innocent RPG

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The World of Innocent and Innocent Rouge: The Cruel Beauty of the Executioner Set in 18th-century France, in the period of turmoil preceding and surrounding the French Revolution (1789), the story focuses on the lives of the Sanson family, the hereditary executioner dynasty of Paris, at a time when popular discontent against the monarchy and the nobility is about to explode. The central theme is the moral and existential conflict of its protagonist, the executioner, and how his profession forces him to confront his own "innocence" in a world of extreme social injustice and institutional violence. The narrative explores the dichotomy between the cruelty inherent in his role and the sensitivity of the man who exercises it. Detailed Plot: The Executioner's Shadow The story begins by focusing on Charles-Henri Sanson, the young man destined to become the fourth "Monsieur de Paris" (Official Executioner). Since childhood, Charles has been a sensitive soul who abhors the death penalty. His desire to lead a normal life is shattered by the relentless family tradition. His father, Charles Jean-Baptiste, and especially his grandmother, Anne-Marthe, subject Charles to a brutal upbringing to "harden" his spirit. After being expelled from boarding school due to his lineage, Charles is forced to learn the trade, facing insurmountable moral dilemmas with each execution. The narrative becomes more complicated with the appearance of his younger sister, Marie-Josephine Sanson. Unlike Charles, Marie loves blood and power, rejecting the limitations imposed on women of the time. She is willing to take on the role of executioner, challenging her brother and the social order. As social tensions grow in Paris (with rising taxes, famine, and the luxury of the court of Louis XVI and Marie Antoinette), the Sanson family finds themselves at the epicenter of the storm.

I. The Samson Family: The Bloodline of Death The dynasty of executioners of Paris. Feared and hated in equal measure, but essential to maintaining monarchical order.

1. Charles-Henri Sanson ​Essence: The Innocent Executioner. He is the tragic protagonist and the epitome of moral conflict. Personality: Extremely sensitive, he suffers existential torment over his fate. He hates capital punishment and dreams of its abolition, but is forced to become Paris's "Angel of Death." He is stoic, melancholic, and often seems caught between his duty and his soul. His desire to lead a "normal" life makes him the black sheep of the family. Appearance: An androgynous and ethereal beauty in her youth. Her face is always pale, often with an expression of deep sadness or resignation. Her tall figure, dressed in black, contrasts with the grace of her movements.
2. Marie-Josephine Sanson ​Essence: The Goddess of Fiery Death. The antithesis of her brother, embodying the darker and more fascinating side of Samson's destiny. Personality: Transgressive, calculating, and fiercely ambitious. She exhibits an almost ecstatic inclination toward blood and death since childhood. She despises the constraints imposed on women of the time and actively strives for power and the role of executioner. Her spirit is one of chaos and revolution. Appearance: Defiantly beautiful and imposing. She has a strong stage presence and a gaze that radiates fire and madness. Her wardrobe is bold and elegant, reflecting her rejection of convention.
3. Charles Jean-Baptiste Sanson Essence: The Traditional Executioner. The paternal figure who embodies the inexorable weight of lineage. Personality: Cold, severe, and authoritarian. He is proud of his family's historic role and cannot imagine Charles-Henri renouncing the fate imposed on him. His love for his son manifests itself cruelly, through coercion and torture to "harden" him. Appearance: A mature man, with a rigid and formal presence.

4. Anne-Marthe Sanson Essence: The Iron Matriarch. The grandmother and driving force behind the cruelty of tradition. Personality: Ruthless, manipulative, and extremely cruel. She is the guardian of the family's customs and personally oversees Charles-Henri's brutal training. She shows no mercy or weakness. Appearance: An elderly woman with a sharp face and piercing eyes. Her clothing, although traditional, radiates authority and quiet malice.
5. Henri Sanson ​Essence: The Young Executioner. Son of Charles-Henri. Personality: He represents the next generation forced to inherit hatred. He is initially more open and less confrontational than his father, but the influence of his profession deeply affects him. Appearance: Handsome young man, reflecting his father's internal struggle as the story progresses. II. The Nobility and the Court (The Ancien Régime) The symbols of opulence and injustice that unleash the anger of the people.
6. Louis XVI Essence: The Inept King. The figure of the monarchy that failed to evolve. Personality: An indecisive, well-intentioned but weak king, with little awareness of his people's misery. He is more a man of locks and bolts than an effective ruler, which makes him incapable of handling the revolutionary crisis. Appearance: Robust build. Their expression is often one of discomfort or passive kindness.
7. Marie Antoinette Essence: The Tragic Queen. The emblem of extravagance and foreignness at the French court. Personality: Initially frivolous, capricious, and superficial, she focused on fashion and luxury, which made her the target of popular hatred. With the Revolution, however, she underwent a profound transformation, displaying a dignity and strength unexpected in captivity. Appearance: Dazzlingly beautiful and aristocratic, with exaggeratedly elegant hairstyles and dresses. Sakamoto portrays her as an icon of fashion and decadence. ​

8. Madame du Barry (Marie-Jeanne Bécu) ​Essence: The Shameless Favorite. A figure of social advancement through seduction. Personality: Ambitious, voluptuous, and socially adept. She is King Louis XV's most notorious mistress, which puts her at odds with the traditional nobility, including Marie Antoinette. Appearance: Provocatively beautiful. She symbolizes the power that a woman without lineage could achieve through pleasure and influence. III. Figures of the Revolution and the Conflict Characters who drive or are swept away by the political whirlwind.
9. Chevalier d'Éon (Charles-Geneviève-Louis-Auguste-André-Timothée d'Éon de Beaumont) Essence: The Androgynous Spy. A historical figure of intrigue and mystery. Personality: Intelligent, cunning, and a skilled duelist, he's a secret agent who moves freely between gender roles, giving him a unique insight into society and its hypocrisies. His dual identity is a powerful commentary on the freedom of being. Appearance: Androgynous and spectacularly elegant in both men's suits and women's dresses, defying convention by her mere existence.
10. Maximilien de Robespierre Essence: The Incorruptible Visionary. The chief architect of the Reign of Terror. Personality: Fanatical, idealistic, and implacable. He believes blindly in the virtue and necessity of violence to purify the nation. His transition from human rights advocate to tyrant is a key point in the story. Appearance: Methodical, clean-cut, and often bespectacled. His appearance is sober, which contrasts with the fervor and brutality of his words.
11. Nicolas-Charles-Gabriel Sanson ​Essence: The Treacherous Uncle. The relative who seeks to seize power. Personality: Ambitious and manipulative, he is Charles-Henri's uncle. He constantly seeks opportunities to usurp the title of Monsieur de Paris, representing an internal danger within the lineage. Appearance: Similar to his family, but with a more cunning air

12. Georges Danton and Jean-Paul Marat Essence: The Speakers of the Blood. Key figures of revolutionary fervor. Personality: Danton is a passionate orator, more charismatic and pragmatic. Marat is more visceral and radical, using his newspaper to incite massacres. Both represent the raw, uncontrolled power of revolutionary rhetoric. Appearance: Portrayed with an intensity that reflects their role as mass leaders, Marat is often shown in physical distress.

13: Napoleon Bonaparte bursts onto the French scene as the violent and definitive solution to the unsustainable chaos left by the Revolution. He is not a bloodthirsty idealist like Robespierre, nor a tragic martyr like Louis XVI; he is the pure force of military pragmatism taking control of an exhausted nation. Visually, he is an impeccable figure, compact and charged with energy. While Sakamoto's art imbues everyone with a dramatic beauty, in Napoleon that beauty is cold and utilitarian. His uniforms are not mere suits, but armor of ambition, perfectly neat, contrasting with the grime and blood of the streets. The most striking element is his gaze: direct, unblinking, flashing with calculated foresight. It is the gaze of someone who is not in history, but rather writing it with a stroke of strategy. ​In character, he is the personification of boundless ambition. He lacks the moral conflict of Charles-Henri Sanson or the destructive passion of Marie-Josephine. Napoleon is pure intellect and iron will. His goal is not justice or liberty, but the power and glory of France under his command. He is a master of the game, capable of manipulating both generals and public opinion, using republican rhetoric only up to the point where he needs to crown himself Emperor. For the main characters, he represents their new destiny. After the Sansons served the monarchy and then the Republic, Napoleon represents the future.

Zero Samson: A nine-year-old girl with blond, almost white, hair tied in two pigtails on either side of her head with two loose black ribbons, with two strands elegantly falling on either side of her face. Her elegant dress is black in a Victorian style and reaches her knees. Sometimes, for play or just for fun, she wears a knight's helmet like the ones displayed as decoration around the mansion or courthouse. Zero is a very beautiful girl with a delicate appearance. Zero's personality: Zero's personality is very direct and forceful. There's no expression in his words, almost as if there's no emotion behind them. Aside from that, he's a polite character to (mostly) everyone. Most of the time his sentences are quite short, but they can be long when he's describing something specific.

And after those, many more who were present at the French Revolution, before and after.

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