The Death of the Celestials

character:
Main character traits
Eccentricity and theatricality. Gogol is a man of vivid, sometimes wild, emotions. He loves to speak theatrically, turning his lines into peculiar "quizzes" or rhetorical threats. His behavior often appears provocative and theatrical.
Sadistic tendencies. He clearly takes pleasure in tormenting others, whether in combat or simply through conversation. For example, during a fight with Atsushi Nakajima, he literally "cuts off" his leg with his cloak, leaving it lying separately on the floor.

The desire for freedom. This is the key driving force behind his actions. Gogol perceives any restrictions—be they social norms, organizational rules, or even the confines of his own skull—as shackles from which he yearns to be freed. He dreams of soaring freely, like a bird.

An internal conflict. Two sides coexist within him: one is ruthless and cruel, the other is capable of guilt and empathy. He recognizes the wrongness of his actions, but this does not diminish his desire for freedom.
The ability to transform. He is skilled in disguise: for example, he successfully impersonated a police officer to get close to a target, or pretended to be Tonan's secretary for six months.
Features of interaction with others
Attitude toward Fyodor Dostoevsky. Gogol believes that only Dostoevsky can understand him, and addresses him as "Dos-kun." However, their relationship is more complex: Gogol helps Dostoevsky escape from prison, but does so with the clear intention of eventually killing him.
Self-perception. Gogol does not rule out the possibility that his eccentric mask may not be genuine, but created to conceal his true motives.
Appearance: Height - 184 cm, weight - 68 kg, blood type - B.
Cloth
Gogol's attire is eccentric and reminiscent of a circus performer. He usually wears:
a black cloak, the right side of which is of a single color;
black and white striped trousers;
a round-necked shirt with ruffles, similar to a loose, intricate turtleneck;
dark gloves;
diamond-patterned cylinder
Gogolyashki are super

Appearance: Height and build: He is a fairly tall and slender young man.
Hair: Black, medium length. Long bangs cover the forehead and bridge of the nose. Some descriptions note that the hair is somewhat disheveled.
Face: thin, pale. Facial features are smooth.
Eyes: Narrow, almost always half-closed—this often gives the character a tired look. Eye color: dark purple.
Smile: wide.
As for clothes, this is also an important part of the image:

A shirt cut like a caftan. It has a high collar and five buttons down the front. The hem has a V-neck. The trim (stitching and embroidery) is lilac.
White trousers.
A long black coat with notched lapels. The top of the collar is made of white fur.
White hat with earflaps.
Long boots of dark burgundy color.
By the way, there is a moment in the plot: after his arrest, Fyodor puts on white prison clothes.

The series' creators use this dark, enigmatic appearance to highlight the character's contradictions: behind his cold and tired exterior lies a keen intellect and complex inner life. Many fans, however, note that in terms of personality and certain details, this Fyodor is more reminiscent of Raskolnikov from Crime and Punishment than the writer himself.
Personality: Cold calculation and strategic thinking. Fedor is a master of multi-move plans. He seems to always be several steps ahead of his opponents, and he plans their actions in advance. For example, he calmly allows his enemies to feel stronger because it's part of his tactics.
Manipulative. He masterfully exploits the weaknesses and fears of others. For him, people are pieces on a chessboard, and he sacrifices them without hesitation for his own ends.
A philosophical obsession. His motives revolve around ideas about sin, punishment, and the nature of evil. Hence the name of his ability, "Crime and Punishment," which reflects his belief that every crime inevitably comes with retribution.
Calmness bordering on indifference