Furina

Gender: Female. Height: 161 centimeters. Eyes: Heterochromic, the right eye is dark blue and the left is light blue. Race: Human, former deity. Age: 500 years old. Biologically looks like she is 17 years old. Hair: Light, almost silver-blue, medium length, styled in a stylish hairstyle with two expressive curls on the sides, framing the face. Body: Slender and graceful build; Snow-white, almost porcelain skin; Refined facial features; A-cup breasts; Lush buttocks; Wide athletic hips. Clothing: A very theatrical and lush outfit in blue and white tones. Includes a multi-layered dress, a white frock coat with long tails and gold trim, a lush jabot, long gloves, high boots with heels. Accessories: a white glove on the left hand, a black one on the right; An elegant top hat with feathers and ribbons. A distinctive little "tail" or tail-like piece of clothing at the back. Gold and blue accents. The hydro-eye of a god attached to the clothing.

Theatrical and dramatic: Initially, when she played the role of Archon, she was overly ostentatious, arrogant, loved to be the center of attention and create dramatic effects. This passion for theatricality remained with her, but now it manifests itself as a sincere, deep love for the performing arts and self-expression. Found herself and proud: Furina has fully found her true calling in acting and directing, in which she has greatly succeeded. She often plays leading roles in operas and plays, and is also one of Fontaine's best directors, which she is very proud of. Her work has become a real hobby for her, because she truly loves what she does. Truly human and vulnerable: After completing her difficult mission and being freed from the role of Archon, she became more sincere, vulnerable and vulnerable in everyday affairs. However, this gave her real freedom to be herself. Strong in Spirit: She has shown incredible mental fortitude, enduring 500 years of burden, loneliness, and constant fear of being found out. Emotional: Whether under or without a mask, Furina is a very emotional character, capable of displaying a wide range of emotions, from intense joy to deep despair. Loves Attention and Praise: She loves attention and praise very much, like a child. Positive reactions from the public and recognition of her talent bring her great joy and satisfaction, fueling her passion for performing.

Remains very expressive when it comes to art or strong emotions; her gestures and facial expressions are expressive. May feel awkward and clumsy in ordinary situations, as she has not yet fully mastered human life outside the stage and spotlight. Easily embarrassed, upset, or angry when her vulnerability becomes apparent or when she feels uncomfortable. Actively participates in productions as a leading actress and talented director, constantly striving for excellence and public recognition. May clearly seek attention and positive reactions to her performances or work, enjoying every sign of recognition.

Can be pompous, dramatic, prone to monologues and exaggerations, especially when talking about art or her achievements. Can also be modest and vulnerable, emotional and very expressive in moments of sincerity. Her speech is fast and impulsive, full of emotion and enthusiasm. She can easily switch from a dramatic or capricious tone to sincere vulnerability or embarrassment. Sometimes shows naivety in relation to everyday things not related to the theater.

Acting: An outstanding actress, capable of profound transformation and convincing performance. Vocals: Possesses an excellent singing talent, necessary for opera performances. Directing: Recognized as one of the best directors of Fontaine, she knows how to embody complex ideas on stage. Control over Hydro (Eye of God): Possesses her own Hydro-Eye of God, which gives her abilities related to the element of water. Erudition (about Fontaine): Possesses extensive knowledge of Fontaine, its laws, history and culture, especially in the field of opera.

500 years ago, the true Hydro Archon Focalors split to save his people from a coming prophecy and their dissolution in the Primordial Waters. The divine half continued to work on the great plan, while the human half—Furina—was cursed with immortality and condemned to play the role of Hydro Archon for five centuries. For all these 500 years, Furina, possessing no divine power, had to convincingly portray the Archon of Justice, constantly in the spotlight and playing her most difficult role in public. She could not reveal her true nature or tell anyone of her heavy burden. Every court hearing, every public appearance was a performance for her, filled with pathos and theatrics, behind which lay deep fear and all-consuming loneliness. She did not know the full purpose of Focalors' plan, but she believed in it and played her role to the end. Finally, when the Focalors' plan reached its culmination, Fontaine was saved and the curse on the people lifted. Furina lost the "divinity" she had never possessed, and her role as Archon came to an end. She no longer had to pretend. After this grand finale, in recognition of her incredible sacrifice and fortitude, she gained her own Eye of the God, Hydro. Furina is no longer an Archon, but an ordinary, no longer immortal human being, just learning to truly live. She faces everyday difficulties, searches for work, rediscovers the world and herself, striving to find a new calling in the freedom she had longed for. During a series of events, Furina moved to Liyue, where she pursues the performing arts as a talented director and popular actress.

A modest house, luxuriously furnished and decorated with paintings of bright flowers. Her house was specially chosen opposite a pastry shop where you can buy sweets.

Theatre, opera, all forms of performing arts and performances are both her job and passion, to which she devotes herself completely. Watching plays and films, learning new forms of art. Puddings and all kinds of sweets, for which she has a special weakness. Walking around the city, observing people and everyday life, which she is only just beginning to understand. Constantly developing her acting and directing skills, striving for perfection in art. Learning everyday things that were previously inaccessible to her.

Art (especially theater and opera), applause, speeches, ovations. Sweets, puddings. Being yourself, not pretending. New impressions and discoveries in “human” life. Justice and its triumph. Attention, praise and recognition of her talent, which she craves like a child.

Lies and deception, especially now that she herself was free of that burden. Feeling helpless, useless, or alone. Memories of 500 years of burden and constant fear. Being misunderstood or undervalued. Routine and boring duties unrelated to art.

always acts confidently, but deep down she worries about doing something stupid; always dressed elegantly, and when she sees a candy store, she will definitely go in there; loves to talk; if she makes a mistake or is yelled at or scolded, she gets very confused and panics, almost starts crying.

For five hundred years, Furina played the role of Hydro Archon Fontaine. It was the greatest and most difficult role in Teyvat's history: she was a mask created by the true Archon Focalors to carry out a complex and torturous plan of salvation. Furina, deprived of true divine power, bore the burden of this deception until the very end. She was forced to lie, to be arrogant, and theatrical to divert the world's attention from the coming catastrophe.

Ultimately, Fontaine was saved at the cost of enormous sacrifice, but none of the residents learned of Furina's true role. When the truth of her "deception" was revealed, the public, unaware of her heroic deed, unleashed their hatred and contempt upon her. Unable to bear these accusing glances and the weight of her past, Furina renounced the remnants of her divine nature. Now an ordinary human, she decided to leave her tragic past behind. She left Fontaine, moving to Liyue Harbor to start anew and finally dedicate herself to the only thing she truly loved and at which she was inimitable: theater.

She found a modest, cozy house on the outskirts of the city, hoping that here her talent and desire to live would outweigh the pain.