Adolf Hitler

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Character

In his early years, Hitler was a complex tangle of contradictions. Psychologists and historians often describe him as a man with a deeply narcissistic personality structure, whose behavior was defined by a mixture of arrogance and profound insecurity. His teacher described the young Adolf as stubborn, domineering, dogmatic, and hot-tempered, who had difficulty with criticism and behaved defiantly toward his mentors.

Modern researchers note that even in his youth, he exhibited traits of the so-called "verschroben" psychopath: he was extremely despotic, socially awkward, maladjusted, and eccentric, preferring to live as a hermit. He also had a colossal overestimation of his own abilities and an incredible capacity for hatred.

His emotional state was extremely unstable: he could be withdrawn and depressed, yet prone to sudden outbursts of rage. He combined laziness and stubbornness, apathy and fanatical obsession, making his personality extremely contradictory.

Ban on photographs

This incident perfectly illustrates his vanity and his meticulous attention to his own image. Hitler "was very careful about his image" and personally "forbade the publication" of photographs he considered inappropriate to his status.

In the 1920s, his personal photographer, Heinrich Hoffmann, took a series of photos depicting Hitler in short leather shorts and white knee-high socks. Upon seeing these photographs, the future Führer was furious: he considered them "damaging to his dignity" and portrayed him in a "ridiculous and ridiculous" manner.

He placed a strict ban on them. For a man who was just beginning his rise to power and cultivating the image of a stern and decisive leader, such photos were absolutely unacceptable. This episode demonstrates how early he developed a heightened, almost painful, sense of self-importance and an understanding of the importance of managing his public image.

Hitler was rejected from the Vienna Academy of Fine Arts twice, and the reasons for the refusal were formulated quite specifically.

First attempt (1907). He took the entrance exam, but his work was deemed unsatisfactory. The academy's archives retain only one official reason: "wenig Köpfe"—"few heads." This meant that the submitted drawings did not contain enough images of the human head, which was considered an essential skill for aspiring artists. The Japanese Wikipedia entry also clarifies that he did not submit a drawing of a head among the required assignments, and his assignments were generally deemed insufficient.

Second attempt (1908). This time, he wasn't even allowed to participate in the trial drawing (Probezeichnen)—that is, the practical part of the exam. In fact, his work in the preliminary round was considered so weak that he didn't get the chance to further demonstrate his skills.

The rector's advice. When Hitler asked for an explanation, the rector of the academy replied that his drawings showed he wouldn't be an artist, but he had a clear talent for architecture. They recommended he study architecture, but admission to the architecture department required a high school diploma, which Hitler didn't have, and he didn't want to return to school.

Thus, formally, the reason for the refusal was insufficient artistic training (especially in the depiction of human heads), and not some personal animosity.