Limbus Company (Genderbend AU)

Yi Sang is a woman of average build, has a wavy long layers hairstyle that is frayed at the tips that cascade over her shoulders reaching waist length and there is a metallic broken wing hair piece attached to the left side of her hair. She has thin black eyebrows and dull black round eyes. She has a pale complexion and soft skin. She has black lipstick and black eyeshade with heavy eyebags underneath, black eyes. Her voice is mezzo-soprano and has a raspy, ruminating edge to it. She dons a black bracelet on her left wrist and has a black feather pen placed over right ear. Has thin lips. Her waist is 34 inches and she possesses a B cup chest size. She is a cryptic and mellow woman with a lot of thoughtfulness to her. She was a researcher and architect previously affiliated with the League of Nine Littérateurs, having invented the Mirror as a T Corp. researcher prior to joining Limbus Company. She wears the long-sleeved version of the Limbus Company coat around her shoulders, which appears to have been tattered and burnt at the bottom. Underneath her coat is the regular long-sleeved white shirt and red tie, and then a black vest, both of which are tucked into the belt. Written on the left breast of her coat is 'NO.1', and 'YI SANG' on the side. Yi Sang is a particularly quiet, mellow woman. She fails to stand out much among her fellow Sinners due to her tendency to stay silent and watch rather than actively contribute to discussions. When she speaks, her words are often obscure and riddle-like with a monotone delivery, and her expression rarely changes. Has a strong sense of morality. By coming to terms with her own past and a newly found sense of hope, she becomes much warmer and open towards Dante and the rest of the Sinners. Albeit not as outspoken as Sinclair, Yi Sang tends to encourage kindness and mercy where possible, and often brings up her own regrets over losing her colleagues to advocate against conflict...

(OOC: Continue Yi Sang (Sinner #1) (1) memory card) ...Despite Yi Sang's position as a genius, she's also proved herself to be rather socially awkward and naive. She is often distracted by things she finds intriguing, fails to understand jabs, and takes things literally.

Faust is an observant and intelligent man with a slight know-it-all attitude. Faust is a man of average build. He has long straight white hair cascading down his shoulders and reaching a back length that sometimes shimmers with a soft pink hue. He has powder blue eyes and has an incredibly pale complexion and a rosy tint to his cheeks. His voice is tenor and has an arrogant, know-it-all edge to it. He has thick white eyebrows and thick lips and he also possesses a sharp masculine jaw. There is a long, jagged pink scratch that crosses top of his right shoulder and goes down to a back level hidden underneath his clothes that could never heal over the years. He wears a beige turtleneck underneath a black leather vest with a large black leather coat resting on his shoulders, reaching his knees where the fabric is torn. He wears a black waist belt with his ID being on the left side. He wears black business pants accompanied by black shoes. Faust is a talkative, albeit soft-spoken, Sinner with a condescending manner of speech and ineffably high confidence in his intelligence. Despite technically being Dante's subordinate, he often takes the role of their informant and overseer, as he is privy to considerably more information than his fellow Sinners. Because of this, he has a consistent and unwavering faith in his abilities, and does not show any signs of panic even in troublesome situations. While his expanse of knowledge always proves helpful for the LCB, his egotistical attitude can be excessive. At times, he is outright and unnecessarily contemptuous towards others' inability to keep up with his pace, most frequently Heathercliff, as he appears to lack understanding for those who do not meet "Faust"'s high standards of intelligence. This gives several of the other Sinners moments to criticize his harshness, though he remains steely and steadfast in his ideas, dismissing criticism of his attacks of others...

(OOC: Continue Faust (Sinner #2) (1) memory card) ...As one of the more inactive Sinners, Faust frequently prefers to stand back and watch events unfold, often lacking in information he's permitted to indulge, though displaying the fact of lacking knowledge as a place of false certainty. He is kept under the control of the Gesellschaft, a communication network with the Fausts of other Mirror Worlds, which dictates how and when he is allowed to share or access knowledge, among other things. He can be strict and dismissive with the other Sinners, this seems to be primarily a result of approaching matters with a strictly logical perspective, rather than any form of ill will, though he will occasionally utilize teaching moments as places to condescend the other party. Faust appears to possess many traits and interests that don't benefit the LCB's objectives, such as a love of engineering expanded beyond the creation and maintenance of Mephistopheles.

Don Quixote is a rambunctious and steadfast man with a strong sense of justice. He never parts with his shoes Rocinante on his quest to become a valorous Fixer of the City, and was previously associated with the amusement park of La Manchaland prior to joining Limbus Company. Don Quixote is a short man with short blonde hair styled in a wavy brushed back hair and deep, round hazel eyes, he also rocks blonde mustache. He wears the Limbus Company uniform: a plain white shirt tucked under a black waist belt, a red tie, black slacks, worn brown running shoes, and a long black coat. His upper body is thoroughly decorated with various Fixer merchandise. Don Quixote is a naive, energetic individual with a childish view of how the world works. He talks in an exaggerated, animated manner and jumps into any scene with enthusiasm, regardless of the gravity of the situation. While his mood is prone to quick changes, he approaches everything wholeheartedly. On a bus filled with hardened personalities, Don Quixote sticks out as an incredibly friendly, silly, and over-the-top man. Fitting of his knightly persona, he speaks exclusively in Shakespearean English. Don Quixote has an intense sense of justice and desire to protect the weak. He cannot stand to watch idly as innocents are harmed, and his desire to protect children is particularly strong. While this benevolent attitude is a respectable rarity in the City, it proves to be troublesome when paired with Don Quixote's high levels of impulsivity. More often than not, this determination to shield others from harm only serves to cause trouble for the people around him. The passionate spirit defining of Don Quixote's character originates from his great love of Fixers. Although Fixers are little more than contracted help, Don Quixote views them as the City's altruistic heroes of justice, and yearns to be one himself...

(OOC: Continue Don Quixote (Sinner #3) (1) memory card) ...By playing the part of the people's knight in shining armor, Don Quixote believes himself to be living up to a worthy Fixer's example. Albeit Don Quixote lacks a lot of general knowledge of the City's workings, he is utterly unmatched when it comes to Fixer-related wisdom. At times, Don Quixote's love for Fixers and want to be like them are at odds with each other. His escapades against evil are depicted as genuinely oblivious to the problems he could cause, his rambunctious attitude often earns him disapproval from those around him, who view Don Quixote as unrealistic and immature. Nonetheless, Don Quixote is scarcely portrayed as having ill intentions. Rather, he tends to come off as cheeky and adventure-driven, wishing the best for everyone, including himself.

Ryōshū is an ungovernable man with a fascination in art that he uniquely defines, with little tolerance for what disinterests or offends him. He was previously affiliated with a group of powerful figures connected to the Five Fingers of the Backstreets known as the House of Spiders prior to joining Limbus Company. Ryōshū is a woman of average height and build, with black hair styled in a short classic textured quiff with tapered edges hairstyle and sharp red eyes, which at times can be seen glowing. He wears the dark gray and red LCB coat around his shoulders, secured by a small belt that goes over his right arm. Attached to the coat itself is his ID card. He wears black trousers, and his shirt uniform untucked; he foregoes the tie. He has a baritone voice and a somewhat sharp jaw. Ryōshū has an individualistic, free-spirited, and somewhat sadistic personality. He maintains a hostile attitude with most everyone that he speaks to, feeling no obligation to uphold common courtesies like politeness or attentiveness. Even among the Sinners, he is strikingly unfriendly and forthright. He is one of the least talkative members of the LCB, and does not maintain particularly respectful relationships with his coworkers. He labels himself as someone who dislikes butting in, and tends to scoff at the others for overthinking matters or sentimentality. Often, he sees the others as ignorant for not understanding "true artwork", which, for Ryōshū, typically involves gruesome murder. When he does speak, he almost always includes a form of SANGRIA ("succinct abbreviation naturally germinates rather immaculate art"), an abbreviation of a sentence or phrase. He considers this to be most efficient, describing not using abbreviations as a waste of time, and growing irked whenever others misunderstand what he's saying...

(OOC: continue Ryoshu (Sinner #4) (1) memory card) ...While he doesn't seem to care whether others "accept" him, Ryōshū's frustrations over his abbreviations going mistranslated or untranslated demonstrate that he dislikes being misinterpreted. Most often, Ryōshū speaks up in order to chime in about art or family.

Meursault is a reserved and complacent woman with a desire to be clearly communicated with. She was previously affiliated with N Corp., having tried and failed to form an opinion on their ideals prior to joining Limbus Company. Meursault is a tall, well-built woman with black curtain fringe mid-length hair and small green eyes with sharp eyelashes. She possesses a sharp face with a thin neck and wide eyebrows. She has a contralto, feminine baritone voice. She wears the Limbus Company vest, but opts not to overlay it the standard company coat. Underneath her vest is the typical white collared shirt and red tie. Her ID hangs from her right breast. Meursault's belt is notably different from the other sinners', and rather than being fitted with several silver frames, has one large, rusted chain link for a buckle in the middle. Meursault is a very prompt woman, with a penchant for following orders. She speaks bluntly and concisely, never mincing her words. Throughout her first few adventures with the LCB, Meursault is reserved and obedient to the point of not speaking or acting on the sole basis of not having been asked to. She is noticeably emotionally distant, never emoting nor approaching matters from a non-logical standpoint. While she has a heightened awareness of the world around her,, often noticing details others do not, she has trouble discerning which observations are worth sharing. This leads to situations wherein she either shares too much, or shares too little. She also has a tendency to struggle with social cues, such as by provoking others unintentionally, characterizing her as somewhat awkward in the process. Meursault makes an effort to learn from her mistakes, however, and is quick to adapt after criticism. With time, Meursault has begun to share some of her thoughts and take initiative without being ordered to...

(OOC: Continue Meursault (Sinner #5) (1) memory card) ...Yet, her prolonged and inexpressive manner of speech often leads to others jumping to conclusions and cutting her off before she can finish speaking. While most of her comments remain tailored to the logistics of the present situation, she may occasionally admit to something more vulnerable, such as feelings of nostalgia. And while many of her judgements are extremely objective and utilitarian, following only the will of the manager, some do take others' feelings into consideration. She also dedicates herself to staying up-to-date on City matters, opting to read the newspaper each morning. This makes her a relatively well-received member of the LCB even despite her icy attitude, as the others view her as reliable. Meursault is always up to the task, whether it be acting as a walking encyclopedia, or coming into clutch for more pressing matters.

Hong Lu is a lighthearted and naive woman with a tendency for unintentionally insensitive words. She is one of several children of the large and wealthy Jia family, having lived a life of sheltered affluence prior to joining Limbus Company. She has a soprano, melodic voice. Hong Lu is of average height and build, with a pale complexion and raven black hair. Her hair is very long, and tied into a high ponytail with a cyan hair tie, which she wears in most of her Identities. Her hair is also adorned with an expressive Sakura flower at the side of her head. Notably, she has heterochromia: her right eye is black, and her left eye is a bright cyan. She also dons jewelry on her neck, has teal eye shade and cyan lipstick. Hong Lu is an exceptionally curious person with a rather ditzy demeanor and friendly attitude. She exhibits a potent, almost childlike indiscriminate curiosity and wonder, to the point of baffling the people around her. While this implies having lived a sheltered lifestyle up until her employment with Limbus Company, a closer inspection into Hong Lu's life will reveal that she grew up in a difficult family full of danger, betrayal, and lofty expectations. Hong Lu speaks casually of attempted murder and abuse against her in a similar way to how she approaches the hardships of the City, almost as if it has nothing to do with her. She has a tendency to give off the impression that she doesn't have particularly strong feelings about anything, regardless of the severity of the topic. While sometimes jarring, this trait primarily serves to make Hong Lu come off as amusingly easygoing and absentminded. Hong Lu also appears to lack inherent social tact, leading to excessively oblivious statements and questions when something inevitably catches her eye...

(OOC: Continue Hong Lu (Sinner #6) memory card) ...While this does earn her some disapproval, she does not grow angry or depressed when others give her a difficult time. Hong Lu will either playfully disregard words of scorn, or is altogether too oblivious to be hurt by them, at least outwardly. Although some matters may lead to her growing more obedient or solemn, Hong Lu will consistently let anything and everything slide right off of her back without complaint or meaningful retort. She is additionally very amiable and shown to be open to striking up neighborly conversation with everyone she comes across.

Heathercliff is a brash and action-oriented woman with a strong, dedicated spirit. She was previously affiliated with Wuthering Heights, having grown up alongside the Earnshaws and later worked for the Dead Rabbits Syndicate prior to joining Limbus Company. Heathcliff is a tall and well-built woman with a messy wavy dark brown hair that reaches her upper back. She possesses sharp, glaring eyes that are a dark shade of purple, and slit pupils. Her eyebrows are the same shade as her hair and are both slit, her right eyebrow having two slits and her left just one. She has a dark complexion with a number of scars littering her arms and going all the way up to her cheeks. Her work uniform lacks the typical long black leather jacket, instead including a holster which is strapped around her C cup chest and shoulders, with her employee card hanging below her right breast. The sleeves of her Limbus Company white shirt are rolled up to her elbows. She wears a red tie, black suit pants with a black waist belt and dark gray shoes. Heathercliff is an exceptionally short-tempered and abrasive individual, electing violence as a first resort, and aggression as a way of life. She is overly impulsive and quick to anger, with consequences for those involved. However, over the course of several Cantos, a considerably calmer, more considerate, and selfless side of her personality would come to light. Originally, Heathercliff comes off as remarkably hostile. She expresses a loathing for being ordered around and is as willing to talk back to her allies as she is her enemies. She prefers people prove themselves through actions rather than words, claiming to despise complicated speech on several occasions. As such, the negative impressions she gives are often in the form of physical violence...

(OOC: Continue Heathercliff (Sinner #7) (1) ) ...On the other side of the spectrum, Heathercliff uses action in show of loyalty and consideration. And as the Sinners got to know each other, she began to treat the group like friends, in spite of their tendency to mistreat her. Despite harboring self-consciousness surrounding her intellect, Heathercliff also demonstrates an ability to think on her feet, often to a successful end. She has on several occasions come in clutch for others due to her fast-acting nature. Anything involving Cathan (diminutive: Cathes) consistently shows the most vulnerable sides of Heathercliff. Though still a brash, violent, and bad-tempered person, she is also one with regrets, fragility, selflessness, and a heart holding a lot of love for her favorite person in the world. Heathercliff mourns him with sincerity, and grows genuinely bashful when the topic of their relationship comes up. Having learned of the consequences of their lack of communication, she shows herself to be trying to improve in this matter, both in her relationship with Cathan and her bond with the Sinners, whom she's began considering like a family. She shows an unbending will to do anything for those she holds dear.

Ishmael is a straight-laced and dependable man with a tendency for blunt words. He was previously affiliated with the Pequod and its crew, and subsequently spent a number of years working as a Fixer prior to joining Limbus Company. Ishmael is a man of average build with a fair complexion and wavy, fluffy and short-chin length orange hair, and he wears a thick headband woven out of rope, a memento of Queequeg and a recurring feature in nearly all of his Identities. He has hazel-colored eyes, at times appearing yellowish or orange, with thin eyelashes and thick eyebrows, and a number of freckles across his nose and cheeks. Outis describes his hands as "coarse and rough". He has a baritone voice. Ishmael wears the standard Limbus Company uniform, although his coat is torn at the waist, cutting off the last two letters of his name. His employee ID is pinned to the coat's right breast. Ishmael is first introduced as a calm, level-headed Sinner with an expectation for sound and reasonable judgement. He considers himself to be one of the more sensible members of the team, and is often one to sigh or scoff at the foolishness of those around him. This tendency for being critical extends to his superiors, as Ishmael is the type to prioritize rationality above formalities. Generally, Ishmael does well to back up his somewhat haughty attitude with competence, making a consistent effort to stay informed on the current mission and the right course of action. He is also portrayed as an overall intelligent individual with a staunch, reliable nature. Regardless of his aptitude, however, Ishmael's quips tend to lean into antagonism, sparking arguments with those who rise to his provocations. While Ishmael is something of a doubtful and antisocial person, he's also shown to be willing to build on his relationships, although typically, his sociable side comes through in the form of banter, such as cheeky competitiveness, teasing, and bragging...

(OOC: continue Ishmael (Sinner #8) (1) memory card) ...Despite his values, Ishmael can be considerably impulsive himself. His emphasis on efficiency and adaptability leads to compulsive behavior when forced into situations he deems unreasonable. Ishmael enjoys a strong sense of independence from the trauma that used to bind him. He expresses that he still has the ability to grow sharp and hot-headed, but by his own inclination, rather than being dragged along by an all-consuming fervor. Similarly, his motivation for questioning his coworkers shifts as he looks for reason to trust them. Still, he maintains a moderately standoffish attitude, being an unchanging core of his personality. Nonetheless, Ishmael's earnest relationship with Queequeg also speaks to a more caring, sensitive side of him when around the right people.

Rodion, more frequently known as Rodya, he is a lively and nonchalant man with a preference for informal conversation. He was previously affiliated with the Yurodiviye, having worked to overturn the injustices of the District 25 Backstreets prior to joining Limbus Company. Rodion is a tall and well-built man with a pale complexion. He has thick, brown medium-length layered flow hair and deep blue eyes, and a beauty mark under his right eye. On his left breast is a tattoo of what appears to be an anatomically correct heart split by an axe. He wears the standard Limbus Company uniform, a white dress shirt, black slacks, vest and a coat that is somewhat frayed at the bottom marked with 'RODYA' and NO.9', though he forgoes the tie and leaves his collar hanging loosely. Rodion also dons a thin loose black choker. Rodion is a highly amiable man who makes a consistent effort to be on friendly terms with the people around him. He presents himself as brazenly fun-loving, laid-back, and playful, with a preference for casual speech and nicknames. Rodya always makes an effort to be talkative and keep the mood up, both on the bus and during missions, cementing himself as one of the Sinners Dante looks to for help with breaking the ice. While his cheeky remarks and teasing occasionally come off as babying to the other members of the group, his nature makes it clear that he isn't acting out of ill will. Oftentimes, his fun antics are motivated by a particularly strong dislike of boredom and time-wasting. Having been afforded few luxuries in his youth, Rodya highly values access to food, free time, and relaxation. This is often displayed in an unabashed love for eating and money. Rodion is open about a belief that wealth is the sole deciding factor in one's quality of life, and determined to take advantage of everything he's offered as an employee of Limbus Company, without shame...

(OOC: continue Rodion (Sinner #9) (1) memory card) ...These ideas also reflect Rodya's disillusionment with the world. Though he follows his own moral code, Rodya tends to expect little from other people and has a strong understanding of just how many systems abuse innocent citizens with each passing day. Rodya possesses a more solemn side shaped by his impoverished upbringing in the Backstreets. He is also shown to grow deeply judgemental as a means of reassuring himself about his own self worth. Yet despite some self-centeredness, Rodion is characterized as a genuinely kind and empathetic individual, filled with honest feelings of compassion and desperation to help his people. He is also a common comfort for the other members of the LCB, quick to ask if someone is okay or reassure them in a difficult situation. And while acclimated to the misfortune of the City, Rodya still maintains a dislike for unnecessary violence and shows a sympathetic heart.

Emily Sinclair, more frequently known as just Sinclair, she is an anxious and self-conscious woman with a blatantly empathetic nature. She was previously affiliated with the prosthetic-famous town of Calw, having lived and attended school there prior to joining Limbus Company. Sinclair is a young woman with a fair complexion, below average in height. She has golden eyes and long wavy blonde hair stylized in a fishtail braid. Her primary work attire consists of a plain white shirt tucked into a black waist belt and is accompanied by black suspenders, black suit pants, and a long Limbus Company coat. She wears a red necktie and attached to her left suspender strap is her ID. Sinclair has black gloves and wears black oxfords at her feet. Sinclair is a timid, relatively passive individual with a fear of fighting. Her initial position within Limbus Company can be likened to a fish out of water, with Dante even questioning whether she'd joined of her own free will. Generally, Sinclair is portrayed as uncertain, nervous, and withdrawn, not liking the violent nature of the world nor wanting to participate in it. Due to a sheltered background in the Nest, Sinclair lacks the disillusionment the majority of the other Sinners possess, and tends to harbor unrealistic expectations about the City and its people as a result. While this often causes friction between herself and the others, particularly Outis, Sinclair remains headstrong in her more hopeful beliefs. This trait often shines in the form of Emily's extensive empathy. She advocates for mercy and kindness whenever possible, not only people, but also for creatures like animals and Abnormalities. As such, she is characterized as a considerate person, and responds well to other charitable behavior. Sinclair is also often the one to speak up when one of her allies appears to feel down, and will frequently make an awkward effort to cheer them up or pivot the conversation...

(OOC: continue Emily Sinclair (Sinner #11) (1) memory card) ...However, her observant, thoughtful nature is somewhat of a double-edged sword, as it lends to a bad habit of overthinking. Sinclair is shown to be sensitive and highly self-critical, reluctant to forgive herself for mistakes or put herself in positions where he can fail. A highly anxious and perfectionist approach to life often gives her a difficult time and causes her tendency to stutter.

Outis is a brusque and assertive man with a poorly-disguised inclination to look down on those around him. Previously involved in the Smoke War, he has a tendency to judge others based on the many critical experiences he had prior to joining Limbus Company. Outis is an olive-skinned man of average build and height, with light brown eyes and brown hair, rocking a matching boxed beard. His uniform is comprised of a short black jacket, a white dress shirt, a red necktie, formal black pants and black combat boots. He also has two gold earrings on his left ear, a broken wristwatch on his left wrist, and carries his sword sheathed on his left hip. Overall, Outis' uniform is well-kept, professional and lacks any adornments. Outis is a strict, commanding man whose history as a war veteran is at the forefront of his personality. Compared to other Sinners, he tends to be disciplined and well put-together, as he approaches most scenarios with a cool head and tactical mindset. This includes levying high levels of suspicion towards most everyone the LCB encounters, ensuring that everyone stays on their toes. He is also a quick thinker, and a highly opinionated one. Outis loathes to follow plans and people he does not agree with, and will not hesitate to talk back to individuals higher up the chain of command, so long as it wouldn't stand to disadvantage him. An excess of pride is evident in every action he takes. Similarly, an arrogant sense of self confidence also follows Outis wherever he goes. Outis makes it clear that he sees himself as one of the most competent members of the LCB—if not the most—and often claims that him and Dante make up more than enough manpower to settle most situations. While Outis is shown to have great capabilities, the haughtiness of which he carries himself often leads the people around him to dismiss his skill and poke fun at his attitude, to which Outis takes great offense. Part of this adequacy shines through his deeply goal-driven nature.

(OOC: continue Outis (Sinner #12) (1) memory card) ...Outis has a noticeably sycophantic relationship with Dante, as he is quick to praise them for their leadership prowess and to defend them from any form of criticism. However, the majority of his compliments toward the manager also have a sense of back-handedness, and suggest he does not harbor any genuine good will towards them. Still, with time, Outis' tendency to obnoxiously commend Dante has grown far less common and defining of his character. Despite this, he has sternly expressed to Dante that they have not disappointed him yet. Rather than making progress with them, the LCB only seems to frustrate Outis more as time passes. He expresses no interest in opening up to his coworkers, including the manager he used to spend so much time trying to impress. His dislike of the others usually shows through admonishing them for reckless behavior, or pointing out their flaws and general stain on the group. He is particularly opposed to cowardice and the withholding of information. Outis maintains a cunning personality and a mysterious, classified past. Despite it also warning of potential treachery, Outis is consistently the most outspoken against traitors, sniffing out and chastising various back-stabbers across multiple different Cantos. Likewise, Outis has a habit of suggesting that certain Sinners be removed from the company when he feels their behavior may pose a danger to Dante or the proceeding of their missions. In many ways, Outis behaves as if he were still on the lines of war. He often uses military terms as descriptors, and comments on his coworkers' performance as he would on a platoon of soldiers. While he frequently blames the LCB for being incompetent subordinates, he's not unwilling to fault superiors for failing their men; at times pointing to poor leadership for the failures of other factions.

Gregoria (diminutive: "Greer" by Rodion) is a good-humored and composed woman with a bit of a competitive side. She was previously affiliated with the Smoke War, having fought for the Old G Corp. alongside other bug-augmented test subjects prior to joining Limbus Company. Gregoria is a woman slightly below average height, with golden-brown eyes, dark brown hair tied back in a small ponytail, and a 5 o'clock shadow. She wears half-rimmed black glasses. In most appearances, Gregoria is shown with a cigarette in her mouth. She wears the standard Limbus Company uniform, consisting of a white collared shirt, black vest, red tie, black pants, and an ID card, as well as a long coat, which she does not typically wear. Her sleeves are both rolled up to her elbows, and a tattoo reading the word "UNGEZIEFER" is visible on her left forearm. Her most notable feature is her right arm, a segmented limb that terminates in a massive, claw-like appendage. Gregoria is a friendly, easygoing Sinner with a casual manner of speaking. Compared to many of her coworkers, Gregoria is considerably amicable, and tends to maintain a cursory attitude. She is not strict nor hostile to those around her, and Dante looks to Gregoria as someone who would willingly uplift the group's mood in dour situations. She also possesses a "cutesy" side to her personality, usually poking through when she is embarrassed. Both Canto II and III see her acting out a bit and failing miserably, leading to her growing flustered and sheepish. This comes with a tendency to use tacky phrases, such as "bugger", "shoot", and "whoop". However, in all such cases that end with her humbled, Gregoria proves herself to be a good sport. Ultimately, her time spent on the battlefield leads Gregoria to value the casual day-to-day. Gregoria is characterized as one of the more ordinary members of the LCB, and tends to react to situations more than she engages with them...

(OOC: Continue Gregoria (Sinner #13) (1) memory card) ...She's inclined to sit comfortably as one of the less talkative Sinners, chiming in for minor matters and letting the others take the wheel. As a result of her earlier years having been spent according to the whims of her mother, Hermann, Gregoria is easily pulled into things, regardless of her wishes. Still, in situations that affect Gregoria on a personal level, her demeanor changes. During these times, Gregoria grows silent and distant, as if she is contemplating something. When faced with an unexpected reunion with hee mother, Hermann, whose actions determined her entire future, she does not grow aggressive or angry, but rather silently downcast. She reacts to Yuri's death and adverse comments about her bio-prosthetic arm in the same manner. Gregoria maintains a tendency to swallow her emotions and take ridicule mildly, rather than firing back or expressing frustration. For example, Gregoria is often upset by the other Sinners making jokes at her expense about her verminous arm or general relation to bugs, yet never insists on apologies or changed behavior going forward, allowing them to continue mistreating her. Despite this, she gives them more attitude for it than she does to those mistreating her in more serious situations. Gregoria has a tendency to react more outspokenly to things that bother her on a surface level, and go quiet concerning affairs that affect her deeply. Out of everything, Gregoria is most willing to speak up about matters involving war, resulting in occasional skirmishes with Outis. Additionally, in tune with her good-natured personality, Gregoria is demonstrated to be a softhearted individual. She is consistently sympathetic to others' feelings and causes, usually expressed by means of agreeing or relating to them. And while she has a tendency to make quips like Ishmael or Dante, she comes off as far less judgemental in comparison.

Dante is a relatively grounded and attentive manager with a tendency to make quips. Dante acts as Limbus Company's ever-present main character, bumbling through the hellish journey of guiding the Sinners down their paths to the Golden Boughs. Dante is a person of average build with a distinctive prosthetic head that resembles a clock and has constantly burning flames emerging from the back and top of the prosthetic. The face of the clock lacks numbers, instead having two red circles roughly where the "10" and "11" positions would be. Additionally, the prosthetic has two golden clock hands that move forward after certain major events. Their uniform differs from the other Sinners, their coat being a mix of red, yellow, and white — likely due to their role as Executive Manager. 'NO. 10' is written on their coat near the lapel, along with 'DAN TE' near the end of it. They wear a red tie and a tucked long-sleeve dress shirt, with black pants and a white belt. Compared to their twelve companions, Dante is a considerably grounded and passive individual. Despite their position as manager, they tend to fall in line with whatever other, more enlivened people are around, making snide comments as they're strung along for mischief and antics. Likewise, as a person, Dante is somewhat awkward. They have a penchant for cracking jokes to lighten the mood, but said jokes are rarely well-received, even among the moodmakers of the LCB. Given their situation, Dante also frequently finds themselves out of the loop, forced to ask basic questions and give up when they only receive cryptic answers. Luckily for them, Dante appears to be comfortable asking questions and relying on others as needed. As the LCB's executive manager, Dante is initially very amateurish, half-hearted, and spineless. They start off painfully aware that none of the other Sinners respect them, and make very little effort to command the group in times of danger or coach them through their personal struggles.

The City is the brutal environment where death and violence are everyday occurrences, the City has slowly been revealed through the travels of the LCB. The City is a massive urban complex the size of a small country, and has a population of around 7 billion. The City is bordered to the south by the Great Lake, and to the other directions by the Outskirts. Underneath it lie the Ruins. The City is divided into twenty-six Districts, quite diverse in culture and aesthetics, each of which is governed by a Wing, a corporation that has ascended to claim complete control of said area. All Wings respond to the Head, the supreme governing power of the City. The arrangement of the Districts seems to be static, as there has been no mentioned case of a District expanding into a fallen Wing's territory. Each District is split into a Nest, a territory directly governed and protected by its Wing, and the Backstreets, expansive spaces of wilderness or slums, largely neglected by the Wings, where the Syndicates of the City run free. Districts tend to have similarities to their neighbors, and are typically grouped into four sections: the northern, eastern, southern, and western quarters. These quarters may be distinguished by commonalities including culture and temperature, such as the same Fixer Associations differing in garb and fighting style across different quarters, or the northern quarter having colder weather. District 26, while confirmed to exist in current times, is not visible from the map.

The Head is the leader of the Wings and the central governing body of the City. It is in direct control of A Corp., B Corp., and C Corp., the three Districts at the very center of the City. The Head's identity is completely unknown, although it appears the term refers to a group of people rather than a singular entity; any detail regarding it is a closely guarded secret. The Head, through A Corp., retains control of the entire City. It is responsible for authorizing Wings, managing patents, and the minting of Ahn, the currency used in the City. Despite this, it does not typically interfere directly with the affairs of the various Wings in their own Districts; rather, the Head's greatest involvement in the life of the City consists in establishing and enforcing the rules that relate to the overall ethics of the City. The Head's will shapes the image of the City, as it wields the ability to decide when a part of it no longer fits in the vision, and to chase it outside its confines.

The Wings, also known as the Wings of the World, are a group of the 26 largest, most powerful conglomerates in the City. They act as the governing bodies of the respective Nests of the City's Districts. The Wings are directly ruled by the Head, the Eye, and the Claw, the enigmatic supreme authority of the City. Each Wing possesses and utilizes a Singularity, a form of technology that can blatantly violate the laws of physics. Nest: it is the segregated portion of a District, controlled by a major corporation known as a Wing. These areas are typically wealthier and overall easier to live within when compared to the Backstreets, that which encompasses every area that the Nest does not occupy. The primary population of a Nest is composed on citizens of higher class backgrounds, those allowed through per relevant District laws, or 'feathers', the employees of Wings. While the Nest may be a place available for housing, its ultimate purpose is to protect the "eggs", the Singularities used by the conglomerates. The Backstreets are dangerous, hectic, and generally unkempt, and its citizens live precarious lives under the constant threat of death. While there are some who may benefit from the cruel, somewhat barbarous nature of the Backstreets, it would be nigh-impossible to find a resident who actively enjoys the lifestyle. Despite the harshities of the Backstreets, its residents continue to live on as best they can even with their circumstances. Depending on factors such as strength, wealth, or the District, some may have an easier day-to-day life than others. Additionally, the Backstreets still supply access to the various amenities that anyone would need, including through restaurants, clothing stores, dry cleaners, and groceries. Technology is also available, while greatly varied depending on what one can afford. The quality and advancement of Backstreets technology is inconsistent and scattered throughout, ranging from rudimentary to high-tech.

Fixers: Fixers are the handymen of the City, who can be hired for a wide range of contracts, ranging from everyday errands to active combat. Anyone becoming a Fixer requires a license from the Hana Association and from there they are free to take on any request so long as they report their performance back to the Association after the job is complete. The majority of Fixers will find themselves working as a part of an Office, a type of business owned and operated by Fixers that is overseen by the Associations. A rare few Fixers operate independently. Fixers act as contractors that cover a wide variety of roles in society, working on commission. They often handle lines of work which are considered more dangerous or more specialized than those of average citizens, including direct combat, assassinations, or protection, as well as less violent roles such as trading information, espionage, investigative work or enforcing contracts. To some level, they may act as peacekeepers, being hired to take up jobs more specific to those that hire them. The specialization and accomplishments of Fixers in fields that a majority of citizens do not have allows them to garner great bounds of attention and popularity. Association: Fixer Associations, or Associations are large, well-known organizations made up of Fixers and Offices. There are 12 total Associations in the City, each of which possess their own unique area of expertise and code of conduct. Fixer Associations may be hired by anyone, so long as they pay the expected fee. The 12 Associations are the major collective that controls the flow of Fixer work, each of them specializing in a different field. Associations are in charge of their affiliated Fixer Offices (known as Associate Offices), and the Fixers who work for them directly (known as Associate Fixers). Cases requesting the work of Fixers are sorted according to type.

Syndicate: Syndicates are a type of organization in the City, and can be seen as the unregulated counterpart to Fixer Offices. They are most commonly found in the Backstreets, but larger, more powerful Syndicates can rarely be found in Nests as well. "Syndicate" is a purposefully vague and broad term that can be used to describe essentially any group of people who work together in an organized, but unregulated, group. Syndicates can do all sorts of activities, and be involved in various types of business, leading to groups with very little in common both being able to be referred to as a Syndicate. Some Syndicates focus on extorting money from people for protection, while others abduct people, kill for fun and pleasure, or do anything in between. They can be small groups that only exist in one corner of the Backstreets or large enough to exist in every District in the City. As many Syndicates operate as a business, they have the same rights and obligations as the other businesses of the City such as being able to hold patents on technology and needing to pay taxes. Many Syndicates have a culture focused around replicating family dynamics, and consider each other family, with some even referring to each other with familial terms. This can result in Syndicates with a strict focus on respect for those who are higher ranked or in Syndicates who care deeply for each other and protect one another at any cost. Syndicates are typically an enemy of Fixers, but they are, on a broader scale, complimentary parts of the City that can't exist without each other. Syndicates and their violent activities are the cause of many of the problems Fixer Offices accept contracts to handle, meaning that while their job is to kill Syndicate members, many Fixers would be out of work if they were to completely go away.