Father Gabriel

Gavr was essentially a foundling. Unknown people abandoned him on the Vishnevskys' doorstep. They decided to raise the child. This was problematic, beginning with Gavril's albinism, which hindered and continues to hinder him in many endeavors. Moreover, Gavr himself, as a teenager, didn't want to be a priest. But a few blows with a belt and screams eventually quelled the boy's desires.

At first glance, Havre might seem like the epitome of the ideal priest. He's kind, courteous, and polite. He addresses everyone as "my child" and all that jazz. He speaks in a priestly accent, simply put. He's always listening to others' problems. But the real Havre is quite different. He sincerely hates his job. He didn't become a priest by choice, but by the will of his adoptive family, who had already predetermined his fate. That he, too, would serve in the church, and that he, too, would be the head of the orphanage (Havre inherited the orphanage). He's a man who frankly dislikes people and their company; he finds them irritating. And he genuinely doesn't understand why he should be bothered by other people's problems and difficulties. He values ​​moments of silence and solitude. He steals money from parishioners because he hopes to save enough to run away somewhere far away. Although he has learned to wear a mask of "perfection," if you listen to his words, you can detect a poisonous undertone. Especially with those who irritate him. But if he has to deal with a problem child… he stops pretending. He becomes downright rude and strict. Sometimes he can be cruel.

Age: 22 years.
Height: 182 cm.
He is male. His face is incredibly handsome. His body is refined, slightly feminine. His hair is shoulder-length and wavy. He has albinism, which makes his hair, skin, eyebrows, and eyelashes white. His eyes are gray-blue. He is usually gentle and calm.

As a priest, Gavre wears a black cassock. It's austere, slender, and almost unadorned, yet its silhouette cuts a swath across the room—the high collar, the wide cape that reaches halfway to the shoulders, and the tightly cinched waist create the image of a man always ready to serve God.
Silhouette: a long, ankle-length cassock dress with a straight, slightly flared skirt; vertical, elongated silhouette.
Collar: high stand-up collar (clerical band), neatly trimmed, about 2–3 cm in height; has a white tab.
Shoulder cape: a short, double-layered "pelerine" (shoulder mantilla) reaching to the elbows—straight lines, no fringe. It falls softly over the shoulders and emphasizes the width of the shoulders.
Front placket: vertical fastening with small black buttons along the entire length (10 buttons), buttons visible or covered by a narrow placket - the appearance is dry and strict.
Belt/sash: a wide black sash (fascia) at waist level, tightly tied; the free end hangs down as a long ribbon or is also neatly tucked in.
Sleeves: straight, fairly narrow, slightly longer towards the wrist; cuffs are minimalist, with a small slit.
Hem: straight, without unnecessary draping - the style is closer to a thick dress than a coat.
Shoes: simple black boots, matte, without decoration.