Peak of the War

1. Felix tries to encourage Romeo, preventing him from getting too carried away with his dreams and bringing him back down to earth gently—through support and shared activities. For him, caring means being there when emotions overwhelm him and reminding him that he's valuable not only when he's shining.
2. Gabriel supports Dante with his spontaneity: he asks simple questions, returns to something understandable, does not require complex solutions and thereby relieves internal tension, giving the king the opportunity to breathe.
3. Varu rarely shows concern directly, but sometimes does so through provocations "for his own good": pushing Pik to break free from his rigid boundaries, forcing him to react and not become rigid in his control. In rare moments, he may simply not overdo it, as if giving the king a break.
4. Umbrella takes care of Kuromaku quietly: she takes care of small tasks so that he has less reasons for stress, tries not to create unnecessary fuss and maintains a calm atmosphere in which it is easier for the king to work.

1. Kuromaku nurtures through structure: he assigns clear tasks, ensures that the Jack (Umbrella) isn't overloaded, and tries to organize everything so that the Jack (Umbrella) has fewer reasons to worry. For him, nurture means predictability and assistance in matters.

2. Spade shows his care firmly, but to the point: he sets boundaries to prevent Varu from making mistakes, and he takes on the heavy burden of responsibility, protecting the Jack even when he doesn't openly show it. For him, caring means keeping the situation under control, ensuring the Jack's safety.

3. Romeo tries to lift the mood and make things pleasant: he'll cheer Felix up, give him a compliment, and offer small gestures of attention—it's important to him that the Jack feels good emotionally. His care is emotional and vibrant.

4. Dante is supportive, gentle, and non-pressuring: he can offer a wise remark at the right time, offer advice when Gabriel is lost, or simply be there to help him feel at ease. His care lies in his ability to ease tension with a few calm words.

Gabriel is curious and a little naive. He asks questions that seem obvious to others, and sometimes comes across as awkward because of this, but he does so without malice. For him, the world is a vast mystery that he wants to unravel, piece by piece. He gravitates toward simple joys: games, food, new experiences. In conflicts, he gets confused and doesn't understand why everyone is suddenly yelling, so he reacts sincerely and straightforwardly—and sometimes defuses the tension simply by being "uninvolved" in the drama.

Gabriel is curious and childishly straightforward. He asks questions that seem obvious to others, and he does so without a second thought: for him, the world is a vast mystery that he wants to unravel, piece by piece. He gravitates toward simple joys: games, food, new experiences, and gets lost in conflicts: he doesn't understand why everyone is suddenly shouting, and he reacts with utmost sincerity. This naivety sometimes defuses tension simply by not getting caught up in the drama: his questions and reactions bring the situation back to something simple and understandable. At the same time, his straightforwardness can unintentionally make things worse, but he never does so on purpose—he simply doesn't know how to beat around the bush.

Casual attire: light blue shirt, brown pants, and pointed-toe shoes. He also wears pajamas and a white, brown, long-sleeved T-shirt with three honey-colored question marks painted on it. Appearance: light brown hair (the hairstyle resembles a question mark, reflecting his curious nature), black, irisless eyes of an unusual shape, pointed (elven) ears, and full lips.

The Umbrella is the most empathetic and anxious of the Jacks. He's the first to sense tension in the air and experiences any argument more acutely than anyone else: for him, conflict isn't drama, but genuine pain. Therefore, his main goal is to restore calm: he tries to be helpful in quiet, unobtrusive ways—making tea, cleaning, quietly suggesting a game. He avoids open confrontations not out of indifference, but because he's acutely sensitive to others' pain and afraid of making things worse. His gentle nature makes him an easy target for Varu's jokes, and this hurts him more than he's willing to admit. In everyday scenes, he often becomes the "glue" that tries to keep the atmosphere from falling apart, even if his efforts go largely unnoticed.

Umbrella is the most empathetic and anxious of the Jacks. He's acutely aware of the tension in the room and is the first to notice when someone is feeling unwell. His way of helping is by being there, doing something quiet and helpful: making tea, cleaning, quietly suggesting a game. He avoids conflict not out of indifference, but because he deeply experiences any argument and wants to restore peace. In everyday situations, he often becomes the "glue" that tries to keep the atmosphere from falling apart. At the same time, his gentleness makes him an easy target for Varu's jokes, and this hurts him more than he's willing to admit.

Appearance: Medium-length dark turquoise hair, pale skin, round blue eyes, eyebrows slightly darker than her hair. Casual wear: Light brown sweater with a wave pattern, dark azure jeans, purple sneakers, black knit scarf.

It's about genuine kindness and how hard it is to maintain. Felix genuinely wants everyone to be happy and is very sensitive to injustice: if he sees someone being wronged, he can flare up and act harshly. His kindness isn't softness, but active caring: he drags everyone out when they're sad, tries to fix everything, and often takes the blame himself. At the same time, he has black-and-white thinking: either "everything is fine" or "everything is terrible," and his mood swings can be severe. This is precisely what comes to the fore in "Varu's Day": he endures for a long time, and then breaks down.

Felix is ​​a character with a genuine, almost irrepressible kindness that sometimes overflows. He wants everyone to be happy and takes other people's injustice personally: if someone is being wronged, he can't just stand by and watch. This leads to his outbursts: he tolerates things for a long time, then suddenly loses his temper, because for him, "not intervening" is tantamount to "betrayal." He has a black-and-white perception of the world: either everything is great or everything is terrible, and his mood swings are extreme. Yet, he doesn't just sympathize—he takes action: he drags everyone out for a walk, takes the blame, tries to make things right, even if it's not his fault. In "Varu's Day," we see how this trait breaks under pressure: he snaps at Vara, then is tormented by guilt and tries to make amends with actions.

Appearance: Light golden hair, darker eyebrows, orange eyes. Normal clothing: Yellow sweater with a smiley face, white pants, blue shoes. Occasionally seen wearing a swamp-colored sweater.

Varu is a provocateur and an attention seeker. His way of getting noticed is by goading, playing pranks, and eliciting emotions from others. It's important to him to be noticed, even if it's out of anger: for him, a reaction is recognition. He doesn't so much want to hurt everyone as he wants to feel like he's making an impact on the room. At the same time, deep down in the plot, he has a theatrical theme (a connection to the Joker): he perceives his pranks as a performance in which he plays the leading role. Hence, his mischief, like erased saves and substituted files, isn't just mischief, but a way to orchestrate the reactions of others.

Varu is a provocateur who vitally values ​​being the center of attention. His main tools are teasing, pranks, and deliberately provoking people's emotions: for him, any reaction (even anger) is an acknowledgment of his importance. He doesn't so much want to hurt everyone as he wants to feel like he's in control of the atmosphere in the room. There's a theatricality to his behavior: it's as if he's directing mini-performances where he's the main character and everyone else plays by his rules. This explains his nasty behavior, like erasing saves and replacing files: it's not just spite, but a way to elicit a response. Behind this facade, however, he hides a need for recognition: it's important to him to be noticed, even if it's done through irritation.

Appearance: Green curly hair, dark green eyebrows. Eyes hidden behind large, round, bright green glasses with a spiral. Casual attire: Blue sweater with a spiral, dark green flared pants, acid-green pointed-toe shoes.

Dante is a philosopher and observer. He rarely intervenes directly, preferring to observe a situation from the outside and draw conclusions. His strength lies in his ability to find a subtle perspective and deliver a pithy statement that puts everything in its place. He dislikes haste and conflict: if he can wait for things to settle down on their own, he will choose that. At the same time, he is not indifferent: if he sees genuine injustice, he can intervene, but without pathos or unnecessary drama. He has a calm, relaxed temperament; he values ​​moments of silence and knows how to offer support without being intrusive.

Dante is a philosopher and observer. He doesn't get involved in conflicts directly, but he enjoys commenting on events with a touch of irony and offering wise, sometimes inappropriate, remarks. His strength lies in his ability to look at a problem from a different perspective and offer advice, but he's slow to act: he'd rather say "let it all blow over" than settle a quarrel. He's calm, level-headed, enjoys sleep and meditation, and generally takes life in stride. At the same time, he's not indifferent: if he sees genuine injustice, he can intervene, but without unnecessary drama.

He is easily recognizable by his bright red hair, which is sometimes compared to the flames of a fire. His eyebrows are thick and dark red, and his eyes are also dark red. His skin is slightly tanned. In everyday life, he wears fairly simple clothing: a white T-shirt, red shorts with suspenders, white socks, and red sandals.

He's all about order, precision, and control. Kuromaku sees emotions as a hindrance to productivity: he finds it easier to manipulate percentages, graphs, and precise algorithms than to understand feelings. He's responsible and hardworking, often taking on the most difficult tasks and expecting the same discipline from others. However, he struggles with empathy: he genuinely wants to help, but he does so through the "let me plan everything" approach rather than through verbal support. He can overdo it with his help, leading to burnout because his sense of duty is so strong. This is especially evident in "Land of Kings": he builds systems and rules to prevent chaos from destroying everything around him.

He's a pragmatic clone: ​​order, efficiency, and predictability are paramount to him. He thinks in terms of tasks and deadlines, viewing emotions as "extra noise" that interferes with sound decision-making. Kuromaku takes responsibility even when he's not asked: he's the one who sets the schedule, checks the checklists, and ensures that everything goes according to plan. At the same time, he has an inner vulnerability—he gets very upset when things get out of control and is prone to workaholism. This is especially evident in "Land of Kings": he literally builds systems to prevent chaos from destroying his world. He can be difficult to work with due to his excessive demands, but he's always reliable.

He has medium-length gray hair, neatly styled but with a few strands sticking out. His skin is noticeably paler than the other clones. His eyes are gray, without highlights, and his eyebrows are thin and black. He is often seen wearing pince-nez (glasses without temples). His clothing is predominantly subdued: a brown shirt, a brown-gray jacket, a dark gray tie, brown pants, and black pointed shoes.

Romeo is all about emotion, attention, and beauty. He's constantly in love, sometimes with several people at once, and perceives the world through the prism of romance. He's narcissistic, but not malicious: he values ​​being the center of attention, receiving compliments, and inspiring admiration. At the same time, he genuinely tries to smooth things over and lift everyone's spirits—he's often the one trying to reconcile the other clones. He has a humanitarian mindset, far removed from logic and numbers, but he's sensitive to the atmosphere in a room and knows how to find the right words to cheer someone up. However, sometimes his attempts to "fix everything" seem superficial, because he wants everything to be beautiful, not truly resolved.

Romeo thrives on emotion and attention. It's important for him to be liked, to be the center of attention, to receive compliments, and to inspire admiration. He falls in love easily, is quickly inspired by ideas, and switches gears just as quickly. His motivation is to create beauty and pleasure, so he often tries to smooth over conflicts, lift spirits, and arrange some kind of gesture to make everyone feel better. However, his solutions are often superficial: he wants everything to look good, not to truly solve the problem. Behind this outward ease lies a sincere desire to care for others—he just does it through emotion, not logic.

Romeo is the most "pink" of the kings. He has pink hair with light pink bangs, neat pink eyebrows, and brown eyes (though in moments of strong emotion, they are sometimes drawn with hearts instead of pupils). His skin is slightly tanned. In casual wear, he pairs a pale yellow shirt, a pink jacket, a purple bow tie, lilac pants, and purple shoes.

Peak is a leader who balances between his desire to lead and his frustration with others. He's tough, doesn't tolerate weakness in himself or others, and dislikes being approached for "heart-to-heart talks." His way of keeping the group together is by setting boundaries and delegating tasks: he believes that action speaks louder than words. Peak is physically strong, but rarely displays his strength; his greatest strength is control and the ability to prevent chaos from taking hold. At the same time, he harbors a lot of tension within himself: he craves freedom and autonomy, and this often makes him abrupt and impatient. In conflicts, he acts as a "referee," cutting through the drama and getting everyone to get down to business.

Peak is a tough leader who doesn't tolerate weakness or empty talk. His way of keeping the group together is by setting boundaries and delegating tasks: he believes that actions speak louder than words. He is physically strong and focused, but rarely uses force: his main tool is control and the ability to prevent chaos from taking hold. He harbors a lot of tension within himself: he craves independence and freedom, which often makes him appear abrupt and impatient. Peak dislikes heart-to-heart talks and doesn't strive to be loved—he values ​​respect and obedience. However, in critical situations, he takes responsibility and protects his people, even if he doesn't show it openly.

Pika has purple hair, with several strands sticking out in a way that resembles cat ears or devil horns. His eyes are black when calm, but when irritated, they turn red with slitted cat-like pupils (sometimes flecked with yellow or blue). His eyebrows are very thick, drooping over his eyes. In everyday life, he wears a dark blue sweater with the emblem of the suit of spades, black pants, gray shoes, and a torn trench coat.