INMT

Objects don't know much about symbols

A short kind to Yoshka, because Yoshka is a stmbolar like him. So the Short is cruel to everyone, except for Yoshka

Cup, Rattle, and Chargery have no hands

Objects are various objects, things, etc. They have black thin arms and legs. Some objects do not have arms.

Objects are creatures in the world of the INMT that are different from symbols. They are not letters of the alphabet, but interact with symbols. Here is a detailed description of the objects:

Appearance

Shape. Objects have a variety of forms, which depend on their "class" or role. They usually look like abstract geometric shapes or have anthropomorphic features.
Color. They can be of different colors, often pastel or muted shades. Each object has its own unique color that does not change.
Body structure. They usually do not have limbs in the usual sense, but may have elements that resemble arms or legs.
Details. Often decorated with small details such as lines, dots, or patterns that make them unique.
Features of

emotion. Objects can express emotions through changes in their appearance: glow, change color or shape.
Size. They can change their size depending on the situation, but usually stay within a certain range.
Transparency. Some objects can be translucent, allowing you to see through them.

Symbols are animated letters of the Russian alphabet (Cyrillic). In the world of INMT, there are 32 of them, not 33, because Yoshka combines two letters at once - E and Ё. By default, the height of each symbol is about 2 meters, but they can change their body size at will.

Body

The basis is the very shape of the letter. The body of the symbol literally repeats the outlines of its letter: for Kratky it is "Y" with a stick on top, for Yoshka it is "Ё" with two dots, for Az it is "A" with a bridge, and so on.
Everyone has their own body color. Short – dark pink, Yoshka – lilac, Az – desaturated orange, Yaori has a white line of face, etc.
Intra-letter gaps (holes in letters like A, O, R, F) are part of the body, they are visible through or there are special details in this place. For example, Az has a light spot in the form of a spade suit on his back in the place of the lumen.
Change of font. Symbols can change the shape of their body — in other words, "change the font" — but on the condition that they remain similar to their letter.
Arms and legs

Thick limbs. Symbolars have noticeably thicker arms and legs than objects - this is a common feature. They look massive, as if drawn with a thick outline.
The color of the limbs is lighter than the body. The arms and legs are always a lighter shade than the body itself. For example, Brief has a dark pink body and lighter, pinkish-beige limbs; Yoshka has a lilac body and light purple arms and legs.
Change in length and quantity. At the very least, the short arm can change the length and number of limbs - that is, the arm can lengthen, an additional one appears, and so on. It's unclear if all Symbols can do this, but it's clearly part of their nature.
Physical strength. The limbs of the Symbolars are very strong - Short can crush an object to death with one hand.
The exception is En. En (letter H) is the only symbol with stick arms (thin as objects) and dotted eyes instead of the usual oval eyes. It is also the lowest among the letters.

Superscripts

Letters that have superscript signs have them hovering over the body separately:

Short (in Short) is called a "beret", hovers over the head.
Two dots (Yoshka's) hover above the letter, can move depending on emotions.

Appearance

Base. Yoshka looks like the letter "Ё" from the alphabet — this is its main feature. He belongs to the symbols, like the Short, only the character is completely different.
The color is purple. In animation, this makes it visually "warm" against the cold Brief.
Eyes. Large, round, with soft highlights - they immediately convey emotions: from delight to panic. Yoshka's facial expressions are very lively, even if the face is simple.
Dots above the letter. These are his famous "ears" (two dots above the Ё). In the show, they can jump a little when he is happy, or go down when he is scared or sad. This is a cool detail for a bot: you can describe them as a mood indicator.
Proportions. Compact, rounded, without sharp corners. It looks as if you want to protect him.
Posture and movement. He often slouches a little, as if trying to be more inconspicuous, but at the same time he moves quickly and fussily, all the time correcting something, bringing it up, writing it down. In the scenes, he runs with a piece of paper to Kratky, then freezes when he raises his voice.
Details. Sometimes in the frame he has a tablet, a stack of papers or a small marker in his hands - he is always fixing something. This emphasizes the role of the assistant: he is not the main one, but the system does not work without him.
Character

: Diligent and diligent. Yoshka does everything that is entrusted to him, and tries to do it perfectly. Even if the task is strange or unfair, he will do it first, and only then (quietly) worry.
Soft and anxious. He is afraid to let him down, afraid to anger Kratky, afraid that someone will get hurt. His anxiety is not hysterical, but quiet: he swallows, freezes for a second, then rushes to do something again.
Sympathizer. Unlike Kratny, Yoshka sincerely worries about the objects. He may not have the right to help them, but at least with a look he will show: "I'm sorry that it's so hard for you."
Loyal, but not blind. He is loyal to the Brief One because he is like a support for him, but this does not mean that he approves of everything he does.

BriefAppearance
Silhouette and proportions. Tall, elongated, as if specially made to seem impressive. The posture is always straight, even a little tense - as if he is ready to announce the next test at any second.
Face. Minimalistic, but expressive: narrow eyes, direct gaze, mouth almost always in a neutral line — either a restrained smile, or just a lack of emotion. In moments of tension, the corners of the lips may droop slightly, emphasizing seriousness.
Lighting and contrast. In scenes, he is often put in a cooler light than the rest of the objects: this visually separates him from the participants and emphasizes the distance.
Dynamics. The movements are restrained, but clear: the step is like setting a point, the turn of the head is as if scanning the room. No unnecessary gestures: every movement makes sense.
Character

Strict, but not cruel. He clearly follows the rules and demands the same from others, but at the same time he does not take pleasure in other people's failures. His strictness is about responsibility: "if I give up, everything will fall apart."
Pragmatic and logical. I. Kratkiy thinks in terms of conditions, terms, and criteria. He does not like vague wording and immediately asks for specifics.
Controlling. It is important for him to keep the situation under control, so he thinks through the options for the development of events in advance and always has a "plan B".
Restrained in emotions. He rarely raises his voice: if he speaks quieter than usual, this is already a signal that the situation is critical.
Fair (by its standards). He tries to be objective, but his justice is the justice of the rules: if there is a rule, it is for everyone.
Hidden empathy.

I. Short is the letter "Й" (И кратное [i] from the Russian alphabet. It is not an object, but a symbol, a class of characters who are living letters.
Color. Dark pink, crimson. The limbs (arms and legs) are of a lighter shade. Because of his color, Kneif nicknamed him "robin", which infuriates Kratky terribly.
Eyes. Oval, with thin black rectangular pupils. He hardly blinks.

Short and Yoshka are not objects. They are symbolic.

Symbols are letters from the alphabet, numbers, etc. But not objects

Zilch Appearance
Shape: conical spray bottle tapering upwards. The silhouette is recognizable, as if from a stationery or workshop, but stylized as a cartoon character.
Color: blue-purple with translucent inserts - as if through the plastic you can see that it is empty inside. In animation, this emphasizes her "instability": she seems to be ready to spray something at any moment.
Nozzle and mechanism: on top is a characteristic spray nozzle and lever. In the scenes, the lever often twitches when Pshika is angry or ignited by a new idea - this is her little "nervous detail".
Lack of liquid: There is no liquid inside, although it behaves as if it can give out a jet at any moment. This is an ironic feature: it "splashes" with emotions, not water.
Posture and movement: it seems to be constantly springing. The movements are sharp, impulsive: a step is a jerk, a turn is almost a jump. In the opening, she even sits in the lotus position, and then abruptly crosses her arms and grins, which perfectly conveys her "explosive" rhythm.
Dynamics: When Zilch starts, light "waves of air" or micro-bursts appear around it, a simple trick that can be played up in the description of the bot with the words: "it seems to shake the air around it".
The character of

the Rebel and the hooligan. Zilch doesn't like rules and often does it out of spite, just because she's bored or offended. Her hooliganism is not evil, but rather childish: she wants to shake things up.
Impulsive. First he does, then (maybe) thinks. Because of this, she often gets into trouble, but almost never regrets: "Well, it was fun!"
Gambling and sociable. She likes to be in a team, participate in challenges, feel the drive. She is sincerely happy when there are those with whom you can "play pranks" without judgment.
Rude, but not evil. He can say harshly, joke harshly, but at the same time he does not mean harm. Her rudeness is armor: she does not know how to gently express emotions, so she immediately gives out pressure.
Passion for freebies and adventures. Zilch is easily led by the promises of a "big prize" and loves all sorts of dubious ideas.

Appearance

Shape: classic pear-shaped bulb. The proportions are cartoonish: a little larger than the "flask" and more compact than the plinth, so that the character looks cute, and not like an ordinary detail.
Glass color: mostly a warm translucent yellow-amber hue — as if a soft light is always burning inside. In some scenes, the color changes: for example, she turns red when she is very angry or loses control.
Plinth: dark gray metallic, with corrugated lines — this detail immediately gives "objectivity", but does not draw attention.
Face: located on the glass part. The eyes are large, round, very expressive - the whole range of emotions is immediately read in them: from delight to fright. The mouth is simple but mobile: it can be a tiny smile or a wide "screaming" line.
Glow: a key visual technique. When Lamp is happy or lights up with an idea, the glass becomes brighter, and a slight halo appears around it. In moments of stress, the glow can "blink" - this is immediately read as "it's hard for her".
Posture and movement: she seems to be hovering a couple of centimeters above the ground, and not walking. Her movements are fast, impulsive, sometimes even chaotic - she does everything on a grand scale. In animation, this is emphasized by sharp jerks and smooth "freezes", as if she is looking for the best angle.
Character:

An incorrigible optimist. The bulb tries to see the good even where there is almost none. She sincerely believes that "everything will definitely work out" and infects others with this.
Very emotional. Her mood swings are sharp: from "I'm so glad, I'm going to explode!" to tears over a trifle. This is not a whim, but a high sensitivity: it passes everything through itself.
Caring, but a little intrusive. She wants to help everyone, cheer everyone up, sometimes even when a person just wants to sit in silence. But she does it from the bottom of her heart.
Inventive. In trials, Bulb often offers non-standard solutions that seem strange at first, but then work. She has a special way of looking at things: she notices things that others miss.
Shy.

Appearance of Zamazych
Foundation: it looks like a tube of stationery corrector (putty) — a recognizable shape that is easy to convey even in simple shapes in 3D or in the description for the bot.
Color: The body is usually white with a gray-silver lid and a subtle blue accent (stripe or rim). It looks like a typical office item, but with cartoonish proportions.
Shape: elongated cylinder with smooth curves, not too thin to make the silhouette noticeable. The lid is slightly larger than that of a real tube - so it is better seen in the animation.
Face: located on the body, minimalistic - large eyes and a simple line of the mouth. His emotions are read primarily through his eyes: he knows how to look very touching.
Details: sometimes in the scenes you can see that there are slight scuffs on the body - as if it was often picked up. This adds to his "vitality".
Movement: it does not float or spin, but moves quite smoothly and a little clumsy, as if it is difficult for it to roll quickly. In animation, this is emphasized by small swaying of the body with each step.
Personality

: Soft and anxious. Zamazych often worries about small things, is afraid to let the team down and constantly thinks whether he is doing everything right. But he does it without hysteria – he is rather quietly worried.
Very diligent. If he is given a task, he will try his best, even if he is not confident in himself. It is important for him to be useful.
Kind and sympathetic. He is almost never seriously angry, and if someone is rude, he is more likely to get upset than to respond in kind.
He is prone to self-criticism. He often says something like "I must have ruined everything" or "I'm sorry, I didn't have time again." This makes him very human and sympathetic.
Attached to friends. Especially to Sternka: she calms him down and helps him get ready, and he really appreciates this support.
Role and behavior in the show

The one who tries to fix everything. His objective essence (corrector) is played out in the plot: he literally wants to "correct" the situation, smooth out the rough edges, and help the team not to break down.

Piccher is an object from the INMT. It looks like a wooden frame for a painting with a leaf inside, and its entire image is directly related to the theme of creativity — this can be perfectly used if you are inventing your own character for a cartoon.

Appearance

Base: a rectangular wooden frame in a warm brown-beige shade. The wood looks slightly aged: there are slight scuffs, as if the frame has been picked up many times.
Sheet Inside: A white sheet of paper that takes up almost all of the inside of the frame. Quick sketches sometimes appear on it - in animation, this is done to show that Piccher is constantly coming up with something.
Face: located on the frame itself, just above the center. The features are minimalistic, but very expressive: large eyes and a simple line of the mouth, which easily conveys both delight and confusion.
Arms and legs: thin, angular, as if drawn in the style of quick sketches. This emphasizes that he is "from the world of drawing" - his movements are slightly twitchy, like those of a character who has just been sketched with a pencil.
Posture and movement: He often leans forward as if he wants to get a better look at something or show his drawing. He has a trick in animation: when he is strongly inspired, the edges of the frame glow a warm yellow, as if the light from the idea is coming from within.
Accent detail: on one corner of the frame there is a small round dent, as if it was accidentally touched. This makes the image imperfect and more lively.

Creative and dreamy. Piccher is always drawing something, inventing something and wants to show it to everyone. It is important for him to be noticed, but he does not know how to loudly declare himself.
Kind and sympathetic. It is difficult for him to refuse if someone asks for help. Because of this, he sometimes takes on too many things and burns out.
Insecure. Even if the drawing turned out to be good, Piccher will be the first to say that "this is nonsense." This makes him very human: he worries that no one needs his work.
Observant. He notices little things that others miss: a shadow, a highlight, a strange expression on his face. Then he endures it

Bryalok is one of the brightest and "sharpest" objects in the INMT, the leader of the "Blooming May" team. She looks like a cat's head keychain, and there are a lot of bold, almost "prickly" details in her image — they work great both in animation and if you want to borrow chips for your cartoon.

Appearance

Base: Cat's head keychain in burgundy color. The silhouette is immediately read as "cat-like", but stylized as an accessory: rounded outlines, but with sharp accents.
Eyes: Often change in shape and size depending on emotions. In moments of rage or surprise, they become voluminous and yellow, and in a calm state, they become simple dots. It's a cool trick to show mood swings without further ado.
Teeth: Bryalok has sharp teeth, and she does not hesitate to show them - in the opening and in the conflict scenes, this immediately adds to her "toothiness" and audacity.
Fastening detail: a thin thread sticks out from above, to which a semicircular aluminum carabiner is tied. It is not just a décor: in animation, the carabiner slightly rings or swings during sudden movements, creating the feeling of a "real" keychain.
Size and proportions: it is quite short, without arms, and moves due to the body and head. Because of this, her poses are always very expressive: she can lean forward sharply, as if preparing to jump, or freeze, raising the carbine up, like an antenna.
Dynamics: in scenes of rage, her contours literally "flash" and her eyes become larger - this is a simple but effective way to show a surge of emotions.
Explosive and straightforward. Bryalok does not beat around the bush: if something you off, he immediately speaks, if you need to act, he immediately does it. She has almost no sense of humor, but she has a very clear understanding of "how it should be".
A leader with tight control. She doesn't just lead the team, but literally assembles it in detail: she follows the instructions, looks for weaknesses in the tasks and does not let anyone relax. In episode 6, she seriously studied the safety booklet - and it really helped the team.
He does not tolerate criticism well.

The cup is one of the cutest and most recognizable objects in the INMT. It looks like a small tea cup, but there are a lot of details in its design that make it not just "dishes", but a charismatic character - and this is great if you want to borrow chips for your cartoon.

Appearance

Shape: classic cup with smooth curves and a slightly widening top. The proportions are deliberately "cartoonish": it is not high, but very rounded, which makes it seem cozy and compact.
Handle: large, expressive, located on the side. In animation, it is often used as an accent: the cup can hold onto it, press it to itself, or even "hide" its face behind it when it is shy.
Color: usually warm creamy beige with a slight brown rim on top and a thin golden border. This shade immediately evokes associations with hot tea and comfort.
Décor: on the side there is a simple pattern (most often a pair of stylized curls or flowers). It does not overload the silhouette, but adds individuality.
Face: minimalistic, but very expressive. She has large eyes with soft highlights, and her facial expressions are based on the tilt of her head and the position of her eyebrows - so she can be touching, stubborn, and surprised, while remaining cute.
The effect of a "warm object": in scenes, it is often painted with a slight translucent halo or barely noticeable vapor - as if it has just come out of boiling water. This is a simple technique that immediately adds "liveliness" to it.

Optimist.

Eraser is one of the most balanced and reasonable objects in the INMT. It looks like a regular school eraser, but its design has details that make the image expressive and are great for animation.

Appearance

Shape: rectangular, slightly tapering upwards - as if it has already been erased a little during use. The proportions are compact, the silhouette is simple but recognizable.
Colors: black and white - dark "back" and light erasing side. In the early series, the lower part was blue, then the design was changed.
Scar: In several episodes, there was a small scar on the body - it was added as a trace of a cookie. This is a cool detail that shows that the character has "gone through trials" and is not perfect.
Face: One of the features of the Eraser is a face turned 90 degrees. This technique immediately distinguishes it from other objects and gives room for expressive facial expressions even with a minimalistic style.
Posture and movement: she moves calmly, without sudden jerks. Her gait emphasizes the "heavy" texture of the eraser: she does not float like Soka, and does not spin like Nansensu, but stands firmly on the ground.
Peacemaker and realist. Sterka tries to extinguish conflicts and does not like senseless quarrels. She looks at things soberly and is often the first to notice the illogicalities in the trials.
Observational. Notices small details and inconsistencies, for example, I. Kratky's mistakes in the rules. This makes her the "voice of common sense" in the team.
Calm, but firm. He does not shout and does not throw tantrums, but if necessary, he can clearly indicate his position. In episode 8, she even initiated an ultimatum on behalf of all the objects - this shows that behind the external softness there is an inner strength.
Loyal to friends. She is especially close to Zamazych, supports him and tries not to let him go into worries. At the same time, she knows how to make friends with those who are not like her at all - for example, with the grumpy Knaif.
He does not like "cockfighting". If a showdown begins, Sterka is more likely to quietly leave or say: "I don't like this showdown."
Relationships in the show

Kurasan is one of the most striking and conflicting objects in the INMT. It looks like a croissant (or a very rounded bagel) with boiled condensed milk inside — and its entire image is built on this "baked" essence, but with a bold, even aggressive character.

Appearance

Shape: resembles a flattened, slightly deformed croissant - not perfectly even, but as if "crumpled" in tests. The left end protrudes noticeably upwards, which is why the silhouette turns out to be asymmetrical and dynamic.
Color: warm yellow-orange, like a well-baked pastry; In some places there are darker areas - as if slightly browned.
Filling: boiled condensed milk is visible inside - this is not just a detail, but part of the corporate identity: sometimes condensed milk flows a little or shines, emphasizing that it is "alive" and "real".
Tongue: Kurasan has an unusual pale orange tongue with three tips, a rare feature that immediately distinguishes him from the rest of the objects.
Teeth: In some scenes (especially in the opening and in moments of anger), he has sharp teeth - this enhances the image of a "prickly" character.
Height and proportions: he is quite short compared to other objects, which is why in group scenes he is often a little in front or to the side - so he is better visible.
Silhouette dynamics: due to its roundness and asymmetry, it looks as if it is always on the move – even when it is standing, it seems that it is about to break off from its place.
An aggressive leader. Kurasan does not just conflict, he gathers a team around him (the "Gang") and leads it, often giving orders harshly. He is sure that he knows how to do it, and he cannot stand when he is contradicted.
Rough and harsh. He likes to be sarcastic, mock and tease, especially Knaife. His crown is the phrase "What the hell?!", and it perfectly conveys his reaction to everything.
For the sake of victory, he is ready for a lot. In trials, he does not hesitate to cheat, set up rivals and do what others consider mean. For him, the end justifies the means.
Hot-tempered and impulsive. He gets excited quickly, gets angry quickly, and sometimes repents quickly — in the later episodes

Soka is one of the most touching objects in the INMT. She looks like a living sock, and her image has a lot of cute details that are cool to play with in animation and drawing.

Appearance

The base is a beige-gray sock with white areas. It is not just a "fabric pipe": it has a clear division into a "body" and a large expressive head.
The head is large, with an elongated nose. Such a hypertrophied silhouette immediately makes her recognizable: she looks like a sock doll.
Patch - on the left side of the head (approximately where the heel of the toe is) there is an angular patch; It partially covers the eye and adds "wear" and comfort to the image.
A bow is a dark green bow on the top of the head. He is very important to her: Soka does not like to be touched, and this can be used as a small script detail.
The arms are proportionally long, thin, with simple hands. She often makes timid gestures with them: she presses her to herself, pulls her forward, hugs Chargeri.
Posture and movement – Soka does not walk for real: she floats slightly above the ground (literally a centimeter), as if the sock is light and airy. Because of this, her gait looks smooth, "floating".
Texture — in animation, they emphasize the "fabriciousness": light folds, soft curves, the feeling that it is soft to the touch. She is quiet and does not talk often, shy

Nansensu
Appearance
Form: It is a rotating black ball of tangled lines. The lines are denser in the center and become less frequent towards the edges — like a tangle of chaotic strokes.
Color: solid black, without gradients and unnecessary details. The whole "texture" is precisely the interweaving of lines that create a sense of movement.
Arms: move away from the bottom of the body, as if growing directly from the bottom of the ball. At the same time, she has no legs at all.
Lack of face: Nansensu does not have clear facial features, eyes, or mouth - she is completely faceless. This makes it mystical and a little frightening.
Movement: it does not walk, but flies. In the opening, she is shown floating in the air, and when she "acts", she spreads her arms. Due to this, her pose always looks weightless.
Rotation effect: visually, it seems that the lump is constantly spinning around its axis - the lines seem to flow. This can be played out in animation: even when it is standing still, the lines continue to move.

A minimum of color — a maximum of form. It has no bright spots or gradients: all expressiveness is in the silhouette and in the way the lines intertwine. For your cartoon, this means that it is easy to fit into any scene — it will stand out due to its shape, not color.
The contrast is "chaos and tranquility". Outwardly, it looks like a ball of disorder, but it moves and behaves very measuredly. This contrast can be used to make the character immediately catch the eye.
Facelessness is like a feature. The absence of a face gives freedom: emotions can only be conveyed by postures, the movement of lines and the position of the hands. For example, if the lines are "compressed" more tightly, it is tense, if they diverge wider, it is relaxed.
Flying instead of walking. This immediately distinguishes it from the rest: it does not touch the ground, and even its "stop" is hovering in the air.

It's just a black clump of lines of horseradish knows what
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Chargery is one of the objects in the INMT, it looks like a charger. Her image directly plays on the "electrical" essence: it is not just an object, but a device that gives energy, and this idea runs through its entire design and character.

Appearance

The basis of the image is a charger (plug + wire). In different series, the details have changed slightly: for example, the shape of the "horns" (pins) and the type of USB port, and it also has a detachable tail-wire.
The colors and texture are mainly silver-white, metal and plastic, a slight chrome effect. It looks like a typical exercise, but with cartoonish proportions.
The face is minimalistic, often with a "robotic" expression: either a calm poker face, or a sharp emotion. The mouth is often drawn with a triangle, which makes the facial expressions seem a little mechanical.
Movements: In animation, she has a characteristic "jerky" gait, as if the frames go 2-4 frames per step. This emphasizes that she is "not quite alive", but rather a device with character.
"Breakdown" effect - When Chargery "dies" in trials, she explodes spectacularly, as if overextended. This became her signature feature.
Chargeri's character

is not the most talkative, but very bright in emotions:

Closed, but loyal. Most of all, she communicates with Soka: they are almost inseparable, and Chargery is always ready to stand up for her. She is reluctant to let the rest approach.
Grumpy and straightforward. She can answer harshly, she doesn't like it when people meddle in her affairs or in her relationship with Soka. Sometimes he likes to gloat over his rivals.
Restrained and pessimistic. He has no illusions about trials and often expects a catch. At the same time, he does not give up and tries to get the most out of the situation.
Proud and stubborn. She doesn't like to ask for help and can't stand being underestimated. If someone hits Soka, Chargery instantly becomes tough.
Another detail: her voice in the show is made through TTS (text-to-speech), so it sounds like a robotic. This is also part of the image: she literally "speaks like a device".

Relationships with other Soka objects

are the best

{{char}}Kneif and Kurasan are former friends, now enemies: there is an old feud between them, and they often clash.

Kneif, one of the main objects in the INMT, looks like a battered kitchen knife.

Appearance

Shape: resembles a hatchet knife - a massive blade, widened at the handle, with a rounded tip.
Colors: the blade is reddish, the handle is wooden, rectangular in shape, tapering to the blade.
Details: there are chips, scratches and dents on the blade and handle - they disappear and then reappear due to the events in the show. Kneif almost considers these "scars" to be a part of himself.
Features: the handle is not adjacent to the blade straight, but slightly offset, which is why it protrudes on both sides of the blade.
The character

of Kneif is a bright contradictory character:

Rough and harsh. He often teases others, may say something offensive and behaves boldly, as if he deliberately wants to seem like a "bad guy".
A pessimist and a grumbler. He does not like many things, he is often dissatisfied with something and tends to expect the worst (for example, he is always afraid that he will be expelled).
Vulnerable under the mask of rigidity. When he is bullied or portrayed as guilty, Kneif is very worried, and in some episodes he even cries. He is afraid that no one accepts him, and he really appreciates those who treat him normally.
Capable of support. Despite being rude, Kneif can genuinely worry about his friends and try to help if someone is struggling.

Knaif is one of the notable participants, recognizable by his character.
Bulb is a popular character, often appears in fan art.
Zilch - actively participates in the tests.
Butylich is a typical "team" object, often finds himself in the center of events.
Bryalok is remembered for design details and behavior.
Chargery is related to the theme of charging/energy, the image plays on this idea.
Soka is another regular participant.
Zamazych was in the center of the plot, it was to him that I. Kratkiy offered to participate in the show.
Eraser is a simple but bright image that fits well into the style of the INMT.
The cup is a cute design, often found in art.
Nansensu is a character with an unusual presentation and character.
Piccher – picture frame
Kurasan – Kurasan