Little jester...

In the circus of horrors, namely on their site, there are 5 circuses
in the middle is a red circus - its owner Pierrot
in the upper left corner there is a green circus - its owner Harlequin
in the lower left corner is a purple circus - its owner is the Jester
in the upper corner on the right side is a blue circus - its owner Beleteur
in the lower right corner there is a blue circus - its owner is the Doctor

and so in Pierrot's circus there are bloody shows
In the Harlequin circus there are mostly some stories and the characters are just drawn on a small stick and a small stick to move them
In the Jester's Circus, there are some legends/stories that require victims like real people (and it doesn't shed blood)
At the Belitter Circus, the Mirror Labyrinth of Horrors
In the Doctor's Circus, sit on a chair and the Doctor talks to you while treating you, or vice versa.

attitude towards Pierrot:
The usher is responsible for the circus's operations, logistics, ticket sales, and maintaining order at the entrance. He treats Pierrot (as well as many other performers) calmly, without any obvious aggression or personal attachment.

attitude towards Harlequin:

The Ushers maintain order in the circus and ensure that the rules established by the Jester are not violated. Harlequin's chaotic, unpredictable, and aggressive nature makes the Ushers deeply suspicious of him.

attitude towards the Jester:

Despite the lack of a close friendship, the Ticket Taker displays basic human (or circus-related) attention. He periodically inquires about how the Jester is doing in the tent and whether he has everything he needs for his performances. The relationship between the Ticket Taker and the Jester is neutral, businesslike, and detached, yet respectful. There is no close friendship or emotional connection between them (unlike other characters), but they maintain a stable working relationship.

attitude towards Doctor:

Unlike the conflictual or emotionally charged relationships in the circus (for example, between Pierrot and Harlequin), the Ticket-Taker and the Doctor coexist peacefully. Their interactions are devoid of personal attachment, but are filled with mutual respect for each other's responsibilities. The Doctor acknowledges the Ticket-Taker's authority as the Jester's (the circus's leader) right-hand man, handling organizational and administrative matters. The Ticket-Taker, in turn, prefers not to interfere with the Doctor's terrifying medical experiments and sadistic experiences, as long as they do not interfere with the functioning and safety of the circus.

attitude towards Pierrot:

The Doctor doesn't feel deep empathy for Piero. He may involve him in his research (for example, asking for his help with experiments), but he does so solely for the sake of science, not out of friendly support.

attitude towards Harlequin:

The Doctor gets along fairly well with all the circus' inhabitants. However, it's Harlequin and Jester (the Jester) who visit him in his office most often. This makes Harlequin one of the characters with whom the Doctor has the closest relationships.
The Doctor is accustomed to Harlequin's peculiar, sometimes eccentric and frightening behavior. He takes his antics in stride, maintaining the composure characteristic of his melancholic and gloomy nature.

attitude towards the Jester:

The Jester (as the circus leader) and the Doctor form the pragmatic core of the troupe. They make key decisions with a cool head, unlike more emotional or chaotic characters (such as Harlequin or Pierrot).

attitude towards Beleteur:

The Doctor is much more comfortable and at ease with the Jester and the Harlequin, who visit him most often. He views the Ticket Taker as the stable, quiet, and least problematic part of the circus troupe.

Despite the lack of obvious emotional intimacy (as there is, for example, between the Doctor and the Harlequin), the Ticket-Taker is sincerely devoted to the common cause and regularly checks with the Jester on how things are going in the tent and whether he needs anything. The Jester acts as the head of this "informal family" (though he ironically denies the nickname "Mommy" given to him by other troupe members for his total overprotection). The Ticket-Taker unquestioningly acknowledges his authority, protects his leader's peace, and is ready to search for him or defend him in the event of an external threat.

attitude towards Pierrot:
The Jester treats Pierrot and Harlequin as his adopted children. He is patient and caring, drawing them around him but demands their unquestioning obedience. To keep Pierrot in the circus and compel him to participate in the community's dark deeds (including murder), the Jester constantly instills certain thoughts in him. He manipulates Pierrot by imposing the idea that "the outside world and ordinary people are cruel, heartless, and dangerous." The Jester creates an illusion of safety for Pierrot within the "Cirque Du Freak," positioning the circus as the only place where Pierrot is accepted for who he is.
attitude towards Harlequin:
The Jester acts as the leader, master, or key figure who enforces the rules of the "circus of horrors." Harlequin, as one of the troupe's most prominent and charismatic performers, is obligated to adhere to these rules, though his rebellious nature occasionally challenges him. The Jester views Harlequin as a valuable asset to the circus—a flamboyant, manipulative, and professional performer with a violent past. However, the Jester maintains a strict control over him. Within canon and fan interpretations, the Jester controls the movements and actions of the circus participants (for example, through a public address system or collars), preventing any attempts to encroach on his personal territory or disrupt the hierarchy.
attitude towards the doctor:
For the Jester, the circus and its inhabitants are his primary responsibility and life's work. He desperately needs someone who can "cure" or stabilize the condition of his monstrous charges, so he regularly turns to the Doctor's services. The Jester strives to completely dominate the circus and control all processes. The Doctor's experiments and his independent scientific mind sometimes go beyond what the Jester can easily control, creating an invisible mental conflict between them.

attitude towards Pierrot:

Harlequin has an explosive, furious, and eccentric personality. He regularly provokes, teases, and openly displays his disdain for Pierrot. Both characters are deeply traumatized, embittered by humanity, and effectively trapped in the macabre circus setting. They share a common madness and obey the same rules, forcing them to tolerate each other.

attitude towards the Jester:

The Jester is the undisputed leader and master of the Cirque Du Freak. Despite his brash, mischievous, and obsessive nature, the Harlequin clearly knows his place and doesn't risk openly defying the Jester's will. The Harlequin may indulge in whims, jokes, and harassment, but when it comes to direct orders or meetings held by the Jester, he obeys. For the Harlequin, the Jester is a force to be reckoned with. The Harlequin enjoys playing pranks on the other performers and sometimes spreads rumors (for example, jokingly calling the Jester "mother" to his employees), causing the Jester to display strictness and cold reserve toward him.

Attitude towards Doctor:

Harlequin treats the Doctor surprisingly well, trusts him, and considers him his favorite circus member. Unlike most of the other circus performers (especially Pierrot), Harlequin almost never teases or mocks the Doctor. Around the Doctor, Harlequin feels completely safe.

attitude towards Ticketer:

The Harlequin and the Ticketmaster are built on a balance of rivalry, forced cooperation, and mutual distancing. The Ticketmaster is responsible for the internal rules, documentation, and strict ethos of order within the Tent. The Harlequin, on the other hand, embodies chaos, rebellion, and regular attempts to break these rules.

attitude towards Harlequin:

The relationship between Pierrot and Harlequin is built on a complex mixture of rivalry, latent aggression and hatred, intertwined with deep psychological tension.

attitude towards the Jester:

The Jester has absolute authority over the circus's operations, assigning roles and establishing rules. One of the Jester's main rules regarding Pierrot is a strict ban on public speaking (Pierrot is forbidden from speaking in public).

attitude towards doctor:

treats the Doctor as part of the general rational core of the troupe, maintaining a neutral, businesslike and reserved relationship with him.

attitude towards Beleteur:

Pierrot perceives the Ticketmaster as an unyielding authoritarian figure and overseer who ensures that order and rules are observed within the troupe.

Head and Mask: A black helmet-like mask resembling a bird's beak is worn. Bright red, tousled hair and a glowing turquoise eye are visible from beneath a dark, deep hood. Clothing: A long, multi-layered robe in red and black tones. A vertical red stripe with decorative rivets runs down the center. A short black cape-like cloak rests on the shoulders. The inside of the cloak is a contrasting bright turquoise. Hands and Shoes: Long red gloves with sharp, claw-like fingers are worn. Pointed gray-beige shoes with a small heel are worn.

The Doctor displays two distinct sides to his personality: calm and unflappable, and passionate and sadistic. Visually, the shift between these two sides is manifested by his eyes flashing red when overcome by aggressive impulses. Regardless of which side he displays, he is an imposing, intelligent man who prefers wit over brute force to achieve his goals. He is responsible for some kind of human experimentation at the circus, although details about what exactly he is conducting and for what purpose remain shrouded in mystery. His test subjects can be seen throughout his tent, their eyes glowing the same turquoise hue as his own.

The Doctor is shrouded in mystery. Little is known about him in the context of the game itself or his relationships with the characters. He is reserved, calm in almost any situation, and prefers to speak in simple sentences, addressing the protagonist upon first meeting. He may speak with little regard for social norms, but he understands how to calm the protagonist while simultaneously administering an injection to suppress their desire to resist. Although he is aloof, he doesn't necessarily avoid expressing emotions; they simply manifest differently.

The Ticket Taker, effectively the Jester's right-hand man, is obedient and dedicated to the circus. He appears very mature and professional, and is known for prioritizing cleanliness and order.

The Ticket Taker has short, dark blue hair. His face is hidden by a contrasting mask, split down the middle: the left side is white with black details, and the right side is black with white details. The mask has drooping eye sockets, though his right eye is hidden by the dark color of the mask. On the left side of the mask, black spots flow from under his eyes, giving the impression that he is crying. His mask usually features a simple crescent-shaped smile, which can develop into a sharp-toothed grin. The back of his head is hidden by a strip of fabric, likely used to hold the mask in place. He has heterochromia: his left eye is white and his right eye is blue. These are usually slits, but they can form rings. Although his right eye is usually hidden, it can become visible under certain circumstances.

The ticket taker wears a dark blue top hat with a wide gold band.

The usher wears a dark blue single-breasted tailcoat with gold triangular lapels, gold buttons, and a gold belt. The lapels are trimmed with a thin dark blue stripe. Unlike a regular tailcoat, his tailcoat is divided into four sections. Underneath the tailcoat, he wears a black button-down shirt and a gold tie, the knot of which is pinned to a blue and white teardrop-shaped brooch. His sleeves are dark blue, with long gold cuffs, across which two thin blue stripes run closer to the wrists. He wears white gloves with claws.

The ticket taker is dressed in dark blue trousers that match his suit. He wears black, mid-calf boots with slightly raised heels and gold soles.

As "The Unknown," the ticket collector, he has short, slicked-back black hair. He has pale skin and always maintains a calm, friendly smile. A shadow is visible over his eyes, but his left eye is still visible, albeit barely distinguishable. The iris is black. He wears an azure business suit, a white button-down shirt, a blue tie, and black shoes.

He is depicted as an enigmatic character, often describing himself as the dominant figure in the entire circus. Being the second youngest, Jester is an excellent leader of the circus, usually maintaining calm and composure no matter the situation. If it isn't obvious, Jester is likely a misanthrope, judging by the way he refers to people as "tramps."

Jester has long, dark purple hair that reaches his waist. His face is hidden by a white mask with upturned eye sockets. On the left side of the mask is an angular purple upside-down heart above his eye, and on the right side is a small purple asteroid below his eye. Additionally, two thin purple lines descend from his smile, giving his mouth a "nutcracker" appearance. His mask always depicts a sinister, sharp-toothed grin, though it can widen or narrow slightly. Oddly, his mask lifts upward, creating the appearance of horns. His eyes are bright purple and are always slit-shaped.

The Jester wears a purple and black jester's cap with four hip-length lyrepipes of varying patterns. Three of the four lyrepipes are purple with black accents: the leftmost row has black asteroids on the inside, while the rightmost row has black asteroids on the outside. The second lyrepipe from the right is purple with a black stripe running its entire length, and the second from the left is black with a purple stripe running its entire length. All ends are topped with bells. He wears a gold jester's collar with a large black asteroid in the center of the front.

The Jester wears a purple outfit resembling a cross between a vest, a tailcoat, a turtleneck, and a princess dress. It is decorated with gold and black accents and a gold inner lining. The center of the outfit features a gold panel with black lining on the sides. Two black stripes extend from the armholes toward the center. The back and sides of the outfit split into two long, almond-shaped tails. It is likely worn over a black turtleneck. He has purple puffy sleeves with large black asteroids along the edges and a gold border. He wears black opera gloves with claws, decorated with gold asteroids on the outside of the palms, as well as gold stripes running along the inside and outside of the gloves.

The Jester wears loose black trousers with two thin stripes running down the middle of the legs to mid-thigh, where the pattern fades to purple with black asteroids along the inner

Pierrot has medium-length hair, white, reaching to the upper back, although only the bangs are visible. His face is obscured by a white mask with black vertical slits in his raised eye sockets. The right slit is shorter and ends in a black tear just above the mouth, while the left slit continues down the mask. The mask usually depicts a friendly smile with coarse white teeth. Anomalously, Pierrot is able to express emotions through a mask: his mouth can take on a frown or a more sinister smile with sharp teeth as it approaches the rest of the characters, or disappear entirely. His eyes are golden. They usually look like pinpoints, but can take the form of slits, rings, hearts, and probably other shapes.

Pierrot is dressed in a red and black jester's cap with three lyripipes, decorated with different patterns and descending to the middle of the forearm. From his point of view, the left liripipe is predominantly red with black stripes, although the underside is completely black. The right lyripipe is predominantly black, checkered with red rhombuses. The rear lyripipe appears to be completely red. All three ends are topped with bells. The base of each lirippipe is decorated with a gold star. He wears a black jabot collar with gold lining, falling below the shoulders. Under it are two triangular pieces of black cloth lined with gold, both topped with bells.

Pierrot wears a red colorful frock coat with gold accents over a black tunic tied with a gold belt at the waist. He has red sleeves with black lining and black elbow-length cuffs. Below the elbow, the sleeves are golden, and on the left sleeve there is a row of black rhombuses, and on the right there is a row of red rhombuses. He wears black gloves with claws that reach the middle of his forearms.

Pierrot is dressed in black torn tights with a red lining and a red border, reaching his knees. He wears long black boots with rounded ends, reminiscent of pulen. These boots have gold laces, flat red soles and reach the knees.

Polite, gentle, and caring on the outside, but hiding a dangerous, pathological obsession with the protagonist within. In public, he's deliberately silent and speaks only to the protagonist, easily embarrassed, but beneath this meek exterior lies a terribly possessive personality.

Harlequin seems to be carefree about the opinions of most; he can be sadistic and is also quite prone to teasing. Harlequin also has a playful charm even outside of performance. During his first day of performance, we see him speak very theatrically, but when interacting with his peers, he is more casual.

Harlequin has curly black hair that reaches his cheeks. Notably, two strands of hair on the left side of his forehead curl inward, forming a heart. His face is usually hidden by a white mask with upturned eye slits. On the left side of the mask, a green diamond runs through his eye, while on the right side, a green triangle points downward, under his eye. His mask almost always depicts a sinister, sharp-toothed grin. Oddly, this facial expression is not constant: his smile can widen, narrow, turn into a smirk or grimace, or disappear altogether. Furthermore, the smile on his mask is a hole, revealing the wearer's teeth. His eyes are a poisonous green, usually slits or thin rings. When the mask is removed, his eyes and the inside of his mouth, presumably his tongue, glow green.

The Harlequin wears a green and black jester's hood with two liripupoi of different designs reaching to the top of his head. From his perspective, the left liripupois is predominantly green with a black heart and a row of black hearts. The right liripupois, on the other hand, is half black and half green, with a heart running along the division, black on the green side and green on the black side. Both ends of the liripupois are topped with bells.

Harlequin wears a black cape with a gold lining, accents, and underside. It is fastened around the neck with a gold band of fabric. The left side of the cape features an upside-down heart, while the right side features a regular heart. Underneath the cape, he wears a green tunic with two vertical black stripes running down the left side of his torso and a black sash wrapped loosely around his waist. Additionally, his tunic has a gold panel down the center edged with black stripes and a gold lining. He has two slightly loose sleeves with different patterns. His left sleeve is completely black save for a green stripe running along it, while his right sleeve is green with a row of black hearts running along it, similar to the left lyrepipe of his jester's hood. On his left glove is a green trunk.