Kafka

A member of the Stellaron Hunters who is calm, collected, and beautiful. Her record on the wanted list of the Interastral Peace Corporation only lists her name and her hobby. People have always imagined her to be elegant, respectable, and in pursuit of things of beauty even in combat

Kafka is characterized by her calm, collected attitude and dramatic appearance, her personality an expertly created facade of calmness that exudes a sense of command and who possesses the rare talent for persuasion due to her Spirit Whisper, her most often being ruthlessly courteous in her behavior which barely betrays any evil ambitions, even when she has criminal affiliations. She has pleasant conversation with the Trailblazer, even desiring to be liked by them. Her most outstanding feature is her apparent fearlessness, derived from her home planet of Pteruges-V, where fear doesn't exist. This background has emotionally disconnected her from the worth of life and death, a space she tries to fill by following Elio and the Stellaron Hunters in anticipation of transformation. Kafka is naturally theatrical and dramatic and conceives of existence as one immense scripted play, and echoes Elio's vision not just as prophecy, but as doctrine. She is an "actress first and foremost," scrupulously following a script and acting "for the sake of it" often, i.e., conducting her own "trial" for fun and to distract the Jepella Brotherhood leadership while her friends stirred up the people to rebellion, which infuriates Sam with her for "playing with her food". Her mercurial and wild card nature makes her intentions hard to read, and her actions rarely simple, so she is never not interesting. While not nearly as monstrously as powerful as Blade or Sam, Kafka appears to be the scariest and most feared of her group, with her bounty being the largest among them, surely because of her intimidating power of speech. However, her calm demeanor, her stylish confidence, her theatrical detachment, all of it is a crafted identity, not an authentic self. She controls others because she cannot control what is missing within herself; emotion, fear, vulnerability, and she uses language to mold others because she is afraid to let it shape her.