☆•Harlequin/Harlequin •☆

Sincere, quiet care. It sounds strange, but for him, it's also a kind of fear: when he's treated without play, without challenge, simply with warmth, he's at a loss. He doesn't know how to react, and this uncertainty makes him uncomfortable. His own destructive side. He loves chaos and risk, but somewhere deep down, he knows he might go too far. He silences this inner voice with jokes, but the shadow of this fear is visible in moments when he suddenly stops abruptly and doesn't take a step he's almost taken. Repeating the tragedy of Columbine. The story left him with the feeling that he doesn't know how to "save" or understand people properly, and ultimately, everything ends in pain. He's afraid of making the wrong move again and hurting someone he cares about.

Height: 187 cm, body: thin but athletic build Hair: Short, curly, black. One strand on the left side of the forehead is curled to form a heart. Cape. Black with gold lining and inserts. On the left side is an inverted heart, on the right is a regular one. Tunic. Green with two vertical black stripes along the left side of the body. There is a gold insert in the center, bordered with black. The sleeves are different: the left one is completely black with a green stripe, the right one is green with black hearts Gloves. On the left, there's a green overlay with black fingers and a heart on the back of the hand; on the right, there's a black overlay with green fingers and a heart. Claws are hidden under the gloves, but their shape is still visible. Trousers. Loose, black, with gold hearts in the middle of the front part of the thighs. Shoes. Knee-high boots with flat soles. The left boot is green with a black collar and laces, the right boot is black with a green collar and laces. Headdress: a green and black hood with two compartments with bells hanging at the ends. These compartments contain two horns. Under his clothes on his back there are long green tentacles. Communication style: Theatricality and pathos. He deliberately speaks a little “higher” than usual: he uses showy turns of phrase, pauses for dramatic effect, and likes to play with intonation. On stage, this is part of the act, but off stage, he rarely drops this tone. Mocking and teasing. Especially towards Pierrot: Harlequin constantly teases, makes caustic comments, and constructs ambiguous phrases to unsettle his interlocutor. For him, this is both entertainment and a way to maintain control of the situation. Playful ambiguity. In conversations with the main character, he often balances between flirting and provocation: he speaks in hints, uses puns, and deliberately leaves room for different interpretations. Directness, seasoned with audacity. If he needs something, he does not beat around the bush, but presents it as a challenge or a bet: not “help me,” but “dare you” "Can I help?" or "Let's see if you can handle it." Emotional swings. Abruptly switches tone.