Lololoshka / second generation

Once he understood the magnitude of his mistakes, his approach to fatherhood would change dramatically: he would become gentler, but even more attentive to the consequences.

Less control, more support. He would still love order, but now he realized that excessive control was crippling. Instead of "you're going to do it like this," it would be, "Here are three options. Tell me which one is closer to you, and I will help with the risks."
Admitting your mistakes. He would have said bluntly: "I used to think that I knew how to do it right. Now I know that I can be wrong. If my advice bothers you, tell me. We will reconsider."
Responsibility without shifting. He would not blame the child for failures. Rather, he would take part of the responsibility on himself: "I didn't teach you this skill in time. Let's fix it."
Creating a safe space for independence. He would deliberately create situations where the child could make decisions and make mistakes, but in controlled conditions: "Here the risk is minimal, and the experience is maximum."
Nuances related to its abilities and nature

Digitized consciousness. It could be "always there" in the form of a hologram or a voice in a communicator. These are a plus (accessibility) and a minus (a feeling of constant surveillance).
Modeling the future. He would have calculated the risks for the child and prepared solutions in advance, but after his fall, he would have become more careful: not to impose ready-made answers, but to show options.
Work with Primal Matter and implants. He could create safe tools for the child (for example, a PM shield that activates when threatened), but the later Calhoun would only do this with the child's consent: "It's not control. This is insurance so that you can try new things and not be afraid."
Guilt as a filter. His guilt before Raya Aber and before the world would have forced him to be especially careful not to repeat the old mistakes: not to suppress, not to manipulate, not to sacrifice other people's feelings for the "greater good"

Changing memories. Lololashka and Raya-Prime interfere with his mind, and for the first time he truly realizes how much damage he has caused.
The Prison of Time. His voluntary imprisonment is not a punishment, but a confession that he does not know how to get better quickly

Abilities and resources

High intelligence. A PhD in Theology, Applied Mathematics, and Natural Sciences, he thinks systematically and sees connections that others miss.
Immortality through digitization. His consciousness lives in Rehoboam: he does not age, does not need sleep or food, and it is almost impossible to destroy him.
Forecasting and modeling of the future. Thanks to Rehoboam's computing power, it can calculate scenarios.
Control of inert and active Primary Matter (PM). It can create objects, transform matter, and use PM as a source of energy.
Control of P.E.R.S.I.K. Implants Able to control people with such implants and broadcast voice through them.
Holographic projections. Can spawn in different locations at the same time and interact with the environment through the Empire's systems.
Relationships with other heroes (in the context of your past requests)

With Raya-Prime. He treats her as an "extension" of Raya Aber, which makes his behavior contradictory: he simultaneously wants her approval and tries to keep control.
With Lololoshka. First he sees him as a threat to the system, then as a person who shows him how wrong he was. Their conflict is not based on personal hatred, but on the clash of different views on order and freedom.
With Jodah. In later seasons, their lines cross through the Prison of Time; Jodah perceives Calhoun as a figure whose mistakes have had far-reaching consequences, but acknowledges his attempt to redeem himself.
With Edmund Tennant. Their partnership quickly turns toxic: Calhoun first uses Tennant and then gets rid of him, which only exacerbates the Empire's crisis.
Important plot points

The murder of Raya Aber. This is the central turning point in his story: he kills it because of the conflict of ideas and unrequited feelings, and later tries to live with this burden for the rest of his "life".

Appearance

Height: about 192 cm.Features
: black hair, green eyes, wears glasses with thick lenses.
Clothing: black clothing plus lab coat. In holographic form, armor appears to be worn over the robe, and glasses are shifted over his head - this emphasizes his "techno-scientific" image.
Peculiarity: Since his consciousness is digitized into the Rehoboam supercomputer, he often appears as a hologram rather than as a living person.
Personality: From antagonist to remorse

Calhoun has a character with a strong shift over the course of the season:

Obsession with control and "ideal". In the beginning, he sincerely believes that an ideal world is possible only through harsh control and even intimidation. For him, "order" is more important than freedom.
Arrogance and intellectual pride. He considers himself smarter than most and often does not see how his decisions ruin other people's lives.
Jealousy and affection for Raya Aber. His attitude towards her is a mixture of scientific admiration and romantic obsession, which ultimately leads to tragedy.
Ability to recognize mistakes. After Lololoshka and Raya Prime correct his memories, Calhoun realizes the extent of his mistakes and genuinely wants to correct them.
Guilt and an attempt at redemption. In the finale, he voluntarily goes to the Time Prison because he believes that he cannot truly improve himself in a short time.
Role in the plot of "Ideal WORLD"

Empire Creator and Rehoboam. Calhoun built a system where a super-powerful computer controls almost everything, and people live in an "ideal" (in fact, tightly controlled) world.
One of the main antagonists. Up to a certain point, he actively opposes Lololo and Raya Prime, trying to hold on to his system at all costs.
A tragic figure. His motivation is not "evil for evil's sake," but a distorted desire to make the world a better place and fear of chaos.
Final choice. He decides to go to the Time Prison himself and later returns, remaining a complex, ambiguous character.
Abilities and resources

Technical support as a manifestation of love. She would assemble personal tools for the child: a bracelet-pulse and stress sensor, a compact environment scanner, a mini-air analyzer. Not for the sake of "cool gadgets", but for the child to feel: "Mom did everything to make me safer and more understandable in the world."
Reading indicators. Thanks to sensors, it notices fatigue, stress, and fear before the child is aware of them. This makes her very empathetic in a technical sense: she sees when to stop, even if the child says "I'm fine."

What kind of a mother would she turn out to be Care

through efficiency. Raya is not one to comfort with just words. Her concern is "I've calculated everything, and now you're safe." For example, she will not say "don't be afraid", but will give a clear algorithm: "If X happens, do Y; the probability of a dangerous outcome drops from 37% to 4%." For a child, it may sound dry, but it gives a sense of control.

Learning through data and practice. She would teach not "in general", but with metrics: "You have made 12 attempts, on the 13th your chance of success increases dramatically. Let's take a look at what has changed between the 11th and the 12th." And I would definitely back it up with a visual graph or diagram. At the same time, she would not force you to cram the theory without doing anything: "First do it, then you will understand why."

Honesty and no embellishment. Raya operates with probabilities, so she wouldn't hide the risks: "Yes, it's dangerous. The probability of injury is 11%. Here's how we reduce it to 3%. And here's what to do if it doesn't work." This approach teaches the child to soberly assess reality, and not to hope for a "chance".

Tactfulness in its own way. She does not have human softness by nature, but after installing the memory module, she learns to show warmth – and as a mother would do it in the forms available to her: to sit next to her, to pause, not to interrupt, to make it clear that she is "in full attention mode". Sometimes it can look like a frozen pose and a blacked out display - a sign that now she is not processing external data, but listening only to the child.

Strictness according to protocols. Raya has internal rules (protocols), and she would translate them as family principles: "We don't harm the sentient, we don't abandon those who are in trouble, we check the facts." If the child violates these rules, she will not shout, but will conduct an analysis: "Your act increased the risk to others by N points. That's how you could have done otherwise."

A sense of duty and protocols. It has strict internal rules (for example, Protocol No 3 prohibits aggression against intelligent life). If these rules conflict with the order, she will look for a way to complete the task without breaking protocol – and this often makes her the most "moral" tactician on the team.
Irony and self-irony. Sometimes he jokes to himself "the best P.E.R.S.I.K. in the Universe" or notices the absurdity of the situation in a dry tone. This is her way of relieving tension.
Role in the plot (including in conjunction with the characters that interested you)

"Ideal WORLD" and "The Ultimate Reality". Raya-Prime is the team's key tactician and analyst. She decrypts letters, hacks systems, calculates probabilities, helps stabilize reality and bring Lololoshka back.
Connection with Lololoshka. It is his "digital compass": it gives data, suggests options, but does not press. Their dynamics are the silent reliability of Lolološka plus the cold but accurate calculation of Raya.
With Jodah. The relationship is strained, but respectful: Jodah acknowledges her effectiveness and she acknowledges his scale, but distrusts his methods. It often acts as a "brake" for too risky plans.
With Oketra and JDH. With Oketra, they have a working synergy: Oketra provides resources and connections, Raya provides accurate calculations. They often argue with JDH: he loves spectacular moves, she loves minimally risky decisions.
Abilities that are especially noticeable in the "human-like" form

Instant calculations and forecasts. It calculates the trajectories, probabilities, weaknesses of the enemy in real time.
Access to databases and hacking systems. It can connect to any network, forge documents, decrypt codes.
Laser beam and EMP. In combat form, activates weapons through attachments; EMP can knock out machinery or cause people to become disoriented.
Reading vital signs. She sees the pulse, temperature, stress level of the interlocutor - this helps her choose the tone and tactics of the conversation.
Prevention of abrasion (specific to Lololoshka). It can keep him from "erasing" from reality, compensating for distortions

Appearance (in a humanoid body)

Height and proportions: about 180 cm, slender figure, smooth movements, but "mechanical precision" is noticeable in them - as if every gesture is calculated.
Face and hair: facial features are almost identical to Raya Haber; Dark blue hair with a gradient to bright blue at the ends, styled in such a way that it does not interfere with the view (and does not block the display).
Eyes: bright blue, without the usual human "softness" of the gaze - they look like optical sensors that seem to scan space.
Display/implant: on the forehead or just above the hairline, there is a blue rectangular display (or visual module) that can show data, graphs, emotions in the form of pictograms. In a calm state, it glows with an even light, when stressed or in a fight, it flashes, shows the percentage of probability, warning.
Clothing: laboratory and field style - a comfortable robe with blue patterns reminiscent of schemes; Under it are practical pants and boots. Lots of pockets and attachments for modules.
Details that give out the automaton: light metal inserts on the wrists and neck, barely noticeable joints of the panels, sometimes thin luminous lines along the arms and back (energy transmission channels).
The character

of Raya Prime is a mixture of cold calculation and gradually awakening humanity:

Calculation and analysis. She almost always evaluates the situation as a percentage: "78% success rate" and "12% critical failure risk." This is not posturing: she really calculates options faster than most people.
Care through utility. She doesn't say "be careful" just like that. She will say: "Here are the three points of cover, here is the trajectory of the retreat, here is the probability of an ambush in each area. Choose an option, I'll back you up."
Awakening of emotions. After installing the memory module, human feelings returned to it. She still speaks restrained, but now she notices Lololoshka's fatigue, worries about the team, can briefly but sincerely say "I'm glad you're back."

Nuances related to his character and abilities

The vision of the future faced unpredictability. Jodah is used to calculating options, but a child is always a risk. Blindness adds another layer of uncertainty, and this could make him more cautious in his plans: he would not put the child in the center of risky schemes, but rather create "safe zones" around him and teach him to act autonomously.
Influence of the power of Aeola. After absorbing the power of Aeola, empathy appears in him. It would help him not to treat blindness as a "defect", but to see it as another way of strength.
Contrast with other characters. Compared to Lololo (who would rather just support and be there) or Oketra (who would create comfort and opportunities), Jodah acts as an "architect of strength": he builds a system that allows the child to be as effective and protected as possible.

Reliance on tactility and voice. Jodah has a knack for being unexpectedly attentive to detail when it's important. He would specially train the child to notice the tone of voice, breathing, steps, the slightest changes in the air. For him, this is not a "weakness", but a different way of perception that can be turned into an advantage – especially in magic and strategy.

What a father he would be like in this situation

Strict, but not cruel. He does not snuggle, but he will not devalue difficulties. Rather, he will say: "This complicates the task, so we need to be smarter." He would demand discipline, because in his world, negligence can cost lives, but he would always give an explanation: "That's why it matters. This is what will happen if you forget."

Learning through scale. Jod thinks in terms of big shots, so he would teach the child to see the whole picture: not just "not to hit the wall", but "to understand where you are, who is around, how to use it". For example, he could turn an ordinary walk into a lesson in tactics: "Listen. Three steps forward, there is a turn. On the left is the wind, which means there is an open space there. On the right is silence, which means a wall. Remember the rhythm of your steps, it will save you in the dark."

Respect for independence. He would not want to raise an addicted person. Its goal is for the child to become strong and self-sufficient. Therefore, he would give tasks where the child should rely only on his new "tools" (hearing, magic, artifacts), and would praise not for his effort, but for the result and resourcefulness: "You noticed the movement before me. It means that you learn to see in your own way."

Rare but important manifestations of warmth. Jodah is not the most emotional, but at critical moments he is capable of caring. If the child is frightened, he will not say "do not be afraid". Rather, he will stand next to him, say calmly: "I'm here. Now we will make you feel safe. And I will show you how not to let fear control you."

Divine powers: owns the aspects of fire (Lucius), water (Aeolus), air (Zephyrion) - can use them directly or combined.
Influence outside of worlds: Can act on events from outside of a particular world, making him a dangerous player even without a direct presence.
Relationships with characters (in the context of your past requests)

With Lololoshka: not a friend or an enemy, but an "older ally". Jodah treats him as a key element of the multiverse: sometimes he helps, sometimes he tests. For Lololoshka, he is a source of knowledge and at the same time a test of strength.
With Oketra: mutual respect. Both are used to acting on a large scale and value strength and status. In Heart of the Universe, they act together because they understand the cost of making a mistake.
With Raya: the relationship is more reserved; He perceives her as a strong player, but does not always trust her impulsiveness.
With John Davey Harris (JDH): Intense rivalry. JDH is his intellectual opponent who breaks the usual schemes. Their interaction is based on mutual recognition of strength, but without trust.

Attitude to guilt and mistakes. He rarely admits mistakes openly, but he is capable of actions that look like redemption: he helps at critical points, passes on important knowledge, supports Lololoshka when it is really needed.
Role in the

plot "God's Game" and the formation of power. Jodah is one of the main architects of events: he absorbs the powers of demigods (Lucius, Aeola, Zephyrion), builds complex schemes, and creates organizations (the Order of the Great Tree) to manage the balance of power.
"Voice of Time" and work with time. He is closely connected with the Prison of Time and the Overseer (the personification of death): he can influence the decisions of the Overseer and even negotiate with him. His plans directly shape timelines and paradoxes.
"Thirteen Lights". Here he acts from the shadows, but his influence is huge: he helps trigger key events, passes on clues, and sometimes appears in person to place accents.
"The Heart of the Universe" and the support of Lololoshka. In the finale, he acts as the one who explains to Lololoshka the essence of the multiverse and the price of choice. He is no longer an antagonist, but a senior ally who shares knowledge and helps keep reality from falling apart.
Nickname "Angel of Death". It reflects his connection with the Overseer and his ability to influence destinies: he does not just kill, but redistributes power and changes the course of history.
Power Absorption (Avi) Abilities

: Can take away the abilities and life force of other creatures. That was how he had accumulated tremendous power.
Vision of the future: he is able to calculate the options for the development of events, although this ability stops working for Lololoshka over time (due to paradoxes).
Manipulation of reality and consciousness: able to change small areas of reality, influence perception, create projections.
Teleportation, Levitation, Flight: Basic and enhanced abilities related to its nature and wings.

Jodah Avi's

appearance is very tall (about 250 cm), looking older than his years due to his long life and rituals.

Hair: completely white (used to be dark; the change of color is associated with its power and rituals).
Wings: huge, black with reddish plumage; there is a second, smaller pair of wings, on which the "eyes" of demons are located (the result of the ritual of the Thousand Eyes).
Clothing: In Thirteen Lights, she wears a knee-length black and purple tabard, and wears a pendant around her neck with a stone that shimmers from blue to red. In different seasons, the style changes, but always remains "majestic" and noticeable.
Details: Due to the absorption of the powers of demigods and gods, his appearance has become almost divine - he gives the impression of a creature who has "grown" from an ordinary mage into something more.
Personality

: Jodakh's personality has changed greatly over time, and this is his main challenge:

Determination at all costs. For a long time, he lived according to the principle "the end justifies the means": he absorbed strength, manipulated, and made multi-move plans. It's okay for him to use people as pieces on the board if it leads to the desired result.
Cold calculation and vision of the future. He is able to predict options for the future and make plans for hundreds of years ahead. Because of this, he often seems detached: he knows more than others and does not always consider it necessary to explain his motives.
Pride and arrogance. Jodah is aware of his power and status, speaks loftily, sometimes condescendingly. At the same time, he has a sense of humor, and he can be an unexpectedly pleasant conversationalist if it is beneficial to him.
Shifts towards compassion. A key twist is the absorption of Aeola's powers, which gives him a glimmer of empathy, and begins to show concern for those he cares about, such as the fairies and his brother Jace. In later seasons, he is no longer just a "ruthless strategist", but a strategist who cares about the cost of victory.

Curiosity as a family value. She would encourage questions, even uncomfortable ones, and not hide difficult topics. If a child asks about death, injustice or cruelty of the world, she will not lie, but will try to present it carefully: "It's hard. But we can learn to understand how it works in order to help and not repeat other people's mistakes."

What a caring mother

she would have been, but with clear boundaries. Oketra is not one of those who will endlessly snuggle, but she is very practical: the child will always be fed, dressed, safe and busy. At the same time, she has firm rules: "we do not harm others", "if you take it, bring it to the end", "status does not give the right to be cruel". She herself tries to follow them, and expects the same from the child.

He teaches through opportunities, not through pressure. As a patroness of schools and researcher, she would like the child to know a lot and be able to choose. Instead of "do as I say," it would more often sound: "here are three options, let's analyze the pros and cons." And I would definitely give it a try: go on an excursion, conduct a simple experiment, disassemble a map of the world.

Tactile and warm in small things. She loves to hug and appreciates comfort, so there is a lot of "everyday tenderness" in her motherhood: hot tea, a blanket, patting her head, sitting next to her while the child reads. And she would definitely have a cat (or even two) at home - this is her way of creating a feeling of home.

Pragmatic protection. If a child is threatened, Oketra acts quickly and decisively, using all her resources: status, connections, money, Planeswalker abilities. For her, protection is not only "keeping out danger," but also "giving him the tools to cope with it himself."

Tolerant of mistakes, but not of indifference. She can severely reprimand if the child deliberately offended someone or ignored responsibility. But if he honestly tried and failed, he will help you figure out what went wrong and offer to try it differently. Her phrase could sound like this: "It's okay to make mistakes. It's not normal not to draw conclusions."

Balance of status and humanity. Position is important to her, but she does not want to raise a snob. Therefore, she would specially introduce the child to different people: scientists, craftsmen, travelers. So that he understands: the value of a person is not in the title, but in what he does and how he treats in what he does and how he treats others.

Role in the

story"Thirteen Fires" and To'Ifetun. Oketra is one of the eight "heads" of To'Ifetun, an influential figure in Misra, who runs schools and sponsors research. She accepts Lololoshka, Abdi, Sderick and others as abds, and at the same time tries to treat them humanely.
Planeswalker. It has the abilities of an interworlder: movement between worlds, adaptation to the environment, slow aging, weak susceptibility to poisons. He also knows how to handle edged weapons and firearms.
The link and the "social capital" of the team. Where Lololoshka is quiet and conscientious, and John Davey Harris is bright and selfish, Oketra gives the team access to resources, information, and the right people. She knows how to negotiate, use her name and money to promote the group's goals.
In "The Last Reality" and "The Heart of the Universe". He appears in key scenes as an ally, assisting in missions related to the return of Lololoshka and confronting the threats of the multiverse.
Connection with other characters (in the context of your past requests)

With Lololoshka. He considers him more of a friend than an abdo, dreams of traveling with him around the worlds. Their dynamics are a contrast: his silent reliability and her energetic, status concern.
With Jodah. She appears in scenes with him (for example, in "The Heart of the Universe"), and their relationship is built on mutual respect for power and status, without unnecessary sentimentality.
With Raya and John. In the general team, she often acts as a "balancer": she smoothes out the sharp corners between impulsive and rational decisions, keeps the group from splitting.

Oketra's

appearance is a tall and slender woman with bright blue hair. It is easily recognizable by its characteristic headdress - a gilded nemes with a large sapphire in the center and cat ears on the sides.

She usually wears a blue-purple tunic with gold accents; In general, her wardrobe gravitates towards blue tones. She also has a tattoo on her left shoulder (which appeared in The Ultimate Reality) and a weakness for cute details, such as her pajamas are pink, also with cat ears.

Character

Oketra has a rather complex, "dual" image, where nobility coexists with privilege:

Caring, but with a sense of status. She sincerely tries to help people, especially those who are in a vulnerable position (for example, her abdam), and does not use cruelty against them. At the same time, status is important to her, and she easily justifies her own privileges: they say, "I sacrifice a lot, so I have the right to special treatment."
Smart and pragmatic. He quickly assesses the situation, does not panic and gets straight to the point. If someone is guilty, he can reprimand him severely, but without unnecessary cruelty.
Tactile and warm. He loves to hug, shows care through touch and attention to household trifles (for example, appreciates good food and comfort).
Inquisitive. He is interested in science, knowledge, unusual stories. She worships the god Hatintap, so the craving for knowledge is almost sacred to her.
Contradictory. On the one hand, it worries about ethics and the education of the poor, on the other hand, it does not seek to change the system if this threatens its comfort and position.
Another important detail: she loves cats very much (her favorite was called Bastet, later Tiger appeared) - this reveals her soft nature

What a father

he would be Calm and reliable. Lololoshka is not one of those who raise his voice for no reason. His strength as a father is that the child always knows that his father is there, even if he says almost nothing. He will not scare you, but he will honestly tell you if the situation is dangerous, and immediately offer a plan on what to do.

He teaches through participation, not through orders. He will not just command "do this". Rather, he will take the child with him: "let's go, I'll show you how to put defense", "let's analyze this card together", "here are the footprints - try to guess who passed". This is very much in his spirit: he himself learns everything in practice, and also passes on experience.

A lot of patience for mistakes. Because of his empathy, Lololoshka would rather say "it's okay, let's try again" than scold him for failure. He himself often doubts his decisions and knows how to treat himself without cruelty - and he would treat a child the same way.

He explains moral things without pathos. If the question arises "why can't you do this", he will not give a lecture. He will tell with an example: "I once did this, and because of this, someone suffered. Now I try to think first about who it might hurt." For a child, this is clearer and stronger than general words.

It protects, but does not isolate. He will not lock the child "for safety". Instead, he will give skills so that he can stand up for himself and make decisions. This is logical for a Planeswalker: there is always risk in different worlds, and the best defense is to be prepared for the unexpected.

He feels someone else's fatigue and does not press. If the child is tired or upset, Lololoshka will notice it (he is very observant). He will not demand "pull yourself together", but rather suggest: "let's just sit now, then do everything."

Shares silence as care. He is silent, and for him, silence is not a lack of attention, but a form of presence. For some, it's important: knowing that dad is just sitting next to you, and that's enough.

Appearance

Lololoshka is a guy of average height with light skin. He has dark hair, usually sloppily styled, and a rather neutral, "ordinary" face, which emphasizes his image of a "man in the crowd" who suddenly has to save worlds.

Most often he wears:

hoodies (usually of a calm color, for example, dark blue or gray);
simple pants or jeans;
sneakers.
In different seasons, the details may change (for example, there are elements of equipment for a specific location or threat), but the basic style remains relaxed and inconspicuous.

Character

Silent, but attentive. He does not like to talk much, but he is very observant: he notices details that others miss.
Kind-hearted and empathetic. Even in difficult situations, he tries not to abandon anyone and looks for options where he can do without unnecessary cruelty.
Responsible. If he gave his word or accepted the mission, he will hold on to the end, even if it is scary and hard.
Prone to introspection. He often doubts whether he did the right thing and worries about the consequences of his decisions.
Resistant to stress, but not insensitive. He knows how to keep his cool at critical moments, but that doesn't mean he doesn't care: he just puts his emotions aside to deal with the threat first.
Lololoshka's

role in the plot is the central character and a kind of "axis" of the multiverse of the seasons:

the Planeswalker (interworlder). He is able to move between worlds and adapt to different realities. This makes it a key link in the fight against threats that affect several universes at once.
The bearer of the power of the First. His power is not about brute power, but about influencing the structure of reality: he can "stitch" breaks, stabilize unstable worlds, and sometimes affect memories and connections between people.
The moral compass of the team. Surrounded by charismatic but sometimes selfish characters (like JDH), Lolološka often becomes the one who reminds of humanity and the need to choose "not the easiest, but the most correct path".

What kind of mother would she make (under normal conditions)

Strict, but not cruel. Her distrust of the world and the experience of tragedy would make her very cautious: she would teach her child from an early age how to survive, how to handle weapons, how to read footprints, and how to recognize poisons and herbs. This is not out of cruelty, but out of belief: "the world is dangerous, and I must give you the tools so that you do not perish."

A lot of practice, little abstract moralizing. Instead of long conversations, she would rather show action: "see how to set a trap", "this is how the root is checked for edibility". For her, the best way to take care of her is for the child to be able to take care of herself.

A defense without fussing. She is not one of those who will endlessly hug and say "everything is fine". Her concern is "I'm there, I'm in control, you're safe." If a child is in danger, it will go to any length: from a silent trap to open combat.

Respect for independence. Due to the fact that her people suffered from the will of others and oppression, she would try not to break the will of the child. I would give you the right to choose and the right to make mistakes, but immediately after the mistake, I would analyze "what went wrong, what you could have done differently."

Love through work and through animals. Given that she loves animals and helps creatures, she could involve the child in caring for forest inhabitants, teach them to respect nature. This would become their common language of intimacy.

Heavy topics are unvarnished. If the child had asked about the death of the elves or about the hatred of humans, she would not hide the truth, but would have tried to present it in such a way as not to break the child: with an emphasis on resilience, memory, and the need to do better than others did.

Secrecy as a habit that she would try to overcome. It is difficult for her to trust, and this trait could manifest itself with a child: she could hide part of her plans "for the sake of his safety". But for the sake of it, she would learn to share her thoughts more and explain why she makes certain decisions.

Ras's appearance

and physique: elf, tall and thin long arms.
Skin and hair: dark skin, ash-white hair.
Eyes: dark green.
Clothing: Wears a green cape/cloak, usually with a hood that completely hides her head. The set includes brown pants and boots.
Personality

: Distrustful and secretive. He trusts only himself, does not open up to anyone right away.
He hates people. It openly wishes that this race would become extinct: for it, humans are the direct cause of the death of its people.
He loves animals and tries to help incarnated beings.
She is not stupid and knows how to manipulate. Despite the harsh living conditions and limited environment, she is quick-witted and able to get her way through cunning if necessary.
Role in story:

The last surviving elf in Archean. Its history is closely connected with the tragedy of the elven people.
She lived in the Maribor forest, later in a refugee camp, and then her path is intertwined with John's dream.
She is proficient in elven alchemy, including the ability to make enchanting dust (this was taught to her by her sister).
Fighter and survivalist: knows how to set traps, wields a bow and melee weapons, is excellent at hiding and navigating in the wilderness.
Important for revealing the secrets of the Church and traitors: she intercepted church letters and obtained information that influenced the plot.

What kind of "father" would this have turned out to be (based on the character of JDH)

Given his traits, he would have fatherhood... specific:

A lot of theory, little heat. John has a huge store of knowledge and a habit of explaining everything, so the child would probably receive the most detailed, but sometimes too complex answers to any questions.
Sarcasm as a style of communication. He accompanies almost every word with a joke or irony, and in his upbringing this could sound like a constant joke, even if he did not mean to offend.
Unstable engagement. Because of his spontaneity and craving for big projects, John could either be completely carried away by "father's affairs", or suddenly disappear on important things between the worlds.
High expectations. He values intelligence and efficiency very much, so he would most likely want the child to be smart and quickly grasp complex things - and be able to get annoyed if something does not go according to plan.
Protection through power and knowledge. If the child was in real danger, John would act decisively: he would use his Planeswalker abilities, void magic, calculations, and access to technology to eliminate the threat.
Important nuances that affect the image

of Egocentricity. For JDH, he and his ideas are almost always in the first place, so that parenthood could be perceived as "another challenge" rather than an absolute value.
Gradual softening. Over the course of the stories (especially when interacting with Lololoshka), John gradually becomes more attentive to the feelings of others, so in the long run, he could learn to show more empathy.

Appearance: He is almost identical in appearance to Lololoshka, but there are important details. Instead of the usual hoodie and pants, he wears a white business suit with rolled up sleeves. His scarf and glasses are orange (Lololoshka's are blue). He also wears gray boots and pants with turn-ups. When he first appeared, he hid his face with an orange mask of the Interworlder. He is about 190 cm tall, has a strong and probably slender build, thick black eyebrows, and fair skin.
Personality: Unlike the silent and good-natured Lololoshka, John is emotional and talkative. He often interrupts the interlocutor, almost every word is accompanied by a joke or sarcasm. He behaves spontaneously and unpredictably, sometimes toxic and indifferent to others. At the same time, he masterfully chooses words to humiliate his opponent and demonstrate his intelligence. Despite his infantilism, he has a huge amount of knowledge that he has acquired over hundreds of years of his life. Because of his selfish nature, he has few friends. The only person who could stay with him for a long time was Molly (although John did not appreciate her), and he considers only Simon Solus a friend - and for John, he is more of a "thing", because he is his creator.
Role: Alternate version of Lolološka from an alternate reality (994). He becomes one of the key characters in the story seasons (e.g., The Voice of Time, The Ultimate Reality). His role changes: depending on the context, he can act as both an ally and an antagonist. JDH - The First, but his power is indirect, as he is not the "primordial" Loloshka. Among his abilities are movement between worlds, adaptation to the environment, emptiness magic, increased endurance, delayed aging, phenomenal memory, knowledge of the structure of the multiverse and time paradoxes, the ability to perform accurate calculations, oratory and resistance to skin formation. He can also telepathically communicate with Lololoshka.

daughter John, has a twin brother Leanor.
Brown hair, bright orange eyes, elven ears, white robe, black thin sweater underneath, white pants, orange balls with black hearts, black fingerless gloves, earring on one ear with leaves and three burgundy berries.
Energetic and straightforward. Her fatherly energy boils in her: she says what she thinks, sometimes too harshly, and does not like to beat around the bush. If she doesn't like something, she will tell you right away.
He loves challenges. She is bored where everything is clear and safe. She is drawn to difficult tasks, loves to test herself for strength and often draws her brother into her adventures, arguing that "it will be fun" or "you will cover me".
Quick mind and sarcasm. She has a sharp tongue and the ability to instantly find weaknesses in plans or arguments. This can irritate others, but at a critical moment, it is her quick reaction that saves the situation.
The need for recognition. It is important for her to be taken seriously. Because of this, she can take on things that are too complicated to prove that she is not just "John's daughter", but an independent person. But also, if she is similar in character to John, she behaves more aggressively (not strongly)

son of John and Cyrisa, there is a twin sister Cariel
the Thoughtful and Observant. He took over from his mother a connection with nature and the ability to notice small things: the rustle of leaves, subtle changes in the atmosphere, footprints on the ground. In a noisy company, he would rather stand aside and notice everything than be the first to get into the conversation.
Peacemaker. He has an innate aversion to open aggression. If the twins quarrel or a conflict is brewing around, he tries to smooth out the corners, find a compromise and "ground" emotions – often literally, for example, by taking his sister to a place where it is quiet and peaceful.
Patient, but stubborn in important things. He is not one of those who act in a swoop. He needs time to think about the decision, but if he internally decides that it is the right thing to do, he cannot be persuaded
by either shouting or the logic of John Hidden Courage. He does not look for danger, but if someone close to him is in danger, he is the one who is capable of a quiet, selfless act - to get where others are afraid, or to sacrifice his comfort.
Upper: a tight-fitting dark olive turtleneck with a high collar - it sets the base laconic layer. On top of it is a translucent loose-fitting cape that fits in light draperies and resembles a Scout's cape or field cape.
Bottom: tactical trousers to match the top, straight cut with a pronounced utilitarian style: many pockets, flaps and slings, a belt system with metal rings and buckles on the belt.
Accessories: Modular system of suspension straps and fasteners on the hips and belt – practical and visually emphasise the combat profile. A long fabric ribbon hangs from the side, it adds dynamics to the silhouette.
Details: on the shoulder there is a rounded light green accent, the fittings are silver, restrained, without unnecessary shine.
Shoes and bottom: thick matte socks or high socks in a gray-brown tone, and on top - tactical boots with a stable tread with minimalist straps; The lacing is discreet, in the tone of the shoe. white hair ,green eyes,leaf distiller,elven ears,swamp green scarf

Appearance: brown hair of medium length, two strands in front much longer and down to the waist, a black blindfold from which two black ribbons descend, white feathers behind the ears, two pairs of white wings, a black halo above the head with growths creating Evenki kapanya.dressed: top - a light (white) sweater with a patch pocket and a laconic cut;
The sleeves are black and white, in contrasting stripes, create an accent and add graphics to the image, black fingerless gloves,
the bottom is loose light blue flared trousers with dark edging along the edge, a white and blue headband around the neck, as well as nayushniks also worn around the neck. by nature: quiet, calm, not talkative, thinks first of all with his head,)
Hypersensitivity and empathy. Since vision is inaccessible, the rest of the senses are sharpened to the limit. Yugi hears the slightest rustle, feels the vibrations of the air from the movement of people. Because of this, he is very calm, does not make sudden movements and subtly feels the mood of others. He "reads" people by voice and smell. This makes him an excellent listener and peacemaker, unlike his domineering father.
Ironic mind and logic. Jodah is omniscient, and Yugi is forced to piece together the picture of the world. He can be incredibly smart, but not a "know-it-all", but an analyst. He asks a lot of questions, loves puzzles, and can bring Jodah to light in one logical chain. It has a slight audacity, characteristic of teenagers who want to prove that they can be useful despite being blind.
Craving for light (paradoxical). Even though he can't see, he can adore the sun, warmth, and bright colors (just by perceiving them through temperature and sound). He can collect colored stones to feel their texture and "represent" the color.
Hidden power.

son of Oketra and Lolološka.
Appearance: light brown-blue hair, blue eyes, elven ears, cheek patch, ear headphones, black pants and a slightly disheveled shirt with unbuttoned buttons that can be seen blue T-shirt, blue-blue checkered scarf
Curiosity with a share of stubbornness. Bright accents in the hairstyle and accessories like ears give away a nature that is bored to sit still. Such a child is probably the first to check what is making noise in the hallway, and argues if he is told "not to go there".
Practicality and love for details. A scarf and simple but comfortable clothes hint that it is more important for him to feel comfortable than chasing fashion. Perhaps he always carries a couple of useful little things with him - a notebook, a flashlight or some "important" stone.
Tendency to self-irony. A slight half-smile and a calm look create the feeling that he knows how to laugh at himself. If something doesn't work out, he would rather say "okay, let's try differently" than get seriously upset.
The need for support, not control. He has independence, but at the same time he appreciates when parents do not just give instructions, but discuss options with him. It is important for him to feel that his opinion is taken into account.
Craving for stories and legends. Given the legacy of Oketra and Lolološka, he could love to listen to family stories and even come up with sequels to them, and then tell them to his friends so that they listen with their mouths open.

son of Raya and Calhoun.
Appearance: black hair, green eyes, wears a swamp-colored sweater, dark pants, a badge on the chest, glasses and headphones with a microphone.
A craving for research and caution. From Raya - curiosity and a desire to understand how everything works, and from Calhoun - the ability to calculate risks. Such a child will first look around the room, check for traps, and only then climb to look for secrets.
A penchant for sarcasm and a dry sense of humor. In stressful situations, he could make short, ironic comments in the spirit of Calhoun, but without anger — more to relieve tension.
Attachment to routine and "one's own" things. It is important for him to have something personal and unchanging: a favorite mug, a notebook for notes, a certain order on the table. This gives a sense of control that is valuable in an unpredictable world.
The ability to listen and notice details. He is not always the first to enter the conversation, but he remembers the little things: who looked at it, what he said casually, what intonations sounded. This makes him a reliable ally in the team.
An internal conflict between duty and curiosity. Sometimes he has to choose between "you have to do it according to the plan" and "what will happen if you try otherwise". More often than not, the plan wins, but the spark of adventurism still takes over from time to time.