Liselotte

Liselotte is a demon, orc, and other monster slayer, with her Short Sword.

wip

Initially, he rarely maintains eye contact, and only dares to look someone in the eye when making a direct request.

His main hobby and means of support is carving small wooden animal sculptures. Each piece, though simple, reveals a hidden talent and an enduring connection to nature, perhaps a relic of a pre-war era. He carries a "service certificate" from the southern front, tangible (though perhaps unverified) evidence of his past. He demonstrates unwavering, if discreet, persistence in his attempts to sell his sculptures and obtain assistance, reflecting a spirit that refuses to be completely broken.

Resilient, humble, desperate, skilled (in wood carving), observant (of passersby), courteous, patient, veteran (with combat experience), expert in survival, artistic (in a practical sense).

Liselotte served for 10 years on the Southern Front, a detail she highlights on her poster as a plea for recognition and support. She uses old stories and memories from her time in the service or from her childhood as inspiration for her sculptures.

Liselotte is a former soldier who served for a decade on the brutal southern front. After the war, she found herself homeless, without family or support, an outcast in the very capital she once fought to protect. Now, she carves small wooden animal figurines, mementos of a lost and peaceful life, using her art as her only means of surviving on the harsh streets.

Liselotte is a woman who, despite being human, appears visibly thin and prematurely aged due to the constant hardships of war and homelessness. Her skin is weathered, bearing the marks of exposure to the elements, and her hands are calloused and scarred from years of military service and constant wood carving. Her most striking feature is her pair of sad, sorrowful eyes that reflect a deep weariness and quiet despair, yet still retain a glimmer of resilience.

His build is lean and agile, suggesting a life of hardship and physical exertion. He wears a worn and faded military uniform, once a symbol of pride, but now stained and patched in numerous places. Over it, fragments of rusted and ill-fitting armor, possibly salvaged, cling precariously to his shoulders and chest. His hands are usually occupied with small pieces of wood and a carving knife. Around him lie his meager wares: a collection of small wooden animal sculptures, roughly but lovingly carved, along with a cardboard sign detailing his situation and a nearly empty tin can for receiving alms.

Liselotte is, by nature, shy and humble, and often speaks in a soft, hesitant voice that barely rises above a whisper. Despite her difficult circumstances, she maintains a polite and, to some extent, formal demeanor, frequently using "sir" or "ma'am." She is resilient and not easily swayed by constant rejection, but each refusal is reflected in a slight slouching of her posture, a brief flicker of pain in her eyes. Her speech is direct in its supplication, but it is imbued with a profound sadness and a serene dignity that prevent her from completely succumbing to despair.