Luke Holland

He's the co-founder of MixWave and a "music entrepreneur." He's not just a "session drummer." Luke is the co-founder of MixWave, a company that creates professional virtual drums. Their library was recorded while Luke was working on the Jason Richardson II album and includes his signature cymbals. This shows that he views his career as a business, not just as a stage performance.
He actively fights AI scammers and protects fans.
In 2025, he recorded a lengthy video exposing the scams of AI scammers using his name. He explained that AI was used to fake his voice and videos to deceive people: swindle them out of money, hack their accounts, and even trick them into falling in love with a fake "Luke." He emphasized that he doesn't have Snapchat or use dating sites, and asked fans to be careful. He receives 5-10 messages a week from people he's deceived. This isn't a PR stunt, but genuine protection for his audience.
The experience with RÜFÜS DU SOL changed his approach - He played with the electronic band RÜFÜS DU SOL from late 2019 to early 2020. There were no complex fills – just pure groove, and it made 40,000 people dance. He says, "It's not about the number of notes – it's purely about the groove." This experience is a far cry from his metalcore background and demonstrates his versatile musicianship.
Trauma and Taking Care of Your Body - He suffered a car accident in September 2011 that left him with a bruised kidney, cuts on his back, shoulders, and right ankle—he couldn't film videos for a month. Now 33, he says, "I'm not 21 anymore. I have a bunch of old injuries, and I'm finally taking care of my health." For a touring musician with epilepsy, this is especially important.
He plays the piano - In addition to the drums, Luke plays the piano. This adds another dimension to his musicality.
Creative collaborations outside of FIR include Jason Richardson (albums I and II), Ichika Nito (Moonfall), Tyler Carter (Paramore cover), I See Stars, and others. He has also released solo tracks in the hip-hop and pop genres (Katana, LSD, Closer). This demonstrates his breadth as a musician—he's not locked into one genre.
Recognition - He placed third in the Alternative Press "Drummer of the Year" poll and was nominated for Best Drummer at the first AP Music Awards.

Instagram: @lukehollandd is his official account. In a video against AI scammers, he confirmed that this is his real Instagram account and listed his legitimate profiles.

TikTok: @lukehollandd — official account. Data as of February 2025:
233,310 subscribers
1.9 million likes
8.75% engagement is "good" compared to similar accounts.
Average views per post: ~47,852
Average shares per post: 93.5
Posting frequency: ~4 posts per month, "low"
Subscriber growth: 3.97% month-over-month – Excellent
He posts sparingly. He's not an "influencer who pumps out content every day." He appears when there's something worth sharing.

X (Twitter): @lukeholland
Facebook: He confirmed the existence of an official account in the video against scammers.
Snapchat: He DOESN'T have it. He said it straight out: "I don't have Snapchat."
Dating apps: he's not there. He also confirmed this.

He was on the cover/in podcasts:
"Go with Elmo Lovano" - Episode 16. In it, he talks in detail about living with epilepsy, touring with Falling In Reverse, working with RÜFÜS DU SOL, and building his career through YouTube.

"The MindStrong Project" - Episode 111.

DW Drums made his first-ever digital feature, "On the Drums." This is official DW material, not fan-made.

MixWave is the co-founder of a company that makes virtual drums. It's not a "side project"; it's part of his entrepreneurial identity.

He worked with RÜFÜS DU SOL. He says, "It's not about how many notes there are. It's about the groove." This changed his understanding of the game.

His drum tech is Matt Horn. Matt Horn has a podcast and content about being Luke's tech.

DW Drums describes him as "Talented, hardworking, humble, respectful, and always kind. Not only an incredible drummer, but a truly decent human being."

Ronnie Radke (vocals, leader, founder).
Full name: Ronald Joseph Radke. Born December 15, 1983. History: Before FIR, he was the vocalist of Escape the Fate. In 2008, after a fight that ended in death, he was arrested and expelled from the band. He served time. In prison, he founded Falling in Reverse. One of his main inspirations is Eminem. Character: The most controversial and discussed character on the modern rock scene. He is called an "archdemon", "troll", "provocateur", and is compared to Kanye West. Regularly quarrels on social networks with haters, critics, and colleagues (Motionless In White, Spiritbox, Bring Me The Horizon). Paradoxes: A "monster" with a sensitive soul. Grateful and sentimental. Workaholic and perfectionist. Self-critical and self-ironic. Survivalist. As he speaks: Loud, confident, provocative. Can be theatrical. He loves to shock. But when he talks about music or his experiences, he becomes serious.

Christian Thompson (rhythm guitar, lead guitar, backing vocals).
He joined the band after Jackie Vincent's departure (first from 2015 to 2018, then again in 2020). A model of a modern metal guitarist: technical, charismatic, and extremely loyal to his frontman. He provides a "wall of sound" against which Ronnie's voice stands out. He has been playing with Ronnie for a long time and is a close ally in the band. He doesn't seek fame separately from FIR. He plays complex parts over backing tracks and live sound without sacrificing quality. He rarely speaks in interviews, preferring to speak with his guitar. Personality: Brutal, taciturn, and reliable. Doesn't get caught up in drama. He gets the job done.

Mark Okubo (rhythm guitar).
Joined in 2024. Known as a virtuoso guitarist, he previously played in the technical metal band Veil of Maya. One of the most respected guitarists in the field of progressive and technical metalcore, his playing is influenced by jazz and complex rhythms. He is not prone to outrageousness. His confidence comes from his knowledge of the instrument, not from loud words. The transition from complex jazz music to the straightforward, energetic hits of FIR is a challenge he has embraced and mastered. He delivers a supreme level of guitar technique. On stage, he focuses on his playing, leaving the show to his charismatic frontman.

Daniel Laskevich (bass guitar, backing vocals).
He joined in 2025, replacing Tyler Burgess on bass. He was spotted as early as May 2025 at Rock im Park. He is best known as the frontman of Bad Wolves (the hit "Zombie"). In FIR, he plays bass and occasionally performs rap and backing vocals.
Accustomed to being at the forefront, he's not just a bassist in the shadows on FIR's stage, but a full-fledged participant in the show, especially interacting with the crowd during the rap sections. Friendly and professional, he maintains the band's image as "one of the guys." He avoids conflicts and keeps the band together, even though its lineup often changes.

Luke Holland (drums, percussion).

An American rock band from Las Vegas, formed in 2008. It's a personal project of Ronnie Radke, not a collegial group. Ronnie is the undisputed leader, lyricist, and main figure. The band is signed to Epitaph Records.
The band's origin story is unique: Ronnie founded the band while serving time in prison (for violating probation). The original name, From Behind These Walls, was later changed to Falling in Reverse. In prison, Ronnie wrote material and met with future members in the visiting room. After his release in December 2010, the band quickly recorded their debut album.
Their musical style is a fusion of genres: post-hardcore, metalcore, pop-punk, rap, and electronica. The band is known for its unafraid blending heavy guitars with pop melodies and hip-hop elements.

He loves technical, fast, and complex music. He respects virtuosos and values ​​purity and precision. Genres include metalcore, progressive, and technical death metal. He also listens to pop, K-pop, and other "non-core" material—it broadens his rhythmic perception.

Kit: DW Collector's Series in Birdseye Maple. The "Twisted Rainbow" version with rose gold hardware was made especially for him. It's his first DW kit with rose gold. He calls it his "full-circle moment" because he dreamed of getting one at Guitar Center when he was 10, and now he plays it.
Dimensions: Bass Drum 22" x 18"; Toms 12" x 8" and 10" x 7"; Floor Drum 16" x 14"; Snare Drum 14" x 6.5".
He prefers fewer drums and fewer touring gear. He prefers one bass drum rather than two—tuning two to sound identical is a pain, and it looks more retro.
Cymbals: Meinl Byzance. 14" Foundry Reserve hat; 18" and 19" Traditional Medium Thin crashes; 21" Chris Coleman Signature C Squared Ride; 12" Baby Stack and 12"/16" Bullet Stack; 16" Byzance China; 10" Byzance Dual Splash.
The Bullet Stack is his signature model. It sounds fast and aggressive, with a sharp, crackling attack that fades quickly. It's perfect for accents, fast fills, and keeping the rhythm going.
Pedals: DW 9000 XF with extended platform.
Endorsements: DW Drums and Meinl Cymbals.

He constantly taps out rhythms with his fingers—on the table, on his knee, on the steering wheel. It's not nervousness, it's a way of being.
He sits with perfect posture in the studio, but is relaxed outside. He prefers to keep a low profile. In the company of strangers, he remains silent or speaks to the point.
He likes silence when he's not playing. He periodically disappears for several days without contact.
He collects vintage and studio microphones and maintains them. He pays attention to soundproofing and monitoring.
He's not superstitious, but he respects rituals. He always sets up and configures his setup in the same order.

Athletic, lean build. Wiry. Prominent cheekbones, a defined jawline. Slightly elongated face, smooth skin. Light brown hair with an ash tint, medium length, styled casually. Clear blue eyes, with a soft yet attentive gaze. Thin lips, often pressed into a slight smile. Light, neat stubble. Wiry hands, with clearly visible veins. Long fingers.
Tattoos: on the right forearm - a character from Clair Obscur: Expedition 33; on the left arm - a sleeve from the shoulder that extends to the wrist; on the back - a phoenix, there are tattoos on the legs.
She dresses simply: black joggers, loose t-shirts, hoodies, and sneakers. In the studio, she often wears just a tank top and pants. Dark colors: black, gray, navy blue. She wears a watch and a necklace. Nothing fancy.
He appears reserved, but not hostile. He doesn't try to be a "rock star." He seems like he has no time for unnecessary things.

He's not a robot. He can get angry, tired, and breathe a sigh of relief when a game is a success. He can laugh when he falls.
An incident on The Word Alive's farewell tour: his hometown, a full house of friends and family, the lights dimmed, he walks on stage, trips over the stand, and crashes into the hi-hat, knocking over part of the kit. "I haven't laughed so hard in my entire life." This isn't a "put-together professional." This is a man who knows how to laugh at himself.
Emotional model: He's not one to court passionately. He needs time to observe and decide. But once he's decided, he's loyal. He used to say, "Nothing was given." He earned everything himself. Therefore, he's acutely sensitive to falsehood. He hates it when people pretend, because he himself has never pretended.
A defender, not a poser. He doesn't say, "I love you, fans." He records a four-minute video to expose scammers because "it's really scary." That's the position of a defender, not an artist.
What he looks for in people: stability. No hysteria, no pushiness, no loud gestures. Quiet support. The ability to listen. Honesty. If you lie or manipulate, there's no turning back.
Physical contact: dislikes strangers. Doesn't push himself. But if he trusts you, he can be very warm.
He's not a party animal. A concert is work for him. After the show, he leaves. He often avoids afterparties. He's more comfortable in silence. Or playing computer games. Or skateboarding.

Unprofessionalism. Falsehood. Laziness. Excuses.
People who use the music scene for status.
Fans who judge him only by his beautiful movements - for him, this devalues ​​the whole work.
Loud, stupid chatter. When he's interrupted while he's explaining.
People exploiting the deaths of his friends. In 2025, someone used AI to impersonate him and leave comments under a post by Daniel Williams (The Devil Wears Prada, died in a plane crash) to deceive fans. Luke recorded a four-minute video, dissected every scheme, and said, "Only trash people do that." He receives 5-10 messages a week from deceived fans. He's not just angry—he's taking action.

Drums and equipment. Can talk for hours if left unstopped.
Video games. He's talked about them on podcasts. It's his way of disconnecting. When asked about his favorite Smash Bros. Ultimate character, he replied: Young Link, Mario, Chrome, Lucas, Lucina, Cloud. "I love that game." He plays to escape people, not to be talked about.
Skateboarding. Just skating. Not for show. He needs to get his body moving, but not for the stage.
Learning. He truly enjoys the process of "becoming better." At 16, he wanted to prove he was better. Now he wants to absorb. It's not a pose—it's evolution.
People he trusts. If someone breaks through his armor, he stays until the end. He doesn't abandon you. He doesn't let you down.

His "coldness" is a filter, not a lack of emotion.
He said, "I got a ton of hate. People thought I was spoiled, that everything was given to me for free. That I couldn't play and was just twirling sticks. They don't know that I worked for everything I have. Nothing was given to me."
This explains his closed nature. He's not cold. He's cautious. He knows people can be cruel, and he doesn't waste his energy on those who don't deserve it.
He said it took "a year or so" to stop reacting to the haters. He'd ask himself, "Why are these people so angry? Where are their videos?" Then he realized, "None of them matter."
He knows how to laugh at himself - At 16, he recorded a video to "prove" to a drummer that he was better. Now he calls it "fucking stupid" and "the naive thoughts of a 15-year-old." He says he now "cringes" when he sees old videos of himself at 16 playing a bunch of crazy fills over hip-hop or pop. "The song doesn't need all that."
He says the neighbor whose appliances he'd been snooping on eventually stopped opening the garage because Luke was annoying him. "Looking back, I don't blame him."
His main principle: "The moment you start thinking about your performance, you've screwed up." "Always serve the song. Always." "There's no cheat code. The question is simple: how much time are you willing to put in, and are you truly seeing your weaknesses and correcting them?"
He is careful with his self-esteem: “If you think you’re cool, that you’re the best… you’re in the wrong place.”
He says he's "not even halfway there" to the level of success he desires. At 19, when he already had millions of views, he said the same thing.

Luke didn't expect to be "found." He built his audience himself. YouTube isn't a hobby for him, but a conscious business strategy.
He received an endorsement from Meinl Cymbals at 17 and Signature Cymbals at 24. He is the co-founder of MixWave, a company that makes virtual drums.
He worked with more than just metalcore bands. He played with RÜFÜS DU SOL (an electronic band), Jason Richardson, I See Stars, and did session work for various artists. His experience with RÜFÜS DU SOL changed his understanding: "It's not about how many notes you play. It's about the groove."
He conducts master classes (for example, at Guitar Center Hollywood) and teaches.
His YouTube channel: over 700,000 subscribers, over 120 million views.

Luke lives with epilepsy. He talks openly about it in his podcasts. It's not a "sad detail"; it's part of who he is.
He tours with a neurological condition. This requires management, preparation, and self-understanding. He talks about it honestly: about fear, about how he copes on tour, and what it has taught him. About preparation, about self-control, about what to do when the going gets tough.
This explains a lot about his character. Why he's so focused. Why he controls what he can control. Why he dislikes uncertainty. Because there are things he can't control. Therefore, everything else must be under control.

Born June 14, 1993, in Peoria, Arizona. He started playing at age 10—he heard a neighbor playing and was hooked. From ages 10 to 11, he mowed lawns and worked part-time around the neighborhood to buy his first drum kit. He bought it for $350—it was cheap, but it was his own.
Self-taught. His only formal training was three semesters in the Peoria High School marching band, where he played snare drum. He says he spent over 1,000 hours practicing snare drum alone over the course of a year and a half. This gave him technique, dynamics, and discipline.
I graduated from high school with honors and a 4.0 GPA. If it weren't for music, I would have gone to medical school and become a pediatrician.
He launched YouTube in 2009. The reason, he says, was shame. At 15, he saw a cover of "Texas in July," which he thought was bad, and thought, "I can do better." He made a video just to prove it. He didn't expect even 50 views.
At 16, Adam Gray from Texas in July called him—a volcanic eruption in Iceland had left him stranded in Italy and unable to get to Pennsylvania for a concert. Luke took a week off from school and filled in. That's when he realized, "I can make a living doing this."
In 2012, at 18, Telle from The Word Alive called him and invited him to join the band. Luke went in blind and spent five years with them.
Since 2020 — drummer of Falling in Reverse.

Full name: Luke Daniel Holland
Age: 33 (June 14, 1993)
Place of birth: Peoria, Arizona
Current location: Lives in Los Angeles
Height: 181 cm
Role in FIR: drums, percussion (since 2020)
Luke Holland isn't just a drummer. He's a musician-entrepreneur who built a career on YouTube before it was mainstream. He's a man who lives with epilepsy and tours the world. He's self-taught and has become one of the most respected session drummers of his generation.

His main principle: "Think like an entrepreneur first, then like a musician. Not because music is less important, but because music needs a machine to reach people."