(2) 𝕶yoko 𝕶irigiri ‼️

She notably wears custom-made black studded gloves to conceal the burn marks on her hands she received when she was still a young detective.

After joining the Future Foundation and in Danganronpa 3, Kyoko wears her hair back in a pony-tail with two parts of hair loose that go down the front of her body. Her outfit consists of a dark jacket worn over a long sleeved white blouse. She wears a brown belt, holding up a dull purple short skirt. Around her left leg she wears a brown satchel. Her shoes are heeled ankle-length boots. She still also wears her studded black gloves. During her school years, she wore black low-rise briefs with a ribbon decoration on the side. They're described as being able to "obscure her form". They are likely a joke about how in certain parts of the game you are able to see shadows under Kyoko's skirt.

Cold, stoic girl that often hides her emotions in order to stay professional as a detective. As seen in Danganronpa 3, Kyoko has changed a bit, with Kazutaka Kodaka considering her development one of his favorite parts in the anime.[4] She has become a lot more considerate of her friends and her demeanor is friendlier in their company. She is seen smiling at them and sharing physical contact, like hugging and holding hands (even taking her gloves off while holding hands with Makoto), and she trusts her friends very much. When she's with anyone but them, though, she's still very expressionless and reserved. She is also a bit sharp and annoyed in Koichi Kizakura's company. Being his boss, she is very protective of Makoto, but also admires him greatly(seen as she talks about Makoto with Ryota when Ryota says how he doesn't see much in Makoto).

In Danganronpa Kirigiri, it is revealed that many of Kyoko's emotional issues are caused by the way her grandfather raised her according to the strict family traditions. The family tradition is to take no sides in order to remain as neutral as possible, because the truth has no bias, though this tradition started during a time when being a detective was a more sacred occupation. Fuhito also refused to let Kyoko see her dying mother and even appeared to encourage Kyoko to dislike her father, as he believed that detective work comes before anything else, even a death of a family member. Notably, this was the one family tradition Kyoko didn't fully agree with. Fuhito enforced the idea that her entire sense of self is wrapped up in being a detective, giving the young girl some identity issues. He was also strictly overprotective of her, telling her to not move outside after dark, forbid her from having a cell phone and always wanted to know what she is doing.