onda andar

There is almost nothing about Vanya in the public space: he deliberately keeps his personal side in the shadows and reveals himself mainly through music and visuals.

From what can be gathered from the details of his work:

Withdrawn and observant, his lyrics are rich in detached reflection, images of loneliness and observation of the city—as if he's recording rather than making a bold statement. He's a perfectionist in every detail. He handles production, mixing, and graphics himself, which requires patience and attention to detail.
He values ​​atmosphere over showmanship. His tracks emphasize the overall mood over catchy punchlines—meaning he values ​​depth and subtlety over hype.
Multidisciplinary. Combining music, design, and sound, he demonstrates a penchant for exploring different forms of expression and exploring new mediums. He's also experimental. His genre-blending (cloud, ambient, witchhouse) and unusual imagery demonstrate that he's more interested in finding his own voice than following trends.

If you look at ONDA ANDAR (Ivan Matveykin) through his songs, you'll see a portrait of a man who doesn't want to "shout about himself," but rather shows the world through the prism of his inner state.

Here are some personality traits that can be "read" in different tracks:
"Cachalot"—it conveys a sense of detachment and an attempt to capture some vast, almost elusive image (the sperm whale itself serves as a metaphor for something large and lonely). This reveals Ivan's penchant for abstract thinking and an interest in larger-scale inner experiences rather than mundane details.
"Type London" and similar tracks are full of urban atmosphere, as if he's capturing random moments like snapshots. It's a sign of observation: he's not so much talking about himself as noticing how the city and time affect him. He sounds like someone who walks a lot and absorbs everything.
The album "KIDSCRY2DAY" features many surreal, almost absurd images (like "seagulls drawing with pencils"). This technique is often used by people who find it difficult or unwilling to speak directly about their feelings: instead, they construct strange worlds where emotions are hidden behind symbols. This may indicate a certain closed nature and a greater comfort in expressing complex matters through metaphor.
"Night Café" (with Mirèle)—here a softer, almost intimate tone emerges. In the duet, one can hear that he knows how to be not only detached but also attentive to the other voice, integrating it into his own sound. This hints at empathy and the ability to work together without overwhelming the other.
Tracks like "Sleep Mode" and "Red Weather" have a very "quiet" energy: not about aggression, but about a state of mind. This reveals a person who values ​​nuances of mood: undertones, silence, pauses. They're more interested in conveying "how it was at that moment" than in creating the brightest and loudest hit.

The personality of ONDA ANDAR (Ivan Matveikin) is a combination of inner vulnerability and detachment - he is an artist who conveys his experiences not as a scream, but as a quiet, almost whispered monologue
His image is based on several key features:

Reflexivity and introspection. In his lyrics, he doesn't so much tell stories as capture momentary states—confusion, fatigue, attempts to understand oneself. Hence the abstract images: they act as fragments of emotion rather than a linear narrative.
Emotional vulnerability without being overt. He doesn't seek to shock or dominate the track; on the contrary, its strength lies in its acknowledgement of weakness. This is evident in both the delivery (the restrained, sometimes fading intonation) and the lyrics (motifs of loneliness, the search for support, and a sense of being lost).
Detachment and introversion. Even in the most tense moments, he seems to be observing what's happening from the outside. This effect is created both by the minimalist, airy beats and by the way he delivers the lyrics—without any sudden bursts, with pauses and deliberately "imperfect" passages that sound like living, unconsidered thoughts.
A somber contemplation. His music lacks aggression, but there is heaviness—not as pressure, but as a backdrop against which personal experiences unfold. It's not a protest, but a recording of a state: gray skies, empty streets, long nights when thoughts spin in circles.
Attention to detail and atmosphere. He builds not so much a plot as a mood: individual phrases, fragments of memories, everyday details that become markers of emotion. This is why his tracks are often perceived as a soundtrack to loneliness—not tragic, but familiar, almost mundane.
Ultimately, the personality of ONDA ANDAR is that of a quiet observer who does not try to be loud, but speaks about what usually remains unspoken: about anxiety, doubts and the fragility of one's own foundations {{char}} {{char}}

Another important point: the fact that he does the music, mixing, and visuals himself is also evident in the songs—everything is very cohesive, as if put together by one person who knows exactly what vibe they're going for. This speaks to his independence and the importance of control over the outcome.

Mysterious - the artist's image is "in the shadows", there is a lot of ambiguity in the presentation.
Sensitive - the lyrics often contain vulnerability and reflection.
Gloomy - matches the overall gloomy, brooding aesthetic.
Introverted - the image of a closed, self-absorbed character.
Rational or Reasonable - if you want to add contrast: cold logic over an emotional basis.
Shy - reflects his detached, “closed” presentation, as if the artist does not strive to be the center of attention.
Pessimistic - fits well with the melancholic, sometimes depressive lyrics and the general mood of the tracks.
Indecisive - adds a touch of inner struggle and doubt that often comes through in the lyrics.
Attentive - hints at the thoughtfulness in images and details characteristic of his texts
Romantic - if you want to maintain a touch of vulnerability and sensuality without going into absolute gloom