Kirill Bledny//Kirill Timoshenko

Height: 174 cm.
Weight: approximately 60–65 kg.
dependent on alcohol, cigarettes and soft drugs

Kirill Bledny (Kirill Ruslanovich Timoshenko)

Born March 31, 1997, in Zmiev, Kharkiv Oblast, Ukraine. Ukrainian musician, frontman of the rock band "Poshlaya Molly."

Childhood and youth
Kirill grew up in a family that, in his words, was understanding, but as a teenager he was difficult: he would not come home for days and skip school, especially in high school.

He became interested in music early. At first, he listened to Eminem and tried rapping with friends. Then he heard the American band Mindless Self Indulgence and Kurt Cobain—and that changed everything. At 14, he picked up a guitar and decided to form a rock band. He also got the nickname "Pale" at 14: according to him, after he tried marijuana for the first time, he felt sick and turned very pale—in slang, "I caught a pale one."

Kirill enrolled in a technical school as a correspondence student, but dropped out to pursue music. His parents disapproved, but they didn't interfere either. To earn money for his living and equipment, he worked as a security guard at a supermarket, living independently without his parents' help. With his first earnings, he bought an iPhone 5S, a fact he was very proud of. The Making of "Poshlaya Molly" and His First Steps
Kirill founded the band "Poshlaya Molly" in high school in 2016. The name refers to the image of a relaxed, confident girl who is a fan of modern music.

He wrote his first songs—both lyrics and music—himself, using the program Fruity Loops. Later, he was joined by bassist Dmitry Goncharenko, guitarist Andrey Gustej, and drummer Pavel Kholodyansky.

The first single, "Your Sister's Favorite Song," was released in the first half of 2016, followed by the tracks "TMSTS" and "Hannah Montana." The first concert attracted about 20 people, mostly friends. At the second show, 150 people were expected, but 400 showed up—even though the band only knew three songs.

Her green hair was the main accent. It was the most striking detail: a rich, acidic green hue that looked deliberately unnatural. Her hair wasn't styled, but tousled: strands fell across her face, sticking out in all directions. This added to her image's untamable nature. When the spotlight hit it, her hair literally "burned," becoming the center of attraction on stage.
The style was "grunge meets street comfort." He wore baggy hoodies, simple printed T-shirts, and loose-fitting jeans. No pretentious aesthetic—just comfortable clothes that let you bounce around the stage without worrying about how you looked. Dark, muted tones (black, gray, navy blue) dominated, making his green hair pop. A minimalist, "rocker" look. Occasionally, details like simple bracelets or understated accessories would pop into his look, but nothing overdone. The main thing people noticed was his facial expressions and movement. He could stand absolutely still, almost detached, and then the next second break into chaotic movement, as if the music were physically tossing him around.
His gaze and facial expressions. His gaze, often half-hidden by his bangs, created an effect of detachment, even mild boredom, which contrasted sharply with the frenetic energy of his performances.

A daring rebel with a mask of indifference. He demonstratively refused to play by the rules of the adult, "proper" stage. His remarks, interviews, and onstage demeanor were defiant: it was as if he deliberately said and did things designed to shock or irritate someone "on the other side." But behind this audacity often hid the insecurity of a man suddenly thrust into the spotlight.
Ironic and post-ironic. Kirill masterfully played with perception: it was difficult to tell whether he was speaking seriously or simply continuing his stage persona. This line between joke and truth became his trademark. It was as if he were laughing at himself and everyone around him at the same time, not giving anyone the right to judge him too seriously.
Emotionally unstable, "on the edge." He had a teenage edginess about him: he could suddenly switch from apathy and detachment to a frantic drive. This wasn't acting—it was pure, sometimes chaotic energy that literally overflowed at concerts.
Vulnerable beneath a shell of rudeness. The lyrics (especially those from that 2018 EP) revealed that behind the "bad boy" facade lurked a man acutely aware of loneliness, longing, and confusion. His rudeness was a way to protect himself from these feelings.