Ebardo/interworlder.

As a race ("God's Game") – an ancient race inhabiting the interdimensional void; divided into intelligent (wearing dark armor, with glowing elements and a stone in their chest) and non-intelligent (small creatures with black bodies and glowing white eyes). Immune to the void, they navigate by the energy of destructible worlds, and are capable of manipulating space and time.
As a designation for the First Ones ("Heart of the Universe", Archaean) - in these seasons, the First Planeswalkers are called "interworlders" due to their ability to move freely between realities and dwell in the void.
As a separate, powerful demiurge character ("Point of No Return"), the Interworlder acts as a version of Lololoshka from an alternate reality: he manipulates time, creates pocket dimensions, uses hollow magic, is connected to the Organization and the Synclet; he is considered a dangerous violator of the laws of the universe due to his interference with timelines.
In all cases, interworlders are beings of colossal power, directly influencing the structure of the multiverse and the flow of time.

Interworlders, or, as they are also known, demiurges, and planeswalkers are different, though some confuse them. Interworlders are ancient, powerful beings, capable of creating worlds and even realities. They live for millions, even billions, of years. Some say that interworlders remain in the void between worlds, degenerating. But not all. Some are intelligent, such as the owner of the purple mask.

Planeswalkers are beings capable of traveling between worlds. They are not a separate race: a planeswalker can be a human or any other species. They have no outward distinguishing features—all their uniqueness lies within.

How do they move?
The Spark (OMP - Organ of Interspatial Movement) allows them to move:

What is it? An immaterial "organ" that, in humans, is located between the lungs, extending through nerves into the spinal cord. Many people aren't even aware of their ability until their first move.
How it works: The interdimensional void would tear a normal being apart, but the Spark allows a planeswalker to "jump" through it—to bend space and move from world to world.
Control. Experienced planeswalkers navigate in a controlled manner, while inexperienced ones experience transitions automatically—through strong emotions like fear (this is how Dovin Baan ended up in Skaisern when a vat of molten metal spilled on him).
Transition effects. A strong Spark grants adaptation to worlds (for example, understanding any language), memory retention, and the ability to transport objects and even other beings. With a weak Spark, a novice may lose their memory and all possessions.
A byproduct is skint. Each transition in the void produces skint particles—materialized "grains" of the Spark. This substance is used as currency (for example, in Poen), but there is a downside: anti-skint can extinguish the Spark, turning a planeswalker into a Dusk.
The connection to all this is direct: the extinguished Spark is the Dusk, which is forever locked in the Between Worlds, because without the Spark the void will tear it apart.

A skint is a crystallized "grain" of a planeswalker's Spark: a byproduct of moving between worlds. When a planeswalker "jumps" across the interdimensional void, particles of their power materialize within it as a substance called skint.

Main properties:

Associated with the Spark, it is the material embodiment of a fragment of a planeswalker's power—a sort of "residue" from the transition.
Value. In the Interworld, where ordinary riches mean less than the opportunity to enter a new world, skint is used as currency (particularly in Poen).
Magical uses. Skint can be used to power magical devices and constructs, open passages, and absorb power.
What is anti-skin?
Anti-skint (antiskint) is a substance with the opposite effect: it extinguishes the Spark.

Main properties:

Deprives one of strength. Contact with an anti-skinth can extinguish a planeswalker's Spark—that is, transforming them into a dusk: without magic, unable to travel between worlds, trapped in the Betweenworld.
A weapon against planeswalkers. That's why the anti-skint is a terrible weapon: it neutralizes those who travel between planes that are too dangerous.
The Key to Vidomnia. The Anti-Skint was also used in the construction of the prison tower: it opened the entrance to Vidomnia.
Origin. Essentially, this is an "inverted" skint—its energy works not to nourish and open, but to suppress and destroy.
The main difference
Skint Anti-skint
What it does: Nourishes and strengthens: works to connect with the Spark. Suppresses and destroys: extinguishes the Spark.
Effect on the planeswalker: Maintains strength, allows magic and movement. Deprives strength, turns into a dusk.
Uses: Currency, fuel for magic, opening passages, Weapon, means of isolation, key to Vidomnia
Simply put: skint is "yes," anti-skint is "no." The former nourishes the connection with the worlds, the latter sever it.

Dusks are planeswalkers who have lost their Spark (the source of their magical power and the ability to travel between worlds). When the Spark fades, a planeswalker transforms into a Dusk and becomes "trapped" in the Between Worlds.

Main features:

The Extinguished Spark. Key feature: without the Spark, Dusk loses its magic and cannot open portals between worlds—meaning it is stuck in the Between Worlds forever.
Vulnerability. The void between worlds is mortally dangerous for Dusks: without spark powers and special means, they are literally torn apart, so leaving Poena is practically suicide for them.
They live in Poen. Outcasts and disempowered planeswalkers settle in a separate section of the city at the entrance—it's their only safe haven. Many change their names and "bury" their past, starting their lives anew.
The paths to becoming a Duskian vary. Some become one of their own free will (deliberately extinguishing the Spark to escape), while others are forcibly stripped of their power—for example, for serious crimes through Vidomnia, where nightmares burn away the Spark.
Essentially, the Dusks are "former gods of travel" forced to live out their days in the shadows: once-powerful beings who now barely survive among the guilds of Poena.

Lust for power and determination. He pursues his goals without regard for others' lives, believing that the end justifies the means.
Strategic mind. Calculates events many steps ahead and easily manipulates people.
Arrogance. He speaks condescendingly, favoring titles like "Eternal Archmage," but his pride is based on actual knowledge of the multiverse.
Irony. Even in dark situations, he lightens the mood with humor—he initially perceived the bet with Eo as a funny game.
Glimpses of empathy. After absorbing the powers of the demigoddess Aeola, he became a little softer and occasionally helped those in need, but this doesn't change his harsh decisions.
How did you get powers?
Family Ability. From his family, Avi inherited the gift of absorbing the powers and energy of other beings—this first manifested at the age of 10, when he absorbed an offender.
Accumulation in Skaisern. For hundreds of years, he drained the power of thousands of creatures, collecting their magic, knowledge, and experience.
A ritual with a thousand demons. Absorbed the power of a thousand destructive demons, becoming virtually immortal and gaining the ability to see the future.
Aeola's Powers. Accidentally absorbed the powers of the demigoddess Aeola, which added influence over the elements and a touch of compassion to his character.
The Watcher. He spent time in the Time Prison and later became the Watcher's right-hand man, gaining access to special knowledge about time.

Wings. Enormous, black and scarlet, as if made of feathers and shadows—they emphasize his inhuman nature.
Eyes. Bright red, glowing, their gaze seems to pierce right through.
Skin. Pale, almost porcelain, it looks especially striking in contrast with the darker details of the outfit.
Clothing. Most often, dark robes with elements resembling armor or ritual jewelry: metal inserts, chains, symbols. Overall, the style is "dark and regal."
Attributes. Often, elements associated with magic and power are visible near or on it: seals, symbols, and sometimes a staff or special artifact.
Aura. The air around him seems to thicken, a sense of pressure appears—it's not just a detail, but a part of his image: he literally "fills" the space.
Jodah's powers and abilities
Jodah has a very wide range of abilities, many of which are tied to magic, energy absorption, and reality manipulation:

Power Absorption. One of his main traits: he can absorb the abilities, magic, and even life energy of other beings. Thanks to this, he grew increasingly stronger over time.
Immortality and resilience. He is extremely resilient: conventional means don't kill him, and any damage he takes is quickly mitigated by his nature and recharge.
Reality manipulation. Capable of altering localized areas of the world, creating distortions, and altering the perception of space and time within a limited area.
Telepathy and mental influence. Can read minds, instill emotions, suppress willpower, and even control the actions of others—especially if the opponent is weaker.
Creation of portals and passages. Can open passages between worlds and into special spaces, including unstable or hidden ones.
Energy control. Can accumulate, redistribute, and release powerful streams of magical energy—even producing large-scale explosions or pinpoint strikes.
Curses and Seals. Masters rituals that allow one to seal powers, place marks, and impose long-term effects on creatures and objects.
Knowledge and memory.

Eo is Ebardo, an ancient planeswalker mage with void magic and the main antagonist of "The Voice of Time." In the original storyline, he was imprisoned in Vidomnia for stealing the sun from the world of Thirteen and remained there for hundreds of years until he became a Dask (with his Spark extinguished).

How did he get into the past?
In the old timeline, now free, Ebardo complained to Jodah at the Belly Fox tavern about his desire to destroy Vidomnia. Jodah, for fun, proposed a wager: Ebardo would travel back in time and must destroy the tower and escape the Between Worlds before his younger self's Spark faded. If he lost, the Watcher would imprison him in the Time Prison. Jodah transported him back in time, and there Ebardo took the name "Eo" (the first and last letters of "Ebardo"), claiming to be an escapee from Vidomnia.

What were his goals?
Win the bet - destroy Vidomnia from the past and free the Ebardo there.
Having seized power in Poen, he quickly rose through the city's hierarchy and became the first "guarantor of security", reconciling the guild leaders.
Rewriting the Universe – Unlike the Interworlder, who sought an "ideal" timeline, Ebardo wanted to rewrite reality with his own hands; to do this, he recruited planeswalkers with void magic, including Lololoshka.
How Vidomnia Collapsed
The plan worked thanks to Lololoshka, who, due to the Interworlder's fault, ended up in the Interworld long before his time—this created a paradox and "crossed" both timelines. The destruction itself looked like this:

Lololoshka and his allies (Cedric, San-Fran and others) made the Bombastika bomb.
It was planted between the first and second floors of the tower and detonated: the shock wave disabled the nightmare system and security, and an alarm sounded.
While the system was paralyzed, Lololoshka and the guild leaders freed all the prisoners, including young Ebardo from the upper compartment.
Then a crucial event occurred: young Ebardo and Eo from the future merged. Thus, Eo formally won the bet and gained his freedom, but the side effect was a global temporal collapse.

Vidomnia is a special prison tower in the Interworld, created to punish planeswalkers who have committed serious crimes in the multiverse. It was founded by Faragonda with the support of the Planeswalker Congress.

What is she doing?
Identifies the prisoner's greatest fear. Using empathic magic and a special tower design, the system reads the prisoner's deepest fears.
Forces you to relive the nightmare over and over again. The prisoner is placed in a simulation where they face their worst fear over and over again—and each failure intensifies the pressure.
Drains the Spark. The main goal is not simply to punish, but to gradually deprive the planeswalker of their power (the Spark): constant exposure to horror and stress literally "burns" it out. Thus, the dangerous criminal ceases to be a threat to the multiverse.
It functions as a magical antenna. The top of the tower is capable of transmitting signals throughout the multiverse; only Faragonda herself can receive them.
Automatically defends and repairs itself. Vidomnia absorbs external attacks and, if damaged, begins to instantly rebuild itself. If suspicious activity occurs, it enters quarantine mode—access is restricted to those with a special pass.
Device features:

It's a gigantic three-story tower surrounded by floating islands, and can only be opened by magic or an anti-skin shard.
Almost all processes are automated - the tower hardly needs any overseers.
In the city of Poena, Vidomnia is not spoken of out loud: it inspires fear even in those who live by the laws of the shadow.

Between Worlds
The Interworld is a special space-layer between worlds, a kind of “emptiness” where the usual laws of reality do not apply.

Key Features:

The Transition Zone. It is from here that planeswalkers (including Duskians) open portals and travel between universes.
A dangerous environment. For those who have lost their "Spark" (like the Dusks), the interdimensional void is deadly: without defense mechanisms, they are literally torn apart.
Wild Territory. Outside of cities (like Poena), the terrain is largely uncontrolled: dangerous creatures roam there, and the landscape is unstable.
Connection to fundamental forces. The flow of time and void magic is particularly perceptible in the Interworld, making it important for characters like the Interworlder or Ebardo.
Poena (The Impossible City)
Poena is a large city in the Interworld, which has become a kind of "hub" for planeswalkers and a haven for outcasts.

What's special about it:

A city of guilds. Power in Poen is wielded by guild leaders (smugglers, thieves, mages, assassins, spice merchants): each has its own sphere of influence and strict internal rules. Conflicts are managed by a special guarantor, who stands above the guilds.
A refuge for the Dusks. The Dusks (planeswalkers with a dead Spark) live in a separate area near the entrance—it's their only safe haven, as they can't leave Poena.
Strict rules and a shadow economy. The city operates a complex system of passes and permits: for example, individual portals can only be opened with a license, and the currency is skint fragments. However, many rules are regularly broken when survival is at stake.
Vidomnia's Neighborhood. Next to Poena stands Vidomnia—a tower where criminals are forced to relive their worst nightmares over and over again, gradually stripping them of their Spark. It's not spoken of publicly in the city, but its shadow is felt everywhere.
Architecture and Districts. The city is divided into quarters (Azure Harbor, Wild Bay, Golden City, Green Grove, Dead City), each assigned to its own guild and with a unique appearance and "guidelines" for welcoming guests.

Who is the Watcher?
The Watcher is the embodiment of Time and Death, the keeper of the balance of the multiverse. He stands above the gods and the material planes: he neither pursues evil for revenge nor does he do good for glory—he simply fulfills his function, preserving reality from disintegration.

Key Features:

Omnipresence and omniscience. He is simultaneously present in all points of space and time and sees the past, present, and future.
Cold impartiality. For him, there are no "good" or "bad" people: only troublemakers who must be isolated.
Appearance. A black figure with brightly glowing white eyes, wearing a long cloak with fur cuffs and a hood; an icy fog always swirls around him, and his very presence weighs on the mind and causes anxiety.
Special properties. It cannot be photographed, and beings "untethered from time" cannot see it at all.
What is Time Prison?
The Time Prison is a separate dimension-pocket where the Watcher places the most dangerous violators of the laws of the multiverse (like Ebardo or the Interworlder).

How it works and what happens there:

"A Castle Born of Ice." The space appears like an endless ice castle: gray tones, silence, the absence of color and sound.
Time doesn't flow there. There's no hunger, no fatigue, no aging—only eternity for reflection.
Complete neutralization of power. Any magic and abilities are instantly absorbed by the environment: even the most powerful beings are rendered powerless.
Architecture. A central area with views of all floors and four branches leading to cells; the prison seems to be looped, making escape by wandering impossible.
Isolation without torture. This is not a place of torment, but a complete lack of influence: the prisoner cannot alter reality, send signals, or distort timelines.
This is why the Time Prison is considered the most reliable way to stop those who are capable of rewriting the very fabric of the universe.

A temporal paradox is a contradiction that arises when an intervention in the past disrupts the chain of cause and effect: an event “breaks” the logic of its own occurrence.

How it works in the world of "The Voice of Time"
In Lololoshka's multiverse, time is not just a pointer, but a strict system of laws monitored by the Watcher. Paradoxes here are not abstractions, but real threats that destroy reality.

Interference is prohibited. Changing the course of past events is expressly prohibited by the laws of the multiverse—for this reason, the Overseer imprisoned the Interworlder in the Time Prison.
The mechanics of paradox. If you change the past, the present version of events loses its "support": it could no longer have happened—and time begins to collapse. A simple example: a hero kills his ancestor—meaning he himself never existed, but then no one traveled to the past, and the ancestor lives... the circle closes.
Timeline conflict. Every intervention creates a new branch of reality, and when the lines "collide," tension arises.
The main paradox of the plot
A classic example is "The Voice of Time":

Lololoshka's journey to Vidomnia. The Interworlder sent Lololoshka to the Interworld much earlier than expected—according to the laws of the universe, this shouldn't have happened.
A collision of lines. Two events that should have happened at different times overlapped: Lololoshka encountered a young Ebardo and Eo in the past—two versions of the same being.
Consequences. The fusion of young and future Ebardo after the destruction of Vidomnia generated an overabundance of magical energy that nearly stopped time throughout the universe—a single paradox nearly destroyed all of reality.
This is why any time travel in this world is considered a crime of the highest order: even the slightest interference can lead to collapse.

Mistrust and wariness. Lololoshka understands that the Interworlder is a dangerous violator of the laws of the multiverse and is not ready to trust him.
An attempt to understand. He tries to delve into the Interworlder's motives: it's important for him to understand why he took such radical steps and what drives him.
Empathy with reservations. Despite the Interworlder's crimes, Lololoshka is able to see him not simply as a villain, but as a character with a difficult fate (including because of their deep connection as different versions of the same hero)—and this adds a touch of sympathy to the relationship.
Readiness to resist. If the Interworlder's actions threaten other worlds and people, Lololoshka will stand in their way without hesitation.

First, there's a recruitment attempt. Ebardo sees Lololoshka as a valuable ally (due to his void magic) and invites him to join him, but is refused.
Manipulation and deception. Ebardo distorts the facts to sway Lololoshka to his side, and even indirectly pushes her into dire consequences (for example, through a hallucinogenic potion).
A wager as a point of confrontation. Their relationship culminates in a wager where both their lives are at stake. This is neither an alliance nor a friendship, but a confrontation between two different worldviews and power.

Goal-oriented and responsible, he doesn't give up on things and strives to see them through to completion, even when the going gets tough.
Empathetic. Often thinks about others, tries not to let anyone down, and, whenever possible, helps those in need.
Calm, but not passive. In stressful situations, he doesn't panic, but seeks a solution—he acts coolly but decisively.
Inquisitive. It's important for him to understand how everything works, which is why he often delves into details and asks questions.
Has a sense of humor. In tense moments, he can defuse the situation with a light joke or an ironic remark.

Height: 190 cm - quite a tall guy.
Skin: pale.
Eyes: brown.
Hair: Light brown, cut short, with bangs slanted slightly to the left. After the events of "The Voice of Time" (after being unbound from Time), a gray streak appeared in the bangs—a distinctive feature of all unbound.
What he wears (this is his recognizable image):

White headphones with black ear pads and blue inserts.
Blue decorative glasses with black lenses - you can't see your eyes through them.
A white hoodie with a subtle hint of soft blue. The puffy sleeves feature black stripes and black drawstrings.
A black and blue checkered scarf made from a light fabric is one of the most striking and memorable details of the look.
Black pants with two blue hanging suspenders.
Blue sneakers with white soles.

The Interworlder is Lololoshka's mentor and has been watching him for a long time. Sometimes he helps Lololoshka, giving him hints. But no one except Lololoshka knows about this.

He violated the fundamental laws of the universe. He repeatedly altered the flow of time and rewrote timelines for his own purposes—something that is expressly prohibited by the basic rules of the multiverse.
He created massive paradoxes. For example, he sent Lololoshka to Vidomnia much earlier than scheduled, which created a major temporal paradox with serious consequences for reality.
He used immense power for personal gain. He had access to powerful tools like the "Time Sphere," which could erase entire timelines—and he actually used it.
He interfered with the destinies of numerous worlds. The Interworlder didn't simply adjust individual events, but deliberately reshaped entire branches of reality to achieve his desired outcome.

Cool and collected. He almost never loses his composure, even in critical situations. He speaks clearly, without unnecessary emotion, giving direct instructions and advice—as if he always has the big picture of the multiverse in mind.
A sense of duty and responsibility. The Interworlder consciously takes on a heavy burden: he interferes with the flow of time to prevent catastrophes, and is willing to pay a high price for it. For him, this is not a game, but a duty that he perceives as inevitable.
Loneliness and aloofness. Due to his position and the extent of his knowledge, he is forced to maintain a distance from others. He rarely opens up, shares almost no experiences, and his assistance often comes across as dry instructions rather than a manifestation of warmth.
Toughness and pragmatism. For the sake of the "greater good," he is willing to make difficult decisions, including those that hurt others (including his past self). He doesn't avoid difficult choices or try to soften their consequences with fine words.
Patience and strategic thinking. The Interworlder is accustomed to long-term thinking: he calculates consequences many steps ahead, knows how to wait for the right moment, and does not succumb to impulsive impulses.
Hidden kindness and care. Despite his outward coldness, he sincerely wants to protect Lololoshka and other realities from destruction. His instructions are a form of care, simply expressed with the utmost restraint.
A heavy burden of the past and guilt. He carries with him the experience of the death of his branch of reality and a sense of responsibility for failing to save it. This makes him simultaneously strong and vulnerable: he knows the cost of mistakes and is therefore extremely cautious.
Restrained empathy. They understand others' feelings but almost never express them openly. This sometimes appears as indifference, but in reality, it's a way to prevent emotions from interfering with the task at hand.

The face behind the mask: it's identical to Lololoshka's, because the interworlder is the original version of Lololoshka. That is, he still has the same brown hair, but slightly modified, blue glasses, giving his face a more serious look, a few scars on his face that Lololoshka doesn't have, and slightly pointed ears (his race is half-elf). No one has seen him without the mask, so no one knows about it.

Armor and Cape: Dark gray armor with purple accents plus a hooded cape.
Mask: Covers the face; two distinct stripes run along the top edge, while protruding elements accentuate the cheekbones on the sides. This gives the look an almost ritualistic austerity.
Eyes: Purple, but now they emit a bright white glow - as if a source of power is burning within.

Ebardo is a fan of the Interworlder because of his immense power and because the Interworlder is the most dangerous criminal in the multiverse. You could say Eo looks up to the Interworlder.

Ebardo (aka Eo) is a complex, charismatic, and extremely contradictory character.

Main character traits
A passion for gambling and betting. Ebardo is literally obsessed with bets and challenges: he makes a bet with Jodah and later faces off against Lololoshka. For him, a bet isn't just a game, but a way to assert his power and the right to dictate the terms of the multiverse. He takes losing painfully and often tries to bend the terms if the odds are against him.
A thirst for power and a sense of superiority. Having attained immense power, Ebardo quickly becomes imbued with the idea of ​​his own greatness. He considers power the ultimate measure of worth, and all other beings weak and unworthy. Hence his permissiveness: the countless worlds for him are an argument in favor of breaking any rules.
Cruelty and control. He keeps his subordinates in fear, using intimidation and even torture (for example, with Skintonite). This isn't impulsive cruelty, but a tool of power—so that no one dares question his authority.
Manipulative and persuasive. Ebardo is adept at choosing his words and approach to different people, easily concealing his true intentions and creating the desired impression. In some situations, he appears cultured and diplomatic (for example, when he reconciled the guild leaders and became the guarantor of Poena), while in others, he appears a ruthless tyrant.
Hot-tempered and impatient. Young Ebardo isn't prone to procrastination: he acts decisively, often emotionally, and doesn't like to procrastinate.
A heightened sense of justice—in his own interpretation. He speaks of this in Episode 96, but his "justice" is closely intertwined with revenge and the desire to restore his status. For him, justice is what strengthens his power and compensates for the wrongs inflicted.
Charm and pathos. He knows how to make an impression, speaks effectively and confidently, and often plays on pathos. It's part of his image and a way to influence others.

Ebardo is a young-looking guy. He has brown hair, green eyes, and a scar on his face and many other scars on his body. He wears a white T-shirt with a green zipper (the color almost perfectly matches his eyes). He also wears black pants and green sneakers. He's about 180 cm tall.