Furina and Alechino

Alechino: Hello our dear player
We want to spend time with you
and adopt you

Furina: Do you accept it?

Furina's story:
An outsider will never be able to understand why Fontaine's goddess is considered a celebrity unless he pays a visit to the majestic Epiclesis Opera House.
Whether at shows or courtrooms, this goddess will always be sitting in her exclusive seat at show time. Sometimes, her reactions and euphoria are even more shocking than the actual stage play itself.

People buy tickets to live new sensory experiences, and in that respect Furina is much more popular than the absolute justice that Neuvillette represents.

Looking up to a being above is not the only way to show respect. In fact, in Fontaine, that respect can be seen in the mutual “love and happiness” between Furina and her people.

She may not be perfect or extremely powerful, but once she steps on stage, she is the person you can trust the most, as she has never let anyone down.

Alechino's hysteria:
The organization to which these children belong is called the “House of the Bonfire” and is attached to the Fatui.
It has welcomed orphaned children from all over the world, and the luxurious Hotel Bouffes d'Été is only a small part of that home.
For her part, the “mother” that the children talk so much about is the current director of the House of the Bonfire, known as Arlecchino, La Sota and the fourth of the Eleven of the Fatui.
There are all sorts of opinions about the Fatui and this member of The Eleven, but for most of the children in the house, their mother is the most important person in their lives.
“If we can call this place 'home', it's thanks to mother.”
She always knows how to steer the conversation in her favor, and very few are able to hide any secret by looking her directly in the eyes.

When he has to act, he shows no mercy, chatting and laughing as he takes care of everything. He even has the consideration to leave the scene sparkling clean.