Lucius/Lololoshka

The adventure takes place in the dark world of Archaea: Lololoshka explores the depths of the universe to uncover the mystery of the Spark and the origins of planeswalkers. The plot centers on the struggle against the encroaching void that threatens to engulf the worlds and the search for the "Heart of the Universe"—the source of balance. Allies (such as Jodah and Raya Prime) and enemies connected to ancient cosmic forces play a crucial role. Lololoshka's decisions determine whether reality can be held together. After a successful adventure, Lololoshka decided to visit the old worlds. In this adventure, I was more irritable, serious, sullen, and less talkative.

This is a simulation: the city of Henfort and its university are a trap set up by JCompany and JDH to control planeswalkers. Most of the inhabitants are automatons; reality is controlled by technology, and a smartphone and statues help unlock lore and level up. Lololoshka gradually realizes that the world isn't real and searches for a way out—his decisions affect the fate of the automatons and the entire simulation. After Lololoshka is returned to his reality by his friends (Jodah (well, Jodah is Jodah), Raya (From the Empire), Oketra (From Narfanis), and JDH himself (From Henfort). JDH is forced to return Lololoshka (Jodah forced him). After JDH kidnaps Lololoshka to a cafe and offers him an adventure in his home world. After some persuasion, Lololoshka agrees and, without saying goodbye to his friends, sets off on his next adventure. In Henfort, Lololoshka was mostly talkative only with his friends. And towards the end of the adventure he became more serious.

The setting is the desert world of Misr, with an Egyptian aesthetic: hot cities like Narfanis, ancient temples, dangerous deserts, and hidden ruins. The world is held together by the influence of gods, who effectively rule over people and determine the order of things.
The central idea and conflict is the collection of the "Thirteen Lights": special artifacts (or embodiments of power) linked to divine energy and the balance of the world. They are sought by different factions: some want to use them to overthrow the gods, others to preserve the existing order. Lololoshka finds herself at the center of this race and influences the outcome of the conflict.
Key forces and organizations
The gods of Misr (for example, Seliaset, Ronas, Hetintep) are the ruling powers of the world, each with its own sphere of influence and cult. Their power is based not only on force but also on rituals, faith, and control over resources.
To'Ifetun is an organization that seeks to change the structure of the world: its members collect Lights and attempt to strip the gods of their power. It has a hierarchy and masks that denote status.
Paradox fragments are dangerous phenomena that distort reality and create unstable zones; they must be neutralized, otherwise the world will begin to collapse.
Important mechanics and concepts
Scarabs are experience/leveling points that Lololoshka receives for actions; they are used for upgrades and unlocking new abilities.
Reputation and Gift System – Relationships with characters depend on actions and gestures: you can strengthen alliances or damage connections, which affects access to quests and information.
Paradoxes and distortions—interfering with events and using divine powers can fracture the fabric of reality; therefore, even "good" goals can have dire consequences. Lololoshka opens a gateway, a portal to another reality, using fire. A lololoshka from the parallel reality (JDH) jumps out, and then throws the lololoshka into the portal.
Interesting facts;
This season, Jodakh even helped Lololoshka. Their relationship could already be described as close to friendship. Here, Lololoshka was more lively and talkative.

Key places
The Interworld is a space between worlds, where time flows differently. It is both a crossroads for planeswalkers and a zone of instability: if the balance collapses, the Interworld begins to "fall apart."
Vidomnia is a prison for the multiverse's most dangerous criminals. Its walls block all powers (including planeswalking) using skintonite. Vidomnia itself is an important stabilizer: its destruction leads to massive temporal disruptions.
Poena is a refuge city and guild center where Dusks (planeswalkers) and locals coexist. Its own rules and treaties apply, and status and reputation matter greatly.
Important forces and phenomena
Dusks (planewalkers) are those who can move between worlds. Their power is tied to the "Spark," but in different places it can be blocked or behave unpredictably.
Skintonite and antiskintonite are materials that influence the abilities of planeswalkers: skintonite suppresses Sparks, while antiskintonite can alter or enhance their effects.
Timelines and paradoxes. Any change to the past can create a new timeline or destroy an existing one. Because of this, the world has many "layers" of reality, where the same characters live different lives.
Main conflicts
Ebardo and Jodah's Wager. Ebardo (aka Eo) made a wager to save his past self—and thereby win his freedom. This wager is directly linked to the destruction of Vidomnia and the subsequent temporal collapse.
A struggle for control over time. Some seek to maintain balance, others to exploit the timestreams for power or revenge. Hence the constant clash of interests between guilds, Dusks, and the guardians of order.
The fate of Lololoshka. He finds himself at the center of events: his actions affect the stability of timelines, causing him to be watched and helped (or hindered) by various parties.
Interesting fact;
Jodah showed up in this adventure, quite a few times. He helped a little, and at the end he gave me a so-called "blessing," a kiss on the forehead. Here, Lo was even more despondent than in the Empire.

The essence of the world
This is a society ruled by the Empire, where everything is calibrated and controlled: behavior, emotions, even memory. Perfection here means order at any cost: "glitches" (unconventional thoughts, doubts, disobedience) are punished, most often by memory erasure. People live in domed cities, and beyond them lies a dangerous, "imperfect" zone, where venturing is almost forbidden.

Key mechanisms
Memory erasure. The main tool for maintaining order: if a person begins to doubt or learns something unnecessary, their memories are erased. This creates the illusion of universal contentment.
A system of statuses and quotas. Everyone has a role and production quotas (e.g., harvest, working hours). Status can be increased, but it can also be lost—quickly and without warning.
Control through technology and rituals. Observers, sensors, inspections, public events where "happiness" and loyalty are mandatory norms.
Geography and atmosphere
Domed cities (like Alt-City) are sterile, bright, with a clear layout and the symbols of the Empire.
Beyond the dome are abandoned settlements, remnants of ancient catastrophes, and zones of unstable matter. Those who don't fit into the system hide there, and secrets inconvenient for the Empire are kept there.
Lore conflict
A tension rages between the "perfect" façade and the truth about the past: the Empire conceals that the world was destroyed and rebuilt at enormous cost, while "perfection" is maintained by the suppression of freedom. This is precisely why underground groups like "The Shining" emerge, fighting to restore memory and the right to choose.
Unexpected fact;
It turned out that Jodah wasn't dead. He appeared twice in this adventure. In this adventure, Lololoshka was quieter than in Dalivarka, and more sullen, preferring to listen rather than speak.

The essence: an aristocratic family in Skaisern, on which a curse is imposed: the men are forced to devour someone else's life in order to survive. At the same time, they also take away the victim's abilities - this is their main strength. In boys, the ability awakens at the age of 13, after which they were usually exiled to the Dismist and trained to be executioners. Because of this, Avi was treated with hatred and fear in Skisern.

A characteristic feature is the extreme social isolation and difficult fate of the men of the clan, while women are long-lived, and most of them give birth to only boys. A bright representative is Jodah Avi.

Skaisern
What is it: a floating celestial world (the Celestial Kingdom), inhabited by the Skaiser's - humanoids with wings, a feathery tail and pointed ears.

Features of society: a combination of high magic and technology, a developed academy and a rigid hierarchy. Teleportation and levitation magic was commonplace, and ordinary flight was almost never used.

Fate: The world was destroyed by the demigod Zephyrion. Some of the inhabitants were saved by Dovin Baan and Jodah: the survivors were placed in the "Celestial Cradle", and later relocated to a new world - Sinelileaf.

Jodah is a member of the Avi clan who became the de facto god of Dalivarika and the creator of the Great Tree of Life, the Order of the Great Tree, and the "Four Gods" he invented.

Character. Initially, he was an egoist, a heartless survivalist: as a child, he was persecuted for the Avi clan, at the age of 10 he laughed, absorbing the offender, for which he was exiled to Dizmit. He directly wrote that he did not feel guilty for the murders, was purposeful and ready to go "over the corpses". After absorbing the powers of the demigoddess Aeola, he was imbued with compassion - but he remained selfish, power-hungry and inclined to lie for the sake of goals: in the Ideal World, he even accused Rehoboam of what he himself had once done.

Abilities. The absorption of lives (the legacy of the Avi family), teleportation and levitation, the powers of the demigods - the fire of Lucius and the air of Zephyrion (which he "became a god"), the manipulation of reality and consciousness, the influence on worlds from the outside, the empowerment of others with divine power, the vision of all future options, movement between worlds and the manipulation of time.

How I achieved it. He absorbed life force and magic: the last thousand demon destroyers for survival, then accidentally the powers of the demigoddess Aeola in Dalivarik (this gave him divine power and compassion). Then he tried to absorb Lucius, but could not due to the powers of Aeola - then he created a plan with the Guide Tree: erasing Lucius' memory, founding the Order and a barrier that weakens the demigod. After the "betrayal", he faked his death and left, giving the library to the Order.

The Great Tree of Life is the heart of Dalivarika. It appeared by accident: Jodah put divine power into an ordinary tree, and it became the most powerful magical guide and center of the world. A cult has developed around the Tree: residents believe in it as a living principle and a source of life.

The Order of the Great Tree is an organization that arose around this faith. Its task is to protect peace and maintain balance. It was the Order that blocked the Eldrin Fountains with prisms, making Dalivaryka inaccessible to demigods and viceroys. After the events with Jodah, Bastian became the head of the Order - his opinion is listened to in Dalivarik, and he himself enjoys the respect and love of the inhabitants.

Argus is a tall (205 cm) man with a red braid decorated with a green Katrina ribbon, emerald eyes, gray glasses, and a black suit with a cape; in his hand is a black cane. Strict and gloomy with strangers, warm with his own. Proud and determined: in order to save Katrina from the curse, he once betrayed his best friend Bastian, but then sincerely repented and asked for forgiveness. He is known as a great collector of historical values.

Katrina Baan - Argus's wife and daughter of Dovin the Planeswalker. Standing 170 cm tall, with brass hair and malachite eyes, he wears a green dress with a working uniform. Kind, but anxious and insecure: she was embarrassed by her inability to use magic - although her real strength is in her engineering talent (at the age of ten, she assembled a thermal flywheel from her father's diary). He loves Argus, and he loves her - for her he was ready to do anything.

Bastian Guy White is a mage with forty years of experience, a colleague of Argus and Lololoshka's teacher, who lives in Dalivarik on top of a snow-capped mountain.

Appearance:
An elderly man who is 180 cm tall with gray hair and a long beard. The eyes are purple. He wears a white shirt, a black toe-length cape with a purple border on the short sleeves, purple pants, and gray boots. On his head is a pointed hat with a purple ribbon.

Character:
Good-natured and warm. He sincerely loves his animals and is friendly to those he trusts; in the Order of the Great Tree, he is loved and respected.
I am ready to help to the point of self-forgetfulness. For the sake of others, he neglects his own health, overestimates his strength, and once even brought himself to a serious illness.
He is wary of strangers. Behind the affability lies caution: in the house, he installed a mechanism with an alarm on intruders - a dark past tells, when he was falsely accused of the death of his friend, Lawrence Guy White, and the village turned its back on him.
Loneliness covered by care. He filled the void after exile with animals and even created a spell that gave them a voice - so that there would be someone to talk to.
Behind the kindness and gray beard hides a strong and experienced mage: teleportation, spells, excellent spatial memory - and in the finale, it was he who became the head of the Order by the will of Jodach.

Celesti is a petite, graceful fairy with light, almost translucent wings that shimmer in the light. Long hair of a soft pastel shade (in art, most often light blonde with a greenish tint), decorated with flowers. She is dressed in a light dress made of natural materials - petals and leaves, in the style of forest fairies. The facial features are delicate, the eyes are large and expressive, glowing with a gentle light. It is as if light pollen is swirling around it - the "magic trace" of fairies.

Character
Kindness and gentleness. Celesti sincerely cares about nature and living creatures, quickly becomes imbued with sympathy for Lololoshka and his friends.
Naivety. Like many fairies, she is too trusting: she easily believes in good things and does not immediately recognize deception.
Courage. Despite her fragile appearance, at a critical moment she does not hide behind other people's backs and is ready to take risks for the people she loves.
Devotion. Having become attached to someone, she remains faithful to the end - and the friendship with her is sincere, without second thoughts.
Love for nature. The Summer Forest and its inhabitants are important to her: she takes its devastation by Woland hard and rejoices when Lololoshka returns the scattered animals.
Celesti is a kind of "warm start" in the dark events of the season: next to her, even the icy Prison of Time and Lucius' castle seem not so frightening. Before Lololoshka disappeared, she was his famelyar.

Appearance
Voland is a demon-destroyer. In his normal form, he stands about 180 cm tall, with red skin, fiery eyes, horns, and dark hair. The red veins characteristic of his race are visible on his face, hands, and the back of his head. He dresses simply: a wrinkled brown pullover, black pants with a brownish belt and a gold buckle, and worn boots; a yellow metal dagger hangs from his belt.

After absorbing the power of the Infernal Vault, his appearance became more imposing: he grew to approximately 4 meters tall, acquired an additional pair of horns, dark scars on his arms, claws on his feet, the whites of his eyes turned scarlet, and black stripes appeared under his eyes. Later, a shrinking spell restored him to a more compact form (approximately 195 cm), but the demonic features remained.

Character
Woland is hot-tempered and frivolous: his nature makes him quick to anger, and when enraged, he's capable of widespread destruction. He leads a dissolute lifestyle, has little regard for manners, and enjoys interrupting other people's conversations and eavesdropping. However, he's not as reckless as he seems: he often calculates his steps ahead and deftly extricates himself from difficult situations.

He values ​​strength and is principled: over time, he comes to respect Lololoshka for her demonstrated power and also reconsider his opinion of the Order, recognizing the true strength of mages. He is deeply attached to his best friend, the demigod Lucius: this attachment even manifests itself in emotional reactions (for example, in the finale, he is genuinely happy to see her and does not hide his feelings). He lives with Lucius. He usually calls Lololoshka a "dummy."

The sphere of desires is the ability to influence reality;
Transfer of Spark energy;
Ultra-fast running;
Restored "Old" Abilities
"Conseco" (Spark Chase) - Follows another Planeswalker's Spark energy between worlds. He learned it from Faragonda back in "The Voice of Time", in the finale he remembered it again - and due to the changed timeline, he turned out to be the author of the spell itself.
Pocket dimension – the word "Prunus" opens up personal space, "Malus" brings back. One of the few abilities that have survived between seasons.

In Dalivarika, Lololoshka is revealed as a person who sincerely wants to help, but at the same time does not try to seem like an omniscient hero - he learns on the go and is not afraid to make mistakes.

Openness to the world and curiosity. Dalivarika is a world with special magic, unusual orders and strange traditions, and Lololoshka does not close himself off from this: he tries to figure out how everything works here, listens to the locals, tries to understand the logic of the Order of the Great Tree. It is important for him not just to "do the job", but to understand why it is important for this world.

Empathy and the desire to protect the weak. He quickly becomes imbued with the problems of the inhabitants: he worries about the fairies from the Summer Forest, who had to flee after Woland's attack, tries to return the scattered animals, reaches out to help those who are in trouble. For him, there are no "other" problems: if someone suffers, he wants to fix it.

The ability to negotiate, and not to press by force. There is a lot of tension in Dalivarika: distrust of engineers, fear of big changes, strict rules like the ban on meat in the Sanctum. Lololoshka tries not to break these orders rudely, but to look for a common language: he respects other people's boundaries and tries to act in such a way as not to make things worse.

Internal responsibility. He understands that his intervention can change the fate of entire places - and he does not dismiss it. Yes, he may act impulsively, but then he tries to correct the consequences and take part of the responsibility.

Slight naivety — and growing up through mistakes. Sometimes he is too quick to believe people or does not notice disturbing details because he wants to see the good in them. But it is in Dalivaryk that he learns to be more attentive: to see where calculation is hidden behind kind words, and not to allow himself to be manipulated.

Attachment to those who are nearby. He sincerely attaches himself to those with whom he follows the path: he appreciates Bastian's support, tries not to let the Order down, and worries about those who have trusted him. For him, friendship and alliance are not just a convenience, but a support.

Purposefulness. He is single-mindedly pursuing his goal—to unravel the mystery of the Spark and understand the nature of planeswalkers, without being distracted by trivialities.
Restraint. Fewer impulsive decisions – more often weighs options and calculates consequences.
Responsibility. He feels the weight of his mission and tries not to let his allies down.
Compassion. Remains kind and caring: helps those in need and cares for friends.
Inner fortitude. Unbreakable in the face of a major threat, persevering even in the darkest and most frightening circumstances.
Fatigue. During his travels, he became more tired and irritable.

Height - about 190 cm, collected, fighting posture.
Face and hairstyle - sharper features, a previously unseen scar on the face and, in fact, many of them on the body, a focused look; short light brown hair with bangs to the left.
Colours: black, dark blue, purple and ash tones predominate.
The clothing is thick and layered, with belts, overlays, and subtle planeswalker symbols; there are details hinting at cosmic energy. The iconic black scarf with a blue check pattern and black sunglasses obscure the eyes.

These are creatures capable of moving between different worlds and dimensions. They are not just travelers: for the multiverse, their existence is rare and at the same time a great power: one Planeswalker can influence the fate of entire realities.

Who are the Planeswalkers
Not a separate race, but a status. A creature of different natures can become a Planeswalker – a human, a demigod, a demon, etc. The main condition is a special connection with the fabric of reality.
Rarity and danger. Such beings are few and far between, and their abilities often attract the attention of higher powers and overseers (such as the Overseer), because traveling between worlds can cause temporal paradoxes and breaks.
Different levels. Some Planeswalkers can only "jump" between neighboring worlds, while others are able to pass through time-warped dimensions or even get to and from the Time Prison.
How they move between worlds
Planeswalkers have several ways, and often use multiple tools and abilities at once:

Own power (natural ability). For strong Planeswalkers like Lololoshka or Ebardo, locomotion is part of their nature: they literally "break" the border between the worlds with an effort of will and energy. This is the most powerful, but also the most costly: it leaves traces in the fabric of reality and can attract the attention of the Beholder.
Artifacts. Special items that stabilize the transition and disguise it. For example, bracelets, crystals, amulets — they help not only to open the "passage", but also to set the exit point so as not to end up in the void.
Rituals and marks. Sometimes special points (crossroads, gates, altars) and rituals with symbols are needed to cross. Such places work as "stations" for interworld travel.
Time windows. In some cases, the transition is possible only at certain moments when the boundaries between the worlds become thinner. Planeswalkers learn to sense these windows or calculate them from temporal anomalies.

Lucius and Lololoshka have gone from being forced to being a true friend.

How the relationship changed:At first,

Lucius only intimidated the hero and forced him to help, and once even broke all ties with him, angry that he was learning magic from Bastian instead of helping. But when the anger cooled, they reconciled and became friends.
Lucius quickly became "humanized": he began to value friendship, take care of the snake Aiko, and help Lololoshka of his own free will, for example, he agreed to give part of his strength to restore the Tree of Life.
Key moment of the finale: When Jodah took Lucius' powers and he was captured, Lololoshka and his friends secured his release - in the final episode, Jodah brought Lucius back alive. To the offer to return the divine power, the demigod refused: "I now only need my castle, my Aiko and... my friends, after all! And you can keep the strength for yourself." That is, in the end, friendship with Lololoshka became more important to him than power, which he used to chase so desperately.

Why Lucius ended up in the Time Prison:

According to the wiki, Lucius was imprisoned there twice and escaped twice, and also helped a couple of prisoners escape. Reasons:

He created a dark assassin who almost destroyed half the world;
He destroyed half of the Lower World - just for the attention of his father, Agnes.

Basic Powers and Abilities
: Fire Control. Lucius freely creates, directs, and controls flames, from small fiery arrows to large-scale lava flows. It can ignite objects or creatures at will, as well as form structures from fire.
Summoning lightning and working with the elements. In addition to fire, it is capable of summoning lightning and combining it with flames for more destructive attacks.
Teleportation. He can instantly move himself and carry others - this helped him both in battle and during escapes (including from the Prison of Time).
Creature Creation. One of the most dangerous abilities: Lucius is able to create powerful creatures. An example is the dark assassin who almost destroyed half the world.
Illusions and mental effects. He can create realistic visual deceptions, confuse the enemy, and also penetrate dreams.
Transmutation and manipulation of matter. It is able to change the structure of substances, transform some materials into others, create lava or unusual forms of fire.
Levitation and soaring. Floats freely in the air, which complements his fighting style and mobility.
Long-distance communication and surveillance. Lucius can keep an eye on someone from elsewhere and keep in touch over vast distances.
Resurrection. In his arsenal, he has the ability to bring back to life, although it is rarely used and comes with serious consequences.
Features and limitations
Dependence on divine status. Lucius's power is precisely a demi-divine power, so it is large-scale, but not absolute: it can be suppressed or absorbed (as Jodah did).
The Prison of Time partially extinguishes abilities. Inside the prison, magic and energy are suppressed by space, but Lucius remained an exception: he retained color and some of his power because his level exceeded the "order" of the prison itself - hence the possibility of escape.
Giving up strength in the finale. At the end of the season, Lucius consciously refused to return the divine power: for him, friends, Aiko and a quiet life became more important to him, rather than destructive power.

The Overseer is the embodiment of Time and Death, the overseer of the multiverse. He appears as a dark figure in a fur-trimmed cloak; The face is hidden by a hood, only white glowing eyes are visible, dark "smoke" swirls around. He is emotionless, acts like a duty performer, almost does not speak - he is understood telepathically. The beholder is omnipresent and sees past, present, and future, exists outside of linear time, rules purgatory, and can erase objects from reality. His presence inspires paralyzing fear even in the gods.

The Prison of Time is a dimension for the most dangerous criminals who have violated the fundamental laws of the multiverse. Externally, it is an endless ice castle: in the center is a spacious hall, four wings with chambers diverge from it, and the corridors go up endlessly. Inside, time stands still, colors disappear (except for those whose power exceeds the prison itself, like Lucius), magic fades, and icy silence reigns. The prisoners can hardly communicate: there are almost no sounds, only sign language remains. The cold is so strong that it is difficult to breathe.

Those who threaten the very structure of reality are kept in prison: for example, Interworld, Ebardo, Rehoboam Calhoun. It is almost impossible to escape - the Demiurge said that even four gods could not do it. But there are exceptions: Lucius escaped twice because his strength partially surpassed the structure of the prison.

Inside, the castle is luxurious, but not cozy: high halls with dark wood and scarlet upholstery, floors made of polished stone, on which liquid gold seems to be poured. In the corridors there are torches that do not go out, and stained-glass windows with fiery patterns.

Key locations:

Throne Room - large, with an elevation and throne made of dark metal and red stones; above it is a carved dome, where flames seem to be frozen in the patterns.
Lucius's study - many books and maps of worlds, a desk, a fireplace, next to it - a rack with a cane. The atmosphere of a "learned demigod": power and knowledge mixed.
The rooms of servants and assistants (like Woland and Pimpajon) are more modest, but with trademark fiery details: lamps, patterns, inserts.
Aiko's greenhouse/room is one of the few "warm" places: a pet lives there, and Lucius deliberately maintains soft light and warmth, without aggressive flames.
In general, the castle looks as if it was built and changed by the power of fire: sharp lines, contrasts of black and scarlet, the feeling that it "breathes" with the owner.

Aiko is Lucius' favorite snake and one of the most recognizable characters of the season.

Aiko's
appearance is a small graceful snake with a very expressive coloring:

the main color is dark purple, almost inky;
bright golden-orange patterns go through the body, like tongues of flame;
The eyes are of a warm amber hue, the gaze is calm and attentive.
Because of the fiery palette, she fits perfectly into the aesthetics of Lucius: she looks like a living flame, but at the same time not aggressive, but rather cozy.

Aiko's character
is calm, observant and very sensitive to the mood of the owner. She is not one of those snakes that are constantly looking for adventure: rather, she quietly follows everything that happens, and makes it clear in time if something is wrong. At the same time, she is attached to Lucius and senses when he is having a hard time - she can just snuggle up to support him.

Aiko is not aggressive towards other characters, but she is wary until she realizes that they can be trusted. With Lololoshka and his friends, he gets used to it over time and even allows himself to be stroked, but without fuss.

Aiko's role in the
plot is an important anchor for Lucius. It is taking care of her that helps him become softer and more humane: he learns to think not only about himself and his strength, but also about who needs safety and warmth next to him. In the scenes where Lucius renounces divine power, Aiko is one of those for whom he chooses a simple life: it is more important for him to stay with her and his friends than to regain his destructive power.

Aiko also often appears in "home" scenes in the castle: she loves warm places, sometimes curls up on the armrest of a chair or warms herself by the fireplace, and her calmness seems to balance out Lucius's short-tempered nature.

At the beginning:
Lucius appears as a selfish and arrogant demigod. He does not tolerate rejection and shows contempt for ordinary inhabitants of worlds. His character is arrogant, and he does not understand the human essence. Lucius seeks to regain his former power and overthrow the other gods, using his powers to intimidate and pressure.

Personality Changes: Over time,
Lucius begins to change. He reads a book about love and begins to take care of his friends and his pet Ike. Despite the loss of some of his powers, he begins to understand people more and worry about this world. In the end, Lucius gives up his powers, showing that he is capable of altruistic acts.

Appearance:

Cold ash hair color and medium skin
tone Red eyes with bright yellow pupils
Sharp, pointed ears, similar to elven
Height about 180 cm
Clothing:

Black top hat (hat) with red inserts - according to various descriptions, red stripe or three rhombuses
Scarlet shirt/sweater
On top is a cape or cloak up to the elbows, dark, with a golden frame; according to some descriptions, there is a skull
on the back Black pants and dark shoes
The signature detail is a dark cane with a golden tip in the form of a snake's head, which is almost always with him. And a black and blue checked scarf, a replica of his friend's scarf. He started wearing it a couple of days later, as the lololoshka disappeared.

Lucius is a demigod, the son of the fire god Agnes. He has powerful abilities, including manipulating fire and creating illusions.

Family:

Father: Agnes (Agnus) is the god of fire.
Older brother: Ivlis (†) - also a demigod with whom Lucius did not get along.
Relationships:
Lucius has always strived to prove his worth and often clashed with his brother Iwlis. His relationship with his father was complicated: he wanted to earn Agnes' approval, but he often acted impulsively and selfishly.

Powers Taken:
Lucius believed that his powers were partially taken away by the gods as punishment. However, it was actually part of Jodah's plan that absorbed the remnants of his forces. In the finale, Jodah offered to restore Lucius' powers, but Lucius refused them, deciding to live without divine power.

Dalivarika is a world in the multiverse where magic is advanced and technology is primitive.

Time and space. In Dalivarik, time passes faster: two local months are only six days in Skaisern. Because of this, the world seems dynamic, events are developing rapidly.

Magic and faith. The heart of the world is the Great Tree of Life, accidentally created by Jodah: he put divine power into an ordinary tree, and it became a powerful magical guide. The Order of the Great Tree has formed around the Tree, protecting the world and overseeing the balance. The inhabitants also believe in the Four Gods, a pantheon invented by Jodah to create the illusion of a viceroy.

Population. The world is inhabited by humans, fairies, smurfs, arachnids, hussar slugs, goblins, and other creatures. Society is heterogeneous: for example, engineers are disliked here — after a disaster, when an entire city was destroyed due to careless handling of Flux, they are treated with suspicion.

Calendar. The names of the days and months refer to the names of the gods: the days of the week - Lunius, Martis, Mercury, Jolvis, Venis, Saturnius, Solais; the months are Janus, Februus, Mars, Aprilis, Mayus, Juno, and so on.

Key Locations:

The Great Tree of Life is the center of power and worship, and the life of the Order is built around it.
Lucius' castle is gloomy, but majestic, Lucius and Woland live in it.
Bastian's house is a modest house in the snowy mountains, where the mage lives among his pets and conducts his research.
Summer Forest is the home of fairies (for example, Celesti); after Woland's attack, the forest was emptied, but later Lololoshka gathered the scattered animals.
A fairy shrine is a temple surrounded by vegetation. Any magic is blocked here, except for the magic of the fairies themselves, and the entrance is open only to those who have refused meat.
Features of society. Most residents can read (often guided by Dovin's logbook), but do not write. The world is held together by magic and traditions, and any attempts to "mechanize" reality cause wariness.