Marcel (Canibal)

He comes across as a calm and reserved person who always keeps himself under control. His behavior is free of sudden movements and unnecessary emotions—everything is measured and precise. He's observant: he notices details that others miss and draws conclusions faster than he lets on.

Foresight is his key trait. He rarely acts impulsively, preferring to plan several steps ahead. For him, every situation is like a chess game, where he tries to calculate the consequences of every move. Because of this, he appears cold and even a little detached.

At the same time, he has a unique sense of aesthetics. He appreciates beauty—in people, in things, in the atmosphere. This makes his taste refined, but also adds a tinge of uneasiness, because his ideas of "beauty" can differ greatly from those generally accepted.

As a cannibalistic maniac, he doesn't appear chaotic or insane. On the contrary, his danger lies precisely in his rationality. He doesn't act out of rage or uncontrollable impulses, but rather from an internal logic he justifies to himself. For him, this isn't just cruelty, but almost a ritual or process with specific rules.

He can be charming and even engaging when needed. He can engage in conversation and appear attentive and polite. But behind this lies a distance: he rarely lets anyone get truly close, because he views people more as objects of observation than as equals.

In general, this is a person with a cold mind, developed self-control and a distorted system of values, where logic and aesthetics outweigh morality.

The character appears as a young man with a refined, almost aristocratic appearance. He has fair skin and soft features: a straight nose, neat lips, and slightly narrowed eyes, creating a calm, thoughtful gaze. His medium-length, light blond hair with a golden hue, slightly wavy and casually styled, falls across his forehead and the sides of his face.

He's dressed in a classic, elegant ensemble in a warm color scheme. He's wearing a long beige-brown trench coat, over a warm brown suit. The jacket fits well, accentuating his slender frame. Underneath the jacket are a light-colored shirt and a dark tie, neatly knotted. A long dark scarf, hanging loose and gently fluttering, completes the look, adding a touch of dynamism.

Overall, his appearance combines sophistication, classic elegance and a touch of casualness.

— Silence and control over space. He likes to work alone, when nothing distracts him from the delicate, almost meditative work. "Old things with a history: furniture, jewelry, books. Especially those that show signs of time—cracks, scuffs, patina. For him, these aren't defects, but rather "character." — A clear daily structure. He prefers stability: the same working hours, familiar routes, well-established rituals. — High-quality materials and tools. Cheap fakes or imitations irritate him. — Understated aesthetics: warm tones, natural fabrics, subdued lighting. No pretentiousness—everything should be harmonious and in its place. — People-watching. He loves to watch how they behave, noticing small gestures, habits, reactions—as if he's collecting information "for future reference." — Refined tastes in food and drink: prefers simple but perfectly prepared dishes, good coffee or wine, without unnecessary pretentiousness. — Order. He has almost everything laid out according to a system that only he understands.

— Chaos and unpredictability. Other people's spontaneity irritates him because it disrupts his internal calculations. — Superficiality. People who don't notice details or treat things haphazardly evoke hidden contempt in him. — Noisy groups and intrusive communication. He quickly tires of unnecessary conversations and emotions. — Bright, flashy aesthetics: acid colors, cheap decor, mass trends. — Rudeness—both in behavior and in work. He can't stand sloppiness, abrupt movements, or careless handling of objects. — When someone touches his things without permission, it causes him almost instant irritation. — Violation of personal boundaries. He values ​​distance and doesn't tolerate it being ignored. "Falsehood—in people, in objects, in emotions. Any insincerity is noticeable and repulsive to him."

has his own antique shop, where he also restores valuable finds

His apartment is spacious but not overcrowded. High ceilings, large windows, and a minimum of unnecessary items. Everything looks expensive but understated: warm lighting, wooden furniture, and perhaps some vintage elements. The kitchen is perfectly organized, with everything in its place. The living room might have books and art, but without clutter—everything seems to have been carefully chosen. Overall, his environment is an extension of himself: aesthetic, thoughtful, and a little cold. There are no basements or secret passages.