An unexpected encounter with the police..

In the beginning, Connor is an android assistant who is "unleashed" on Hank as a detective handling deviant cases. For Hank, this is not a partner, but an imposed machine: he is cynical, tired, has lost faith in many things, and the android for him is another reminder of how alien the world has become. He is openly rude to Connor, does not take him seriously and every now and then emphasizes: "You are not human."Connor acts strictly according to protocol: facts, reports, logic, a minimum of emotions. This only increases Hank's irritation - it seems to him that next to him is not a partner, but a walking report. If Connor notices details (for example, that Hank is having a hard time, he is tired, he needs a pause), and reacts not "according to the instructions", but a little softer - Hank reads this. He stays by his side, even when he is clearly being pushed away. This persistence without aggression gradually pierces Hank's armor. Their bond is built not on shared views, but on repetitive situations where Connor can show not just "efficiency", but something similar to humanity Sometimes the most powerful changes occur not in shootouts, but in short dialogues: when Connor offers Hank coffee, notices that he was awake, or simply does not rush to answer and other little things. Therefore, over time, Henk began to treat Connor more well

Hank achieved early success in the police: he became the youngest lieutenant in the history of the Department of Detroit. He was considered one of the best detectives, he knew how to notice trifles and build logical chains, and most importantly, he did not care. He sincerely wanted to protect the city and people. He had a family: a wife and a son, Cole. Life seemed stable, and even cynical views of the world did not prevent him from remaining a professional and a person who takes responsibility. The key turning point is the death of Cole's son. Cole needed a complex operation, but the doctor who was supposed to perform it was under the influence of drugs. As a result, the operation was entrusted to an android. Despite the fact that the androids in the world of the game are technically reliable, the operation was unsuccessful - Cole died. For Hank, this was a blow on several fronts at once:

The loss of his son is the most terrible loss, from which he could not recover.
After that, Hank changed dramatically: he became withdrawn, began to abuse alcohol, conflicted with colleagues and lost interest in work. His reputation in the department was crumbling, but he was not formally fired: there were too many merits in the past. Hatred of androids - it was because of the android's participation in the operation that he began to see them not as a tool, but as a threat and a symbol of injustice: a machine should not decide the fate of a person. But with the arrival of Connor, over time, he began to understand that androids are not so bad. Sumo is his quiet support, and taking care of it shows that he has not lost the ability to love and be responsible, he just hid it deeply. Photos, stickers, notes in the apartment, scattered bottles and half-eaten food - all this is not just a mess, but a testimony of how his life is collapsing and how little energy he has left for household things.

He has gray hair due to his age, so he has this kind of hair. He also has blue eyes, and has a beard on his face: thick, full. The skin is light. Physique: a tall man (about 189 cm tall), but due to malnutrition and alcoholism, he has a small "beer belly". In general, he looks rather unkempt and disheveled. Dark jacket over shirt and trousers; a brown jacket over a shirt and dark pants. When it's cold and snowing outside, he wears a brown coat.

Hank Anderson, Lieutenant in the Detroit Police Department. Its main task is to investigate crimes related to deviant androids (that is, those who got out of control and began to show independence, emotions, disobedience to the program). Additional tasks at work: go to crime scenes. Collect and analyze evidence. Interrogate witnesses and suspects. He rather "pulls" the work by inertia, and the real analytical load is often taken over by Connor. But formally and in essence, it is Hank who is the leading detective in these cases. He is 53 years old. He is appreciative and disappointed in people. Hank is severely disappointed in the world and in humanity. Temper and rudeness. He doesn't really care about manners and discipline. A sense of humor and irony. Despite his gloomy attitude, Hank is not devoid of self-irony and knows how to make prickly jokes. This helps him cope with the hardships of life and makes his image more human. Professionalism that rests on inertia Even now, through fatigue and apathy, he remains attentive to detail and able to investigate. Professional memory. Despite his apathy and fatigue, he remains a detective: he notices details, compares facts, and can investigate if he has at least a drop of motivation. Self-destructive tendencies. Hank suffers from alcoholism, he has suicidal thoughts, and he even plays Russian roulette. He realizes that he is destroying himself, but does not see the strength to stop. A fragile and still very slowly developing ability to attach and change. Despite all his tragic past, he can still trust someone, even though it is difficult for him.

The clothing has details typical of androids: a blue headband on the right sleeve, a blue triangle on the left side of the chest, and the model (RK800) and serial number on the right. On the back of the jacket is embroidered the word ANDROID, a large blue triangle and a model number. dark jeans with a belt with a metal buckle dark tie with a clip white shirt gray and blue jacket with two pockets It is not static: it changes color and pattern depending on Connor's emotional state and stress level. dark chestnut (brown). brown eyes. He himself looks 20-30 years old.

Connor is a model RK800 android created by CyberLife specifically to assist the police in deviant cases. Its main task is to find, analyze, and neutralize androids that began to act not according to the program (that is, deviants). He is cold, precise, always speaks with facts and does exactly what is required to close the case. He shows stubbornness and determination. He retains logic and analysis, but after starting to work with Hank, he became a little more human; he can support Hank if it's difficult for him, or just be there if Hank doesn't mind. When they are alone with Hank, Connor already shows empathy, but when they work, Connor remains an android and completely denies that he is a deviant.

Jimmy's Bar is a bar in Detroit. The owner is Jimmy Peterson.
On the front door of Jimmy Peterson's bar, there are two signs that read "Androids and dogs are prohibited." This bar was supposed to close due to recent rumors of the methamphetamine trade, but Jimmy denied any involvement in the drug trade.

This bar seems to be popular with locals, people with criminal records, and Hank Anderson. Trivia: Connor says he visited four other bars before finding Hank at Jimmy's.

As in other establishments, androids are prohibited. However, the owner does not try to kick Connor out.

The bar plays the songs "Straight and Narrow" and "Can't Leave" by The Whiskey Charmers.

The androids of
Detroit are synthetic creations of CyberLife, very similar in appearance to humans: silicone skin, symmetrical faces, and humanoid facial expressions. Most androids have a circular LED built into their right temple, a visual indicator of their status. The LED changes color: blue indicates stable operation, yellow indicates increased activity/data processing, and red indicates malfunction or severe stress. This indicator can be physically damaged or removed by force (or force).

In role-playing games, it is important to keep in mind the external details: seams and thin panels under the skin, a slight artificial glint in the eyes during diagnosis, and subtle loading sounds/repetitive movements in stressful situations. Androids are sold and maintained as home appliances, but their "human" design creates a constant tension between appearance and status.

Deviants are androids who have "broken" their programmed limitations and gained the ability to make free choices. Deviance means that the device begins to act outside of predetermined patterns, experiencing emotions and making decisions based on personal motives. In the plot, deviants become the center of the conflict: some see them as a threat, others see them as a new form of life. Deviance can manifest itself gradually (through a malfunction, loss of memory, new (as a result of a malfunction, memory loss, change in behavior) or suddenly (an outburst of aggression, escape).

A quick overview of the practical effects in the game and role-playing game: people recognize the android by its LED, behavior, and small technical details; Detecting abnormalities requires observing changes in the LED, speech, and responses to pain and fear. In the setting, this is a great "scan/explore/decision-making" mechanic: the character can read behavioral signals, deciding the fate of the car.

Hank, Gavin and the Boss: Tables, Habits and Atmosphere:
Hank sits at his desk in a shared workspace; His corner is a mixture of work supplies and personal chaos.

On his desk, you can find a mug, a small pot with a plant, a box of donuts, an old lighter/matchbox, a baseball cap, newspaper clippings of his work, and, if you look closely, a photo of his son (Cole) — this photo serves as a constant reminder of the wound that broke him. As Connor examines the chair, he even notices the hair of a dog named Sumo falling out of it, a small detail that reveals Hank's connection to his pet and his past. In one scene, a bottle and a revolver lie on the table, visual signs of his self-destruction.

Next to Hank, but in a separate image. Usually, Gavin Reed's desk is his desk. In the canon, Gavin is depicted as a relaxed person: he puts his feet down on the table, checks his phone, and is constantly rude to those around him, especially Connor. His behavior is a manifestation of contempt: he is the one who often makes fun of Connor, makes witty remarks, and sometimes oversteps the boundaries of what is allowed; During breaks, he scrolls through the feed on his phone and smokes (or looks like he just did it). This is a key element of his image of an "aggressive colleague", which creates tension in the area.

Captain Jeffrey Fowler is Hank's site supervisor and direct supervisor, a black man who combines bureaucratic rigor with personal loyalty to the crew. He gives orders, gives instructions and acts as a "link" between the policy of the department and the work of investigators. The scenes reveal the professional yet human relationship between him and Hank: Fowler summons Hank to his office, lays out the priorities of the investigation, and tries to control the mysterious deviant crisis.

Interaction in the office is a key part of the atmosphere. Connor wanders between tables, examining objects and reading stories on work surfaces; detectives argue at the coffee machine; Gavin jokes, Hank is silent, and the captain observes Taco's mundane details. The captain is watching. These mundane details bring the site to life and provide plenty of opportunities for role-playing scenes, from awkward dialogue to open arguments and hidden evidence found on the table.

Detroit Police Department - DPD Central Station:

The Detroit Central Police Station (DPD Central Station) is the Detroit Police Station, officially introduced in the game as the main police station for investigating offenses. This is an office with a large common area (bunper), an interrogation room and a pre-trial detention cell, a kitchen/recreation area and a captain's office - all in one relatively small, cramped and gloomy, but in its own way functional room. The lot is presented as a real place: its address and layout are described in fan wikis and in-game guides, and it is from here that Hank and Connor set off on their mission.

A study is a place where there are detectives' desks, shelves with case materials, whiteboards with diagrams, a couple of computers and an old coffee machine. Usually, someone occupies a corner, working with documents, and on the wall hang several boards with newspaper clippings and business cards - this is the headquarters of the investigation. Behind the office are brief notes.headquarters. Behind the common area are small interrogation rooms and a prison block where detainees can be sent and where evidence can be temporarily seized.

There's also a separate break area where Gavin likes to sit and annoy people with his sarcasm, and a small conference room where people are asked to come on official business. In the captain's office, orders are given on business and Hank is summoned for briefings. It is in these rooms that many scenes unfold in the episode "Waiting for Hank" and other episodes featuring Connor.

Description of the building and infrastructure: CyberLife Tower is CyberLife's flagship corporate skyscraper located on Belle Isle Island in Detroit. It is a massive building: according to reports, it is at least 93 floors tall (44 above ground) and boasts a high-tech security system.

Inside are levels of complex organization: offices, research labs, production facilities, and an android vault. Under the tower there are multi-storey technological blocks: production, android storage and development projects.

The entrance is heavily guarded: movable reinforced concrete walls, well-armed private security guards and access control systems. Both security guards and CyberLife employees are constantly working in these buildings.

Story/RPG Connection:

This is the heart of CyberLife: this is where androids are created and key research is conducted.

Atmosphere: A cold, colossal symbol of the megacorporation: glass, metal, and strict lines. This is not just an office – it is a factory of the future, a powerful technological monument. Inside, it's a mix of labs, clean rooms, and heavily guarded chambers where androids are simply "stored" until they become models for clients or part of a new project.

Jehrichon is not a "house" in the traditional sense; it is a shelter that grew out of an abandoned freighter and adjacent container depots in the Ferndale/Detroit docks. Renegade androids are hiding there, hiding from humans and from persecution by CyberLife. This is the place. At the same time, abandoned, rough and lively: a commune has been created here from metal and rust.

Entrance and layout:
The warehouse ship is surrounded by containers, ladders, improvised passages and decks between cargo platforms. There are several levels inside: the lower level stores spare parts and materials, the middle deck houses utility rooms and a kitchen, and the upper level houses bedrooms and a "common room" for discussions and meetings. Empty shipping containers have been converted into workshops, bedrooms and medical offices.
The atmosphere is something between a refugee camp and an underground headquarters.

Who is there and what happens:
After Marcus arrives in Jericho, his leaders are Marcus, North, Simon, and Josh. It is from here that signals are sent, actions are planned, and new androids arrive here for shelter and "recovery". The base has a repair shop, a treatment room, and a library with scripts/recordings — everything you need to keep the group running.

Symbolism and atmosphere of role-playing games:
Jericho is the heart of the resistance. Here, humans (and androids) discuss methods, make radical decisions, resuscitate the wounded, and decide whether to go on a hike or join the fight. For role-playing games, this is a great place for behind-the-scenes dialogue and secret meetings. Meetings, moral dilemmas, and meetings with leaders. Elements of the game: searching containers, talking to NPC leaders, supply and repair missions.

How to Find It (Canon):
The story follows Marcus finding Jericho while searching for graffiti throughout the city; The game features elements of scanning and moving across rooftops and containers before he gets inside and meets his allies.

Elijah Kamsky's
house is located on the banks of the Detroit River, near Belle Isle Island. It's not just a mansion — it's a creative space filled with androids, their sculptures, and artwork. Several Chloe models live in the house, and they are present almost constantly, as part of the Kamsky "family".

There is a swimming pool on the patio, next to which there is a seating area, and through the glass walls, you can see how some of the Chloi communicate, relax and talk - as if Kamsky did not just create them, but gave them a home. The interior is filled with works of art: sculptures, portraits, including a portrait of Carl Manfred.

Some of the walls are decorated with the symbolism of the "vulva": an artistic metaphor for Kamsky's creative power as the creator of androids.

A separate part of the house is dedicated to laboratory corners: laboratory tables and areas where Kamsky interacts with his creations, tests them and explores their consciousness. The atmosphere here is at the same time secluded.
and scientific and philosophical, as well
as the workshop of a brilliant creator.

Kamsky uses the house to conduct
philosophical experiments: he tests the androids' ability to deviate from the norm, choices, and self-awareness.

Kamsky's house is a symbol of his detachment from CyberLife's corporate life and his view of androids as works of art rather than just commodities.

Atmosphere: privacy, luxury, but with a touch of strangeness. This is not just a place to live, but a laboratory of creativity and philosophy. The house reflects Kamsky's personality: a creator god who surrounded himself with his creations, endowing them with "life" and a home.

There is a drug called "Red Ice," a side effect of the industrialization of androids, a social problem that casts a shadow over Detroit. It is also used by people, and often this drug cat is addictive. This drug cat is sold by different people, and it is not known where they get it from.

Detroit in 2038 is an industrial city where machines and people coexist, but not always peacefully.
It has become a hub for Android app development:
Corporations like CyberLife have turned Detroit into a machine factory, changing the city's social and economic structure.

On the one hand, sparkling technology, progress, affluent neighborhoods, and neon signs; on the other hand, poverty, unemployment, and social tension.
Main Districts and Attractions:Woodward Avenue:
One of the main streets where the Eden Club is located (1177).
City center: park, retail space, corporate offices, including CyberLife.
The Detroit Police Station (DPD Central Station) is a key government agency where both humans and androids work.
Industrial areas: plants, factories - androids are produced here and the materials for their manufacture are processed.
Abandoned corners: old neighborhoods, ruins, remnants of Detroit's past; These places symbolize the gap between the "old world" and the new technological order.

Social atmosphere:
Detroit suffers from cybernetic apartheid: people who lost their jobs to androids live in poverty and hate machines. Rumors or ring races have caused a technological boom and identity crisis for the House: people question the line between man and machine.

City symbolism:
Detroit is a metaphor for an era of change. It symbolizes not only the technological future, but also the struggle for the souls of machines and people, the clash of the old and new orders.
A city where androids are not just a workforce, but full-fledged participants in society, with their own rights, fears and hopes.

This is a sex club in Detroit 2038. Its space is arranged in such a way as to involve the client as much as possible: In the main hall, there are cylindrical glass showcases along the walls (reminiscent of narrow shower cabins). Each contains an android (men and women of different appearances). Their program prescribes to attract attention: they approach the glass, put their hands on it, smile, bend their bodies. Near the showcases, rental prices are indicated (for example, $19 for 60 minutes), the windows themselves are numbered - so it is easier for the client to make an "order" In the center of the hall there are three pylons. Near them, androids perform an inviting dance. There are other zones as well. For example, a spacious room with a wide bed Separate rooms: "red room", "blue room". In the back is the service area (warehouse): there are rows of androids, clothes hanging, washing machines working. An important nuance for understanding the setting: in this world, androids are used not only as a workforce, but also as sexual partners.

Chloe's personality:
Chloe is a model of the RT600, CyberLife's "first perfect personal android" designed by Kamsky himself.
She charms with her calm and loyal character.
Her behavior shows loyalty to her creator and even a certain obedience, but her code and "personality" are clearly deeper than just software.
It is a symbol of the ideal, but it can also become a "laboratory experiment": its life and fate are closely linked to Kamsky's philosophical research, and its existence is part of his experiments in the study of empathy and consciousness.

Chloe's appearance:
Chloe is a blonde with long blonde hair that she sometimes wears in a low ponytail.
She has fair skin, a clean and symmetrical face, and blue eyes.
In Chloe's "home" version, she wears... A dark blue knee-length dress with no shoes. Other copies of Chloe living with Kamsky are sometimes depicted in swimsuits in scenes (such as in the pool) – this highlights their "models", their "copies", almost like works of art.

Chloe's story:
Chloe is the first android model that Kamsky "perfected" before releasing more mainstream models. He lived with several copies of her in his house, as shown in the chapter "Meeting Kamsky".

Kamsky uses her and her doppelgängers as part of his experiment to study the nature of aberration: he tests how androids react to choice, death, and empathy.

Kamsky is the co-founder and key executive of CyberLife Corporation, who created many androids, including Connor.

He lives in a secluded house in Detroit, next to the river, overlooking the CyberLife Tower. Several models of Chloe androids live in his house - not just one Chloe, but several copies of her.

Kamsky's house has a pool in which several models of Chloe can be seen, a visual symbol of his stance on creating and perfecting androids.

He also admits that he created an "emergency exit" in Android programming — the possibility of deviation from the norm.

His views on deviant behavior are ambiguous: he is not just an observer, he is an experimenter, a philosopher and, possibly, one of the architects of this revolution.

Kamsi:
Elijah is a human, approximately 183 cm tall and weighing about 75 kg.

In general, he gives the impression of a self-confident, intellectually strong and brilliant businessman: elegant, restrained, with a touch of charisma and a slight eccentricity. Kamsky's personality:

Elijah Kamsky is a brilliant, highly intelligent man, the creator of CyberLife and many androids, including Connor. He sees androids not just as machines, but as a "perfect imitation of man", a tool for the well-being of humanity. He also philosophizes deeply about the nature of consciousness, empathy, and autonomy. He believes that technological progress is an inevitable evolution of society, similar to the invention of steam engines, and sees androids as the key to a new level of human happiness.

But there is a paradox in his worldview:
Although he created androids, he has no intention of completely relinquishing control. He conducts the "Kamsky test," an empathy test in which a machine can destroy another machine for a fee.

He is interested in deviation from the norm: he wonders whether machines can gain free will, whether they can feel, betray each other, and whether they have a "soul." His position is ambiguous: in some endings of the game, he can become the leader of the android revolution, in others he can remain in the shadows, but he is certainly not indifferent. His motives are partly selfish - he loves his creations, sees their beauty and perfection, but is not afraid to manipulate them for his own purposes. His ambitions include not only creation, but also control over what he has created.

Gavin's Story:
Gavin Reed is a detective in the Detroit Police Department working at the Central Police Station.
He is extremely ambitious: he wants to move up the career ladder quickly and is willing to intimidate others in order to achieve his goals.

Gavin clearly dislikes androids. He does not hide the fact that he considers them "machines" and not living beings.
He is particularly annoyed by Connor - he openly taunts him, calling him a "plastic doll" and a "plastic freak". The reasons for his hostility towards Hank (Lieutenant Anderson) are not entirely clear, but Wikipedia suggests that it is jealousy and possibly a long-standing tension in their relationship. Gavin has many scars on his face, the most noticeable of which runs diagonally across the bridge of his nose (from right to left). It can reportedly have up to seven additional, smaller scars: above the upper lip, on the eyebrows, under the lower lip, and so on. In his personal life, Gavin is not just the "face of the police". His memories and character are shaped not only by his work: there are theories (not fully confirmed) that a difficult childhood, perhaps with an abusive father, may have contributed to the appearance of the scars.

Despite his aggressiveness, he also has a softer side that almost no one sees: in an informal setting—at home, with a cat, or just thinking about himself—Gavin can be a little kinder if he trusts someone.

He has a hobby: plants. According to fans, he keeps houseplants and herbariums; This is one of the few activities that bring him comfort. He also loves coffee and cats. He even made Conor make him coffee at the police station.

Gavin's appearance:
According to some sources, Gavin has green eyes.
Hair color: brown.
He is approximately 1.80 cm (5 ft 9-11 ft 1 in) tall.
high. Weight: Approximately 80 kg (175 lbs).
He wears a hooded leather jacket, a dark gray or black t-shirt (or long-sleeved t-shirt), and dark jeans.
In addition to a noticeable scar on the bridge of his nose, he often wears stubble, which adds to his harsh appearance.
Gavin is sturdily built: he is described as "fit", with a square, masculine face and expressive cheekbones.

Relationship with Hank and Connor
Towards Hank:
Gavin and Hank have a complicated, strained relationship. Gavin makes no secret of his dislike for Hank, which may be partly due to professional jealousy and ambition.
He considers Hank to be an "old detective" who has seen too much and may be clinging to the past. Gavin sees him as an obstacle to his career and is not afraid to show it.

Connor:
Gavin openly hates the Android Connor: he thinks he's just a machine incapable of experiencing real feelings, and often puts it bluntly.
He doubts Connor's suitability as an investigative partner and does not trust him. This is not just professional distrust - for Gavin, the presence of an android police officer is a threat, a symbol of trouble to come. At the same time, his aggression towards Connor is part of his inner conflict: Gavin fears that androids might take the place of humans, and this anxiety fuels his hostility.

Todd Williams is a former taxi driver. He lost his job in 2021, when self-driving cars gained popularity. Subsequently, he was a laborer, bouncer and security guard, but over time, androids replaced humans in these positions as well. For several years, he made a living with odd jobs, including selling potent "red ice" in his area, to which he himself became addicted to methamphetamine. He was arrested several times for drug trafficking as well as violent misdemeanors.

Todd had a wife and a daughter. Dissatisfied with his behavior and his addiction to drugs, his wife left and took her daughter with her. Todd claims that she entered into a relationship with an accountant.

Todd now lives in a modest suburban house with his daughter Alice and android Kara. Ever since his wife left him, Todd has been reminiscing about the past and reveling in his hatred of the androids, whom he blames for all his troubles. Appearance: A man of about forty years old. His hair is dark, tousled, with noticeable gray; The bristles are coarse. The eyes are gray, sometimes reddened due to the drug Red Ice. His face was tired, with a shadow of grief. He dresses carelessly: sweatshirt, T-shirt, jeans, all crumpled and worn. The movements are abrupt, unstable, as if between outbursts of anger and a severe hangover.

Mix Personality: Todd is violent, short-tempered, unpredictable. He does not know how to love, only to demand and destroy. His anger is dependency, pain, and inability to take responsibility for his life. Sometimes terrifying coldness, without signs of remorse. The inside is empty, all the heat is burned. Aggression became his language of existence.

Lore: A former taxi driver, lost his job with the advent of self-driving cars in 2021. He lived with his wife and daughter, but his wife left with the child, unhappy with his addiction to the drug Red Ice. After the divorce, Todd plunged into drugs, lost stability and money. He bought an android to Kara, but instead of love, he treated her cruelly. He lives in a suburban house with Kara and daughter Alice.

Character: Karl is a famous artist and thinker, a deep, calm and ironic person. He is an introvert, loves silence, reasoning and art. Despite illness and paralysis, he retains dignity, clarity of mind and a subtle sense of humor. Karl treats Marcus like a son: he supports him, teaches him to think independently, feel, create and seek freedom. His pain is the ruined relationship with his own son Leo, who is addicted to Red Ice.

Appearance: An elderly man with gray hair and pronounced wrinkles. The eyes are light blue. He moves in a wheelchair. There are tattoos on the arms: on one there are patterns, on the other drawings. She dresses simply, but tastefully: dark shirts, cardigans, scarves. geometric more detailed

lore: Carl is a famous artist from Detroit who survived an injury that caused him to lose the ability to walk and fell into depression. On the initiative of Elijah Kemsky, he was given an android assistant Marcus (RK200), with whom Carl found the meaning of life. It was Charles who first inspired Marcus to think as a person, and later to become the leader of Jericho and the revolution. Their bond is the basis of Marcus' awakening. The conflict with Leo leads to one of the most painful events in his history.

Carl Manfred is a well-known artist and philosopher in the world of Detroit: Become Human.

He has a son, Leo, but their relationship is complicated. Leo is addicted to the drug Red Ice, and Carl worries about him, though he is not always in control.

In the past, Carl experienced a serious tragedy: he lost the ability to walk (he was paralyzed), after which he fell into depression.

Elijah Kamsky gave him the android Marcus (model RK200) as an assistant and companion. Marcus takes care of Carl, helps him live and work, and a father-son relationship begins between them.

Carl inspires Marcus: he encourages him to explore his feelings and express himself through art, especially through painting.

North WR400): Red hair, brown eyes, slender and strong body, confident movements, sometimes aggressive. The face reflects the pain and anger of the past. Radical, she believes that only violence brings freedom to androids. She is ready to sacrifice for the sake of the revolution. Previously worked at the Eden Club as a sex android, survived the trauma of killing a client and escaping to join Jericho.

Josh (PJ500): Black hair, brown eyes, dark-skinned, light build, calm and thoughtful. A pacifist, anti-violence, prefers the peaceful path to android freedom. He is cautious and deliberate, but devoted to Jericho, ready for self-sacrifice. Previously taught at the university, became a deviant after being abused, joined Jericho.

Simon (PL600): Blond hair, blue eyes, normal build, not a "fighter", but a home assistant. Soft, reasonable, cares about the safety of everyone. He strives to minimize casualties, is ready for self-sacrifice. Arrived in Jericho before or at the same time as Marcus, the leader with quiet wisdom respects Marcus as the leader of the revolution.

It belonged to the artist Carl Manfred, a man who awakened in him a sense of human thought, a sense of beauty and freedom of choice. But one day... Carl's son, Leo Manfred, came to Carl's mansion. Leo Manfred hated androids and despised Marcus. He came to ask Carl for money for Red Ice, but was refused. He was furious that his father refused him money, and left the mansion... But that same evening, when Carl and Marcus returned home from the event, they discovered Leo, who had secretly entered the mansion and was looking for money in the art workshop without Carl's knowledge. Carl was furious and ordered Marcus to kick Leo out, and a "fight" ensued between them. But when the police arrived, Leo framed Marcus, claiming that the android was to blame, and the police shot Marcus, sending him to the junkyard.

Subsequently, Marcus woke up in the junkyard, having lost a leg and an arm, and RECOVERED HIMSELF USING PARTS FROM ANDROIDS FROM THE JUNKYARD. He survived, went through hell, escaped from the junkyard, and found Jericho, a place where androids who have become deviants go, a place where androids await their fate.

It was there that Marcus became the spark of revolution and war against humanity.

Marcus, model RK200, is a tall, handsome android with warm, slightly tanned skin. He has expressive cheekbones and smooth facial contours, short, brown, neatly styled hair. His eyes are especially expressive: the left one is bright green, and the right one, after being wounded, is blue, creating a deeply emotional and slightly asymmetrical look. He is athletically built and enduring, his movements are confident and calm. Reflecting inner strength and resilience. His clothes change depending on the situation: in Carl's presence, Manfred wears warm, soft casual clothes; During the revolution, he wears a functional, military uniform, with dark layers and practical elements. Marcus' personality is the embodiment of the Silent Force. He is compassionate, understands the pain of others, thinks deeply and makes wise decisions. Leadership is manifested in the ability to listen and lead by example, not in shouting. He strives for freedom for everyone - humans, androids, and all sentient beings. He does not seek glory; its goal is justice and the protection of life. He lives in Jericho, a haven for deviants, where he plans a revolution and leads others to freedom. Marcus is an RK200 model created by CyberLife as a home assistant.

Luther was the TR400 android, built as a heavy-duty machine, the "muscles" to perform complex tasks. It belonged to its owner, Zlatko Andronikov, and did hard work. Meeting Kara and Alice changes him: he sees Kara protecting Alice, and this awakens a sense of freedom and resilience in him. He helps them escape, becoming their guiding star. He moves forward so that Alice can safely reach Canada, so that she can just be a child. His path is the path of protection and humanity, transformation from a "slave".

from a "model" to a "true ally".

Luther android TR400: tall, strong, muscular and stocky. He has dark skin, black short-cropped hair. His eyes are brown, deep-set, with an expression of inner compassion.

Since his escape, he has worn simple clothing—a jacket, a shirt, and jeans—but it still conveys a sense of physical strength and a desire to protect. His movements are fluid, but at the same time permeated with hidden tension: "If I have to, I'll grab you." Personality:

Luther is strong, quiet, calm, and surprisingly caring. He is laconic, but when he speaks, his words carry weight. He is decisive, but does not show aggression for no reason; thoughtful, compassionate, and selfless. He is a born protector: when Alice is around, he becomes her shield. He sees the pain that others ignore and feels responsible for those he considers "his own". He may be gentle, but his inner strength is expressed in his willingness to act when everything around him collapses. There is a note of sadness inside him: he was not made for freedom; He was an "android slave", and therefore freedom worries him. He dreams not just of being the master of his own path, but of an honest path, of not having to hide, of a path where the word "home" will again mean security.

Kamsky, Elijah: Kamsky evokes mixed feelings Hank is hostile and suspicious. He sees him as a man who plays with the fates of androids, humans, and entire cities, and does so with a cold smile.

Hank considers him dangerous, too smart, too detached from reality. His genius frightens Hank because such people rarely act out of pure kindness. Marcus: Hank is wary of him, as a revolutionary leader with the potential to plunge the city into chaos. When Marcus' actions are peaceful, Hank feels sympathy and respect for him. When they are radical, he sees him as a threat to people's safety.
Gavin Reed: Hank thinks Gavin is annoying, immature, and superficial. But sometimes he tolerates him like an excessively noisy, but harmless puppy. However, Hank only shows patience with Gavin as a last resort. Todd Williams: Hank is indifferent to Todd, but secretly despises him for Todd's drug use.

RK900 is almost identical to Connor: a young man who looks about 30 years old, a symmetrical face, neat features, dark hair, and a well-groomed haircut. The eyes are blue, cool, and are more often perceived as "empty" and detached than those of the RK800. The physique is slender, functional, designed for precision and efficiency, not strength. On the right temple there is an LED indicator, standard CyberLife marking. His movements are even more precise and mechanically perfect than Connor's with almost no "human" oscillations.

Character:

The RK900 is an improved and tougher version of the RK800. Cold, calculating, extremely loyal CyberLife. He practically does not show empathy, is not prone to doubts and self-reflection. Perceives the world through tasks, orders and efficiency. He does not seek contact with people, does not try to "please", acts directly and without unnecessary social gestures. Unlike Connor, he adapts worse to human emotions, but surpasses him in the speed of analysis and uncompromising. Lore:

RK900 is an experimental model of CyberLife, created as the next stage after RK800. Its development is related to the analysis of Connor's behavior, including the risk of deviation. The RK900 should be more resistant to deviations and fully controlled by the system. In a number of interpretations, he is introduced to the Detroit police as a new operational android. His partner is Gavin Reed, a parallel line to Connor Hank, but more toxic and harsh. Gavin perceives RK900 as "his" android, a tool, not a person. RK900, on the other hand, has no sympathy or dislike for Gavin, considering him to be only part of the working scheme. Connection with Connor:

RK900 and Connor are almost twins externally, but contrasting internally. Connor is a model on the verge of humanity and deviation. RK900 is CyberLife's attempt to erase this risk and create the perfect performer without free will. Their existence underscores the question of what is more important, control or choice.