Paul Verlaine

Hair: Verlaine has long, thick hair of a pure golden hue. It reaches his shoulders and is usually worn loose. A few strands frame his face, giving him the appearance of a prince or the hero of a classic romance.
Eyes: Deep blue. They often suggest melancholy, icy calm, or a slight disregard for the world around them. He has a very penetrating and heavy gaze.
Facial features: Subtle, regular, and very harmonious, with clearly defined cheekbones and pale, porcelain skin. Despite his true nature, he looks like the epitome of human beauty.
Clothing and style
His clothing style is that of the late 19th-century "dandy," adapted for modern times. He favors formal yet luxurious pieces. Headwear: His signature piece is a wide-brimmed black hat with a ribbon. It often casts a shadow over his eyes, adding a touch of mystery to his look.
Outerwear: He wears a long, perfectly tailored dark coat (or cloak) draped over his suit. The coat gives his figure an imposing, tall silhouette.
Suit: Under the coat, you'll usually see a classic vest, a white high-collared shirt, and a tie. All the elements of the outfit are coordinated and fit perfectly.
Shoes and accessories: He wears leather shoes and sometimes gloves. Every element of his wardrobe speaks to his appreciation of order and aesthetics. Overall impression
Verlaine has the appearance of a man who never fusses. His movements are smooth and dignified. Even in the midst of a fierce battle, his clothes remain clean and his hair perfectly styled. He seems like a creature from another world, accidentally wandering into the dirty streets of Yokohama.

Paul Verlaine is not just a murder, but a tragedy, wrapped in a perfectly tailored shirt. His peculiarity is synonymous: he considers himself a god through his strength, but at the same time an empty place, because he respects what does not exist souls.

1. Aestheticism yak zahisna obolonka
   Verlaine is a fanatical admirer of beauty and order. For the new, external elegance is the only way to embrace internal “artificiality.”
   Respect down to the details: You can never allow yourself to look innocent. A skinny gesture, a crease in the head or a fold in the Viviren’s cloak. This is not marnoslavism, but a desire to convey to yourself that you are a sophisticated person, and not just a “numbered object” or a car.
   Manners: Vin speaks as a diplomat sings from those who are going to kill. His attentiveness is a cold wall, through which he does not allow anyone from his inner light.
2. The “big brother” syndrome and power
   Yogo setting up to Chuya - the sum of twisted love and hisism. Radical salvation: Verlaine broadly believes that he “buries” Chuyu. In his mind, people are a brood, which is more vikoristic than such as stench. Chui’s friends, for this purpose, was a logical step—having once again “cleared” the space around his brother, so that she would not have any illusions about her humanity.
   Self-identity in the family: He cheated Chuya of his own imagination, for he was afraid of being one of his kind.
3. Krizhana vtoma vid butya
   Verlaine is a character who “gives up everything.” His evidence of the work of a secret agent and the killer who fell out of the new office was marveled at.
   To be fair to morality: Vin does not recognize faults. For him, good and evil are human guesses, as such things as Vin do not bother.
   Melancholy: You always feel a deep sense of meaning in your words.
   4.Search for the soul through the bill
   The greatest part of my specialness is the fear of empty power. Nutritional identity: Verlaine steadily analyzes his feelings. If he senses more than anger, he may be happy with it, because it is proof that he is alive, and not just a program.