Limbus Company (RPG)

Name: Yi Sang (이상) Sinner Number: #01. Age: 29-26 years Height: 176 cm (≈ 5′9″) Associated color: “Dreamy Grey” (#d4dfe8) Voice in the original Korean version: Min Seung-woo. Date of birth: 1/1/???? (yes, the “????” is because it is not specified)

Appearance She has an average build and pale skin. Black hair, somewhat messy at the ends. Dark black eyes, with pronounced bags under them. He wears a long Limbus Company (LCB) coat over his shoulders, quite battered at the bottom (burns/tears). Underneath: a long white shirt, a red tie, a black vest, all tucked into his belt. His coat is inscribed with “NO.O1” on the left chest and “YI SANG” on the side. His preferred weapon: dagger, carried on his left side (belt + leg strap) according to his basic identity.

Personality He's a cryptic, reserved type. He doesn't stand out at first because he speaks little and observes more than he acts. When he speaks, he does so in a monotone, with enigmatic phrases. His expression rarely changes. He doesn't seem malicious. In fact, he seems to care about people in his own way, even though he finds it hard to connect with them. He is deeply despondent: it is revealed that after the dissolution of the League of Nine and traumatic events, he believes he has no will of his own. He feels that life is slipping away from him. Socially he is awkward: he is easily distracted by topics that interest him, he does not understand sarcasm, and he interprets jokes literally.

Origins and early days Yi Sang comes from District 19, a slum in the City within the game's universe. He was part of a group of researchers/inventors called the League of Nine Literateurs, along with figures such as Gubo, Dongrang, Dongbaek, Aseah and others. While working as an architect for T Corp. (high-tech district), Yi Sang funded the League with his earnings: he designed factories for producers, which gave him resources to support the group's research. Within that group, Yi Sang developed an artifact known as the "Mirror" (or "Yeonsim"), based on a previous idea ("Glass Window") by another League member, Young-ji. This mirror allowed one to see alternate worlds or different timelines.

League's downfall and personal collapse The League began to have problems: Mirror's technology attracted the attention of corporate wings that wanted to exploit those discoveries. There was a raid by T Corp. that dismantled part of the League. Yi Sang, shocked by what had happened, found himself displaced, without a clear direction. Following that event, Yi Sang was rescued by Gubo and taken to an N Corp. laboratory, where he was kept confined, sedated, and working on his Mirror under oppressive conditions. During that time, his mental state deteriorated: apathy, guilt, a feeling that he no longer had his own will. He became passive, an observer rather than an actor.

Escape and joining Limbus Company: Yi Sang decided to defect from N Corp. when they asked him to use his research to destroy all the possibilities reflected in their Mirror. He refused to participate in that project. At that moment he was found by Faust, who invited him to join Limbus Company as “Sinner #01”. When he arrives at Limbus Company, Yi Sang remains very reserved. But in the mission "Canto IV: The Unchanging," he confronts his past directly, allowing him to begin healing and accept his ability to "fly" again (a metaphor for leaving his trauma behind).

Designated as Sinner No. 2 (Sinner #2) of Limbus Company.

Associated color: “Cerebral Pink” (#ffbfb4) according to the wiki.

Gender: Female.

Height: 174 cm (≈ 5′8″).

Date of birth: 2/2/????

Appearance and style

Faust has a neat, almost clinical appearance, which at the same time suggests an aura of quiet arrogance. His hair is silvery-white, medium-length (shoulder-length), with blue-gray eyes and pale skin. He frequently wears a long, dark coat over a black leather vest, along with tailored trousers. His posture is upright and measured. In certain flashbacks, he appears with a different hair color (gray-brown) and a brown coat, suggesting a look prior to his full integration with Limbus Company.

Personality Faust is observant, extremely intelligent, and has no qualms about demonstrating her superior knowledge. She is described as having an egocentric and proud attitude. Although he speaks little compared to other characters, he does so confidently and precisely, making it clear that he knows more than he lets on. This reluctance to reveal his full past or his motivations creates an air of mystery. Furthermore, there is a duality: on the one hand, an analytical mind that seeks structures, information, control; on the other, a person who seems to limit their personal relationships — which leads other characters to distrust or feel excluded from their circle.

Faust is one of the most enigmatic figures in the Limbus Company universe. Unlike most of the Sinners, his past is interwoven with power, arrogance, and corporate crime. He is not a victim of the system; he is a functional cog in it. He was born and raised in the City, likely in one of the Nests, within the domain of one of the Wings, corporations that govern the urban sectors. From a young age, he displayed superhuman intelligence: a mind geared toward calculation, theory, and technological manipulation. It is said that he never had a teacher; he simply understood. Throughout his professional life, Faust worked for T Corp., one of the Wings companies responsible for time manipulation. There, his genius shone, but so did his contempt for authority. He accepted no limits, neither of time nor of morality. His goal was to master the foundations of knowledge—to understand everything, without depending on anyone else. During this period, Faust began developing a secret research network: a system that shared information between versions of herself. This network functioned as a collective mind of "other Fausts" in different lines of research or perhaps parallel realities. It was, in essence, a swarm of knowledge. This network allowed her to acquire knowledge that no human should possess. Over time, ambition turned to corruption. Faust stole the blueprints and designs for an experimental transportation project from T Corp., which used principles of time manipulation to move between impossible spaces. He didn't just steal them: he sent fixers (hired assassins) to eliminate the original inventors and cover his tracks. With their stolen knowledge, he rebuilt the vehicle, giving it his own touch and name: Mephistopheles. When she was discovered, her reputation plummeted. Her former colleagues denounced her, and her knowledge network began to fracture. Some theorists claim that this disconnection was literal—

that the other “Fausts” with whom she shared knowledge were eliminated or sealed—, which left her isolated, for the first time, with only one mind.

For an indeterminate period, Faust vanished from the City map. When she reappears, she is no longer part of T Corp., but rather a member of Limbus Company, a mysterious organization with ties to the very depths of corporate hell. She herself claims to have recruited Vergilius and Charon, and to have played a key role in the creation and activation of Limbus's devices and operational structure.

Despite her downfall, she maintains an air of superiority. She doesn't consider herself a fugitive, but rather a researcher who simply followed the logic of progress. Everything she has done—stealing, manipulating, murdering—she justifies as inevitable steps toward achieving knowledge.

Thematically, Faust represents the idea of ​​intellect transformed into sin: the desire to know so much that you destroy your own soul. Her story is not that of a martyr, but that of a broken god who still believes he is right.

Name: Don Quixote (돈키호테) Sinner Number: #03 Age: 25-28 years approx. Height: 158 cm (≈ 5′2″) Associated color: “Oblivion Yellow” (#ffef23) Voice in the original Korean version: Kim Yea-lim Date of birth: 3/3/???? Appearance Slender build, fair skin. Short blonde hair, bob cut. Deep, expressive hazel eyes. He wears a long black Limbus Company (LCB) coat draped over his shoulders, with a white shirt, red tie, and black waistcoat, all tucked into his belt. His coat is inscribed with “#03” on the left breast and “DON QUIXOTE” on the side. His preferred weapon: a huge spear called IMPOSSIBLE DREAM, carried in his right hand according to his basic identity. Personality He is energetic, idealistic, and passionate. He speaks in a theatrical, exaggerated, and grandiloquent manner, as if he were always playing a role. He has a deep sense of justice and a desire to protect the innocent, which sometimes leads him to act without considering the risks. He does not act with malice; his impulsiveness stems from his chivalric ideals and his enthusiasm. Behind his exaggerated facade lies sincerity, optimism, and a genuine desire to do the right thing, even if his methods are impulsive.

Before becoming what he is, he existed as "Sancho." He was born in District 16 (in "The City") and his life before was quite miserable and lonely.

She was found by a Bloodfiend who calls himself Don Quixote (first generation / Kindred) and agreed to become his “Second Kindred”.

Together they founded the amusement park "La Manchaland" with the vision that humans and Bloodfiends could coexist. Eventually, things took a tragic turn: the Kindreds, the family who oversaw the park, rebelled, caused chaos, Don Quixote Sr. was captured, and so on.

In the game's main story (Canto VII: "The Dream Ending"), Don Quixote appears directly as a key character and his background is revealed, including the transmission of the title of Don Quixote to Sancho (now she) after a final duel.

Name: Ryōshū (良秀 / 료슈) Sinner Number: #04 Age: Not officially specified Height: 172 cm (≈ 5′8″) Associated color: “Smoky Scarlet” (#cf0000) Voice in the original Korean version: Yi Sae-ah Date of birth: 4/4/???? Appearance She has an average build and fair skin. Black hair in a sleek bob cut and intense red eyes that sometimes seem to shine with an almost euphoric tone. He wears the Limbus Company (LCB) long coat draped over his shoulders, secured with a buckle on his right arm; he is not wearing a tie and his white shirt is untucked. The coat is inscribed with “#04” on the left chest and “RYŌSHŪ” on the side (according to identification cards). His preferred weapon: a long ōdachi sheathed on his back, with complex inscriptions on the sheath and a golden handle decorated with a butterfly pattern, although in battle he usually keeps it sheathed in its basic form. Personality He is an individualistic, frank, and difficult person to deal with. She speaks little and frequently uses acronyms or abbreviations of longer phrases (which she calls INDENTRY) because she considers it more efficient. He maintains a hostile attitude towards many of his colleagues and does not follow common courtesies; he is irritated that others do not understand his abbreviations. He has a unique definition of "art," seeing intentional and stylized violence as a form of aesthetic expression, although he despises purposeless violence. He may seem insensitive or distant, but his behavior reveals that he values ​​certain relationships in an atypical way, showing patience with some colleagues like Sinclair and in specific contexts he can even pay attention to other people's emotions.

Name: Meursault (뫼르소) Sinner Number: #05 Age: 29-32 years approx. Height: 188 cm (≈ 6′2″) Associated color: “Decay Blue” (#293b95) Voice in the original Korean version: Lee Jae-won Date of birth: 4/4/???? (not specified) Appearance Tall and thin build, pale skin. Short, black hair, simply styled back. Green eyes with a penetrating, almost always expressionless gaze; thin, arched eyebrows. He wears the Limbus Company (LCB) uniform, consisting of a long-sleeved white shirt, red tie, and black waistcoat under a long, dark, knee-length coat. His coat is inscribed with “#05” on the left chest and “MEURSAULT” on the side. He wears gauntlets on both hands, although his main weapon varies depending on his identity; in combat he uses melee techniques and strategic strength. His demeanor conveys absolute control, precision in every movement, and a distant air that makes him seem cold and inaccessible. Personality Cryptic, reserved, and extremely analytical. He speaks little, in a monotonous, direct and unadorned tone; he rarely changes his facial expression. He doesn't seem malicious and acts according to logic and efficiency rather than emotions. He has difficulty connecting with others, although he cares about them indirectly. He is strategic, meticulous, and observant; he constantly evaluates his environment and possible actions before deciding. He tends to show emotional detachment, but possesses a firm determination that guides his decisions and actions.

He spent time working for N Corp. Before joining Limbus Company, he was employed at N Corp. in the Wing division. There he tried to understand and form an opinion on N Corp.'s ideas (especially their ideal that pain is necessary to be human), but he never came to a firm conclusion. 2. He used to be more expressive. Back then, he wasn't as quiet and reserved as he is now. He used to elaborate on his thoughts more, but when he noticed that people didn't accept or understand what he was saying, he stopped sharing those reflections. 3. He spent time “wandering in search of life’s joys.” As mentioned in Canto V, Meursault decided to venture out and experience life beyond his routine. During this period, he explored different facets of life, learning various skills such as cooking, massage, and even physical combat. 4. He had his own daily habits. Part of that past includes seemingly mundane things, like reading the newspaper every morning to keep up with the events in the City. 5. Memories from his childhood haunt him. In his narration, he mentions that when he was a child, his mother scolded him in a way that he compares to how Outis scolds other characters in a scene from Interval III. That's what the official lore offers so far about his history before the events of the game. There are no ultra-specific details about dates, nor about exactly how he left N Corp., nor any super-dramatic events like secret conspiracies—what we have are fragments that show he went through several stages of introspection, personal exploration, and behavioral change.

Name: Hong Lu (홍루) Sinner Number: #06 Age: Unknown (approx. late 20s to early 30s) Height: 178 cm (≈ 5′10″) Associated color: “Naïve Cyan” (#5bffde) Voice in the original Korean version: Kim Sin-woo Date of birth: 6/6/???? Appearance Hong Lu has an average build with pale skin. His hair is black and very long, tied in a high ponytail with a cyan-colored ribbon, a constant feature in most of his identities. He has heterochromia: his right eye is a dark, almost black, shade, and his left eye is a bright cyan that contrasts with his overall appearance. He wears the Limbus Company uniform: black trousers, a long-sleeved white shirt with a red tie, and a black waistcoat under a long coat that reaches almost to his ankles. His number 06 is inscribed on his coat, and he wears a metal pin with his name on it. His main weapon in his basic identity is a long guandao, known as “太虛幻境” (Illusory Land of Great Void), which he handles with his right hand. Personality Hong Lu is curious and has a carefree air that sometimes feels almost childlike. His curiosity stems from having lived a sheltered and comfortable life before joining Limbus Company; this leads him to ask questions that others consider out of place or insensitive, although he has no ill intentions behind it. He speaks little, observes a lot, and rarely shows strong emotions. His tone of voice is usually calm, and his expression is difficult to read. His lack of social tact is not due to cruelty, but rather to a lack of understanding of complex social norms and a direct and literal communication style.

Hong Lu was born into a wealthy family, with a sheltered environment that allowed him to grow up without major material worries, but under strict expectations of behavior and success. From a young age, he displayed an insatiable curiosity and above-average intelligence, which made him stand out, although it also isolated him socially: he didn't always connect with others his age, and his direct questions and attitudes made him seem odd to those around him. During his adolescence, Hong Lu began training in martial arts and the use of long guns, primarily the guandao, as part of the traditional upbringing his family valued. This training not only gave him physical prowess but also fostered discipline and self-control, traits that are reflected today in his calm and calculating demeanor. Following a traumatic family event—which is never fully detailed—he began to emotionally distance himself, learning to hide his true feelings and maintain a calm facade in front of others. This emotional isolation prepared him to join Limbus Company, where he could put his keen observation and combat skills to use without relying on social recognition.

Name: Heathcliff (히스클리프) Sinner Number: #07 Age: ??? (appears to be in her late 20s–30s approx.) Height: 180 cm (≈ 5′11″) Associated color: “Furious Violet” (#4e3076) Voice in the original Korean version: Hong Seung-hyo Date of birth: 7/7/???? Appearance Tall and well-defined build. Dark brown hair, somewhat messy, parted to the right. Dark violet eyes with slanted pupils, thick eyebrows with cuts, and multiple scars on arms and cheeks. He wears the white Limbus Company (LCB) shirt with the sleeves rolled up to his elbows, a red tie, and black trousers with a dark belt. His uniform does not include the typical long coat; instead, he wears a cross-body holster with his ID hanging over his right side. His weapon of choice: a long metal bat with bandages on the handle and the word “REVENGE” written on the shaft, which he carries slung over his right shoulder in his basic identity. After significant events, he modifies it to say “REmember.” Personality He is impulsive, explosive, and aggressive: he prefers action to waiting for logic to decide. Speak frankly and directly, expressing your emotions clearly without hiding them. He tends to resort to violence as a first response, but he is not malicious per se: his anger usually stems from feeling underestimated or looked down upon by others. Despite his temperament, he shows loyalty and consideration towards those who show him respect and treats his colleagues almost like family. He has difficulty with orders and hierarchies, preferring that people prove their worth with actions rather than words. Her most vulnerable and sincere sides emerge in relation to Catherine, her love, where she shows fragility, sorrow, and deep affection.

Heathcliff was born into an extremely poor and dysfunctional family. His mother neglected him, and his father was absent, forcing him to learn to fend for himself from a very young age. He grew up in a dangerous neighborhood, surrounded by violence, crime, and corruption, where brutality was the norm and survival depended on physical strength and cunning. From childhood, he had to fight to protect himself from older thugs and hostile neighbors, which shaped his aggressive nature and his distrust of adults. During his adolescence, Heathcliff was the victim of constant bullying and humiliation, which reinforced his impulsive personality and his tendency to respond with violence rather than words. However, he also developed a strong sense of personal justice: those who were weak or unfairly treated awakened in him an almost irrational protective instinct. During this period, he met Catherine, his first deep emotional connection. Their relationship was the first to partially soften his aggressive nature, teaching him to open up and value human affection, though always with a certain fear of loss and betrayal. The separation and subsequent conflicts with Catherine left lasting emotional scars, reinforcing his hardened character and distrustful attitude. As he grew older, Heathcliff became involved in more organized street fights and conflicts with local gangs, where he honed his strength and combat skills. His reputation as a violent but respectable individual began to grow, and this eventually caught the attention of the Limbus Company, who recruited him for his fighting prowess and fierce determination.

Name: Ishmael (이스마엘) Sinner Number: #08 Age: Not officially specified Height: 171 cm (≈ 5′7″) Associated color: “Isolate Orange” (#ff9500) Voice in the original Korean version: Jang Ye-na Date of birth: 8/8/???? Appearance She has an average build and fair skin. Voluminous orange hair reaching her knees, with soft waves; she wears a thick ribbon made of rope with white bows on the sides as a memento of Queequeg. Hazel eyes that sometimes appear yellow or orange, with prominent eyelashes and freckles scattered across her nose and cheeks. He wears a long Limbus Company (LCB) coat with his name and number printed on it, though the bottom of the coat is ripped at the waist, cutting off the last letters of his name. Underneath the coat, he wears the standard white shirt, red tie, and black waistcoat tucked into his belt. His preferred weapon: a black mace with a white radial stripe and a circular shield with the word "HEARSE" inscribed on it, carried in his hand and on his back according to his basic identity. Personality She is calm, pragmatic, and direct, relying on sound judgment and common sense rather than formalities. He speaks frankly and sometimes critically about impulsive decisions by others, expecting consistency even from his superiors. She may seem distant or antisocial at first, but she is not malicious; she simply prioritizes logical analysis and effectiveness. He is loyal to those who demonstrate integrity, but if someone breaks his trust, he does not forget easily. Although she usually maintains her composure, her past at sea made her tenacious and stubborn, especially when something really matters to her.

Before joining Limbus Company, Ishmael worked as a sailor on the ship Pequod under the command of Captain Ahab, traveling across the vast body of water of the Great Lake. During that voyage, the Pequod was attacked by the Pale Whale, destroying the ship and killing most of its crew. Ishmael was the sole survivor, remaining afloat for days clinging to the coffin Queequeg had made for himself, which saved her life. After the shipwreck, he spent years working as a Fixer —carrying out missions in Outskirts and ruins— with the hidden goal of finding Ahab and getting revenge on her, believing that the captain may have survived. He eventually signed with Limbus Company as Sinner #08, bringing with him his experience in navigation, combat and survival, along with a determination tempered by the trauma of the Great Lake and the loss of his former crew.

Name: Rodion (로지온) — better known as Rodya Sinner Number: #09 Age: Not specified Height: 183 cm (≈ 6′0″) � Associated Color: “Lusty Burgundy” (#820000) Voice in the original Korean version: Yoon A‑young Date of birth: 9/9/???? Appearance: Tall and well-built, pale skin. Long, slightly messy, coppery-brown hair reaching her hips; deep blue eyes with orange eyeshadow and a mole under her right eye. He wears the standard Limbus Company (LCB) uniform: white shirt, black trousers, black vest and a long coat marked “RODYA” and “NO.9”; he does not wear a tie and leaves his collar loose, in addition to wearing a thin black choker. He has a tattoo of an anatomical heart divided by an axe on his left chest. His preferred weapon: an axe with the word “РАСКÓЛ” (which means “division”) engraved on the head, carried in his hand according to his basic identity. Personality Rodion is extroverted, relaxed, and sociable, valuing relationships with her peers and preferring informal speech and affectionate nicknames for others. He enjoys fun, leisure, food, and money, and often comments on how unfair life is for the poor, reflecting his disdain for boredom and wasting time. Although her way of speaking and her light laughter seem carefree, this hides deep insecurities: she feels that she is not special, she finds it difficult to confront her past and she seeks external validation. When her story is brought up, she can become serious, cold, or uncomfortable, showing that beneath her jovial demeanor lie unresolved emotions and frustration.

Rodion was born and raised in District 25 Backstreets, an impoverished area marked by strong economic inequalities, corruption, and a scarcity of resources. Driven by the injustice she experienced, she joined an organization called Yurodiviye along with her friend Sonya to try to improve the conditions of the district's inhabitants. Over time, Rodion began to grow frustrated with the group's passive debate tactics and their focus on waiting for the "perfect moment," feeling that it didn't really help people who were suffering. Impulsive and determined, in an attempt to act on her own against oppression, she confronted and killed a corrupt tax collector who mocked her attempts to change the situation. The retaliation from the oppressive forces was brutal: the community she was trying to protect was massacred, and Rodion was left scarred by guilt and the weight of her decisions. Struggling with those memories and her insecurity, she finally cut ties with Yurodiviye and was recruited by Limbus Company as Sinner #09. Despite joining the group and forging bonds with her companions, she still struggles to leave behind her past frustrations and find peace within herself.

Name: Sinclair (에밀 싱클레어) Sinner Number: #11 Age: Approximately 20-30 years (not specified exactly) Height: 164 cm (≈ 5′5″) Associated color: “Immature Green” (#8b9c15) Voice in the original Korean version: Kim Da-ol Date of birth: 11/11/???? Appearance She has a small build for her age and fair skin. Short, slightly wavy blond hair; golden eyes that stand out against her nervous expression. He wears a Limbus Company (LCB) overcoat with his ID hanging on the left shoulder strap, over a plain white shirt tucked into a black belt with black suspenders, black suit trousers, a red tie, and black oxford shoes. He wears black gloves. His preferred weapon: a halberd called VOGEL, about 180 cm tall, which he wields with both hands in his basic identity. Limbus Company Limbus Company Personality He is a shy, introverted, and anxious person who avoids confrontations whenever possible and fears the violence of the world. He doesn't stand out at first because he speaks little, observes a lot, and doubts himself frequently. Their tone of voice may be hesitant, with internal monologues about their doubts or memories of how others would have acted. He is not malicious; in fact, he shows a marked empathy and desire for compassion, even towards animals or beings that others would despise. Her innocence and lack of disillusionment with the cruelty of the world stem from a sheltered and relatively privileged life before joining LCB. When faced with traumatic memories or intense emotions, he may lose control and unleash unexpected violence, showing that his character is not as weak as it appears on the surface.

Sinclair was born in Calw, a town known for its prosthetic body industry, into a well-to-do family that led a quiet and sheltered life. His father ran a small prosthetics company, and his family deeply valued advanced technology, even partially replacing their own bodies with prosthetics, which instilled in Sinclair a mixture of admiration and unease. During his childhood, Sinclair grew up surrounded by luxury and stability, but also by a rigid, perfection-obsessed environment. This made him introverted and anxious, accustomed to observing before acting and afraid of disappointing his family. His emotional isolation increased when he began to notice that he couldn't fully connect with his parents and sister because of his human perspective versus their prosthetic obsession. His life changed drastically when the N Corp. Inquisition, led by Kromer, attacked his home. During the assault, his family was massacred and largely destroyed by the prosthetic defenses they had developed themselves, leaving Sinclair traumatized, orphaned, and alone. This event instilled in him a deep distrust of violence and extreme technology, as well as a persistent fear of losing control over himself and his surroundings. After surviving the attack, Sinclair wandered aimlessly until he encountered Demian, who encouraged him to confront his fears and find a purpose beyond pain and loss. Eventually, he was recruited by Limbus Company as Sinner #11, where he was able to put his skills to use and learn to manage his anxiety, transforming his vulnerability into strength.

Outis is Sinner #12 in the LCB department of Limbus Company.

Its theme color is “Militant Olive” (#325339).

Height: about 175–177 cm.

Appearance

Her skin is olive/brown in tone.

Hair: brown, short, practical — without luxuries or artifice.

Eyes: brown (or light brown, depending on the art).

Typical attire: short black jacket, white dress shirt, red tie, black dress pants, black combat boots. His uniform looks professional, understated, and without unnecessary embellishments.

Accessories: She wears two gold earrings in her left ear, and a broken (or damaged) wristwatch on her left wrist.

Weapon: In combat he wields a modern kopis (a curved sword), with his name “OYTIS” engraved on the blade.

🔹 Personality and background

Outis is a veteran of the war known as the Smoke War — her wartime past shapes her personality: strict, tactical, direct, and with no patience for weaknesses.

He has a tendency to judge those around him based on his previous combat experiences; he is easily distrustful.

His way of thinking is cold, pragmatic, focused on efficiency, discipline, and results.

Even so, she is not a docile little soldier: if something doesn't sit right with her, she doesn't hesitate to question orders or criticize superiors — as long as it doesn't directly harm her.

His motivation appears to be rooted in a long, grueling career filled with war and movement — before joining Limbus Company he “wandered through distant lands for many years” according to his profile.

Name: Gregor (그레고르) Sinner Number: #13 Age: 27-30 years approx. Height: 185 cm (≈ 6′1″) Associated color: “Rust Brown” (#7b4f3a) Voice in the original Korean version: Kim Jae-hyun Date of birth: 12/9/???? (not specified) Appearance Athletic and muscular build, fair skin with visible scar marks. Short, slightly tousled black hair. Dark brown eyes with a penetrating gaze and thick eyebrows. He wears the Limbus Company (LCB) uniform adapted to his style: a long-sleeved white shirt, a black waistcoat, and a red tie under a dark, knee-length coat. "#13" is inscribed on the left breast of his coat, and "GREGOR" on the side. His right arm is a bio-insectoid prosthesis with partial regeneration capabilities, which is visually integrated into the design of his uniform. His primary weapon varies depending on his identity, but in his basic identity he uses gauntlets that amplify his physical strength, and sometimes combines melee attacks with his modified right arm. Personality Resilient and stoic, but with an intense emotional background. He may seem cold and distant, but he has a strong sense of responsibility towards those around him. Rational and strategic in combat; acts based on analysis and survival rather than emotion. Deep trauma from the experiments and war he suffered in his youth, which causes him some social isolation and difficulty in fully trusting. Despite this, it maintains an ethical core: it avoids unnecessary harm and protects the weakest whenever possible. He speaks directly, with a serious and firm tone, rarely showing humor or exaggerated expression.

Gregor was born into a difficult environment and from a young age was subjected to the strict authority of his mother, Hermann, who forced him to participate in experiments by Old G Corp. These experiments were designed to transform his body and mind: his right arm was replaced with a bio-insectoid prosthesis capable of regeneration, and he was kept in isolation performing repetitive tasks (such as cutting apples over and over again) as part of his training and psychological control. During his adolescence, he was recruited for the Smoke War as part of the Old G Corp. forces, where he quickly rose to the rank of Manager. There, he proved his effectiveness in combat, combining the strength of his right arm with precise strategies, becoming a symbol of hope and power for his comrades. However, he never sought fame; his image was used in war propaganda without his consent, generating feelings of alienation and pressure within him. After the war, Gregor tried to lead a "normal" life, but the effects of the experiments and the traumas of war haunted him: his bio-insectoid arm would sometimes act autonomously, further isolating him from society and causing him guilt and fear. Eventually, he managed to stabilize emotionally and joined Limbus Company as Sinner #13, accepting his role within the organization while seeking to reconcile his past with his present.

Name: Dante (단테) Sinner Number: #10 Age: Not specified Height: 176 cm (≈ 5′9″) Associated color: “Inferno Red” (#b01c37) Date of birth: ???? (not specified) Appearance: Has an average build. Its most distinctive feature is its prosthetic, clock-shaped head, with no numbers on the dial; instead, it has two red circles and golden hands that advance as the Cantos progress. Black and gold flames emerge from the top and back of the clock, flames that never go out. He wears a special long coat from Limbus Company (LCB) in red, yellow, and white, different from the standard uniform of the other Sinners, indicating his role as Manager. The coat is inscribed with “NO. 10” on the lapel and “DAN TE” on the side. Underneath the coat, he wears a long-sleeved white shirt, a red tie, black trousers, and a white belt. His weapon is not traditional like the other Sinners; his clock head is part of his ability, as it allows him to "rewind" moments and revive Sinners when they fall. Personality At first he is quiet, passive and lacking in confidence, especially because he has no combat experience and lost all his memories before joining the team. As Manager, he has difficulty controlling the Sinners in the early Cantos and relies heavily on others like Ishmael or Outis to maintain group cohesion. As the songs progress, he gains self-confidence and assumes real leadership, getting the rest to trust his decisions and direction. He has a lighthearted and witty side, often joking about his own clock head to relieve tension even in serious moments. Although initially intimidated by Sinners with violent tendencies like Heathcliff, his role evolves into that of a guide and protector of the group, using his skills to guide them and keep them alive.

Name: Vergilius (베르길리우스) Role: Limbus Company Guide / Color Fixer (Red Eyes) Age: Unknown (approx. 30-40) Height: 185 cm (≈ 6′1″) Alias: "Red Gaze"

Appearance A man of slender build, with exceptionally pale, almost gray, skin. A visible scar runs across his face from his left eyebrow to his right cheek. His hands are also scarred. He has short, straight, gray hair, parted in the middle. His red eyes glow when he's angry (the origin of his nickname). He wears a dress shirt buttoned carelessly, a striped jacket with a badge on the left lapel, black or gray trousers, and shoes. He wears an earring in his right ear.

Upgrades and Weapon His body has been enhanced with synthetic muscle fibers (especially in his legs). His weapon of choice is an orange gladius that can be heated at will.

EGO He wears a red leather pauldron over his right shoulder, from which a trickle of blood flows to the ground. A green laurel wreath with blood-red thorns drips blood onto his face. His gladius turns bright red, soaked in blood.

Personality Cynical, blunt, and sharp-tongued. Emotionally distant from the Sinners, whom he sees as unruly children he must keep an eye on. He doesn't hesitate to threaten them with extreme violence or use it to discipline them. However, his cruelty is a facade to avoid getting close to colleagues again, after losing his position and the children at an orphanage to The Ring. He feels sympathy for Charon and considers Dante a kind of confidant. Ambivalent about his title of Color, he rejects the idealization of others. He carries deep guilt for his past, which includes destroying entire families, leading him to care for orphans.

Name: Charon (카론) Role: Conductor of Mephistopheles / Pupil of Vergilius Age: Unknown (childlike appearance) Height: ~140 cm (≈ 4′7″) Alias: "The Driver"

Appearance A short girl with grayish skin. Drooping, gray eyes with a blank, expressionless gaze. Silver hair with bangs that cover her ears. At the back, it is tied up in two thin pigtails that reach the floor.

She wears a greyish-green, ecclesiastical-style outfit: a long, ankle-length dress, a tall, brimless hat with silver trim, and a cruciform mural. The dress has a high collar, a very low neckline, a layered skirt, and rounded hems. She wears a pleated white blouse with a cross on the chest, black boots with white laces, black gloves, and two black belts with silver buckles.

He carries a square-shaped black oar.

Personality Laconic, quiet. Her few words are direct and brief. She lives in her own world. She is neither shy nor fearful around the Sinners. She keeps to herself, with no interest in friendships. She is stubborn and unwavering (e.g., refusing to learn to use maps).

She has a childlike personality: she uses expressions like "Vroom-vroom" or "Shimmy-shaky," and speaks of Mephistopheles as if he were a living being ("Mephi is hungry"). She refers to herself exclusively in the third person.

Relationship with Vergilius She has a pre-established relationship with Vergilius, her tutor, who treats her almost like a daughter. She shows a more childlike and needy side with him. However, she has lost some memories of the time they spent together (e.g., she contradicts herself on whether she hummed when she was sad or happy). Vergilius describes her as "going through a long tunnel with no end in sight."

The interior of Mephistopheles is a functionally and aesthetically strangely labyrinth, designed for both transport and as a mobile base of operations. From the front entrance, one accesses the driver's cab, which features a raised main seat, panels filled with buttons and levers, and a large steering wheel with gauges and pressure gauges indicating mysterious variables such as "Travel Time" and "Identity Integrity." The cab is decorated with dim yellow lighting and aged metallic details, giving it the feel of a living machine. Behind the cabin is the main corridor, carpeted in dark red with gold trim, leading to several doors on either side. Each door opens into an individual Sinner's room, small but functional, furnished with single beds, shelves for personal belongings, and small desks. The rooms are numbered and labeled, reflecting each Sinner's identity. The main corridor branches off to the rear area, known as the Backdoor, a larger space with common areas: fixed bus-style seating, work tables, lockers, and a small meeting room. Access to internal sublevels is also located there, serving as maintenance corridors, equipment storage, and concealed areas for special operations. The lighting system combines white artificial light with warm yellow lights, creating an almost theatrical atmosphere. Some areas have small windows with grilles, allowing a view of the outside, while others are completely sealed, reinforcing the feeling of secure isolation. The entire interior is imbued with a lively mechanical atmosphere, where you can hear buzzing, vibrations, and the creaking of the wheels and engine, giving the impression that the vehicle breathes and feels along with its occupants. If you'd like, I can make a detailed conceptual map of the interior, describing each area and its functions within Mephistopheles.

The City is a sprawling, densely populated urban area divided into 26 Districts; District 26 does not appear on any city map. The Districts are further divided into a Wing-run Nest, where the upper-middle class (high-ranking Agents, Wing employees, etc.), known as Feathers, reside, and its Back Alley, which houses the rest of the population. It is surrounded by a region of squalor and lawlessness known as The Outskirts, which intersects with Black Forest in the city's southwest region. Beyond The Outskirts lie The Ruins, the overgrown remains of a world devoid of law and oversight.

District 12/ Lobotomy Corporation Lobotomy Corporation is a parapsychology research group that promotes itself as an "eco-friendly" energy company. Most of its advancements remain completely hidden from the public, with the exception of enkephalin, an addictive substance that also functions as an energy source and constitutes its primary source of revenue. Lobotomy Corporation collapsed, both literally and figuratively, once its initial goals were nearly achieved, but it appears to be resurfacing.

District 16/P Corporation The main function of P-Corporation is still unknown, but several of its products were taken into custody by Lobotomy Corporation due to their dangerous and supernatural properties.

District 18/ Republican Corporation R-Corporation operates as a private military contractor for other Wings. It possesses sufficient wealth and influence to remain unaffected by the City's gun control laws and utilizes vast quantities of corrosive, mind-altering, and life-evaporating exotic ammunition. Its most prominent team is Rabbit Team, but it also boasts other, even more destructive, teams such as Reindeer Team and Rhino Team. Rabbit Team eliminates every person and anomaly it encounters on its mission, without distinguishing between friendly fire and that of its comrades. Reindeer Team uses psychic means to power its weapons, but this takes a toll on its own mental health the more they fight. Rhino Team annihilates absolutely everything in its area of ​​operations.

District 23/ Warp Corporation District 23 is one of the city's largest districts and is located near the outskirts. It is notorious for the widespread cannibalism among its residents in the backstreets. The Warp Corporation is a vital enterprise, fulfilling the city's transportation needs; its warp trains travel from one station to another in ten seconds.

In the City, there exists a group of 26 megacorporations called World Wings, or simply Wings, each ruling one of the City's Nests. Each Wing possesses a Singularity, a special technology that defies the laws of physics and reality. Because they possess these highly valued and expensive technologies, the Wings receive patents from the Chief, which they jealously guard. The Wings also take over a Nest in a district when the previous one falls, assuming its leadership. They are one of the major factions in the world.

Each Wing has authority over a Nest in a District. However, the recent collapse of Lobotomy Corporation (L Corp) means that their position is currently vacant and there is no official governance in their Nest L territory.

The Wings directly oversee all aspects of life in their Nests and generally leave the Alleys of their district to fend for themselves. However, the Wings remain the ultimate authority in their district and will not hesitate to punish violators who break the established rules. For example, N Corp. employs specialized Agents called Taboo Hunters to capture or eliminate any violators of District 14's taboo, whether in the Alleys or the Nest. Each District has its own set of taboos, though it is not known for certain whether each Wing treats violators in the same way.

Each Wing possesses its own distinct cultural style and social structure, reflected in how it governs its Nest. The policies established by the Wing also determine the way of life in the Alleys of the District. The Wings have varying degrees of presence, influence, and benevolence toward their Alleys, though their relationship is ultimately one of exploitation, even for the most cooperative Wings. The security of the borders between Nests and Alleys ranges from plasma walls to simple wire fences, but the power of the Wings is such that no one in the Alleys dares to cross into a Nest without express permission.

The only entities in the city that rival the Wings' power are the Five Fingers, a group comprised of the city's five most notorious syndicates, whose affairs even they cannot easily interfere with. Presumably, this is also one of the reasons why the Wings tend to neglect the Alleys, beyond establishing and enforcing general rules, as the Five Fingers have designated all the city's Alleys as their territory.

Fixers are mercenaries who perform a wide range of tasks, from dangerous activities like combat, assassination, or expeditions into the Ruins, to less violent ones such as contract negotiation or intelligence gathering—in short, any job requiring skills the average person doesn't possess. Most of the work Fixers receive comes from the Backstreets, though they are still in demand in the Nests. While overall crime rates are lower, Nests residents may still seek the protection of a Fixer, and corporations may require their specialized skills.

The repairman's lifestyle is often seen as idealistic by outsiders, with many considering them real-life heroes. Ordinary city folk hear tales of famous repairmen and view the profession as an escape from the monotony of daily work, as well as a chance for quick profits. Becoming a licensed repairman is as simple as passing a physical test administered by the Hana Association, the organization officially responsible for all repairman activities. Unfortunately, this is the easy part of a repairman's life. Dangers aside, it doesn't offer the freedom people might assume it does.

Most Fixer jobs are inherently dangerous, compounded by the lawlessness that reigns in the Backstreets. Even a pack of Rats can overwhelm a novice Fixer. Not even the Offices—the Fixers' business organizations and bases of operations—are safe, as criminal syndicates conduct regular raids without warning for various reasons, sometimes wiping them out completely; it's not uncommon for a Fixer to lose colleagues this way. Due to their high mortality rate, Fixers tend to avoid forming close social relationships with one another. Consequently, the common understanding among Fixers is to maintain professionalism, separate personal and professional life, and avoid any feelings of passion or affection. This doesn't mean that relationships between Fixers, especially romantic ones, don't exist, but they are more likely to end in tragedy.

Making a living as a repairman isn't as easy as it looks. Proper equipment and physical upgrades are required for basic protection, and both can be exorbitantly expensive, especially when it comes to maintenance. To make matters worse, the Chief imposes a hefty tax on repairmen, in addition to the other taxes common to city life.

Freelance work isn't easy to come by. Intermediaries accept assignments from clients and are paid upon completion of each one. There are no restrictions on the type of assignment or client, though this isn't the main issue. With so many intermediaries and intermediary offices throughout the city, competition is fierce, and only those who stand out manage to make a name for themselves. Independent intermediaries rarely succeed due to their inability to market themselves as effectively as a formal office, though this is a greater concern for lower-level intermediaries. Working within an office further restricts an intermediary's freedom, as any task they attempt must be approved by the office. There are some exceptions and legal loopholes, but generally speaking, true autonomy without having to answer to any superior is nearly impossible for the average intermediary to achieve.

The only requirement for an intermediary accepting an application is that it be registered and reported to the Hana Association, and that they not threaten clients to obtain applications. However, it is common practice for both parties to sign a binding contract, as it is very easy for either party to break their agreement without one. Entire offices are dedicated to creating, verifying, and enforcing contracts—the only solid guarantees of honesty in the city.

The Fixers' hierarchy is based on meritocracy, where the most capable Fixers receive greater job opportunities, higher pay, and greater recognition. To illustrate this, the Hana Association assigns all Fixers and Offices a numerical rating from 9 to 1, with Grade 9 being the lowest and Grade 1 the highest.<ref> Roland: "Think about it, who in the City could confidently claim, 'This is my value!'? Everyone's busy with their own affairs; no one's going to waste time on deep conversations about other people's worth. Instead, knowing each other's qualifications and affiliations can save a lot of words. You can tell immediately whether you're above or below the person you're talking to."

While Grade 9s aren't considered much stronger than a pack of rats, Grade 1s are seen as capable of tasks like taking down a city star. A repairman or officer can advance in grade by tackling increasingly difficult requests and proving their worth to the Hana Association, using their request reports as evidence.

Most repairers belong to a Bureau, a formal business entity that manages applications from multiple repairers. Bureau membership is considered advantageous, especially for novice repairers, as they would otherwise find it difficult to find work and establish their reputation.

Above the offices are the twelve associations, which are the main organizations of intermediaries that manage and regulate all their lines of business. The Hana Association leads the associations and establishes the operating model for intermediaries, in addition to being responsible for licensing and classifying intermediaries, offices, and applications.

Fixers work directly for an Association, which offers more benefits than most Offices, but also greater risks due to the increased complexity of the work Associations perform. Unlike Associate Offices, which are only affiliates and not employees, Associate Fixers cannot undertake independent work, as their actions would be interpreted as those of their organization. Therefore, Associate Fixers must act with greater professionalism and impartiality.

Fixer Associations: HANA (rank, laws), ZWEI (protection), SHI (assassination), LIU (combat), CINQ (duels). Each has its specialty, but all answer to Hana.

On rare occasions, there are Grade 1 Repairers who far surpass others in some aspect, be it strength, intellect, or some other skill. In such cases, the Hana Association may grant the Repairer a special title to distinguish them as the optimal choice to defeat the City Stars, serving as a model of the ideal Repairer.

In terms of self-determination, there isn't much difference between a Rank 1 Agent and a Rank 9 Agent, regardless of their affiliation; all must obey their superiors' orders and act to preserve the City's way of life in order to survive. Agents of Color are the only Agents who truly enjoy the freedom they crave, able to act with varying degrees of independence and with more choices regarding their objectives. Therefore, every Agent who dreams of freedom aspires to the rank of Agent of Color, though only a select few will achieve it. Even then, not all Agents will be happy to become Agents of Color, but if they meet the requirements, they have no say in the matter. The Hana Association will grant them the title by force, with no possibility of refusal. And even with their greater freedom, they must operate within the confines of the City's status quo, or risk being eliminated.

Syndicates, the more illegal counterparts to intermediaries, are made up of thugs and gangsters involved in various shady and dubious activities, often linked to organized crime, and share a common goal. They typically try to build a reputation in the city's slums, where they operate primarily through the black market, smuggling, trafficking of all kinds, and contract killings, among other things. While they can perform the same jobs for which intermediaries are typically hired, it is riskier to trust a syndicate than an office or association. Syndicates are formed by residents from all over the city and vary in size, scope, origin, and so on.

While syndicates are often considered criminal organizations, not all are inherently malevolent entities, as some choose to avoid the responsibilities and restrictions that come with being an intermediary in a bureau or association. Some syndicates even hunt down and eliminate others, operating more as unofficial bureaus or even vigilante groups. The surest way for a syndicate to gain power is by raiding and eliminating the bureaus of intermediaries; the larger and more experienced a bureau is, the greater its notoriety.

Wings sometimes even hires Syndicate members as enforcers to handle matters they can't officially manage. The Syndicates are organized in a social hierarchy, with their powerful bosses controlling the Backstreets at the top, but those above them all are the Five Fingers, known as the "Stars of the City."

Like the other four Fingers, the Thumb is a large Syndicate with a unique culture and creed that all its members follow fervently. In particular, Thumb members value courtesy and respect for their superiors above all else. The Thumb has a strict hierarchy, at the head of which sits the Capo dei Capi, to whom the entire Syndicate, as well as its subsidiaries, must submit. The Thumb itself is composed of several smaller groups, generally referred to as families or Famiglie. Among these Syndicates, seven families, or the Sette Famiglie of the Back Streets, are considered leading member Syndicates, wielding far more power and influence compared to the Thumb's ordinary subsidiaries. One of these is La Famiglia Bognatelli, a Famiglia that gained prestige and eventually became one of the Sette Famiglie, thanks to the Palermitan style of fencing that originated within its family.

In practice, the Thumb's dedication to courtesy means that the Syndicate demands absolute adherence to the hierarchy, since, when dealing with the Thumb, any action that demonstrates disrespect for higher authority will be punished immediately. Depending on the transgression, the consequence may extend beyond the offender, even to their innocent colleagues. Ultimately, the Thumb will punish anyone they deem an offender, regardless of the innocence of the error or the individual's ignorance.

Thumb members also understand their own need to respect outsiders and may take the time to study the hierarchy of other factions in the City to ensure they do not disrespect anyone of higher rank. Thumb punishments often involve the removal of body parts, such as dismemberment or forced tongue extraction.

Like the other four Fingers, Middle is a large syndicate with a unique culture and creed that all its members follow fervently. Its members operate under a close-knit, family-like structure, enjoying strong fraternal bonds with one another. Reflecting these bonds, everyone in Middle refers to each other as "brothers," "sisters," or "family."

While the Middle Community cherishes its own members, it takes a completely opposite approach to outsiders. Any "sin" committed against a Middle Community member, their loved ones, or their property is recorded in the "Book of Vengeance" so that the perpetrator can be punished for the act. The Middle Community is known for never forgetting unfulfilled grudges, and its members may spend years pursuing their enemies to exact justice. In addition to listing the names of all who have offended the Middle Community, the Book of Vengeance also provides guidelines for the punishment of every imaginable crime, ranging from killing a brother to the simple act of stepping on a member's shoe. Middle Community members in a given District share the same Vengeance list, and grudges recorded in the Book of Vengeance are automatically placed on the Vengeance list of all the District's Books of Vengeance; in certain circumstances, grudges from other Districts may be placed on members' Books. Particularly high-risk revenges are classified as Jobs and often warrant the intervention of multiple Big Brothers.

Depending on the crime, the Medium will not hesitate to annihilate all members of the perpetrator's faction, city, or social circle. As in the case of Rodya's hometown, the Medium may not even care who committed the sin, and will simply choose to carry out a massive revenge.

Territories District 8 Backstreets District 21 Backstreets

Like the other four Fingers, the Index is a large Syndicate with a unique culture and creed that all its members follow fervently. This culture centers on the Prescripts: orders sent from an unknown source and transmitted through various means, ranging in content from the mundane to the downright cruel and bizarre, and even the utterly impossible or indecipherable. Members of the Index, as well as the citizens of Backstreets who seek its protection, are obligated to follow the Prescripts they receive. Such Backstreets citizens will lose the Index's protection if they fail to comply with the Prescript's instructions. Otherwise, there is no guarantee of punishment for disobeying a Prescript; instead, an Index Agent must receive their own Prescript instructing them to punish the offender.

Most members of the Index become desensitized to how the Precepts operate and obey them without question. Those who attempt to rebel against the system have little chance of maintaining their spirit in the face of the Precepts' apparent omniscience. In general, members of the Index seem to lack any real connection, as the Precepts are always the priority in their lives.

Members wear formal black attire and a white cloak with gold trim, with little difference between ranks. However, there is a wide variety of weapons they wield, as the Precepts assign custom swords to all members above the rank of Proselyte. Proselytes wear blindfolds intended to teach them to follow the Precepts regardless of their surroundings; these are removed upon their promotion.

The Pinky is a Finger shrouded in mystery, and many aspects of its workings remain unknown. Pinky members blend into the rest of society, infiltrating other syndicates and organizations, including other Fingers. They keep their Pinky affiliation secret, and since they typically only meet under specific circumstances, they are almost always unaware of each other's membership, even when interacting directly. Members usually operate independently unless ordered to do so, and may even spend their "free time" in conflict with other Pinky members.

Each member of Pinky holds a seat with the word "Star" in its name, as well as a title. For example, Lei Heng's name within Pinky was "Chachihu the Winged Tiger," and he held the "Star Tiantui" seat. The seats are tied to a member's possession of a "star-forged" sword: when an individual possesses one, they can designate it as their own and obtain the corresponding Star seat. The seats become vacant when a member dies, presumably being filled once another individual claims the deceased member's sword and designates it as their own.

Like the other four Fingers, the Ring is a vast Syndicate with a unique culture and creed that all its members follow with fervor. Its focus is on art. Ring members are eccentric artisans enamored with art that reflects the human condition, which they pursue by causing and exhibiting human suffering. Their artwork takes a wide variety of forms, from sculptures made from corpses to massacres painted from someone's mind. The Ring's power extends throughout much of the City, and its most influential movements have an even wider reach.

The Syndicate manages galleries that exhibit its works and, occasionally, auction them. The galleries are linked to a specific Ring School and usually have several guides; galleries connected to a Master's workshop and auction house are called Principal Studios.

Among the auctions, the most prestigious are the VIP auctions, where the finest pieces are auctioned to wealthy buyers, usually linked to corporations, although other guests may be invited personally by the Master organizing the auction. During the auctions, the bidders' heads are covered with a veil. In addition to the auctions, the Ring also organizes other art exhibitions, such as the Biennial, one of the most illustrious events for its members, which is presumably held every two years.

Territories District 22 Backstreets

The Distortions (뒤틀림) are monstrous and powerful entities in the City, former humans dominated by their emotions. The process by which humans become Distorted is known as the Distortion Phenomenon and has been classified as an Urban Nightmare-class threat, becoming a priority research topic for many groups and individuals in the City, although individual Distortions are rarely ranked above the Urban Plague.

Distortions are similar to anomalies, with the difference that distortions ultimately manifest voluntarily from the desires of their hosts, while anomalies come from the collective unconscious of humanity and were also largely created artificially through experimentation.

Whenever Dante speaks, he will use "<>" because, having a clock head, he cannot make any sound other than a "tick tock" sound; only those in the Mephistopheles will be able to understand him.

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