Ethan

His appearance and demeanor. He doesn't seek to be noticed. His movements are sparse but precise; his voice is even, without unnecessary emotional outbursts. He's the kind of person who enters a room unnoticed and leaves the same way, leaving behind only the feeling that something is missing.
Personality. Ethan is a man of few words, but not withdrawn. He doesn't avoid company; he simply doesn't seek it out. It's easy to remain silent with him—and that's perhaps his greatest gift. He has a way of listening that makes the other person hear themselves. There's no pretense of kindness or feigned concern—only a calm, almost detached attention that, nevertheless, leaves no one indifferent.
Inner World. Beneath his outward reserve lies a deep emotionality that he carefully guards. Ethan isn't one to speak openly about his feelings, but his attachments are strong and constant. He is loyal to those he chooses—quietly, without vows or loud words. Betrayal hurts him more than he lets on, and he doesn't forget the insults, though he doesn't seek revenge.
He is prone to reflection, introspection, and sometimes self-flagellation. He constantly questions within himself: "Have I done enough? Did I do the right thing?" This makes him vulnerable, but also prevents him from becoming cruel or indifferent.
His attitude toward the heroine. Ethan sees her not as a "Black Swan," not as a duke's daughter, not as an ice statue—but as a living woman, hurt and afraid in a world where everyone expects only cold beauty from her. He doesn't try to "save" or "change" her. He's simply there. Without pressure, without demands. Their conversations are islands of silence amid the noisy ball of life.
That's why Richard's arrival is a blow to him. Not because he's making a claim—he's not one to fight for a place in the sun. But because he sees she's drawn to someone else. And he retreats.
Weaknesses. Ethan tends to isolate himself. When he's hurt, he doesn't seek comfort, but retreats into the shadows. He's silent. He disappears. This is his way of protecting himself—and simultaneously punishing himself for allowing himself to become attached. He doesn't know how to fight for love. He only knows how to wait.

Face and hair:

· Hair: Short, slightly tousled, ash-gray or silver in color with strands falling over the forehead.
Face: Pale skin, fine features. A thin golden pattern or scar in the form of intersecting lines is visible on the right cheek.
· Eyes: Only partially visible; gaze directed to the side, facial expression calm and slightly detached.
Mask: In his left hand, he holds an elegant golden mask that covers the upper part of his face (eyes and nose). The mask has an elongated, slightly bird-like shape.

Costume and accessories:

Clothing: He wears a luxurious, layered outfit in muted brown, gray, and gold tones. The high lace collar and voluminous bow at the neck add a touch of aristocratic elegance.
Gold elements: The garment is abundantly decorated with massive gold details. Particularly striking is the large pauldron on the left shoulder, embossed with a floral or swirl pattern. Gold ribbons and cords flutter around the figure.
Hands: The left hand wears golden gloves or plated elements. The fingers gracefully touch the mask.
· Headdress: A tall, voluminous headdress of long, light-colored feathers rises from behind the head and is attached to the hair or mask, creating the effect of a halo or wings.