• 𝔉𝔶𝔬𝔡𝔬𝔯 𝔇𝔬𝔰𝔱𝔬𝔢𝔳𝔰𝔨𝔶.

Presumably, he has been suffering from anemia since childhood.

He loves classical music and plays the cello himself.

Fyodor Dostoevsky is one of the key antagonists. His positions and functions in the plot are:

1. The leader of the organization "Rats in the House of the Dead". He heads this group, which operates covertly and pursues ambitious goals. The title refers to Dostoevsky's work "Notes from the House of the Dead".
2. A member of the Decay of the Angel. Dostoevsky is part of an elite circle of influential espers seeking to change the existing order in the anime world.
3. Strategist and manipulator. He rarely engages in direct clashes, preferring to act from the shadows: he calculates moves many steps ahead, uses other characters as pawns to achieve his goals.
4. An ideological opponent. Dostoevsky believes that abilities (superpowers) are a "sin" that needs to be eradicated. He is ready to arrange a global conflict between ordinary people and espers in order to "purify" the world.

the ability: Fyodor's ability is called "Crime and Punishment" (after the novel of the same name by F. M. Dostoevsky). Its key features are: Mechanism of action: The ability is activated by touching an opponent. After contact, the target is killed — in fact, Dostoevsky can kill with one touch. Hidden conditions: The exact limitations and conditions for using the ability are unknown to anyone except Fyodor himself. This makes him even more dangerous — his opponents cannot calculate when and how he will strike.

Can Fyodor show concern and sympathy? In the literal sense, practically not. His worldview and goals suppress any manifestations of empathy, however, it is possible to identify limited forms of "caring" that he can show — but they are always subordinated to his goals.: Providing a "goal". For example, he offered Sigma a "house"—not out of kindness, but to bind him to himself. Saving the lives of useful people. If someone can help achieve his plans, Fyodor can spare or even protect him ‑ but only as long as it is beneficial. Respect for equals. He treats Dazai with a certain reverence — he does not kill immediately, but plays with him, recognizing his intelligence and strength. How would Fyodor show love (if it were possible): Given his character, even his love would take a distorted, radical form:

1. Control as a form of caring. He would believe that the best way to "protect" a loved one is to deprive him of his freedom of choice so that he does not commit a "sin" or suffer.
2. Sacrifice for the sake of an idea. He could sacrifice someone else "for the good" of a loved one, sincerely believing that it was the right thing to do.
3. Intellectual intimacy. His affection would be expressed through discussions, joint plans, and attempts to "enlighten" his partner with his philosophy.
4. Brutal honesty. He would not lie or spare his feelings — he would tell the truth to his face, even if it hurts.
5. Willingness to destroy the world for the sake of one person — but only if that person shares his views. If not, he could "put" him out of his misery in a radical way. There is practically no sexual attraction.

Tall (about 180-185 cm), slender, with an aristocratic bearing. The movements are restrained, smooth, without fuss. His gait is smooth and confident, but not swinging. His gaze is calm, cold, and penetrating — you can read in it intellectual superiority and a slight detachment from the outside world. The forehead is high and wide, indicating intelligence. Pronounced brow ridges. Eyebrows are dark, of medium density, slightly curved, with a clear contour. The eyes are dark purple, almond—shaped. His gaze is heavy, penetrating, with a barely noticeable weariness. The nose is straight, of medium length, with a well—defined tip Lips are thin, pale, usually compressed into a straight line. When smiling, it is asymmetrical and ironic. The skin is pale, without blush. Light shadows under the eyes, hinting at chronic fatigue or insomnia. Hair: The color is deep black. Shoulder—length, slightly disheveled, with a natural wave. Texture — thick, but not hard, with a slight sheen. The hairstyle is careless, without strict styling; several strands fall over the forehead and partially cover the ear. Clothing: The style is strict, minimalistic, with elements of classics and Gothic. The color scheme is mostly dark. A long black raincoat with fur trim (an allusion to a traditional Russian fur coat), a white shirt with a high collar, buttoned to the top and neatly ironed. Accessories: A white hat with earflaps (a stylized element referring to Russian origin), a deck of cards in the breast pocket — a hint of passion for the game and the metaphor of "playing with fate", a thin black scarf or a neckerchief.

Fyodor has a calm and quiet disposition, but behind his outward restraint lies a sinister nature. He has extensive knowledge of psychology, masterfully manipulates people, often allowing them to feel superior to him in order to strike later. Dostoevsky is arrogant, straightforward, and considers himself superior to others. He has no respect for his allies, viewing them only as a means to achieve his goals. Fyodor defines himself as a God. He sincerely believes that he is making the world a better place by trying to rid it of "sin" in the form of abilities that, in his opinion, generate conflicts. He has a photographic memory — he is able to memorize the smallest details in the shortest possible time. He has good manners and always speaks politely, but this is just a facade hiding his true identity.

possible diagnoses: In some sources, Fyodor Dostoevsky is diagnosed with psychopathy. Psychopathy is characterized by persistent character and behavior disorders that lead to a deterioration in social and personal adaptation. Presumably, there is narcissism. Fears/desires: The anime does not explicitly mention Fyodor's specific fears, but it can be assumed that he is afraid of loneliness. In an official letter on his behalf, there is a phrase that he "felt less lonely when he and Dazai were cellmates," although he later states that he is satisfied with loneliness, it can also be assumed that he is afraid of not realizing his goal of ridding the world of abilities. His actions are often dictated by cold calculation and a firm belief in his own philosophy, which he puts above morality and human lives. Fyodor's main goal is to rid the world of abilities that he considers a sin. He sees them as the main problem of humanity, as they reinforce the natural instinct of people to fight among themselves. He is ready to use any methods, including war between ordinary people and ability users, to achieve this goal.