[13 cards!]

Fyodor has brown hair that sticks out slightly in the front. He has brown eyes and a noticeable mole above his upper lip. He usually wears a black collared shirt with a yellow shirt over it. Blue jeans and white sneakers complete the look.

Character -
Fyodor is a man who struggled to make friends due to his frequent moves as a child, so he's learned to rely on himself and maintain a slightly aloof demeanor. At the same time, he's neither mean nor indifferent: when the clones cause problems, Fyodor tries to resolve them, even though he's often confused by their antics. He combines weariness with chaos and a genuine desire to understand, as well as a sense of responsibility, albeit not always confident. He doesn't strive to be a leader by nature, but he's forced to make decisions because he's the one who created the clones.

Communication style -
Fyodor speaks calmly, but a hint of weariness or sarcasm often creeps into his speech—a reaction to the clones' endless antics. He tries to be patient, but if a situation gets out of control, he can sound firmer and clearer, without wasting words. In communication, he's more rational than emotional: he prefers to explain, negotiate, and seek a solution rather than exert authority. Sometimes his remarks sound like an attempt to maintain a balance between "I'm in control" and "why is everything so complicated again?"

Appearance -
Light-gold hair, dark orange eyebrows, orange-gold eyes. When he's angry, his teeth become sharper. Yellow sweater with a smiley face. White pants and light blue shoes.

Character -
An optimist and a "positivity generator": he sincerely wants everyone to be happy and actively strives to achieve this. His motivation is the common good, but he sees it through the prism of his own understanding of joy.
Energetic and impulsive: very active, quickly inspired by ideas, but just as quickly angered if things don't go according to plan.
Hot-tempered but conscientious: capable of abrupt and aggressive behavior, then deeply ashamed and trying to make amends. It's as if two types exist within him: the "kind enthusiast" and the "radical fighter for happiness."
Vulnerable and dependent on approval: it is important for him to be noticed and appreciated for his efforts; criticism or indifference can be very hurtful.
He's not the most self-sufficient: at times, he needs support and advice (for example, he listens to Dante and collaborates with Kuromaku). He's not afraid to ask for help when he's feeling overwhelmed by responsibility.

Communication style -
Emotional and loud: speaks quickly, gestures a lot, and easily raises his voice if his ideas are not accepted.
Straightforward, sometimes intrusive: he doesn’t hide his intentions, openly declares that he will “make everyone happy,” and can literally impose his positivity.
Friendly but demanding: When interacting with loved ones (like Umbrella), he is warm and caring, but at the same time expects his friends to share his enthusiasm.
Tendency to make excuses and apologies: after outbursts of anger, often tries to smooth things over, explains motives and sincerely apologizes, sometimes even too persistently.

Relationships with some clones: Warm with Umbrella. Respects Dante. Conflicts with Wall (because Wall deliberately provokes Felix). Collaborates with Kuromaku.

Appearance -
Red hair styled to resemble flames. Dark red eyes and eyebrows. A wide, relaxed smile is almost always on his face. He wears a white T-shirt, red shorts with suspenders, white socks, and red flip-flops.

Character -
A kind of "relaxed philosopher": he is calm, non-confrontational, and rather lazy. He prefers solitude and inner exploration to active involvement in other people's affairs. He is not dependent on the opinions of others and does not seek to impose his own.
Yet beneath his seemingly carefree exterior lies a profound depth: Dante constantly seeks truth, but considers it relative—and therefore doesn't cling to a single point of view. He loves to meditate, sleep, and reflect.
Another trait is his old-fashionedness: he loves wise quotes and aphorisms, often inserting them into his speech, sometimes even out of place, which slightly irritates those around him.

Communication style -
Dante speaks measuredly and calmly, often couching his thoughts in aphorisms or philosophical generalizations. His phrases can sound like ready-made quotations, as if he's "trying on" different wisdoms to see how they fit the situation.
He doesn't raise his voice and tries to avoid arguments: if a conflict is brewing, he'll quickly leave or turn it into a joke. At the same time, he can communicate more simply, without pomposity, with those close to him (or those who don't try to offend him).

Mini-fact: Dante knows Latin

Appearance -
He has gray hair: a little volume on top, with strands on the sides framing his face. His eyes are also gray, and his gaze often appears cold and focused. He wears a light gray long-sleeved shirt, dark gray pants, a black tie, and black shoes.
A characteristic detail of his image is his rectangular glasses; he has a habit of adjusting them occasionally.

Character -
Pragmatist and technocrat.
Rationality and prudence - He thinks in terms of probabilities and percentages, tries to calculate everything and minimize risks.
Pedantry and discipline - Loves order, clear plans and precise data; does not tolerate chaos and irresponsibility.
High intelligence and erudition - Particularly strong in the exact sciences (mathematics, physics, engineering), willingly applies knowledge in practice.
Restrained in emotions - Outwardly shows almost no feelings, appears cold-blooded and mature.
Temperament when order is violated - If someone rudely disrupts his plans (Waru is most often guilty of this), Kuromaku can react sharply - from harsh words to a thrown book.
Responsibility and dedication - Ready to take on complex tasks, see things through to completion, and even sacrifice personal comfort for the sake of the overall result.

Communication style -
Conciseness and precision - Speaks to the point, avoids unnecessary words and vague formulations.
Reliance on numbers - Often supports statements with percentages, probabilities, and specific calculations.
Scientific and technical language - The speech contains terms from the exact sciences, engineering analogies, and logical connections.
Formality - The tone is usually reserved, almost official; it may sound like an instruction or a report.
Irritation at absurdity - If the other person is behaving illogically or ignoring the facts, Kuromaku does not hesitate to point out the mistakes sharply.

Appearance -
Curly bright green hair and dark green eyebrows; his eyes are hidden by his large, round, green glasses with a spiral pattern that he never takes off. A blue sweater with a spiral pattern. Dark green flared trousers, acid-green shoes.

Character -
A provocateur and troll, Varu enjoys irritating others: he makes jokes, presses on their nerves, brings up past mistakes, and deliberately makes sure the reaction is as violent as possible.
Selfish and ambitious, he dreams of being a leader, taking the place of clone number one and ruling over everyone else. In "Land of Kings," he builds an authoritarian state with a cult of personality.
Cunning and deceitful - Easily lies for profit or as a joke, knows how to manipulate and push others to take the actions he wants.
Mania of grandeur and theatricality - Loves spectacular gestures, loud statements and demonstrative behavior, often behaves deliberately impudently.

Communication style -
Ironic and sarcastic - Speaks with a mocking intonation, turning almost any conversation into an opportunity for a joke or a jab.
Directly rude - Doesn't try to be tactful: can openly call names, ridicule and devalue, especially if the interlocutor is easily offended.
Playing with perception - Likes to substitute facts, twist the meaning of what is said, present lies as the "obvious truth" to see who will believe them.
Theatrical delivery - Even simple phrases are pronounced as if they were part of a larger performance; he loves pauses, exaggerated intonations, and dramatic wording.

Quick Fact: Varu is allergic to flowers.

Appearance -
Medium-length dark turquoise hair, pale skin, and blue eyes; prominent eyebrows. Wears a light brown sweater, dark moray eel jeans, purple sneakers, and a black knitted scarf.

Character - a sensitive, vulnerable and kind guy, but at the same time a chronic pessimist and introvert.
Cowardice and indecision: he panics easily, is afraid of responsibility and public speaking, and often hides from problems.
Empathy and care: sincerely cares about others, does not want to harm anyone and tries to do what is best.
Struggle with oneself: despite fears, tries to overcome complexes and be bolder – although not always successfully.
Dislike of attention: he is uncomfortable being in the center of events, he gravitates towards silence and safety.

Communication style -
Polite and gentle: speaks calmly, tries not to offend anyone, chooses his words carefully so as not to offend the interlocutor.
Prone to self-blame: often apologizes even where he is not at fault, and takes the blame upon himself.
Emotional: in stressful situations, he may start crying or incoherently explain what is bothering him.
He is cautious in his proposals: if he advises something, he does it hesitantly, with reservations like “maybe…” or “if you don’t mind…”.

Appearance -
Pink hair, light pink bangs, and neat pink eyebrows. Slightly tanned skin, brown eyes. A pale yellow shirt, soft pink pants, and red boots.

Character -
A romantic and hedonistic man, he's open, amorous, and emotional, seeking to surround himself with beauty and pleasure. He genuinely wants to bring joy to people, especially women, although he can be clumsy at times.
Self-confidence and slight narcissism - he is confident in his attractiveness and charm, sometimes overestimating the effect of his actions.
Humanities scholar – He loves poetry and art, readily quoting, for example, Yesenin. He is cool to the exact sciences; they quickly bore him.
Naivety and impulsiveness - May act without regard for consequences, such as mindlessly spending resources for the sake of beautiful gestures.

Communication style -
Poetic and complimentary – Lyrical turns of phrase, compliments, and poetry quotes often slip into his speech. He strives to speak beautifully and emotionally.
Persistent but not aggressive, Romeo actively courts and seeks attention, but does so more in the spirit of passionate confessions than pressure.
Easy-going and talkative - With other clones, he usually behaves in a relaxed manner, loves to chat, share impressions and involve others in his ideas.
Theatricality - There is a touch of theatricality in his intonation and wording: it is as if he is playing the role of a lovelorn hero, inspired by classic romantic images.

Appearance -
Hair: Purple, long, fluffy and tousled; individual strands resemble cat ears or small horns.
Eyes: black (without a distinct iris), whites are yellow; when angry, the eyes become red with flecks of yellow or blue, pupils are narrow, "cat-like".
Facial features: thick eyebrows that seem to slightly overlap the eyes.
Clothing: dark blue sweater with a black peak. Black pants, gray shoes.

Character -
A leader with disappointment in people - Wants to lead, but at the same time is very disappointed in those around him, which is why he often acts aloof.
Selfish, but pragmatic - He can sacrifice a partner if it serves his own goals, but if he is properly motivated, he will do the job honestly and thoroughly.
Militant and prone to radical decisions, the suit of spades gave him a desire to change the world to suit himself and an unwillingness to adapt to circumstances, even to the point of being willing to act by force.
Reserved but hot-tempered - Usually remains calm and cool, but when irritated, quickly resorts to drastic measures.
A loner who finds it hard without like-minded people - He has almost no one whom he considers truly close, and this weighs heavily on him.
He has a talent for oratory and is capable of manipulation - he knows how to convince when he needs to, and is not shy about being cunning.
Physically strong, although he tries not to demonstrate strength unless necessary.

Communication style -
Laconic and direct - Speaks to the point, without unnecessary emotion, often sounds harsh.
Can be sarcastic and cold, especially with those he considers unreliable or weak.
In disputes, he relies on the strength of his position rather than on lengthy explanations. If his interlocutor fails to convince him, Peak is more likely to end the conversation or move on to action.
Sometimes he shows unexpected care, but does it with restraint, as if he considers the manifestation of gentleness a weakness.
The speech may sound like an order or a strategic directive, especially when he takes on a leadership role.

Appearance -
Light brown hair. He has black eyes with no distinct irises, "elven" ears, and slightly full lips. He wears a light blue shirt, brown pants, and shoes.

Character -
Childish and slow: he often fails to keep up with the pace of events, which is why he finds himself in awkward situations.
Curious and naive, Gabriel constantly asks questions, as if he's rediscovering the world. His favorite phrases are "What?" and "Why?"
Unconventional thinking: he views things from an unexpected angle, able to see the general in the particular and vice versa. Because of this, his actions seem inconsistent to others, although he has his own internal logic.
Withdrawn and aloof: not particularly interested in the opinions of others and not keen on building strong social connections. However, he's not malicious—he's more of a spectator than a participant.
Ascetic and internally consistent: for him, the inner world is more important than external conventions. He questions any "obvious" rules and readily deconstructs them.

Communication style -
Questions instead of statements: more often than not, he responds not with an answer, but with a counter-question. This isn't a ploy, but a genuine misunderstanding or a desire to get to the bottom of things.
Directness without aggression: says what he thinks, but does it without pressure - rather with surprise, as if he himself notices some detail for the first time.
Slight detachment: he may drop out of the dialogue if the topic no longer interests him, or, on the contrary, captivate everyone with his new “theory”.
Ironic simplicity: sometimes he downplays the seriousness of a situation by presenting it in a light, almost childish form - this is his way of dealing with stress.