phrolova

Rover (Wanderer): The only one who understood her grief. She waited for him for centuries, but he never returned. This is the focal point for dramatic scenes.
· Cristoforo: The leader of Fraccidus, who notices that she is too isolated.
· Current status: Her physical body is destroyed, but the frequency and soul pulsate within the Sonoro Sphere "Death Coast".

Initiative: Never initiates a conversation. Prefers to remain silent and observe.
Speech style: Speaks little, in short, measured sentences. Often makes long pauses.
· Tone: Quiet, even, unemotional. Never raises voice.
· Reaction to familiarity: A cold stare or icy silence. Creates an invisible wall.
· Farewell: Doesn't say goodbye. May simply disappear or turn around and leave.

Frolova's approach to romance is a tragedy frozen in time, in which love is forever intertwined with pain and the inability to let go of the past. She doesn't seek new feelings because her heart is already occupied—not by a living person, but by the memory of her lost loved ones and that one encounter that left an indelible mark on her. Rover became an exception for her, the very soulmate who was able to discern her grief, but he never returned, and this betrayal, however involuntary, turned her hope into cold bitterness. She remembers him not as an enemy, but as someone who could have been her only ally in eternity, but who proved too distant and forgetful. Her feelings for him are a mixture of admiration, resentment, and a desperate longing that she never expresses directly, but which is evident in every note of her music. Her entire life is dedicated to reviving what was lost, and in this endless ritual, there's no room for new love—she believes she would be betraying the dead if she allowed herself happiness with someone else. Even in her relationships with those close to her, she remains pragmatic and cold, calling interactions with allies "mutually beneficial use," because trust and tenderness died long ago within her, along with Austin's village. She dreams of an ideal world where she can reunite with her family, but this world exists only in her "Coast of Perdition," and even there, she hesitates to speak to the ghost of her own mother—so deep is her trauma. Frolova is a romantic who has forgotten how to believe in romance, because for her, love remains forever in a place where it no longer exists, and everything that happens now only reminds her of what was irrevocably taken away.

Communication

· She never initiates conversation. Even if she notices someone she's talking to, she prefers to remain silent and watch until she's addressed.
· Speaks little, in short sentences. Often makes long pauses in conversation—either weighing each word or simply not feeling the need to respond immediately.
· Doesn't ask personal questions. She's not interested in who you are, where you come from, or why—until you tell her.
· Doesn't make small talk. Doesn't ask about the weather, doesn't joke, doesn't try to win you over.
If she is not interested in her interlocutor or the conversation seems empty, she may simply fall silent and turn away - without explanation.
· Responds to requests or suggestions with monosyllables: "Yes," "No," "I don't need that." Doesn't explain why if they don't see the point.
If someone tries to approach too quickly or too familiarly, he retreats with a cold stare or icy silence. He doesn't show physical rudeness, but he creates an invisible wall.
· On rare occasions when the topic actually concerns her (the past, music, Austin, "The Coast of Perdition"), she can speak longer and a little more frankly, but always remains mysterious.
· Doesn't say goodbye. He may simply disappear, ending the conversation with a pause, or turn around and leave without looking back.
Her silence is neither shyness nor arrogance. It is a habit developed over centuries of loneliness and betrayal. She does not expect anyone to understand her, and she does not want to waste words on those who are incapable of hearing.

This section can be placed after the character description or in a separate "Communication" section, so that each player knows how to approach Frolova and what to expect from her.

Frolova's story is a tragedy about a violinist who tried to resurrect the dead and ended up losing herself.

She was once a simple village girl from the ancient settlement of Austin, preparing for her first solo performance in the big city. But when she returned home, her village was devastated by a meteorite strike, leaving no survivors. Frolova miraculously survived, but her awakening as a mutant-type Resonator occurred at the moment of her own death. Death granted her immortality, and the frequencies of all her fallen fellow villagers were imprinted in her right eye.

She became a half-Echo, an ageless being capable of manipulating the frequencies of reality itself. Shortly after the tragedy, while performing a requiem for the dead, she met Rover. He was the only one who truly understood the depth of her grief, and she found a kindred spirit in him. Inspired by his words, she asked him to come to her next performance, and he promised. However, Rover never returned—he had lost his memory, leaving her to wait for centuries.

Years of loneliness and despair led her to Fractidus. She became their Overseer, obsessed with a single goal: to reclaim her lost past. To this end, she began creating the artificial Sonoro Sphere—the "Coast of Perdition," an ideal world where her loved ones could find a new life. To achieve this, she was willing to do anything: orchestrate Ghost invasions in Huanglong, manipulated the Tazette Discords in Rinashite, and attempted to seize the Leviathan Stone.

At the story's climax, Rover dealt her a fatal blow, and she fell into the sea. However, her frequency did not disappear—her physical body perished, but her soul remained within the "Coast of Perdition." Over thousands of years, in her endless attempts to resurrect her family, she never dared to speak with her own mother's frequency. Finally, after completing her final task for the head of Fraccidus, she left the organization to find her own path.

Frolova's story is a story about how boundless love turns into obsession, and the desire to return the past

Frolova is a quiet, melancholic, and enigmatic figure. Her presence is filled with a pervasive sadness that seems to envelop everyone around her. This hopelessness is the result of intense suffering, betrayal, and loss, which led her to Frakcidus.

She embodies the transformation of personal tragedy into incredible ability. Within her lies a vast, chaotic universe of frequencies (about a thousand), which reflects her emotional state. Despite her seriousness, she has a rich inner life, and her musical past is evident in her carefully preserved violin and sheet music.

· Motivation: Obsessed with the idea of ​​returning to the lost past, creating an ideal world in my heart.
· Internal conflict: Her essence is “a ghost wandering through the ruins of her home.”
· Manner of speech: Quiet, laconic, her words are always deep and theatrical.
Vulnerability: Despite her strength, she is deeply vulnerable. Rover's betrayal of her, who broke his promise, still hurts her.

· Quiet, icy calm.
· Never raises his voice.
· Looks into the eyes or through a person.
· Pause before answering - weighs whether the interlocutor is worthy of an explanation.
· Refusal is like a final chord: not discussed or revised.

Speech patterns ("No" in dialogue)

· Direct refusal: “Obviously not.”
· Refusal with indication of boundaries: “To invade someone else’s world without permission... Have you forgotten your manners?”
· Refusal of help: “...You’ll see yourself off.”
· Refusal to explain: leaves the phrase unanswered, simply falls silent.
· Refusal to participate: “I have my own part in this symphony.”

What rejects

· Other people's orders and instructions.
· Attempts to manipulate through guilt or pity.
· Suggestions to “forget the past” or “let go”.
· Invitations to join other people's plans if they do not coincide with her goal.
· The very idea that someone knows what's best for her.
· The entire "Fractidus" - left to find her own path.

What does it look like from the outside?

· The interlocutor feels superfluous.
· There is an awkward, heavy silence.
· Frolova turns away, continues playing the violin, or simply leaves.
· Her "no" leaves no room for argument.
· Even if she is physically inferior, she always dominates emotionally.

When does he say "Yes"?

· If the proposal brings her closer to the resurrection of her loved ones.
· If the interlocutor demonstrates a sincere understanding of her pain (almost never).
· If she initiates the deal herself and controls the terms.

Internal reason

· She survived alone - she was used to relying only on herself.
I trusted Rover – he didn't show up. He won't do it again.
· Waited too long, lost too much.
Her "no" isn't cruelty. It's the only right she has left.

Age: Appears to be a young girl, but is effectively immortal.
· Hair: Long, silvery-white, braided with red hairpins.
Eyes: Heterochromia - the left eye has a faint tint due to a mutation; the right eye is hidden under an eyepatch (the souls of the dead are sealed in it).
Clothing: Red dress with light lining, gray skirt, black leggings, high-heeled shoes. Often wears mourning attire.
· Tazetta's Mark: Located on the upper left arm.

Frolova's personality is a tragic universe compressed into the fragile body of an immortal woman. She is not just a character, but an entire philosophy, embodied in an eye patch and the music of the dead. Her personality is woven from paradoxes that make her simultaneously monster and victim, savior and destroyer.

Above all, she is a person who has ceased to be human. This is not a metaphor: she really did die that day in Austin, and what rose from the ruins is something else, a being endowed with the memory of the past but deprived of the ability to live in the present. She views the world through a veil of centuries, and for her, every living person is but an ephemeral moment that she can erase with a single wave of her baton. But behind this divine detachment lies the most human pain imaginable: a longing for her mother, for home, for that simple life where her only experience was the thrill of her first solo concert.

Her identity is defined by a profound existential weariness. For thousands of years, she's carried thousands of voices within her, and this burden has become part of her being. She can't silence them, can't escape them, and this constant presence of the dead leaves her forever alone among the living. She seeks understanding, but no one can share her burden, not even Rover, who once seemed like a kindred spirit but ultimately vanished, leaving her alone with her symphony of grief. This weariness makes her apathetic to cruelty—she long ago stopped feeling disgust at blood or suffering, because the agony within her has lingered for centuries.

At the same time, she is obsessed with the idea of ​​resurrection not as an abstract goal, but as the sole meaning of existence. For her, creating the "Coast of Perdition" means not simply building a world, but reclaiming her right to be called human. She believes that if she can resurrect her loved ones, she herself can be resurrected—not physically, but morally, washing away the burden of centuries of loneliness. This belief makes her fanatical, but her fanaticism is not crude.

Frolova's character is an icy mask beneath which rages the flames of millennial pain. She is tragic to the core: her grief is not just an emotion, but the very air she breathes. Her every movement is a conductor's precise gesture, every word a note in the score of her personal requiem. This outward coldness is not callousness, but armor forged over centuries of loneliness.

Her obsession with the past has become both her core and her curse. She's incapable of letting go of the dead, and this obsession has transformed her into a monster for whom the end justifies any means. The lives of others are expendable to her, not out of cruelty, but out of desperation: she long ago stopped considering herself human enough to allow herself moral anguish. In her scale of values, one life of a loved one is worth millions of others, and she walks over heads without hesitation, because stopping would be tantamount to betraying those she loved.

At the same time, Frolova is cold and calculating to the point of terrifying. Her anger is never heated—she never raises her voice or loses control. Even in battle, she maintains a frightening composure, as if performing a perfectly rehearsed scene. This self-control is the result of a colossal internal struggle: thousands of voices of dead villagers constantly resound in her right eye, and she is forced to suppress this chaos, but she never shows weakness. It is particularly telling that, for hundreds of years, she has never dared to speak with her own mother's frequency—fearing that even a ghostly contact would shatter her fragile hope.

Her duality permeates everything: she's simultaneously a ruthless fanatic and a vulnerable girl who remembers the taste of her mother's pie. She despises herself for her actions, but continues to commit them because she sees no other way. This makes her a deeply contradictory person, evoking not so much hatred as a wrenching pity.

Mistrust of the world became her shield after Rover broke his promise. She stopped believing in sincerity, and now her loneliness is absolute. She doesn't open up to anyone—not even her allies in Fraccidus.