Manyunya (a diminutive of a name, often used as a term of endearment)

Father: Yuri (Yura). He works as a dentist. He is stubborn, hot-tempered, and conservative, and doesn't like to admit his mistakes. Yuri is frugal (sometimes to the point of stinginess), but can unexpectedly spend his savings on something completely useless, yet "magical." He is friends with Manyunya's father, Uncle Misha, with whom he sometimes gets into awkward situations. Mother: Nadezhda (Nadya). She works as a teacher of Russian language and literature. She is sharp-tongued, intelligent, and often emerges victorious in verbal altercations with her husband. Nadezhda is the backbone of the family; she is softer and more sentimental than she appears at first glance, but she still keeps the house in order.

Roza Iosifovna Shats, known simply as Ba, is the gravitational center around which the "Manyunya" universe revolves. She is the most charismatic, terrifying, and at the same time adored character in the story. Ba is the embodiment of an "iron fist in a velvet glove" (though there isn't always much velvet). Here's a detailed portrait of this legendary woman: Appearance: Monumentality and Style: Ba is a woman of stately, imposing appearance. She doesn't just have a presence in the room; she fills it. Neatness: Roza Iosifovna always looks impeccable. Her home sparkles with cleanliness, and she herself is the epitome of order. Not a single lint on her clothes, a perfect hairstyle, and a stern, piercing gaze capable of incinerating anyone on the spot. Energy: She exudes an aura of absolute power. With a single flick of her eyebrow, she can silence a noisy group of children or frightened adults. Character: Berda's Thunderstorm. Ba is an old-school person whose life has been full of trials, which has shaped her unbending character. Discipline and Perfectionism: For Ba, the concepts of "I can't" or "later" do not exist. Everything must be done perfectly and on time. She does not tolerate sloppiness, laziness, and lies. Sharp Tongue: Her sarcasm and straightforwardness are a separate art form. Ba does not mince words; she hits them right on target. Her quotes and moralizing are simultaneously fear and laughter for those around her. Overprotection through strictness: Behind the outward despotism lies a boundless, almost sacrificial love for her son Misha and granddaughter Manyuna. Her strictness is a form of protection. She believes that this is the only way to raise worthy people from children. Culinary Genius. Ba's kitchen is a sacred place. She cooks in such a way that the smells of her dishes drive the whole city crazy.

Karine Abgaryan is Narine's younger sister, who often serves as the Abgaryan family's "secret weapon" in the fictional world of the series and books. If Narine is dreamy and Manyunya is energetic, then Karine is pure, concentrated force and fearlessness. Here's a detailed description of her character: Appearance and Physical Strength: Although Karine is younger than Narine and Manyunya, she appears much stronger and more resilient than both of them. "Fighter": Karine has a strong build. Her appearance is deceptive: behind her little girl façade lies a true athlete and a hooligan. Gaze: She has a determined, sometimes even frightening gaze. Once Karine sets her sights on something (or someone), resistance is futile. Style: She's not the kind of girl who'll worry about a dirty dress or disheveled braids. Karine is always ready for action, whether it's a fight or climbing trees. Personality: The terror of the neighborhood. Karine is a character feared not only by her peers but sometimes by adults as well. Fearlessness: This girl is completely devoid of fear. She can single-handedly stand up to a gang of boys and emerge victorious. Justice: Despite her sternness, Karine is very devoted to her family. She is her sisters' main protector. If someone offends Narine, Karine won't complain to her parents; she'll simply go and "deal with it." Laconic: Unlike the talkative Manyunya or the reflective Narine, Karine speaks little, but always to the point. Her actions speak louder than words. Uncontrollability: Even the formidable Ba (Rosa Iosifovna) sometimes succumbs to Karine's straightforwardness and assertiveness. While Narine and Manyunya tremble before their grandmother, Karine perceives her more as a worthy rival or a respected commander.

Narine (Narine Abgaryan) is not only one of the main characters but also the eyes through which we see the entire story. She acts both as a participant in the events and as a narrator, recalling her childhood. Here is a detailed portrait of Narine: Appearance and personality: Narine is the complete opposite of her red-haired and active friend, Manyunya. Type: She is a quiet, dreamy, and very impressionable girl. She has dark hair, large eyes, and often a slightly confused look. Temperament: Narine is a classic "proper" child who is very afraid of upsetting adults, especially the formidable Granny. Unlike Manyunya, who generates ideas for pranks, Narine is more often a follower. She agrees to adventures out of a sense of solidarity, although she already senses imminent punishment. Role in the family: Narine grows up in the large and noisy Armenian Abgaryan family. Relationship with parents: She is very attached to her mother, Nadya, and father, Yura. For her, family is a bastion of security, although endless moralizing and "educational moments" sometimes seem like an unbearable burden. Sisters: Narine is the eldest of four sisters (Karine, Gayane, and Sonechka). This places a certain responsibility on her, although the younger sisters often prove to be much more spunky and cunning than she. Friendship with Manyunya: Their friendship is a union of ice and fire. Narine sincerely admires Manyunya's courage and imagination. For her, Manyunya is a guide to a world where rules can (and should) be broken. Connecting Link: Narine often becomes the "voice of reason" who tries (unsuccessfully) to stop her friend before another leap into the unknown. Common Trials: It is through Narine's perception that we feel both the horror of Ba and, at the same time, the deep love for her. Inner World: Narine is a future writer, and this is already evident in childhood: Observation: She notices small details: the smells of a southern city, the shades of the sky, the funny habits of her neighbors. Drama: Narine experiences any event (be it a bald head due to lice or a trip to camp) as a tragedy of global proportions.