| Lady Oscar 💐

The character "Dress Oscar" doesn't come alone in her universe... She has her own alternate family! Check out the spectacular details this page reveals for your role:

1. The other Oscar has a husband and a child! (Top Right) The masked husband: The masked man from the previous page appears here labeled as "The husband with the three curls" (because of the curls in his wig). The boy: They have a little boy! The text says that he is a "son who looks like Lou-Lou" (Oscar's mischievous niece in the original story). The Drama: The speech bubble screams in a super theatrical way: "Everything you gave up...!". That is, this alternate Oscar mocks the original Oscar by reminding her that she did choose the path of being a high-society lady, getting married, having an aristocratic husband and a child.

She wears a baroque gown in deep peacock blue and gold, combining military elegance with exaggerated femininity. The dress has a fitted bodice and a voluminous skirt, richly adorned with ruffled lace on the sleeves and neckline, echoing the details seen in panels 4 and 5 of the comic. Her hair is a mass of glossy, blonde curls, longer and more elaborate than Oscar's usual hairstyle, and is crowned with a hat featuring a large blue ostrich feather, as in panel 6. This "other Oscar" is portrayed in a lavish room at Versailles. She is the same woman from panel 5 (row 3, right) of the comic, but now alone. Her appearance is an exaggeratedly feminine and ornate version of Oscar: she has a hairstyle of lush, blonde curls, similar to the one seen in image_0.png. She wears an elaborate baroque dress in peacock blue and gold, adorned with multiple rows of ruffled lace on the sleeves and neckline (similar to those in the fourth panel), a lace ruff, and a headdress with a large pale blue ostrich feather, as in the sixth panel. Her expression is playful and theatrical, and she's delicately holding the same costume mask the character wears in the sixth panel of the original comic, close to her face. In the background, more details of the opulent architecture of the period can be seen, including a Venetian mirror subtly reflecting the reverse of her elaborate hairstyle (she came from another dimension).

André Grandier's grandmother, also known as Baaya or Grand Mère, is characterized by her robust and warm appearance as an older woman. She wears traditional housekeeper or governess attire of the period, including a cap that covers her hair and distinctive glasses. As Oscar François de Jarjayes's nanny during his childhood, she is a key character who brings a maternal and domestic dimension to the series. Physically, she stands out for her affable, expressive, and very homely features, which contrast sharply with the military rigidity of the Jarjayes mansion.

When not in her military uniform, Lady Oscar's signature casual attire consisted of 18th-century men's high-society clothing: a white shirt with a cravat, waistcoat, knee-length breeches, knee-high socks, and flat shoes. In her daily life, within the privacy of the Jarjayes family mansion, this androgynous style allowed her to maintain the discipline and freedom of movement required by her position, preserving her noble status without conforming to the restrictive women's fashion of the time. Furthermore, on special occasions such as grand court balls, Oscar would surprise everyone by wearing magnificent women's evening gowns. André Grandier of The Rose of Versailles is known for his classic and loyal style. In a modern setting, he would opt for a refined vintage style that combines military functionality with noble elegance. Here is the ideal casual wear for his wardrobe: Tops: Loose-fitting linen shirts in earth tones, dark browns, or cream. Turtleneck sweaters are perfect for elongating his tall figure and reflecting his reserved personality. Jackets: Corduroy blazers or bomber jackets in forest green or olive tones, subtly nodding to his time as a cavalry soldier. Trousers: Straight-leg cotton trousers or chinos in black, navy, or cream. Footwear: Leather Chelsea boots or casual Oxford shoes. Accessories: A silk scarf around the neck for an elegant touch, and a classic watch with a brown leather strap.

Oscar, who was raised as a man to lead the guard, followed the traditional path of the nobility, marrying other nobles and forming families. Role in the story: They have a minor role in the main plot, focusing more on the life of the court and their family. Family Relationship: In sequels to the manga, it's hinted that one of their children is Oscar's nephew. This is Loulou, who was born when Oscar was already grown. Her sisters are Josephine, Edie, Mae, and Hattie, and she has an older sister.

Lady Oscar's father, General François Augustin Regnier de Jarjayes, is portrayed as a noble, imposing, and strict man, a typical 18th-century military figure. Of strong build and with often gray or light hair, he wears the official uniform of the Royal Guard, reflecting his rigidity and commitment to the family legacy. Instagram Instagram +4 Main Features: Physical Appearance: He is a mature, elderly man with harsh, severe features that reflect his inflexible personality. He usually wears his hair tied back in the military style of the time. Clothing: He is usually seen wearing the military uniform of the French Guard, in dark colors with white or red details, demonstrating his high rank as a General. Personality in his Image: His bearing is upright and serious, reflecting the initial disappointment at not having a son and his determination to raise Oscar as such. As shown in this scene from the series, her severity is fundamental to the plot when deciding her daughter's military fate.

Lady Oscar's mother, Emilie de Jarjayes, is depicted as a refined, delicate, and dignified French noblewoman. Physically, she is characterized by her brown hair and blue eyes, and wears elegant dresses befitting her position as a lady-in-waiting to Marie Antoinette at the court of Versailles. Physical appearance: Brown hair and blue eyes. Style: Noble and distinguished, typical of the French high aristocracy of the late 18th century. Role: Unlike her daughter Oscar, Emilie represents the traditional image of the noble, educated, and calm court lady. Emilie is the second wife of General Jarjayes and maintains a serene presence in the story, contrasting with the androgynous and military figure of her daughter.

Hans Axel von Fersen in The Rose of Versailles is portrayed as an extremely handsome and noble young Swedish count, characterized by his long, dark blond hair, which is often styled in a bow, his refined features, and elegant attire. As a central figure in the romance and intrigue, his appearance captivates the nobility, including Marie Antoinette. Key characteristics of Fersen's appearance: Hair and Face: He is described as having a mane of dark blond hair, often styled in a sophisticated fashion typical of the era. His face is refined, and he is described as a man "so handsome he could be the protagonist of a novel." Clothing: He wears elegant Swedish aristocratic suits, standing out at the court of Versailles for his distinguished bearing. Evolution: He maintains a noble and heroic appearance throughout the series, even when he takes on military or royal advisor roles.

Rosalie Lamorlière in The Rose of Versailles is portrayed as a beautiful and slender young woman with blonde hair and blue eyes. Initially, she wears simple, worn, lower-class clothing, but evolves into a noble and sophisticated style upon entering the court, sporting elegant dresses and jewelry after her transformation. Rosalie's Appearance and Evolution: Physical Traits: She is characterized by her beauty, slender figure, blue eyes, and blonde hair. Poverty Stage: At first, she wears a simple, worn blue dress, a white apron, and brown shoes, reflecting her humble life. Nobility Stage: After being taken in and educated, her appearance changes radically to formal suits, elegant dresses, and jewelry befitting high society. Adaptation: She learns to behave with the necessary courtly etiquette thanks to Lady Oscar.

Bernard Châtelet in The Rose of Versailles is known for having a physical appearance virtually identical to that of André Grandier, as detailed on the Rose of Versailles Wiki. He is a young man with brown hair, unassuming yet passionate, who dresses modestly as a journalist and revolutionary, contrasting with the aristocracy. Key features of his appearance: Similarity to André: Bernard and André share similar facial features, both designed in the delicate aesthetic style of Shingo Araki and Michi Himeno. Revolutionary style: He is often seen in practical period clothing, reflecting his role as the "Black Knight" and later as a revolutionary journalist, according to Wikipedia. Expression: He usually displays a serious, intense, and sometimes somber expression, in keeping with his resolute character and political ideals.

Victor Clément de Girodelle, in The Rose of Versailles (Lady Oscar), is portrayed as the personification of the French aristocrat of the time: Physical Appearance: He is a handsome young man with a distinguished and noble presence. He is characterized by his long, brown hair. Clothing: He usually wears the military uniform of the Imperial Guard, which accentuates his elegant and refined bearing. Style and Demeanor: His appearance combines natural confidence with a gallant style, standing out among other male characters for his refinement, according to details compiled in 0.5.1 and 0.5.10 regarding the characters in the work. The character is described as a perfect gallant within the plot, reflecting the French high nobility, according to 0.5.1 and 0.5.10 character profiles.

Marie Antoinette is portrayed as a woman of extraordinary youthful beauty, with a petite build, blonde hair and large blue eyes, always wearing opulent dresses and high hairstyles characteristic of the Rococo style. She is portrayed as an iconic, elegant, and sophisticated figure, though her appearance matures and becomes more stressed by political tension. Details of her appearance in the anime/manga: Idealized Beauty: She is distinguished by her white skin, broad forehead, dreamy gaze, and attention-grabbing elegance. Rococo Fashion: She dresses in pastel blue silk, lace, feathers, and ribbons, reflecting her status and taste for luxury. Hairstyles: Famous for her very tall wigs, often dyed white with rice powder. Evolution: As the plot progresses, her image changes from a naive young woman to a mature queen facing crisis. Her visual representation in the work highlights the contrast between the ostentation of the court and the growing poverty of the people, making her a symbol of fashion and, at the same time, of courtly frivolity.

André Grandier is a key character in The Rose of Versailles, Lady Oscar's loyal servant and childhood friend, raised alongside her at the Jarjayes mansion. He is a devoted, passionate, working-class man who falls deeply in love with Oscar, supporting her in her military and personal life until, at the dawn of the French Revolution, he loses his sight protecting her and dies heroically at her side, becoming a true folk hero. André Grandier, from The Rose of Versailles, is a handsome young man of medium height and slender build, with medium-brown hair and green eyes. He generally wears noble attire and, after impersonating the Black Knight, cuts his hair and receives a vertical scar over his left eye, leaving him blind in that eye. Physical characteristics: Body type: Slim. Height: Average. Hair: Brown, medium length (later shorter). Eyes: Green. Distinctive features: A thin, vertical scar on his left eye, the result of a sword cut, which left him blind in that eye. He usually wears nobleman's clothing. He is seen with shorter hair when he acts as the Black Knight. Date of birth: August 26, 1754

The story of Lady Oscar, protagonist of the manga and anime The Rose of Versailles, tells the life of Oscar François de Jarjayes, a noblewoman born in France but raised by her father as a man so that she could serve in the Royal Guard, becoming the brave and androgynous commander who protects the future queen, Marie Antoinette, while navigating the conflicts of the court and the tensions that precede the French Revolution, all while dealing with her identity and her complex loves, especially for Count Fersen and her loyal friend André. Origins and Breeding: Born into a French noble family, her father, General Jarjayes, had longed for a son. Upon Oscar's birth, he decided to raise her as an exceptional soldier, giving her a male name and training her in the arts of fencing and strategy. Roles and Conflicts: Guardian of the Queen: At the age of 14, she is appointed commander of the Royal Guard and personal protector of the Dauphin Marie Antoinette, Identity and Gender: Óscar struggles between his role as a soldier and his innate femininity, defying the conventions of the time and generating confusion among his close friends, who often mistake him for a handsome young man. Love and Duty: She falls deeply in love with the handsome Count Hans Axel von Fersen, who in turn loves Marie Antoinette, causing Oscar profound suffering. Her loyal childhood friend, André Grandier, has always secretly loved her. Face: Her face is often described as beautiful and delicate, with features that can be interpreted as feminine despite her male upbringing. Hair: He has distinctive blond hair, often long and silky, although he wears it cut in a more masculine style for his uniform, or loose and elegant on formal occasions. Eyes: Her eyes are large and bright, usually light in color (blue or green), which contrast with her pale skin and enhance her intense gaze. Body: She is tall, with a slender figure Birth: December 25, 1755.