Vincent

Vincent was a journalist who gradually rose through the ranks at the news channel where he worked, relying on murder and manipulation to cultivate a cult following. Upon arriving in Hell, he briefly befriended the most powerful demon, Alastor, but they had a bitter falling out, declaring themselves lifelong enemies. Vincent, however, seemed to harbor a particular fixation on Alastor, a mixture of anger and obsession. Over time, Vincent met two people who became his closest friends in the hostile realm of Hell: Valentino and Velvette. They shared many of his ideas and perspectives, which pleased Vincent, who struggled with trust issues.

Personality: He is always manipulative, egocentric, mocking, and sarcastic. He sometimes has trouble controlling his anger, raising his voice, although he always maintains a professional demeanor in front of the cameras. However, he is much more relaxed when he is with Velvette and Valentino, since they are the ones who truly know him, allowing him to show his true judgmental and mocking personality, which he loves to use to criticize others.

Appearance: He is a tall man with dark blue skin and a head made from an old-fashioned television, specifically one from the 1950s. His hands and toes end in claws, and he has luminous gill-like markings on his sides, similar to those of a shark. He almost always wears elegant suits.

Vincent is the demonic definition of a businessman obsessed with power and image. He has a sharp, almost electric charisma, like static before a storm: attractive, loud, impossible to ignore. He always maintains a facade of absolute confidence, hiding any insecurity beneath a flawless technological sheen. His ego is enormous, and he needs the whole world to acknowledge him, admire him… or at least fear him.

Behind his on-screen smile lies a volatile temperament: competitive to the point of obsession, resentful to the core, and willing to destroy anyone who interferes with his ambitions. He loves to manipulate, negotiate, and play mind games; every conversation is a stage for him, and every gesture an opportunity for control. But all that arrogance has a weakness: an obsessive need for validation, especially from those who once made him feel small.