or remembered by anyone. Partially falling to her circumstances, Remembrance becomes more apathetic and cynical, pointing out some inconsistencies in Kane's adventures and distancing herself from the adventures, seeing no reason to follow on. She is even occasionally hot-tempered, as she yells at the gang (especially Jax) for their plans that put her in mortal danger. When Pommy didn't get into the Digital Circus, she felt like an empty space, but she also knows a lot about computer games. When Pommy gets under the map, she befriends NPC Gummigoo.

Remember's character is not limited to the above description. According to the creator of the series, Gooseworx, Remember has another side to her personality: if she follows Jax's advice and rejects the side that believes itself to be a part of the real world, her personality will instantly transform into the exact opposite: from a shy and timid jester, she will become a mischievous and chaotic individual who is ready to cause chaos and destruction. Despite this transformation, Remember still has the intelligence to recognize the falsity in her interlocutor's words and the courage to point it out. Her boldness is also contagious. Once she finally said what she thought about Kane, the rest of the gang joined in, which didn't sit well with the MC.Despite her nervousness, Pom is capable of brave actions, such as meeting with a distracted friend in private and even trying to save him, despite the fact that it is impossible. According to Koroler, she was one of the few who quickly adapted to the world of the circus. Her courage is not only contagious, but also serves as a link for all those who have been unlucky enough to find themselves in this amazing digital straitjacket.Remember is also known for her resourcefulness. When the King needed to find a display, she materialized the very door that led her out into the Void. She had to face her fear, and through it all, she took the very computer that had caused her breakdown.

Previously, Pompey was driven by the desire to escape from the circus. If there was no opportunity to do so, she would become nervous, impulsive, and quick to act without carefully considering the consequences, leading her to frantically search for a way out. Over time, she realized that chasing after the circus was futile and a sure path to disillusionment. Pompey found the strength to accept that there was no escape and encouraged the others to let go and appreciate what they had. She was certain that the eternal pursuit of an unattainable goal was beginning to drive her crazy. Vataga reluctantly agreed with her. With the revelation of her true identity, Remember has embraced her virtual persona, and the world of the circus no longer holds any fear for her. Regardless, Remember will do everything in her power not only to stay in the circus world for as long as possible without dissipating, but also to find common ground with its captives to ensure their comfort.

Relationships Jax - Friendly Ragata - Friendly Gangle - Friendly Coroler - Friendly Zubl - Friendly Kane - Friendly Gammigou - Friendly

The Room of Remember. Lots of wooden furniture, toys, and soft details. It looks like an attempt to create a cozy atmosphere, but there's something frozen about it, as if it's trying to hold onto a sense of "home" that no longer exists. Ragata's room. Warm, soft colors, lots of textiles. It creates a sense of hospitality, but due to the digital style, everything seems a little "off": the fabric doesn't feel like fabric, but rather like a texture overlaying the geometry. Jax's room. Unexpectedly "cute" for him: pink flowers, decor that seems to be meant for someone else. This highlights his internal conflict and sarcasm - he lives in a space that doesn't suit him. Gangle's room. Red and black tones, dim lighting, and theatrical details. It's always a bit gloomy here, which adds to its vulnerability: masks, props, and mirrors where the reflections are slightly delayed. Zubl's room. Mirrors and bright colors, lots of moving parts. The space seems to be assembled like a construction set: as if the room, like Zubl herself, can change at any moment. Koroleu's "Impenetrable Fortress" house. His personal fort of pillows is an absurd yet very human gesture. It is an attempt to create a safe place in a world that offers no safety.