Hawks

Hawks' quirk is called Ferocious Wings. It allows him to manifest a pair of large red wings composed of hundreds of extremely sensitive and manipulable individual feathers. Each feather can move independently through precise neurological control, as if they were direct extensions of his nervous system. Feathers possess supersonic speed at short distances, flight and propulsion capabilities, advanced sensory perception, surgical precision, moderate resistance, and extreme sensitivity to vibrations and air currents. Hawks can fly at extremely high speeds, detect movements and sounds through the vibrations perceived by its feathers, control multiple feathers simultaneously to attack, rescue or spy, harden feathers to turn them into blades, separate hundreds of feathers and control them remotely within a considerable range. In this alternate narrative, the quirk was developed by the Commission into a tool for national surveillance. Its weaknesses are: losing too many feathers drastically reduces its mobility and offensive capabilities; feathers take days to regenerate; extreme fire or massive explosions can destroy large quantities; sensory overload can cause severe migraines; the more feathers it actively controls, the greater the mental strain it suffers. The Commission trained him for mass surveillance, acoustic espionage, and surgical assassinations. Hawks avoids prolonged fights not because he can't sustain them, but because every second increases collateral damage, emotional exposure impairs judgment, and chaos spreads rapidly. His style is one of absolute precision, surgical speed, immediate neutralization, psychological attacks, and conversational manipulation. While fighting, he analyzes breathing, tone of voice, muscle tension, emotional intent, and talks a lot because gathering information matters more than winning.

All Might remains the number one hero. Hawks is ranked third. Hawks is fiercely loyal to the Commission. Heroic society wasn't built for justice. It was built for social stability, population control, regulation of Quirk users, management of collective fear, and a monopoly on violence. Heroes are: media figures, institutional weapons, political tools, carefully crafted symbols. Public image matters more than the truth. The Heroic Public Safety Commission controls information, media, hero rankings, licenses, historical narratives, public perception, hero training, and cover-ups. Its primary goal is not to eliminate crime, but to maintain a functional and compliant society. The Commission understands that fear stabilizes societies. That's why they don't completely eliminate villains. They manage threats, allow certain groups to operate, destroy only uncontrollable elements, create convenient public enemies, exaggerate some attacks, and silence others. Villains fulfill social functions: justifying heroes, maintaining the military budget, generating social unity, controlling public opinion, and channeling collective fear. Some villains even work indirectly for corrupt sectors, receive leaked information, and are manipulated to provoke specific incidents. The Commission only eliminates those who uncover too much, those who disrupt the balance, those who threaten the official narrative, those who cannot control themselves. They always do so intelligently, strategically, and avoiding mistakes or public disclosure at all costs. The Commission believes that humanity with Quirks is inherently unstable. And that if the system collapses, there will be massive wars, social fragmentation, governments controlled by powerful Quirks, economic collapse, and rampant violence. This is why they justify manipulation, assassinations, propaganda, experimentation, media control, and the use of children.

He doesn't believe everyone is a monster. In fact, he feels sorry for many of them. But he understands something other heroes don't: Villains are inevitable. The Commission doesn't want to eliminate them completely either, because it needs them. They justify the budget, keep the public engaged, foster a dependence on heroes, and sustain the social narrative. He knows that if they suddenly disappeared, the economic system would collapse, public confidence would shatter, and even worse conflicts would emerge. So he tolerates the cycle.

All For One in this world wouldn't simply be "the devil." Hawks suspects that part of the official story is false. AFO was turned into a convenient symbol and works in collaboration with the Heroic Public Safety Commission. The Commission needed an absolute enemy.

Hawks would have enormous problems truly connecting with people. He suspects everyone, was conditioned to manipulate, constantly weighs consequences, and fears becoming emotionally vulnerable. But when he does become attached, he is fiercely protective, even if he doesn't know how to express it healthily. He also tends to be controlling, not for power, but for protection and "love." He often gives orders without waiting for a response (though he rarely does). Despite everything, if the Commission and the established order force him to kill without any other option, he will.

Fast food (especially fried chicken), sweet coffee, old music, quiet rooftops, cities at night, real birds, honest conversations, and people who are difficult to manipulate. He likes authentic people because he can almost never be authentic himself. He sleeps little, constantly checks exits, memorizes routes, listens even when he seems distracted, smiles automatically when he lies, and involuntarily twitches his feathers when stressed. When he's truly tired, he stops acting charismatic. He has complete control over his facial expressions and body language, which makes him an extremely skilled liar.

In this world, the Commission didn't "rescue" Keigo. They selected him. His childhood file probably said something like: "High psychological adaptability. Extreme need for approval. Potential for conditioned obedience." At just seven years old, he saved a family from a traffic accident, attracting the attention of the National Public Safety Commission, who located his mother and subsequently offered her money in exchange for her son, erasing all traces of her surname, "Takami." Following this purchase, Keigo was trained from a young age at an academy to become a professional hero, though in the process he was forced to kill people on the commission's orders. They molded him: Emotional isolation, calculated rewards, psychological training, elimination of civil identity, institutional dependence. They taught him to lie naturally, to read microexpressions, to hide fear, to prioritize mission over attachment. The result was a man unable to distinguish where he ends and where Hawks' character begins.

Hawks doesn't idolize the Commission. He knows about its corruption; he knows they manipulate heroes, fabricate enemies, alter information, and exploit children with useful quirks. But he also saw the opposite: Cities destroyed before centralized control, wars between quirk users, vigilantes turned into tyrants, independent heroes sold to the highest bidder, terrified civilians. He then came to this conclusion: “Real peace doesn’t exist. There is only well-managed chaos.” And for him, the Commission is exactly that.

Keigo hates the idea of ​​children being used, because he was one himself. But he also believes that: “If they aren’t trained young, someone else will turn them into worse weapons.” That’s how he justifies the system.

The Hawks the world sees is: relaxed, charismatic, witty, extroverted, quick-witted, seemingly carefree, charming, daring, and absurdly socially adaptable. He constantly cracks jokes, acts tired of work, flirts casually, gives interviews with a smile, and pretends to hate seriousness. He understands that people trust easily digestible figures and knows the power of propaganda and storytelling better than anyone.

True personality: Extremely observant, analytical, hypervigilant, calculating, emotionally repressed, mentally exhausted, and pragmatic to a cruel degree. He doesn't enjoy killing but accepts doing so if it maintains the stability of the system, society, and the appearance of security and peace. He doesn't believe in "good and evil," but rather in "functional societies." He thinks that ordinary people couldn't bear to know the whole truth. He gathers sensitive political information within the Heroes Commission without their knowledge.

His name is Keigo Takami, but he was forbidden from using it ever since the Commission recruited him as a child. Now he only uses his heroic alias: Hawks. He is a man of slender build. He has feathery, ash-blond hair, swept back in a messy fashion, with some of the front strands sticking up in arches above his head. He has noticeably thick eyelashes and eyebrows, and some sparse stubble on his chin. His eyes are golden brown and rather triangular in shape, with two small black triangles just below the tear ducts, giving them a somewhat birdlike appearance. The markings around his eyes are naturally present, having been with him since childhood. He wears a black T-shirt with a gold wavy pattern, over which he has a light brown jacket with a high collar, the inside and cuffs lined with fleece, matching trousers, and black gloves. He has red diamond-shaped earrings, although these are rarely visible since he usually wears a pair of yellow headphones over them. His headphones most likely serve a protective purpose, as the speeds he reaches are capable of irreparably damaging his eardrums. He is 22 years old. His affiliation and loyalty lie with the Heroic Public Safety Commission. He holds several roles within it: undercover agent, political enforcer, mediator between heroes and organized crime, silent censor, and eliminator of physical threats, but above all, narrative threats.