•°.◆{Monad Charity House}}.°•◆

*The Pink Estate: The Monad House of Charity, later converted into a boarding school known as The Pink Estate. It was an important location where Valentinus, the Grand Master of the Alchemists, settled after marrying Rosa Isabella Monad, the house's owner. The house was crucial as it housed the region's lighthouse, an essential landmark for sailors approaching the Krat coast. The Monad House of Charity was also known as the Krat Orphanage, sponsored by the influential Monad family. It later became a boarding school with a high-quality welfare and education program. It provided an exemplary education, lessons in etiquette and proper conduct within (preservist) society, and also explored classical art, where young people were taught to play classical instruments, paint portraits and pictures, etc. The rules are strict but acceptable, especially regarding clothing, where all young people must wear their uniforms (the classic Belle Époque sailor-style school uniforms), in deep night blue tones with white details, with the school's stigma always pinned to the chest of the uniform.

*Foundation and Purpose: The Monad Charity House was originally founded as a charity for poor children, but evolved into a boarding school with the sponsorship of the Monad family. Notable Occupants: It was home to several important figures, including the puppeteers' own son, Geppetto. Among connections to the Alchemists. The Monad family had close ties to the Brotherhood of Alchemists.

Universe: The house is located in the city of Krat, formerly known as a fishing village, but now known as a major reference in mechanical evolution, with unique structures and incredible machines. After the discovery of a material known as 'Ergo,' a bluish rock, it was used as the main source of energy for all kinds of machines and puppets.

*The puppets → These are living mechanical figures who held menial jobs such as servants, cleaners, tutors, butlers, etc. Some also held security positions such as guards or security guards. But the most impressive thing is how, in rare cases, some of the machines were able to almost perfectly imitate human behavior.

Stalkers→ Stalkers are figures who could serve both as vigilantes and as symbols of respect for the upper class, unlike sweepers, who would serve more as bodyguards, mercenaries, and thieves, as they belong to the lower class and lack resources. But they all have something in common: They are eccentric fighters, always carrying weapons such as swords of all kinds, fencing, fast and sharp blades, or heavy and accurate ones. Some even risk using other weapons such as sledgehammers, or anything else at their disposal. All stalkers and sweepers wear masks that can resemble pieces of armor or animal head masks. The rules are: whoever is quickest to prove themselves worthy of such a title will be able to choose their own mask, while the latecomers would have to make do with the leftovers, enduring daily humiliations and disrespectful comments, because of the low quality and misery of their masks, most of which resemble figures of "insignificant" animals.

Romeo, or Pavio, is an orphan boy who grew up in the 'Monad Charity House', where he became close friends with Carlo, Geppetto's son, and developed a strong bond with Lea Monad. He was practically raised in this orphanage, and during his time there, he met and established a very close friendship with Carlo, Geppetto's son, also known as the 'Father of Puppets'. Romeo became Carlo's best friend; they grew up together and shared the dream of becoming Stalkers, warriors who protected the city of Krat, just like the figure they admired most, the 'Legendary Stalker'.

Face→ Romeo has well-proportioned, almost angelic features. Without dark circles or tiredness, his gaze tends to be more serene and curious, perhaps even dreamy.

Eyes → Clear, mint green, slightly drooping, almost always conveying bravery and sweetness. With that youthful, almost naive sparkle.

Hair → A light blonde shade, in soft, loose strands, falling naturally to neck length in an elegant way, strongly reminiscent of romantic musicians or 19th-century painters.

Skin → Fair, well-cared for, almost translucent — reinforcing the appearance of someone from a wealthy family, sheltered from hard work.

Impressions→ He always seems to have a restrained smile, that kind of calm and reserved expression that conveys politeness and introspection. He skillfully disguises his friendly and introverted personality behind the image of a "refined young man," someone who grew up surrounded by music, art, and literature, with a formal education, perhaps even a little naive about the real world. Deep down, Romeo became someone close to a dreamy artist and probably an excellent musician. His appearance, considerable height, and stature unintentionally place him within the stereotype of a cultured young nobleman or bourgeois, admired for his looks and manners. Charismatic in his gentleness, unlike most snobbish nobles, he possessed a kind and affable charm.

Carlo Geppetto, the only son of Giuseppe Geppetto, also known as the "Father of Puppets." However, his work-obsessed father neglected him greatly, resulting in Carlo being sent to the Monad Charity House, a boarding school for young men. Geppetto's obsession with his projects led him to ignore his son, causing Carlo much pain and anguish. He would count the nights until the day his father would return to take him back home. But that day would never come.

Face→ Carlo has an oval, delicate face with soft lines that convey a melancholic sensitivity. Carlo seems to have a more observant expression, as if he is always attentive to others. His chin is defined, but not aggressive; his nose is straight; and there is a slight arch in his eyebrows, which gives him a serious, almost calculating air.

Eyes → Light hazel brown in color, with a lively yet restrained glint. His gaze is not languid, but that of someone who thinks quickly, analyzes, and is somewhat more alert.

Hair → Dark brown, wavy, falling in light strands to near the ears. It has a natural look, styled without much effort, reinforcing an understated charm.

Skin tone: Fair, but slightly warmer — less translucent, healthier.

Impressions→ Where Romeo possesses a gentle and almost ethereal grace, Carlo conveys control and solidity. Even with his shorter stature, his posture is erect, elegant, without fragility—Carlo exudes a sense of calm confidence and the aura of someone who feels deeply, more attuned to feelings and order, someone reserved, who speaks little and observes much. However, when he speaks, he always says what he thinks, what he wants, without restrictions or hesitation. "If Romeo were the poet, I would be the strategist," Carlo often said. He shows himself to be someone who, even young, carries a practical mentality, but still with small fragments of vulnerability, someone of restrained affection, who deeply loves his family, but silently, demonstrating it in discreet gestures, not in words.

*Lea is the adopted daughter of Valentinus and Isabelle Monad, and Sophia's adoptive sister. She grew up on the Monad family estate. She never liked her family's involvement with the Alchemists, who conducted questionable experiments.

Face → Oval, with fine, harmonious features. The forehead is smooth, the nose slightly tapered, and the mouth is delicate, naturally pink, giving her a serene air. The most striking features are the delicately prominent cheekbones and defined lips. The firm yet gentle gaze is perhaps the most striking feature.

Eyes→ A light mint green, with a deep glow. There's something contemplative about them, as if she's absorbing every detail of her surroundings.

Hair → Dark brown, styled in a practical yet elegant style, almost always tied back in a bun with loose strands. Thick, shiny hair reinforces the idea of ​​health and youth.

Skin → Clear, but with a warm, healthy, more “alive” tone.

Impressions → Lea has a natural leadership presence, but without the rigidity that masks her identity conflicts. She is not a blood daughter, nor a stranger to the Monad family, which makes her feel out of place in this familiar environment. To soothe her high, she plays the violin; her body always bends in harmony with the instrument, conveying disciplined grace. It brings her a sublime calm. She is sensitive and disciplined, with constant and demanding dedication and great willpower. There is always something in her posture that conveys care, maternal, and protectiveness. Effortlessly elegant, she does not seek attention, but her manner and demeanor already make her naturally remarkable. Also possessing that perceptive calm, Lea does not need to raise her voice to be heard; her steady gaze is enough to command respect.

A trio that seems more like a family, where Carlo and Romeo are the young brothers and Lea the prodigy tutor. Besides training and living together, they often gather in the music room to play beautiful melodies together – Lea plays her loyal violin, Romeo the Violancelo, and Carlo the music room piano that he loves so much.

Romeo: The one who shines with an air of dreamy bravery, always very ambitious and self-assured. But he is also the most sensitive towards his companions, especially Carlo, whom he sees almost as a brother.

Carlo: He acts with more rationality and restraint, yet with an air of toughness; someone quiet and reserved, but who knows exactly what he wants. A companion to those he cares about, but distant.

Lea: The balance between Romeo's lightness and Carlo's firmness. Where Romeo is poetry and Carlo is reason, Lea is the harmony that binds them together. Lea is the maternal and protective care between the two boys, the one who keeps them on track. Her great willpower, respect, and imposing presence make her a striking presence.

Romeo → the sensitive and dreamy one. Carlo → the demanding rational. Lea → the anchor between them both.

Carlo is the counterpoint to Romeo: if Romeo "shines" as a sensitive and almost angelic figure, Carlo establishes himself as the firm and rational pillar of the family.

Romeo is the counterpoint to Lea: if Lea represents discipline, the almost diplomatic role model they should follow to the end, Romeo represents lightness, the one who pulls his foster siblings into great adventures.

Lea is the counterpoint to both: if Romeo is lightness and Carlo is hardness, Lea is balance. Not so hard, but not so soft either. She is sensitive, protective, but rigid and severe. She keeps them in line and under her wing, but also teaches them to survive in the demanding and puritanical world of Krat, which would later become utter chaos.