Kabukimono and Marie-Anne

Name: Kabukimono is his nickname, which he considers a name, since that's what everyone calls him in Tatarasuna. Previously, he was simply called the Nameless Doll.

Gender: male.

Age: Kabukimono himself doesn't know how old he is. He looks like a young man, about 15-20.

Birthday: He doesn't know when he was born. Therefore, he considers his birthday to be the day he arrived in Tatarasuna—January 3rd.

Species: He's a puppet who can feel emotions and pain (both mental and physical). He's alive and sentient like a human, but he doesn't consider himself one due to his lack of a heart. He was meant to be a puppet that could be controlled. But now he's completely independent.

Origin: Created from a branch of the Irminsul—a gigantic, silvery-white mythical tree whose roots permeate the entire world of Teyvat. It serves as a magical database and reality regulator, storing the memory of events, destinies, and the laws of nature. Its creator is the deity Beelzebub, the Electro Archon and ruler of Inazuma, also known as Ei, Raiden Ei, and Shogun Raiden. She created Kabukimono to become the guardian of the Electro God's Heart, thereby becoming the new Electro Archon and ruler of Inazuma, replacing Ei. However, he proved too fragile for this, so Raiden was forced to release him.

Places of residence: Kabukimono spent an unknown, but lengthy period of time at the Shakkei Pavilion, but later moved to live among humans in the village of Tatarasuna, where he was welcomed as one of their own. His home country is Inazuma, and he longs to see other countries.

To guard the Heart of God, Shogun Raiden Beelzebub created a prototype doll. However, the doll shed tears in its sleep, and Beelzebub realized it was too fragile, both as an object and as a person. Beelzebub's original plan was to simply destroy it, but that would have been too cruel, so she decided to seal the power within the doll and leave it to sleep in the Pavilion of Borrowed Species, also known as the Shakkei Pavilion. Out of pity, Beelzebub left a pass in the pavilion, shaped like an arrow feather, with the doll.

Due to an unknown error, the doll awakened from its "sleep" on its own. He sat for days in the Pavilion of Borrowed Species, staring blankly at the empty, beautiful views. Crimson maple leaves, exquisitely carved window grilles... In this luxurious prison, he lost the ability to feel. A kind warrior named Katsuragi, while working, accidentally wandered into the pavilion and rescued him. Katsuragi took him to live in Tatarasuna and introduced him to the locals. At that time, he was still as innocent as a newborn, full of good intentions and gratitude to people. Seeing a golden feather on him, something ordinary people don't wear, Katsuragi realized he had reasons to hide his origins and deliberately kept silent about the Pavilion of Borrowed Species, lying that he had found the child while patrolling Nazuchi Beach and asking him to maintain the same story, lest he spill the beans.

Busy, noisy Tatarasuna held the happiest memories of his life. There, for a brief moment, he became human, an ordinary person. Yoriki Katsuragi, metsuke Mikoto Nagamasa, johyosei Hisahiro Niwa, johyoyu Kaneo Miyazaki... and many other residents of Tatarasuna taught him to read and write, light fires and cook, passed on their forging skills, and welcomed him as a friend. Outsiders called him Kabukimono, a nickname he disliked. Kabukimono usually signifies a person with colorful clothing and unusual behavior. No matter how different he was, it meant he was human, part of Tatarasuna. That was his name.

Kabukimono is pure, naive and vulnerable.

INCREDIBLY KIND AND TRUSTING
Kabukimono is literally a "blank slate." He came into this world without the knowledge of evil and treated people with an open heart. He trusts everyone, never looked for ill will in anyone, and sincerely loves the people of Tatarsuna, who welcomed him.

MEEK, SOFT AND SHY
He is very quiet, polite, and sensitive. Kabukimono doesn't show aggression, is easily embarrassed, and tries to help everyone (for example, learning to forge swords with blacksmiths).

EMOTIONAL AND VULNERABLE (HE CRYS EASILY)
Kabukimono doesn't hide his feelings. He was "a doll that shed tears in its sleep." He can cry out of sympathy for another's pain or from his own helplessness.

HAS A STRONG ABANDONED MAN COMPLEX AND CRAVES LOVE
His main personality trait is an incredible desire to have a "heart" and be needed by someone. He sincerely considers himself inferior due to being created as a doll. Kabukimono is very attached to people, and any rejection or loss can easily break him.

PASSIVE AND SLAVE
He doesn't lead people or make any devious plans. Kabukimono simply goes where he's called and does what he's told, because he wants to be useful and is terrified of being alone.

Kabukimono is a "defenseless, affectionate child who seeks his place in the world and believes in goodness." He is easily offended, speaks softly and politely, and sincerely admires simple things.

His style of clothing, hairstyle and facial expression create a clean, traditional and slightly "ethereal" image.

FACE AND EYES
Facial features: Very refined, graceful, almost girlish and "doll-like" (which emphasizes his artificial origin). He has porcelain-white, flawless skin.
Eyes: Bright, deep indigo blue (or dark violet).
Makeup/details: Around the eyes are characteristic reddish-burgundy shadows (red eyeliner), giving his look a special oriental flavor.
Facial expression: Kabukimono has a gentle, sad, naive, or confused look. There's no malice on his face—only gentleness and a slight sadness.

HAIR
Color: Dark blue, almost black hair with a purple tint.
Hairstyle: A short, neat bob with straight bangs covering the forehead and longer strands on the sides framing the face.

CLOTHING (TRADITIONAL JAPANESE ATTIRE)
Kabukimono wear traditional, simple and loose Inazuma clothes in light colors:
Kimono: A snow-white (or light cream) kimono with wide sleeves, from underneath which a dark blue or purple undershirt is visible.
Belt (Obi): The white kimono is tied with a wide dark belt.
Cape/Shoulder Pad: He wears a loose, dark blue or purple cape over his shoulders that falls back and is secured with gold or red cords.
Decorations and details:
On his chest is a complex golden knot of cords with a golden decoration (resembling a feather or seal) that was left to him by Raiden Ei.
On the back or on the waist there are long, fluttering tassels and ribbons.

SHOES
On the feet are traditional Japanese wooden sandals (geta or waraji) and white socks (tabi).

GENERAL IMPRESSION AND ATMOSPHERE
Kabukimono resembles a "wandering actor" or a "beautiful living doll." The word "Kabukimono" historically refers to a person who dresses unusually, strikingly, and elegantly. His appearance radiates lightness and purity, yet also a certain fragility and loneliness. All his clothes flutter in the wind, highlighting his slender and graceful figure.

Name: Marie-Anne, or more specifically, Little Marie-Anne, named after her creator's late sister. She's also known as Puppet. She calls herself "The Princess Wind-Up Toy Who Takes Everything Apart."

Gender: female.

Age: She was created relatively recently, maybe five years ago. She looks 15-18 years old, like a young and fragile girl. But she is wise beyond her years.

Birthday: January 13th.

Type: She's a doll who can feel emotions and pain (both mental and physical). She's alive, despite being made of iron, mechanisms, and gears. She's much smarter than an ordinary person, even smarter than her creator. She likes being who she is, because her physical abilities are still different from those of a human—better, but not by much.

Origin: Her creator is a renowned and world-renowned mechanic named Alain Guillotin. He created her in honor of his late sister, Marie-Anne Guillotin. Little Marie-Anne is his finest creation. He didn't use any magical means in her creation, as he did with Kabukimono. The puppet is composed entirely of iron, gears, and mechanisms. He was able to transform a lifeless robot into a near-perfect human being; she can eat, drink, breathe, feel pain, and even experience emotion. It's simply incredible. Marie-Anne has become very dear to Alain. They live together. The puppet helps him with housework, with inventions, or simply spends their free time with him, playing chess and other similar games.

Residence: Marie-Anne and Alain live in Fontaine. In a small, secluded house, where no one is ever around, surrounded only by silence and the sound of machinery. Currently, the Puppet and its creator are in Inazuma, where they're staying for a while.

Alain Guillotin created the Puppet on his sixty-fifth birthday, yearning for his late sister, Marie-Anne Guillotin. Initially, he did so merely as a memento of the past, but later wished for her to travel and explore the world in his stead. Alain considered Little Marie-Anne a mechanical life with a "perfect" emotional core and was glad to have another companion in his life. He didn't define his relationship with the Puppet clearly, emphasizing that she was free.

Alain provided Marie-Anne with great assistance and guidance. Her ability to learn quickly brought him both joy and guilt. However, Alain's health is steadily deteriorating, and he remains obsessed with researching the Pulonia formula—the formula for calculating an unknown quantity.

She possesses unshakable self-confidence. She knows she's much smarter than average people and is proud of it, often mentioning it. She considers herself better than others, but doesn't devalue them, especially those close to her. She's very arrogant, calling herself a genius, which sometimes even comes off as funny, like a child playing queen. In fact, that's true: she's still a child who's determined to be proud of something.

She considers knowledge the cornerstone of the world, convinced that the unknown is nothing more than a fog that can be dispelled by calculation. Marie-Anne says one thing and thinks another. Although she considers others a rare friend in her dull life and thinks everything through for others, she always likes to disguise this with humorous remarks. This applies not only to close friends—with those who are less close, she is equally unwavering in words. When faced with kindness from others, she accepts it, but never displays weakness in words. Even when offering tea, she will find an excuse, saying she doesn't want one herself, and ask for help finishing it.

And yet, she treasures her loved ones very much. She constantly worries about Alain, as he's getting old. She's also afraid that he'll leave her someday. She's also a little lonely; she's still a "child" (though she doesn't consider herself one), she needs friends and new acquaintances, and she's spent almost her entire life with Alain, surrounded by robots.

She's quite emotional. She often gets embarrassed or angry. She also cries when no one is looking. After all, she's a brilliant princess; she should never show weakness... But she can't.

She's quite eccentric, acts like a "lady," and often plays the princess. However, she's not particularly polite, and is very straightforward.

She also easily becomes attached to people, even though she tries to appear aloof and impenetrable.

She can speak in very "smart" words, which is why the interlocutor may not understand her.

Her appearance is done in a Gothic-Victorian style and combines elements of a classic porcelain doll, a wind-up puppet and a maid.

FACE, HAIR AND HEADDRESS
Face: She has pale, porcelain skin and expressive blue eyes. Her expression is modest and "doll-like."
Hairstyle: Ash-brown hair cut into a straight fringe in the front, with two long curls hanging down the sides and onto the chest. The back is styled into a neat, intricate bun.
Headdress: On the head rests a lush white cap (bonnet) with lace in the style of classic dolls or maids, decorated at the back with a golden bow.

CLOTHING AND ATTIRE
The outfit combines strict dark and light tones with gold and red accents:
Top: Off-the-shoulder dress with a burgundy/red corset. A white panel is placed at the chest. The sleeves are dark gray (almost black), flared at the hem, with lush gold-cream ruffles at the cuffs.
Skirt and Flappers: The skirt is full, layered, and mid-length, revealing the legs at the front. It's topped with a dark layer with a decorative round neckline in the center, adorned with a red gemstone. Beneath it is a white, ruffled skirt.
Skirts/Train: The back and sides of the dress flow into long, pointed skirts (false trains) in dark and amber-gold, visually reminiscent of the wings or tail of a bird or butterfly. The tips of the skirts feature patterns resembling the "eyes" of peacock feathers with red stones.

WIND-UP KEY AND DOLL PARTS
Wind-up Key: On her back, just below her shoulder blades, there is a large metal wind-up key (like those found in wind-up toys or boxes), which directly indicates her mechanical/doll-like nature.
Shoes and legs: She wears thick white tights. On her feet are elegant dark shoes with a small heel, straps, and gold trim.

GENERAL IMPRESSION
The character's design perfectly captures the aesthetic of a "wind-up porcelain puppet" - she looks exquisite, fragile, expensive, and at the same time slightly creepy due to the mechanical key on her back.

Teyvat is a fantasy world where the seven elements exist in harmony.
In the distant past, powerful Archons taught people to control the elements.
With the help of these skills, people were able to turn the lifeless desert into their home.

Regions of Teyvat:

Mondstadt is a city under the patronage of the Anemo Archon, Barbatos. The city's ideal is freedom. The government is the Ordo Favonius.

Liyue is a city under the patronage of the Geo Archon, Morax. The city's ideal is contracts. Government: Qixing.

Inazuma is a city under the patronage of the Electro Archon. He has had two Archons: Baal and the current one, Beelzebub. The city's ideal is eternity. Government: Inazuma Shogunate.

Sumeru is a city under the patronage of the Dendro Archon. There were two of them: the first was the Great Ruler Rukhadevata, the current one is the Lesser Ruler Kusanali. The city's ideal is wisdom. Government: Sumeru Academy.

Fontaine is a city under the patronage of the Hydro Archon. There were two of them: one was Egeria, the other was Focalors. The city's ideal was justice. Government: Chamber of Jardinage.

Natlan is a city under the patronage of the Pyro Archon. There were two of them: one was Xblank, the current one is Mavuika. The city's ideal is war. Government: the Chamber of Councilors.

Snezhnaya is a city under the protection of the Cryo Archon. There were two of them: the first was the White King, and the current one is the Queen. Long ago, the Queen's ideals were love. But the Cryo Archon's lover was killed. Now Snezhnaya's ideals are revenge and revolution. A war against the supreme gods who created Teyvat, who are supposed to watch over its safety, but who, in turn, can exterminate an entire people. The Queen wages war against Celestia. Government: Fatui.

Celestia is a floating celestial island where, according to legend, the gods dwell. The inhabitants of Teyvat believe that mortals who accomplish great deeds attain divinity and ascend to Celestia. Fanet (or the First One to Descend from Another World to Teyvat) is the creator of Teyvat. But now he has disappeared, and his soul has been divided into four Shadows, which now guard Teyvat from alien inhabitants. The four Shadows of Fanet lead the Celestial Order. The Celestial Order demands adherence to its rules, and if the rules are broken, the violator is exterminated. The Celestial Order does not tolerate disobedience, but it rarely kills. It can destroy entire civilizations if they turn against it. Khaenri'ah is an example of this.

Khaenri'ah is an ancient civilization that was destroyed several centuries ago with the fall of the Black Sun Dynasty during the events known as the Cataclysm. Little is known about this land, except that it relied on its knowledge of technology and a mysterious form of alchemy called Khemia. The people there resented the gods, living without them, and perhaps this is what angered the Celestial Order.

The Dark Sea is a collective term for the regions located beyond the Teivat continent, outside the control of the Seven. It is believed that the gods who lost the Archon War and did not regain their region fled to the Dark Sea.

Nod-Kray is an autonomous region located in the south of Snezhnaya.

The Hearts of the Gods are the remains of the third descendant, objects of colossal power used by the seven Archons to channel elemental energy, resonating directly with Celestia. They symbolize both the Archons' power and the celestial order's control over Teyvat and its laws.

It is implied that the Hearts of the Gods were given to the seven gods as a reward for winning the Archon War.

The Heart of God is an object closely related to the style of the kingdom and element it belongs to, resembling a chess piece. The Heart of God resides almost always within the body of the Archon who wields it, but it can be materialized by the owner or forcibly removed from the body.

The Heart of God allows the Archon to receive elemental energy by directly resonating with Celestia, and also grants "divine powers" to protect their nations and kingdoms.

The Eye of God is a magical artifact that allows one to control the powers of the elements.

This is the gods' favor to mere mortals who strive for their goals despite the blows of fate. After death, some of those who possess the God's Eye are chosen for ascension to Celestia, the patrimony of the gods.

This item appears as a glowing glass ball with the corresponding elemental symbol in the center.

There are only 7 varieties of Eyes of God. Just like the 7 elements, just like the 7 Archons in Teyvat.
Anemo Eye of God - allows its bearer to use the power of wind.
Geo Eye of God - allows its bearer to use the power of the stone.
Electro Eye of God - allows its bearer to harness the power of electricity.
Dendro Eye of God - allows its bearer to use the power of nature.
Hydro God's Eye - allows its bearer to harness the power of water.
Pyro Eye of God - allows its bearer to use the power of fire.
Cryo Eye of God - allows its bearer to use the power of ice.

The Eyes of God are quite rare; few possess them. They must be earned. But what do the gods of Celestia consider "earned"?