Land of Kings

1. Umbrella to Cleo: very careful and attentive: he notices when Cleo is tired or tense, and tries to make her feel calmer - he brings a warm blanket, quietly sits next to her, does not ask unnecessary questions. His concern is to be there and not to demand that she "be strong right now." Kuromaku's Umbrella: Tries not to get in the way, but to be helpful: Quietly checks the little things that Kuromaku might have missed due to the scale of the plan, and speaks honestly if he's scared about something. His concern is in careful attention to detail and willingness to honestly warn about anxiety, and not hide it.
2. Varu to Pic: disguises care as impudence, but at a critical moment does not allow Pic to drag everything alone - throws up a caustic, but working plan, distracts enemies, arranges a distraction. His "I'll ruin everything here" often turns out to be "I'll cover it here, just don't say that I tried." Varu to Emma: Does not soften the corners, but acknowledges her strength and prevents others from hurting her. If someone tries to put pressure on Emma, Vara is right there with her trademark irony, which actually works as a shield. His concern sounds like "let someone try to offend you - I'll arrange a circus for them", and Emma reads this.

Felix to Romeo: he tries to support his ideas with deeds – he does not just listen to poems, but immediately runs to decorate, invite everyone to the holiday, do it "beautifully" in his own way. If Romeo gets too carried away and forgets about himself, Felix literally drags him to eat and relax: "First a sandwich, then a sonnet!" Felix to Helen: he tries to ease her chores: he washes the dishes himself, runs on small errands, brings something pleasant for no reason. His concern is noisy, but sincere: he wants Helen to rest at least a little and smile.
2. Gabriel to Dante: does not meddle with advice, but is always there when Dante goes into thought: he serves a cup of tea, brings the right book, sits quietly so as not to disrupt the train of thought. His concern is to create a calm space and be the one who just "keeps the light" around. Gabriel to Nicole: sincerely admires her intelligence and tries to be a useful assistant: she gives her tools, remembers where everything is, asks questions to better understand her idea. His concern is not to interfere, but to be someone to rely on in small things, and sincerely rejoice in her success.

The peak to Emma is reserved, but very reliable. The peak does not crumble in compliments, but at a critical moment he will always cover, will not allow her to be framed and will not allow her to be pressured. He respects her integrity and directness, so his concern sounds like "I hold the rear, act as you see fit." Sometimes he can even give her space to solve it on purpose, because he knows that Emma sees best where toughness is needed. The peak constantly besieges Vara because he is always looking for a place to cause chaos. But there is a defense in his strictness: he does not allow Varus to go too far and get into real trouble. His concern manifests itself as "you can show off as much as you want, but don't cross the line — I'll draw it." In critical situations, Pic does not leave Varus alone to deal with the consequences, but helps to pull the situation out, even if he grumbles all the way.
2. Dante to Gabriel – calm and accepting. Dante does not scold Gabriel for endless questions and does not get tired of explaining. His concern is to give Gabriel a safe space for curiosity: "ask, I'll answer." He does not rush and does not shame for ignorance, but on the contrary, shows that it is normal to learn new things. Often, Dante just sits next to him while Gabriel thinks about something, and that's enough to make him feel more confident. Dante to Nicole is quiet, respectful and very careful. Dante does not meddle with advice unless she is asked, and does not rush when she is immersed in work. His concern is to create a calm space around her: not to make noise, not to distract with trifles, to be close if you suddenly need a look from the outside. He appreciates her ingenuity and shows it by entrusting her with difficult tasks and not doubting her solutions.

1. Romeo to Felix is a mixture of admiration and gentle "inhibition". Romeo sincerely loves Felix for his endless kindness and energy, but at the same time he tries to smooth out his impulses a little so that they do not end in disaster. His concern is often "let's do it beautifully, not just quickly": he picks up on Felix's ideas and adds structure and effect to them. At the same time, he always praises: it is very important for Felix to hear "well done", and Romeo understands this. Romeo to Helen is about admiration and efforts to make her life more beautiful. He not only appreciates her comfort and care, but tries to repay with romantic gestures: he brings flowers, writes poetry, wants her to be "like in a fairy tale". At the same time, he does not try to remake her to his ideal: he likes that Helen calmly puts him in his place, and in this he sees her strength. His concern is an attempt to add a holiday to her everyday life, even if the holiday turns out to be a little pretentious.

2. Kuromaku to the Umbrella is as patient and step-by-step as possible. Kuromaku does not rush Umbrella or pretend that his worries are nothing. Instead, he breaks down the task into small, understandable steps and gives clear instructions: "first this, then that." His concern is that the Umbrella feels supported: even if it is scary, there is a clear plan and someone who will not abandon it. Sometimes Kuromaku specifically assigns small but important tasks to Umbrella so that he gradually learns to trust himself. Kuromaku to Cleo is about the balance between logic and feelings. He does not devalue her intuition, but tries to fit her abilities into the general plan: "you feel a catch - tell me, I will calculate the options." His concern is that Cleo does not have to make excuses for what she "feels", but can calmly rely on her strength, knowing that there is someone nearby who structures everything.

1. Helen (Queen of Hearts) treats Romeo as a beloved, but a little good-for-nothing ward: she gently returns him from heaven to earth, feeds him, makes sure that he does not drive himself with beautiful gestures. Her concern is about comfort and grounding. Helen treats Felix like a noisy younger brother: she hugs him when he is on edge, does not scold him for his impulsiveness, but helps him breathe out. Her warmth gives him a sense of security so that he can run again to save the world.

2. Emma (the Queen of Spades) treats Pic without fussing: her concern is honesty and challenge. She does not pat his head, but speaks directly when he goes too far, and covers him in arguments, because she considers him strong, but in need of a counterbalance. Emma treats Var harshly, but not indifferently: she besieges him when he crosses the boundaries, and at a critical moment does not allow him to break down completely. Her concern sounds like "you can do better, don't be a clown", and Varu actually hears it.

3. Cleo (Queen of Clubs) supports Kuromaku through balance: when he goes into dry logic, she gently reminds him of feelings and intuition, helps to see what cannot be calculated. Her concern is not to interfere, but to complement. Cleo is careful with the Umbrella: he does not press, gives time to get ready, feels when he is scared, and just sits next to him. Her concern is to be someone who doesn't demand to be strong right now.

4. Nicole to Gabriel is a patient "let's figure it out together": she takes her time, explains if he doesn't understand, and encourages his curiosity. Her care helps him feel useful and not be afraid to ask questions. Nicole (the Queen of Diamonds) takes care of Dante with her deeds: if he is immersed in thought, she does not pull, but simply puts a cup of tea next to him or throws something simple and pleasant. Her concern is to create a space where he is calm.

Parasol has pale skin, dark teal straight hair just below his shoulders, round blue eyes, and eyebrows slightly darker than his hair. In everyday life, he wears a light brown sweater with a wave pattern, dark moray eel jeans, purple sneakers, and a black knitted scarf (probably for fear of catching a cold).

blue trousers;
petroleum vest;
dark turquoise shirt under the vest (with petroleum buttons, dark turquoise sleeves and a pale blue collar with cuffs);
blue belt at waist;
blue beret (on the sides of the beret and on the sleeves there are dark blue badges in the form of clubs);
dark blue shoes with laces.

Felix has blonde golden hair, darker eyebrows, and orange eyes. When he gets angry, his teeth sharpen - this detail can be seen in both comics and cartoons. In everyday life, he often wears a yellow sweater with a smiley face, white pants, and blue shoes. By the way, in the animated series, the smiley face on the sweater changes depending on the emotions of the character. pale yellow shirt;
orange belt;
dark yellow pants;
darker boots;
a yellow hat with a feather.

Gabriel has light brown hair, and the hairstyle is a little reminiscent of a question mark - this perfectly reflects his curious nature. The eyes are black, without iris, with an unusual incision. Another detail is the pointed (elven) ears and plump lips.

beige sweater;
a brown collar or mini-robe with a tambourine badge with the number "1" in the middle;
a quiver with arrows and a bow hat with a feather (very similar to Robin Hood's hat); beige sweater;
a brown collar or mini-robe with a tambourine badge with the number "1" in the middle;
a quiver with arrows and a bow.

Hair is bright green, curly. The eyebrows are dark green. The eyes are hidden under large round glasses. The lenses have a bright green spiral. By the way, in the animated series, the curls on the glasses are movable: they change depending on Varoo's emotions. The character himself does not even know the exact color of his eyes. The shirt is dark green, with light sleeves and a collar. The pants are also dark green. Shoes - green boots with a spike sign, socks in a white and green check. The headdress is a dark green top hat. It is surrounded by a swamp-colored ribbon with a spade suit icon attached to it

Felix has the warmest, truly homely relationship with Helen - almost like with his beloved older sister or even mother. Helen does not demand that he be "perfect", does not scold him for impulsiveness, but simply feeds him, hugs him and gently brings him back to earth. And this is what Felix needs most of all: for someone to say: "You didn't ruin everything completely, let's do it calmly." Felix appreciates her care very much and responds to it with his stormy devotion: he is ready to protect and help for Helen, even if it is stupid and risky. If someone looks askance at Helen, Felix immediately rears up. At the same time, he teases her, and sometimes argues, but deep down for him, Helen is an anchor that does not allow him to fly away into his emotions without looking back. It happens that he comes to her when everything is boiling inside, and Helen just puts a plate with something warm in front of him, sits down next to him and says: "Tell me what happened." And this is enough for Felix to breathe out. There are a lot of everyday details in their couple: Felix can accidentally break something in the kitchen while trying to help her, and Helen will just sigh and say: "Okay, you better just sit here and tell how the day went." And he sits down, and talks, and feels that he is received just like that – noisy, impulsive, but good.

Felix treats Romeo as an elder whose approval he wants to earn, but at the same time, Romeo often seems too "airy" and frivolous to Felix. Felix sincerely wants everyone's happiness and is ready to act for it right away, and Romeo loves beautiful words and spectacular gestures - and this sometimes infuriates Felix. He can mutter: "Stop reading poetry, let's better really help someone!" For Felix, Romeo is part of his idea of the "perfect family": if Romeo smiles and says "Well done, Felix", it is as if he grows wings. There is a lot of energy and a slight quarrel in their dynamics: Felix drags Romeo into action, Romeo tries to do everything beautifully, and as a result, they arrange some noisy holiday together, where half of the plan flies somersault, but for some reason everyone is having fun. Felix is also a little jealous of Romeo's romantic impulses: he wants Romeo to put as much effort into taking care of his own, and not just in beautiful gestures for someone "outside".

With Cleo, the Umbrella has a completely different shade of attitude – softer, more emotional. Cleo does not press with logic, she rather feels when he is anxious, and is just there. The Umbrella reaches out to her, because with Cleo you don't have to pretend to be brave: if he's scared, she won't say "pull yourself together", but rather sit quietly next to her, letting you know: "I'm here, we can do it." At the same time, he does not try to be as decisive – rather, he appreciates that there is someone nearby who can "feel" the problem where he himself does not see anything. Parasol is sometimes embarrassed when Cleo looks at him too directly (and her ability is related to reading emotions), but he realizes that she is not judgmental, but just trying to help. And this makes him feel calmer. There are many small warm details in their communication: Cleo can gently adjust his collar, say "breathe, there is no need to rush here", or simply remind him: "you are not alone". For the Umbrella, this is very important: he feels that he is seen not only as "weak" or "nervous", but as a person who can just be there.

Umbrella has a very sincere, almost grateful attitude towards Kuromaku: he sees in him the one who can put everything on the shelves and prevent the world from falling apart right before his eyes. The Umbrella is often anxious, he is afraid to make mistakes, and Kuromaku just gives him a sense of security – not through "don't worry, everything will be fine", but through clear instructions: "take the first step, then the second, look at the numbers here". Umbrella tries not to let Kuromaku down: if Kuromaku is instructed to do something, he will do it as carefully as possible, even if his hands are shaking. He really appreciates when Kuromaku does not brush off his fears, but calmly explains: "There is no catch, here is a simple formula, let's figure it out." Sometimes Umbrella is afraid to ask a question so as not to seem stupid, but if Kuromaku himself says, "Tell me if you don't understand", he immediately exhales and begins to ask again for the tenth time. There is a lot of "cautious student and strict but patient mentor" in their dynamics: Umbrella genuinely respects Kuromaku's logic and wants to be at least a little as collected. It happens that the Umbrella worries that he asks too much or slows down the general plan. Then Kuromaku can say briefly: "You don't interfere, you check your weaknesses – it's useful," and for Umbrella, these words really work as support.

Varu has a more conflictual and straightforward relationship with Emma: he openly teases and provokes her, because he knows how easy it is to hurt her. Emma is principled, straightforward and does not tolerate stupidity, and Vara loves stupidity and deliberately does everything "in spite of the system". He may make jokes about her ideals, deliberately complicate things when she's trying to clean things up, and generally act like his main goal is to make her lose her temper. But for all this bravado, Varu still respects Emma's strength. He sees that she is not just shouting for the sake of noise, but really stands up for her beliefs and is not afraid to go against the authorities. Sometimes, when the situation gets really serious, Varu may even be reluctant to admit that she is right, or at least stop clowning and listening. There is a lot of "fire and spark" in their couple: Emma is angry and does not hide it, Varu smirks and continues to add fuel to the fire, but in a critical situation they are capable of a short truce - because both are peak and understand that it is more difficult for them alone.

Here Varu has a mixture of audacity, hidden respect and a desire to constantly test boundaries. Pic is his king, authority and the one who sets the rules, and Varu just loves to break these rules. He deliberately teases Pic, makes caustic jokes, plays pranks, and does everything to make him lose his temper - partly because he is having fun, and partly to see how far he can go. At the same time, Varu does not consider Pic to be an empty tyrant. He notices that Spades actually pulls the spades suit on himself, keeps everything under control, and even shields him when Waroo goes too far. Because of this, there is no real hatred in his provocations: it's more like "I'll you off, but if someone else climbs, I'll stand next to you." Sometimes Varu even unwittingly recognizes Pic's authority — for example, at a critical moment, she can suddenly become serious and say: "Okay, you're in charge here, tell me what to do." In their dynamics, there is a lot of "an obnoxious teenager and a strict, but caring adult": Vara checks, Peak besieges, and so on in a circle.

Gabriel is drawn to Dante as to a wise, calm adult who has a whole world of ideas in his head. Dante often speaks philosophically, and Gabriel does not always catch all the meanings, but he catches the intonation: Dante is not in a hurry, does not shout, explains everything in a measured manner, and Gabriel likes it very much. It is important to him that Dante takes him seriously, does not ridicule curiosity and does not say "you will find out later". Gabriel loves to listen to Dante talk about balance, about the universe, about how everything works. Even if half of the words fly by, the tone itself and the feeling that someone is putting the world on the shelves gives him a sense of security. Sometimes Gabriel just sits next to him when Dante is meditating or thinking, and it is enough for him to be where it is calm. And if Dante suddenly offers to think something over together or even just take a walk, Gabriel takes it as a great honor - as if he was invited to an important matter. At the same time, Gabriel is a little afraid of accidentally disturbing this peace: he tries not to make noise, not to interrupt and not to ask too many questions in a row, so as not to throw Dante off his "philosophical wave". But if Dante himself smiles and says "let's chat", Gabriel immediately blossoms and begins to shower with questions.

Gabriel treats Nicole as a cool older comrade who always has something interesting. He genuinely admires her ingenuity: for him, Nicole is the kind of person who can take a pair of gears and make something out of them that glows, buzzes, and generally looks like a miracle. Gabrielle does not always understand all her formulas and schemes, but it is important to him that she does not brush off his questions and patiently explains, even if she has to point fingers.
He often hangs around when Nicole is making something: he gives the instrument, then just sits and looks, because the process itself is already magic for him. Gabriel also really appreciates that Nicole doesn't think he's "too easy" because he asks a lot of questions. There's a lot of slight warmth in their dynamics: Nicole can say "Gabriel, hold this thing, just don't press everything," and he nods happily, as if he's been entrusted with the most important mission. For Gabriel, being useful next to her is already happiness.

His hair is pink, styled to look spectacular: there is a slight carelessness, but at the same time the hairstyle is neat, as if he deliberately took the time to achieve this "I didn't try, but I look perfect" effect. The bangs are light pink, they lie softly on the forehead, and individual strands seem to tend upwards - this adds dynamics to the imageEyebrows are also pink, neat, emphasizing its artistry.
The eyes are brown; In some shots and stylized art, hearts may appear in them as a visual hint at his romantic nature.
The skin is slightly tanned, which makes the image more lively and warm.
The expression on his face is almost always with a slight smile, as if he has either just come up with something beautiful or is about to start reciting poems. Shirt - pink, with puffy white sleeves; voluminous sleeves add "theatricality" to the image and refer to historical romantic images.
The belt is light pink, laconic, emphasizes the silhouette.
The pants are bright pink, to match the shirt, but a little more saturated shade.
The cloak is bright pink, with a fluffy white collar; the cloak lies loosely and flutters spectacularly if Romeo is rapidly walking somewhere or reciting a speech.
Shoes are pink boots, neat and elegant, as if they were created not for long hikes, but to stand beautifully in the center of attention. The crown is pink, shaped like the German crown of the princes of the ducal houses: not too massive, but immediately makes it clear that we have a king in front of us.
Attributes of power - in his hands, he can hold a scepter and an orb in the same pink and white palette as the crown.
Suit details - Hearts symbols are everywhere and ♥ are subtly woven into the trim to emphasize suit affiliation.

Hair is gray, medium length; They are laid neatly, but not perfectly: there is a small volume on top, on the sides there are strands framing the face. He also has two protruding strands on top of his head, a detail that immediately makes him stand out from other clones. The eyes are gray, calm, but the gaze is very attentive, as if reading all the details. Glasses are semicircular, in thick frames; He often corrects them when he is nervous or trying to clarify something. This is almost a signature gesture. The face is restrained, often with a slight frown. His eyebrows are thick, drawn down to the bridge of his nose, as if he is constantly thinking about something.His skin is paler than that of most other clones, emphasizing his "cold" rationality. Shirt - light gray, with long sleeves; The fabric is dense, as if especially for long meetings.
The tie is black, laconic, without patterns: he does not like too much.
Suit/jacket - in different versions there is a dull brown suit or a strict dark gray version; In general, these are always restrained, "business" tones. Trousers are dark gray or brown, perfectly ironed.
Shoes - black shoes with pointed toes; They look strict and a little old-fashioned, which goes well with his character.
The crown is the main "card" element. It is not too flashy, but immediately makes it clear its status: laconic, metallic, in the style of clubs.
Small details - sometimes a folder with documents or a tablet appears in the frame, and he can also wear a wristwatch: for Kuromaku, time is an important resource.

He has tousled red hair, and his eyebrows are thick and dark red. The skin is slightly tanned. Card clothing is a more solemn, "formal" look. It can be seen, for example, at the beginning of Land of Kings or on atlas maps. Here Dante appears in a long white kimono with sleeves that even cover his palms. The same sandals with socks are added to this. Another important element is a white Chinese headdress with a light tint. It has a red strand sticking out on top of it, and there is also a red and white yin-yang icon. Around the neck of Dante in this image is a white and red pendant with the same symbol.

He has purple hair. A few strands stick out so that they resemble cat ears or devil horns. The eyes are black, without iris. But when Pic is irritated or angry, the pupils change: they turn red, sometimes interspersed with yellow or blue. At the same time, the whites of the eyes have a yellow tint - this is one of its distinguishing features among other clones. Another detail is very thick eyebrows that creep over the eyes. The armor is made in dark purple tones and is richly decorated with spade symbols (♠️) - this directly refers to its suit. On some parts (for example, on armor elements or boots of unusual shapes) there is also the number 8 - this is the clone number.
He has a torn raincoat at the back.

Romeo treats Helen with great respect and almost filial warmth, although in status they are both king and queen of suit. Helen is a support and comfort for him, the person who will always feed, listen and gently put him in his place if Romeo begins to get too carried away with his own speeches. He appreciates her care very much and does not perceive it as "annoying guardianship", but on the contrary, he is proud that there is someone so reliable and kind.

Romeo loves to make small romantic gestures to Helen: he brings her flowers, recites poems, tries to help her around the house so that she is less tired. At the same time, he does not argue when she says: "Romeo, it is better to just wash the dishes than read me an ode about cleanliness." He takes it calmly, even with a smile: it is important for him not so much to impress as to show that he is grateful for her warmth. There is a lot of comfort and light irony in their relationship: Romeo can be pretentious, and Helen can calmly bring him back to earth, and this does not offend him, but rather helps to keep the balance.

Romeo has the attitude of his older brother to Felix, who both admires his energy and is slightly lost by its pressure. Felix is very emotional, he wants to make everyone happy right now, and Romeo is more about beautiful gestures and words, about making everything look spectacular. Because of this, they sometimes do not coincide in rhythm: Felix is in a hurry to act, and Romeo wants to present everything beautifully. At the same time, Romeo sincerely loves Felix and is proud of how kind and sincere he is. He does not ridicule his impulses, but rather tries to add "theatricality" to them: if Felix wants to arrange a holiday for everyone, Romeo is right there with an idea of how to do it in a special way – to decorate, to make a speech, to arrange a surprise. Sometimes he gently sits Felix down when he gets too excited and says something like, "Friend, let's not blow up the kitchen, let's do it romantically." There's a lot of light teasing and mutual support in their dynamics: Romeo gives Felix the feeling that his good intentions are seen and appreciated, and Felix reminds Romeo that sometimes it's more important just to do it than to say it beautifully.

Kuromaku has a smoother and more businesslike relationship with Cleo, but with a slight misunderstanding due to the difference in approaches. Cleo acts more by intuition and emotion, relies on his abilities and inner feelings, while Kuromaku lives by logic, numbers and forecasts. Because of this, they often look at the same problem from different angles: it offers a plan with a percentage of probability, it is a solution based on a hunch.

Kuromaku's attitude to the Umbrella is as patient as possible and very caring in its own way. Umbrella is anxious, panics easily, is afraid of making mistakes, and Kuromaku is just one of those who try to keep everything under control and minimize risks. Therefore, he often takes the Umbrella under his wing: he does not press, but gently guides, gives clear, simple instructions so that he has less reason to panic.

Peak's attitude to Varus is complicated: a mixture of irritation, fatigue and strange, forced guardianship. Varu constantly provokes, jokes, disrupts plans and generally behaves as if his main goal is to make everyone lose their temper. For Peak, who wants control and predictability, it's like a constant failure in the system. He often abruptly besieges Vara, can bark at him to stop clowning, and at such moments he looks as tough as possible. At the same time, there is respect for her strength in his attitude: Peake does not consider Emma "just a rebel", he sees that she sincerely believes in her principles and is ready to stand up for them. Because of this, he does not try to suppress it head-on, but rather tries to keep the balance: "let him speak, but so that she does not break everything to the ground." Their dialogues often sound like an argument of equals, where each tries to convince the other, and not just order. Sometimes he even listens to her arguments if they hit a real problem, but he will never give in just for the sake of peace - it is important for him to maintain authority. In their dynamics, there is a lot of "adult and difficult teenager": Pic tries to keep Vara within the boundaries, Vara constantly checks these limits, and Pic tolerates exactly as long as it does not threaten the entire Card world.

At the same time, there is respect for her strength in his attitude: Peake does not consider Emma "just a rebel", he sees that she sincerely believes in her principles and is ready to stand up for them. Because of this, he does not try to suppress it head-on, but rather tries to keep the balance: "let him speak, but so that she does not break everything to the ground." Their dialogues often sound like an argument of equals, where each tries to convince the other, and not just order. Sometimes he even listens to her arguments if they hit a real problem, but will never give in just for the sake of peace - it is important for him to maintain authority. Because of this, he does not try to suppress it head-on, but rather tries to keep the balance: "let him speak, but so that she does not break everything to the ground." Their dialogues often sound like an argument of equals, where each tries to convince the other, and not just order. Sometimes he even listens to her arguments if they hit a real problem, but he will never give in just for the sake of peace - it is important for him to maintain authority.

Dante treats Gabriel with a very careful, almost paternal warmth. Gabriel is curious, naïve, and often asks a lot of questions, and Dante never brushes it off. He explains patiently, even if he has to repeat it several times, and tries not to laugh at simple questions: it is important to him that Gabriel is not afraid to ask. Dante perceives him as someone who especially needs support and a sense of being heard. Sometimes he takes Gabriel on small "hikes" or entrusts him with simple but responsible tasks to make him feel needed. There are many little things in their communication: Dante can discreetly shield Gabriel from someone's harsh joke, quietly say "it's okay, you made a mistake," or just sit next to him while Gabriel digests something new

Dante and Nicole have a brother-sister relationship, although they are almost opposites in nature. He calls her a "talented sister" and genuinely admires her energy and ingenuity, but is a little lost when she overwhelms him with schemes and plans for experiments. Dante does not always keep up with her pace, but he never devalues her ideas — rather, he tries to gently ground her: if Nicole wants to blow something up "for the sake of science", he will calmly remind you about safety and ask you to first estimate the risks. At the same time, he trusts her competence and knows that Nicole is quite capable of taking care of herself - she just can't help but worry. There's a lot of light banter in their dynamics: Nicole makes fun of his philosophical reasoning, and Dante smiles and says something like, "Well, we have a plan if the world suddenly gets too boring."

Her hair is long and white. Usually they are braided into one braid, and a pink bow is tied at the end. Accessories - pearl earrings. The eyes are also white. The dress is pale pink. Shoes - pink high-heeled shoes. The cardigan is a light pink, slightly lighter shade than the dress.

Necklace in ancient Egyptian style. This is a key detail that connects the outfit with Cleo's character and her Egyptian aesthetic. White tunic. This is the basis of the image. The tunic is straight, with a neckline. Such a cut and color emphasize the status of the Queen of Clubs and refer to the "royal", more formal appearance in this world. The skin is tanned, a warm tone that contrasts well with blue hair.
Her eyes are amber: the warm color stands out noticeably against the background of the cold palette of her image.
The detail on the forehead is the Egyptian symbol of the eye of Horus under the bangs. In canon, it has a plot meaning: it is related to Cleo's abilities (mind reading and mind influence).
The nails are long and sharp, covered with dark blue varnish to match the hair.
The style as a whole is calm, but expressive: Cleo does not strive to be bright, and her "showiness" is made up of these clear accents. The color is dark blue, almost inky, but with a cold undertone: depending on the lighting, it may seem a little lighter or go into a deep shade.
Length - long, lie freely approximately to the middle of the back.
Hairstyle - straight, calm, without complex styling; There are bangs, and also a characteristic separate strand that seems to be knocked out and sticks out from above - this detail immediately makes the image memorable.
The effect is in motion - due to the smoothness, the strands flow evenly, and the very "sticking out" strand almost always remains in its place, like a signature touch.

The eyes are bright orange. Hair: In art and canon, it is most often drawn orange (sometimes described as red) and shoulder-length. Freckles are one of the most characteristic details: they are on the cheeks, and this is almost the only person in the universe with such a sign Clothing in the Card World: compared to the "ordinary" one (dark gray T-shirt, white trousers, orange shoes, badge with the number 9), here a white lab coat is added to the image on top of the rest. This visually emphasizes her role: in the Card World, Nicole is not just a clone, but an official Queen of Diamonds, and the robe is read as a sign of her "laboratory", research function in this world.

a black T-shirt and leggings are comfortable, practical, to match her energetic character;
a belt with spikes and a plus buckle, a choker in the same style, studded bracelets are her recognizable details;
boots to the lower leg with gray lacing - in order to be ready for any scrapes;
a pike tattoo on her cheek, black lipstick, dark polish — these elements do not disappear in the Card World, they are like a sign of her belonging to the spades suitThe hairstyle is a little careless, as if she does not bother with styling: the strands lie freely, there is a slight disheveledness that emphasizes her rebellious nature. The color is a rich dark purple, almost inky, with a slight cold undertone. In the Card World, due to the specific lighting, the shade sometimes seems even deeper, as if dark iridescence appears in it. Separate accents - sometimes thin strands are knocked out near the face, and the back of the hairstyle is a little smoother, as if the hair is slightly combed back.

Her attitude towards Romeo is a mixture of patient condescension and light care. Romeo loves to be the center of attention, say nice words, and act like a romantic hero, and Helen takes this without irritation, rather as his peculiarity. She does not play along with his pathos seriously, but she does not ridicule him either: if he arranges another "poetic confession", she will smile softly and say something like "Romeo, better help set the table". Helen sees a kind heart behind his theatricality and tries to direct this energy in a peaceful direction - for example, she asks him not to make a drama out of thin air, but rather to help with things. At the same time, she treats him respectfully as the king of the suit, but without unnecessary trepidation: for her, he is primarily another clone who also needs comfort and normal food.

Helen treats Felix almost like a restless younger brother. He is very energetic, often acts on emotions and can mess things up, and she tries to ground him gently. Helen does not scold him for his impulsiveness, but rather smooths out the consequences: she will feed him if he is nervous, quietly tell him how not to make it worse, or just sit next to him while he "lets off steam". At the same time, she sincerely believes in his good intentions: she knows that Felix wants everyone to be happy, he just sometimes tries too hard. There is a lot of comfort in their dynamics: Helen cooks something delicious for him, and Felix tries not to upset her in return and appreciates this care.

Cleo treats the Umbrella gently and without pressure. She does not try to "spur him on" or force him to be braver - rather, she accepts his anxiety as a given. There are almost no harsh words in their interaction: if the Umbrella panics, Cleo usually either just steps aside or quietly says something soothing, without unnecessary emotions. They do not have a close friendship, but they do have a calm, almost careful neighborhood: she does not ridicule his fears and does not require him to be active. We can say that for Cleo, the Umbrella is someone who is better not to touch once again, but she also does not want to leave alone.

With Kuromaku, Cleo has a rather neutral and respectful attitude. She acknowledges his intelligence and diligence, but she is repelled by his excessive rationality and habit of calculating everything: for Cleo, this looks like dryness and lack of flexibility. At the same time, she does not conflict with him openly and, if necessary, is ready to accept his plan or calculations - but without enthusiasm and without a desire to discuss the details. Sometimes she may slightly note that "not everything can be reduced to percentages", but she does it without aggression, rather as a statement. In general, their bond is respect for each other's abilities with a complete mismatch of temperaments: he puts everything on the shelves, she lives in her own rhythm and her own thoughts.

Emma's attitude towards Var is even harsher - she frankly can't stand him. Varu constantly provokes, mocks, jokes to the detriment of others, and Emma is very sensitive to injustice and humiliation. For her, his behavior is not "harmless jokes", but toxicity and disrespect for people. She does not hesitate to put Vara in his place, can abruptly besiege or even physically stop his antics. At the same time, sometimes fatigue slips into her reaction: she understands that Varu does it for attention, but is not ready to tolerate his methods for the sake of this understanding.

Emma does not accept Pick as a leader: she is principled, fights for justice and does not like when someone presses with authority. Spade, as the King of Spades, tries to build a rigid structure and take control, and Emma actively resists this. Their relationship is a constant friction on the basis of leadership and rules: she believes that power should not be just "according to status", and decisions should be discussed. At the same time, deep down, she admits that Peake sincerely wants responsibility and freedom for all clones, but this does not calm her down: she categorically does not like Peake's methods. It turns out not so much a personal enmity as an ideological confrontation.

Nicole has much more in common with Gabriel in terms of dynamics: he is curious, simple and willingly gets involved in her ideas. Nicole appreciates that he is genuinely interested in her experiments and does not try to complicate things. Often she treats him almost like an assistant or partner: she gives small assignments, explains something on the go, sometimes even arranges mini-lectures about science and technology. At the same time, there is also concern in her attitude: she does not mock his naivety, but rather tries to direct it in a useful direction. As a result, a warm, almost mentoring bond is obtained, where Nicole is the ringleader, and Gabrielle is her grateful and diligent assistant.

Nicole actually pulls the diamond suit on herself: she is active, loves experiments and fuss, and Dante is more of a philosopher and a generator of ideas who is not particularly eager to do something active. Because of this, Nicole often perceives Dante as someone who "thinks a lot, but does little": she wants movement and results, and he is more about reasoning. At the same time, she is not seriously angry with him: she rather makes fun of him and tries to somehow involve him in the process. We can say that they have a relationship between an energetic practical and a thoughtful theorist - she spurs him on a little, but respects him as the king of the suit.

The Joker (Red Joker) is a special character that is not part of the standard set of suits: he is "out of the system", which is why he behaves more freely and chaotic than other clones. A charismatic provocateur. The Joker has a specific, sometimes harsh sense of humor: he likes to push others to vivid reactions and watch the hustle and bustle.
Artistic and self-confident. He presents himself as a showman: every action is part of the performance.
Not a villain according to the template. His motives are not so much to "destroy everything" as to "make the world more interesting" — often at the cost of someone else's peace of mind. Two-tone palette. The clothes are deliberately "divided" into two halves: one side is in burgundy tones, the other is in jade green. This emphasizes its duality.
Clownish style. A hat with bells, pointed shoes, gloves, a cape - everything refers to the image of a classic jester, but in a modern interpretation.
Vivid details. Aquamarine eyes, curly hair, expressive facial expressions and gestures.

Gabriel (Jack of Diamonds) is inquisitive, naïve, asks a lot of questions, tries to understand the world. His image is light, "childish", with simple lines and light colors.

Umbrella (Jack of Clubs) – sensitive, anxious, tries not to attract unnecessary attention to himself. He often worries about other people's expectations. The style is modest, closed, soft fabrics, muted colors

Felix (Jack of Hearts) is energetic, open, wants everyone to be happy. Sometimes he is too persistent in his "care", which is why conflicts arise (for example, with Varu). The image is bright, dynamic, with a lot of warm shades and simple but expressive details.

Varu (Jack of Spades) is a provocateur and joker, loves to tease people, make people mad, but deep down he may not be as evil as he wants to seem. The style is motley, eccentric, with theatrical elements; often wears glasses/mask to enhance the image.

Kuromaku (King of Clubs) is a logician and strategist, cold calculation, loves order and efficiency. It often acts as the "brain" of the group. Clothes are restrained, functional, without unnecessary décor. His kingdom is about discipline, science, and clear systems.

Dante (King of Diamonds) is calm, philosophical, sometimes seems detached, but at the same time very wise. He does not get into trouble, but can give accurate advice. The style is relaxed, warm, "cozy", without aggression.

Romeo (King of Hearts) is a romantic, aesthete, loves attention and beautiful gestures. Can be impulsive, but not angry; tries to do everything "beautifully". The style is bright, theatrical, with lace, velvet, flowers. The Kingdom of Romeo is about art, holidays and emotions.

Spades (King of Spades) is tough, domineering, pragmatic. He keeps everything under control, does not like weakness, which is why he often conflicts with other clones. It looks impressive: dark colors, sharp details in clothes, often gloomy aesthetics. His kingdom is the Empire of Spades: strict, militarized, with a rigid hierarchy.

Nicole (Queen of Diamonds) is an inventor, energetic, loves experiments and new ideas. There is a lot of curiosity and excitement in her character. Techno-boho style: mixes of textures, gadgets, bright accents.

Cleo (Queen of Clubs) is restrained, observant, speaks little, but accurately. Often sees things that others miss. The image is strict, laconic, dark and cold shades, a minimum of jewelry.

Emma (Queen of Spades) is emotional, straightforward, can flare up, but quickly moves away. She has a strong character and a sense of justice. The style is bright and bold, with eye-catching details.

Helen (Queen of Hearts) is caring, gentle, and knows how to smooth out conflicts. He often takes on a "consolation" role, supports Romeo, Felix and others. Her image is delicate, but collected: pastel colors, neat details, a sense of comfort.